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Shearer Peterview full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
SHEARER, PETER
BORN: circa 1970 at New Zealand LIVING: 2019 at Auckland, New Zealand
[ New Zealand ]
Peter Shearer is a New Zealand potter and art teacher, currently working from his Birkenhead studio in Auckland with his wife Jeanette, who is also a well-known potter. Peter’s chopmark is an ‘S’ within a square.
For more than 30 years, Peter Shearer has been working with stoneware clay, aiming to achieve a balance between form and function in whatever he makes. His forms and glazes are strongly influenced by New Zealand’s unique environment. One of the characteristics of Peter’s work is the contrast achieved by using glazed surfaces adjacent to textured non-glazed surfaces. He applies crackled slips, combing and fluting to the leather hard clay and after each piece is bisque-fired, he rubs iron oxide into the surface to highlight the texture. Porcelain clay is used for the celadon pieces and all others are all made from stoneware clay.

[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Shearer Peter

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
SHEARER, PETER
BORN: circa 1970 at New Zealand LIVING: 2019 at Auckland, New Zealand
[ New Zealand ]
Peter Shearer is a New Zealand potter and art teacher, currently working from his Birkenhead studio in Auckland with his wife Jeanette, who is also a well-known potter. Peter’s chopmark is an ‘S’ within a square.
For more than 30 years, Peter Shearer has been working with stoneware clay, aiming to achieve a balance between form and function in whatever he makes. His forms and glazes are strongly influenced by New Zealand’s unique environment. One of the characteristics of Peter’s work is the contrast achieved by using glazed surfaces adjacent to textured non-glazed surfaces. He applies crackled slips, combing and fluting to the leather hard clay and after each piece is bisque-fired, he rubs iron oxide into the surface to highlight the texture. Porcelain clay is used for the celadon pieces and all others are all made from stoneware clay.

[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

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Shillam Leonard Georgeview full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
SHILLAM, LEONARD GEORGE (AM)
[ Queensland, New South Wales, Australian Capital Territory, United Kingdom, USA ]
BORN: 15th August 1915 at Brisbane, Queensland DIED: 1st September 2005 at Brisbane, Queensland
Leonard Shillam was a sculptor (modeller, carver and caster), sculpture teacher, painter (primarily in watercolours), graphic artist, art lecturer, art critic and poultry farmer. He was primarily known as a modeller in clay and caster in bronze and brass, and a carver of exotic woods and stone, his figure and animal studies in tabletop and monumental sizes being his best- known pieces. His parents were William John Shillam [1882-1951] and Mabel Griffith [1882- 1949], Leonard having two siblings (Gwyneth [1911-1994] and Harold William [1917-1970] Shillam). On 1st September 1942, Leonard Shillam married English-born Kathleen O’Neill [1916-2002], who was also a sculptor and artist, having met while studying at Brisbane Technical College.
Leonard Shillam attended Brisbane Grammar School (1928-1930) before receiving his artistic training at Brisbane’s Central Technical College (1931-1936) under F.J. Martyn Roberts [1871-1963]. In 1934, Leonard was awarded the Godfrey Rivers Medal which was awarded to the highest achieving art student. Later in his career, Shillam taught art, becoming Head of the Sculpture Department at Brisbane’s College of Art and in 1975, was the first instructor in sculpture at the Queensland College of Art
Between 1934 and 1936, Leonard Shillam was employed as a designer in a silkscreen poster studio while still studying at the Technical College. On 29th April 1938, he was awarded the £400 ($2,000) Carnegie Institute Travelling Grant, which enabled him to continue his studies in England, arriving in September 1938. In London, he studied life modelling at the Westminster School, Central School of Arts and Crafts and under British modernist sculptors John Skeaping [1901-1980] and Henry Moore [1898-1986]. At the outbreak of World War II, Shillam decided to return to Australia, arriving on 26th November 1939 aboard the SS Themistocles.
In 1935, along with Francis Lymburner and Will Smith, they formed the nucleus of a small studio group to draw at the Victory Chambers, Adelaide Street, Brisbane. In 1937, Leonard developed an interest in sculpture and began to sculpt with a set of tools borrowed from sculptress Daphne Mayo, and a slab of stone given by a sympathetic stone mason. In October 1947, Leonard and Kathleen Shillam had a joint exhibition of modern sculpture at Albert House and in July 1949 at Moreton Gallery in Brisbane. In November 1949, Leonard’s sculpture was shown alongside Tom Bass, Lyndon Dadswell, Margel Hinder, Gerald Lewer and Daphne Mayo in Sydney’s David Jones’ Art Gallery. In December 1950, a number of his wood carvings were exhibited at the Rockefeller Center in New York City with other contemporary Australian sculptors and the following year at the Botanical Gardens in Sydney.
In early 1940s and 1950s, Leonard and Kathleen Shillam were members of the Half- Dozen Group and Brisbane Group of Artists. In 1968, they founded the Society of Sculptures Queensland, and also the Queensland Society of Sculptors and the Queensland Wildlife Artists Society. In 1980, Leonard and Kathleen Shillam set up a bronze casting foundry in their studio and until 1987 cast all their own smaller scaled works. On 21st March 1987, they were involved in a serious car accident that curtailed but did not end their careers as sculptors.
In mid-1950s, Leonard and Kathleen Shillam commenced exhibiting with the Society of Sculptors and in 1976, were awarded life membership of the Society of Sculptors, Queensland. In January 1986, they were appointed Members of the Order of Australia (AM). In December 2000, they were awarded Honorary Doctor of Philosophy for services to the arts, notably sculpture, from the University of Queensland.
COLLECTIONS: Queensland Art Gallery; Art Gallery of NSW; Darnell Art Collection at University of Queensland.
BIBLIOGRAPHY:
Leonard and Kathleen Shillam: A Tribute by Glen R. Cooke; Queensland Art Gallery; Brisbane’ 1995 Shillam Sculpture by Leonard and Kathleen Shillam; Brisbane; 2000
Formative Years: Four Art Students in 1930s Brisbane (William Smith, Leonard Shillam, Kathleen Shillam, Francis Lymburner) by Kathleen Shillam; Brisbane; 1997
Forms entwined: The life story of sculptors Leonard & Kathleen Shillam by Dorothy Hartnett; Brisbane; 1996
MEDIA SOURCES: Courier Mail (14th December 1934; 23rd November 1935; 23rd November 1936; 13th March 1939; 3rd April 1940; 16th February 1942; 11th July 1949); Daily Standard (14th January 1935); Brisbane Telegraph (21st November 1936; 29th April 1938; 10th March 1939; 26th September 1940; 31st October 1947; 11th July 1949; 30th January 1950; 10th November 1951); Sunday Mail (10th July 1949); Sydney Sun (1st November 1949); Sydney Morning Herald (7th December 1950); Sydney’s Daily Telegraph (4th November 1951); Canberra Times (6th October 1966; 25th January 1986); Papua New Guinea Post-Courier (3rd October 1969)

[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Shillam Leonard George

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
SHILLAM, LEONARD GEORGE (AM)
[ Queensland, New South Wales, Australian Capital Territory, United Kingdom, USA ]
BORN: 15th August 1915 at Brisbane, Queensland DIED: 1st September 2005 at Brisbane, Queensland
Leonard Shillam was a sculptor (modeller, carver and caster), sculpture teacher, painter (primarily in watercolours), graphic artist, art lecturer, art critic and poultry farmer. He was primarily known as a modeller in clay and caster in bronze and brass, and a carver of exotic woods and stone, his figure and animal studies in tabletop and monumental sizes being his best- known pieces. His parents were William John Shillam [1882-1951] and Mabel Griffith [1882- 1949], Leonard having two siblings (Gwyneth [1911-1994] and Harold William [1917-1970] Shillam). On 1st September 1942, Leonard Shillam married English-born Kathleen O’Neill [1916-2002], who was also a sculptor and artist, having met while studying at Brisbane Technical College.
Leonard Shillam attended Brisbane Grammar School (1928-1930) before receiving his artistic training at Brisbane’s Central Technical College (1931-1936) under F.J. Martyn Roberts [1871-1963]. In 1934, Leonard was awarded the Godfrey Rivers Medal which was awarded to the highest achieving art student. Later in his career, Shillam taught art, becoming Head of the Sculpture Department at Brisbane’s College of Art and in 1975, was the first instructor in sculpture at the Queensland College of Art
Between 1934 and 1936, Leonard Shillam was employed as a designer in a silkscreen poster studio while still studying at the Technical College. On 29th April 1938, he was awarded the £400 ($2,000) Carnegie Institute Travelling Grant, which enabled him to continue his studies in England, arriving in September 1938. In London, he studied life modelling at the Westminster School, Central School of Arts and Crafts and under British modernist sculptors John Skeaping [1901-1980] and Henry Moore [1898-1986]. At the outbreak of World War II, Shillam decided to return to Australia, arriving on 26th November 1939 aboard the SS Themistocles.
In 1935, along with Francis Lymburner and Will Smith, they formed the nucleus of a small studio group to draw at the Victory Chambers, Adelaide Street, Brisbane. In 1937, Leonard developed an interest in sculpture and began to sculpt with a set of tools borrowed from sculptress Daphne Mayo, and a slab of stone given by a sympathetic stone mason. In October 1947, Leonard and Kathleen Shillam had a joint exhibition of modern sculpture at Albert House and in July 1949 at Moreton Gallery in Brisbane. In November 1949, Leonard’s sculpture was shown alongside Tom Bass, Lyndon Dadswell, Margel Hinder, Gerald Lewer and Daphne Mayo in Sydney’s David Jones’ Art Gallery. In December 1950, a number of his wood carvings were exhibited at the Rockefeller Center in New York City with other contemporary Australian sculptors and the following year at the Botanical Gardens in Sydney.
In early 1940s and 1950s, Leonard and Kathleen Shillam were members of the Half- Dozen Group and Brisbane Group of Artists. In 1968, they founded the Society of Sculptures Queensland, and also the Queensland Society of Sculptors and the Queensland Wildlife Artists Society. In 1980, Leonard and Kathleen Shillam set up a bronze casting foundry in their studio and until 1987 cast all their own smaller scaled works. On 21st March 1987, they were involved in a serious car accident that curtailed but did not end their careers as sculptors.
In mid-1950s, Leonard and Kathleen Shillam commenced exhibiting with the Society of Sculptors and in 1976, were awarded life membership of the Society of Sculptors, Queensland. In January 1986, they were appointed Members of the Order of Australia (AM). In December 2000, they were awarded Honorary Doctor of Philosophy for services to the arts, notably sculpture, from the University of Queensland.
COLLECTIONS: Queensland Art Gallery; Art Gallery of NSW; Darnell Art Collection at University of Queensland.
BIBLIOGRAPHY:
Leonard and Kathleen Shillam: A Tribute by Glen R. Cooke; Queensland Art Gallery; Brisbane’ 1995 Shillam Sculpture by Leonard and Kathleen Shillam; Brisbane; 2000
Formative Years: Four Art Students in 1930s Brisbane (William Smith, Leonard Shillam, Kathleen Shillam, Francis Lymburner) by Kathleen Shillam; Brisbane; 1997
Forms entwined: The life story of sculptors Leonard & Kathleen Shillam by Dorothy Hartnett; Brisbane; 1996
MEDIA SOURCES: Courier Mail (14th December 1934; 23rd November 1935; 23rd November 1936; 13th March 1939; 3rd April 1940; 16th February 1942; 11th July 1949); Daily Standard (14th January 1935); Brisbane Telegraph (21st November 1936; 29th April 1938; 10th March 1939; 26th September 1940; 31st October 1947; 11th July 1949; 30th January 1950; 10th November 1951); Sunday Mail (10th July 1949); Sydney Sun (1st November 1949); Sydney Morning Herald (7th December 1950); Sydney’s Daily Telegraph (4th November 1951); Canberra Times (6th October 1966; 25th January 1986); Papua New Guinea Post-Courier (3rd October 1969)

[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

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Vanderlugt (A.K.A. Van Der Lugt), Adriaanview full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
VANDERLUGT (A.K.A. VAN DER LUGT), ADRIAAN
[ Queensland, New South Wales, Canada, USA, Zimbabwe ]
BORN: 1943 at Netherlands
LIVING: 2019 Whitsundays, Queensland
Adriaan Vanderlugt is sculptor (carver, modeller and caster), graphic artist, art consultant and art writer. He was born in the Netherland, but his family immigrated to Canada where he developed an interest in Native American artefacts and after attending art school, worked for Graphic Design Studio in Hamilton, Ontario. In 1967, he visited Australia, where he met his wife Denise, an artist and quiltmaker, in Townsville. They returned to Canada, but in 1977/1979, emigrated to Australia, settling in the Whitsundays, where he cleared the land and built his family home.
For more than four decades, Adriaan Vanderlugt has been carving bone, stone, wood, marble and metal, especially somewhat stylized animals, birds and fish. In 1970, he held his first sculpture exhibition in Hamilton and won awards from the Ontario Craft Foundation. In 1997, he was commissioned to create the furniture for the new chapel on Hayman Island, Queensland. He exhibited at (1986) Australian Fortnight in Dallas, Texas and was a guest artist at the Trans-Tasman Wood Exhibition in Sydney in 1991.
For the Centenary of Federation Celebrations in 2001, Vanderlugt created a number of public sculptures for the Mackay Whitsunday Region. His sculptures have been included in six ‘Strand Ephemera’ and two ‘Fringe Ephemera’ Exhibitions in Townsville. He also exhibited two sculptures at the ‘12th Thursday Plantation East Coast Sculpture Show’ in Ballina in 2007. His first entry in the SWELL Sculpture Festival was in 2009 and his sculpture Five White Shorebirds was acquired by the Gold Coast City Council and installed at Rainbow Bay in Coolangatta. He has had entries each year in subsequent SWELL Sculpture Festivals to 2014.
Adriaan Vanderlugt has created public sculptures for communities in western Queensland, with the Five ‘Woolbale’ Sheep for the town of Quilpie and a 3.5-meter Bottle Tree located at the Living Arts Centre in Blackall. In 2013, he installed a group of five wood wildlife sculptures outside of the Mackay Entertainment Centre and another one in 2015 and one more in 2017. As an Art Consultant, he assisted in revitalising the Streetscape of Proserpine in the 80’s and 90’s and was involved in creating the Green Room at the Proserpine Hospital. For a number of years Adriaan wrote a weekly Art Column in the Whitsunday Coast Guardian for which in 2005, he received a Mackay Regional ‘Arts-is-in Award’ for recognition of his media coverage of the arts. In 2003, he was honoured with an Australia Centenary Medal ‘for distinguished service to the arts’. In December of 2013, Adriaan Vanderlugt was filmed for an Episode for the TV Show Colour In Your Life’.
COLLECTIONS: Gold Coast City Council.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Vanderlugt (A.K.A. Van Der Lugt), Adriaan

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
VANDERLUGT (A.K.A. VAN DER LUGT), ADRIAAN
[ Queensland, New South Wales, Canada, USA, Zimbabwe ]
BORN: 1943 at Netherlands
LIVING: 2019 Whitsundays, Queensland
Adriaan Vanderlugt is sculptor (carver, modeller and caster), graphic artist, art consultant and art writer. He was born in the Netherland, but his family immigrated to Canada where he developed an interest in Native American artefacts and after attending art school, worked for Graphic Design Studio in Hamilton, Ontario. In 1967, he visited Australia, where he met his wife Denise, an artist and quiltmaker, in Townsville. They returned to Canada, but in 1977/1979, emigrated to Australia, settling in the Whitsundays, where he cleared the land and built his family home.
For more than four decades, Adriaan Vanderlugt has been carving bone, stone, wood, marble and metal, especially somewhat stylized animals, birds and fish. In 1970, he held his first sculpture exhibition in Hamilton and won awards from the Ontario Craft Foundation. In 1997, he was commissioned to create the furniture for the new chapel on Hayman Island, Queensland. He exhibited at (1986) Australian Fortnight in Dallas, Texas and was a guest artist at the Trans-Tasman Wood Exhibition in Sydney in 1991.
For the Centenary of Federation Celebrations in 2001, Vanderlugt created a number of public sculptures for the Mackay Whitsunday Region. His sculptures have been included in six ‘Strand Ephemera’ and two ‘Fringe Ephemera’ Exhibitions in Townsville. He also exhibited two sculptures at the ‘12th Thursday Plantation East Coast Sculpture Show’ in Ballina in 2007. His first entry in the SWELL Sculpture Festival was in 2009 and his sculpture Five White Shorebirds was acquired by the Gold Coast City Council and installed at Rainbow Bay in Coolangatta. He has had entries each year in subsequent SWELL Sculpture Festivals to 2014.
Adriaan Vanderlugt has created public sculptures for communities in western Queensland, with the Five ‘Woolbale’ Sheep for the town of Quilpie and a 3.5-meter Bottle Tree located at the Living Arts Centre in Blackall. In 2013, he installed a group of five wood wildlife sculptures outside of the Mackay Entertainment Centre and another one in 2015 and one more in 2017. As an Art Consultant, he assisted in revitalising the Streetscape of Proserpine in the 80’s and 90’s and was involved in creating the Green Room at the Proserpine Hospital. For a number of years Adriaan wrote a weekly Art Column in the Whitsunday Coast Guardian for which in 2005, he received a Mackay Regional ‘Arts-is-in Award’ for recognition of his media coverage of the arts. In 2003, he was honoured with an Australia Centenary Medal ‘for distinguished service to the arts’. In December of 2013, Adriaan Vanderlugt was filmed for an Episode for the TV Show Colour In Your Life’.
COLLECTIONS: Gold Coast City Council.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

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Van Der Lugt Adriaan (aka Vanderlugt )view full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
VANDERLUGT (A.K.A. VAN DER LUGT), ADRIAAN
[ Queensland, New South Wales, Canada, USA, Zimbabwe ]
BORN: 1943 at Netherlands
LIVING: 2019 Whitsundays, Queensland
Adriaan Vanderlugt is sculptor (carver, modeller and caster), graphic artist, art consultant and art writer. He was born in the Netherland, but his family immigrated to Canada where he developed an interest in Native American artefacts and after attending art school, worked for Graphic Design Studio in Hamilton, Ontario. In 1967, he visited Australia, where he met his wife Denise, an artist and quiltmaker, in Townsville. They returned to Canada, but in 1977/1979, emigrated to Australia, settling in the Whitsundays, where he cleared the land and built his family home.
For more than four decades, Adriaan Vanderlugt has been carving bone, stone, wood, marble and metal, especially somewhat stylized animals, birds and fish. In 1970, he held his first sculpture exhibition in Hamilton and won awards from the Ontario Craft Foundation. In 1997, he was commissioned to create the furniture for the new chapel on Hayman Island, Queensland. He exhibited at (1986) Australian Fortnight in Dallas, Texas and was a guest artist at the Trans-Tasman Wood Exhibition in Sydney in 1991.
For the Centenary of Federation Celebrations in 2001, Vanderlugt created a number of public sculptures for the Mackay Whitsunday Region. His sculptures have been included in six ‘Strand Ephemera’ and two ‘Fringe Ephemera’ Exhibitions in Townsville. He also exhibited two sculptures at the ‘12th Thursday Plantation East Coast Sculpture Show’ in Ballina in 2007. His first entry in the SWELL Sculpture Festival was in 2009 and his sculpture Five White Shorebirds was acquired by the Gold Coast City Council and installed at Rainbow Bay in Coolangatta. He has had entries each year in subsequent SWELL Sculpture Festivals to 2014.
Adriaan Vanderlugt has created public sculptures for communities in western Queensland, with the Five ‘Woolbale’ Sheep for the town of Quilpie and a 3.5-meter Bottle Tree located at the Living Arts Centre in Blackall. In 2013, he installed a group of five wood wildlife sculptures outside of the Mackay Entertainment Centre and another one in 2015 and one more in 2017. As an Art Consultant, he assisted in revitalising the Streetscape of Proserpine in the 80’s and 90’s and was involved in creating the Green Room at the Proserpine Hospital. For a number of years Adriaan wrote a weekly Art Column in the Whitsunday Coast Guardian for which in 2005, he received a Mackay Regional ‘Arts-is-in Award’ for recognition of his media coverage of the arts. In 2003, he was honoured with an Australia Centenary Medal ‘for distinguished service to the arts’. In December of 2013, Adriaan Vanderlugt was filmed for an Episode for the TV Show Colour In Your Life’.
COLLECTIONS: Gold Coast City Council.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Van Der Lugt Adriaan (aka Vanderlugt )

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
VANDERLUGT (A.K.A. VAN DER LUGT), ADRIAAN
[ Queensland, New South Wales, Canada, USA, Zimbabwe ]
BORN: 1943 at Netherlands
LIVING: 2019 Whitsundays, Queensland
Adriaan Vanderlugt is sculptor (carver, modeller and caster), graphic artist, art consultant and art writer. He was born in the Netherland, but his family immigrated to Canada where he developed an interest in Native American artefacts and after attending art school, worked for Graphic Design Studio in Hamilton, Ontario. In 1967, he visited Australia, where he met his wife Denise, an artist and quiltmaker, in Townsville. They returned to Canada, but in 1977/1979, emigrated to Australia, settling in the Whitsundays, where he cleared the land and built his family home.
For more than four decades, Adriaan Vanderlugt has been carving bone, stone, wood, marble and metal, especially somewhat stylized animals, birds and fish. In 1970, he held his first sculpture exhibition in Hamilton and won awards from the Ontario Craft Foundation. In 1997, he was commissioned to create the furniture for the new chapel on Hayman Island, Queensland. He exhibited at (1986) Australian Fortnight in Dallas, Texas and was a guest artist at the Trans-Tasman Wood Exhibition in Sydney in 1991.
For the Centenary of Federation Celebrations in 2001, Vanderlugt created a number of public sculptures for the Mackay Whitsunday Region. His sculptures have been included in six ‘Strand Ephemera’ and two ‘Fringe Ephemera’ Exhibitions in Townsville. He also exhibited two sculptures at the ‘12th Thursday Plantation East Coast Sculpture Show’ in Ballina in 2007. His first entry in the SWELL Sculpture Festival was in 2009 and his sculpture Five White Shorebirds was acquired by the Gold Coast City Council and installed at Rainbow Bay in Coolangatta. He has had entries each year in subsequent SWELL Sculpture Festivals to 2014.
Adriaan Vanderlugt has created public sculptures for communities in western Queensland, with the Five ‘Woolbale’ Sheep for the town of Quilpie and a 3.5-meter Bottle Tree located at the Living Arts Centre in Blackall. In 2013, he installed a group of five wood wildlife sculptures outside of the Mackay Entertainment Centre and another one in 2015 and one more in 2017. As an Art Consultant, he assisted in revitalising the Streetscape of Proserpine in the 80’s and 90’s and was involved in creating the Green Room at the Proserpine Hospital. For a number of years Adriaan wrote a weekly Art Column in the Whitsunday Coast Guardian for which in 2005, he received a Mackay Regional ‘Arts-is-in Award’ for recognition of his media coverage of the arts. In 2003, he was honoured with an Australia Centenary Medal ‘for distinguished service to the arts’. In December of 2013, Adriaan Vanderlugt was filmed for an Episode for the TV Show Colour In Your Life’.
COLLECTIONS: Gold Coast City Council.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

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Williams Ross Mview full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
WILLIAMS, ROSS M.
BORN: 25th May 1936 at Gisborne, New Zealand
[ New Zealand, Australia, United Kingdom ]
In 1968, Ross M. Williams took up sculpting and studied available literature on sculptors, sculptures and anatomy of humans and animals, later studying sculpture in Adelaide, South Australia and London, United Kingdom before establishing a studio in Sydney, New South Wales. He worked with clay, terracotta, plaster, stone, alabaster, wood, fiberglass and cement, but preferred modelling in clay and terracotta, and carving stone and wood. In 1980, he started to cast his work in bronze, afterward concentrating on producing limited editions of his clay models.
Ross Williams was strongly influenced by French sculptor François Auguste René Rodin [1840-1917] because of his ability to capture movement and vitality, and the expression of emotions the human form. He tried to emulate Rodin’s distinctive methods of achieving surface texture, even on his tabletop pieces. Ross William’s favourite subjects were figural studies of athletes, dancers and animals.
Sculptor’s Statement
The Bronze of Discus Thrower is the second of a limited addition of nine. Each is individually cast so no two are identical.
In my view, Bronze is the truly classical medium of all sculpture. Its warmth, depth, and texture give it qualities which cannot be surpassed or duplicated in any other medium.
My pieces are produced by the ‘lost wax’ process. After I sculpt the original in a special wax, it is dipped in ceramic slurry which hardens to form a ceramic shell mould. The ceramic shell mould will withstand temperatures in excess of 10000 Centigrade yet is very fragile. The wax is then melted from the mould and the cavity filled with molten Bronze. When the Bronze has cooled and hardened the mould is broken to reveal the original form. Then follows some intricate work cutting away ‘runners’ and ‘chasing’ with files and a variety of instruments and finally, the patina or colouring is applied, and the piece is complete.

[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Williams Ross M

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
WILLIAMS, ROSS M.
BORN: 25th May 1936 at Gisborne, New Zealand
[ New Zealand, Australia, United Kingdom ]
In 1968, Ross M. Williams took up sculpting and studied available literature on sculptors, sculptures and anatomy of humans and animals, later studying sculpture in Adelaide, South Australia and London, United Kingdom before establishing a studio in Sydney, New South Wales. He worked with clay, terracotta, plaster, stone, alabaster, wood, fiberglass and cement, but preferred modelling in clay and terracotta, and carving stone and wood. In 1980, he started to cast his work in bronze, afterward concentrating on producing limited editions of his clay models.
Ross Williams was strongly influenced by French sculptor François Auguste René Rodin [1840-1917] because of his ability to capture movement and vitality, and the expression of emotions the human form. He tried to emulate Rodin’s distinctive methods of achieving surface texture, even on his tabletop pieces. Ross William’s favourite subjects were figural studies of athletes, dancers and animals.
Sculptor’s Statement
The Bronze of Discus Thrower is the second of a limited addition of nine. Each is individually cast so no two are identical.
In my view, Bronze is the truly classical medium of all sculpture. Its warmth, depth, and texture give it qualities which cannot be surpassed or duplicated in any other medium.
My pieces are produced by the ‘lost wax’ process. After I sculpt the original in a special wax, it is dipped in ceramic slurry which hardens to form a ceramic shell mould. The ceramic shell mould will withstand temperatures in excess of 10000 Centigrade yet is very fragile. The wax is then melted from the mould and the cavity filled with molten Bronze. When the Bronze has cooled and hardened the mould is broken to reveal the original form. Then follows some intricate work cutting away ‘runners’ and ‘chasing’ with files and a variety of instruments and finally, the patina or colouring is applied, and the piece is complete.

[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

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Modern Ceramic Productsview full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Modern Ceramic Products

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

Close

MCP - Modern Ceramic Productsview full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

MCP - Modern Ceramic Products

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

Close

Impey John Douglas 1917-1997view full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Impey John Douglas 1917-1997

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

Close

Kirkwood Stan view full entry

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]
Publishing details: Published online August 2020.

×

Kirkwood Stan

Reference: see Australian Sculptors and Artworks in Three Dimensions, “( One Man’s Collection – A Personal Journey )” by David James Angeloro. (Excerpt of a draft July, 2020. An eBook by David Angeloro.
MODERN CERAMIC PRODUCTS (MCP)
OPERATED: 1943 – 1966 at Sydney, New South Wales
John Douglas Impey [1917-1997], an Industrial Chemical Engineer and his brother-in- law, Stan Kirkwood, started Modern Ceramic Products (MCP) in 1943. Prior to this time, John Impey worked for the AGM glassworks at Waterloo and Stan Kirkwood [1917-1983] was an electrical engineer working for Birlec (Birmingham Electrical Furnaces Ltd.) where he designed and made furnaces and industrial heating elements.
One of Kirkwood’s clients Dora Minchin had established a small pottery business and in early 1944, she required more kiln capacity to cope with her growing output of hand-built and slipcase pottery. Kirkwood and Impey installed a small kiln under the veranda at Longueville and Minchin’s prodigious output strained the kiln’s capacity. Despite severe wartime restrictions, Kirkwood made a two cubic foot capacity kiln. Towards the end of 1944, Impey and Kirkwood decided to make some pottery items themselves in their spare time. They were convinced that there was a future in artware pottery and were joined in 1945 by Ron Cooper and John Lambeth (both chemical engineers at the AGM Waterloo plant).
The first break came for the fledgling business, by then using the unregistered and unincorporated name of Modern Ceramic Products (MCP), in November 1945 when they received an order from retailer Prouds for 300 pounds, a considerable sum in those days. John Impey decided the business warranted more commitment and so he decided to leave the Glassworks. Much needed capital was provided by John Impey’s father in law, Reg O’Donnell who had recently sold a property in Gundagai called ‘Mingay’. He suggested that MCP use the name of Mingay for their range of pottery, John Impey agreed, and the name was used over the life of the artware pottery business.
With the end of the war, there was quite an upsurge in the demand for the modern colourful style of artware pottery, MCP was producing. The expanding business moved to Clarence Street Sydney. In 1946, MCP moved to 107 Redfern Street, Redfern at which time they were awarded the rights to produce ceramic versions of the animated Disney characters including Bambi. In 1958, they moved to 44 Norman Street Peakhurst.
At their peak, MCP employed thirty-nine people but in 1952 the Australian Government increased sales tax from 33.3% to a 66.6% on their products in 1952 MCP reduced their staff from 30 to 7. In 1955, Australian commercial potteries sought products for manufacture that did not attract a sales tax. Ceramic bathroom fittings fitted the bill and MCP immediately went into production in this area. In 1957, Porter and Galbraith bought MCP and the two merged with Hanson Consolidated Industries forming PGH.
[Works from the David Angeloro Sculpture Collection were sold at Davidson Auctions, Fine Art, featuring the David Angeloro Collection of Australian Sculpture, Sunday August 16th, 2020]. [Information on artists included in this publication has been included in the Scheding Index]

Publishing details: Published online August 2020.

Location:

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Auckland Society of Artsview full entry

Reference: The Auckland Society of Arts 1870-1970
A Centennial History. By R Tizard
Publishing details: 52p, illustrated. 250mm, soft grey covers.
Ref: 1000

×

Auckland Society of Arts

Reference: The Auckland Society of Arts 1870-1970
A Centennial History. By R Tizard

Publishing details: 52p, illustrated. 250mm, soft grey covers.

Location: 1000

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Cubitt Frederickview full entry

Reference: see Sydney Sportsman (Surry Hills, NSW : 1900 - 1954), Wed 29 Jun 1910, Page 3, MUMMER MEMOIRS:
In the mid-sixties, in Sydney, Mr.
Frederick Cubitt followed the art of
wood-engraving, having 'his workshop In
Bridge Street. Wood-engraving may now
be considered one of the lost arts: .

×

Cubitt Frederick

Reference: see Sydney Sportsman (Surry Hills, NSW : 1900 - 1954), Wed 29 Jun 1910, Page 3, MUMMER MEMOIRS:
In the mid-sixties, in Sydney, Mr.
Frederick Cubitt followed the art of
wood-engraving, having 'his workshop In
Bridge Street. Wood-engraving may now
be considered one of the lost arts: .

Publishing details:

Location:

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Dawe H Eview full entry

Reference: see George the Third – [133 lives lost] by H. E. Dawe
The power of maternal affection, when the George the Forth [i.e. for Third] convict ship was wrecked in April, 1835 near Van Dieman's Land, 1837
tinted engraving
16 x 22 in
Published: London, Thomas McLean, 1837
Mitchell Library, State Library of New South Wales
V* / Ship / Geo 3 / 1
Ship identified in 'More Tasmanian old prints' by Clifford Craig, 1984n [Previously catalogued as George the Fourth]

×

Dawe H E

Reference: see George the Third – [133 lives lost] by H. E. Dawe
The power of maternal affection, when the George the Forth [i.e. for Third] convict ship was wrecked in April, 1835 near Van Dieman's Land, 1837
tinted engraving
16 x 22 in
Published: London, Thomas McLean, 1837
Mitchell Library, State Library of New South Wales
V* / Ship / Geo 3 / 1
Ship identified in 'More Tasmanian old prints' by Clifford Craig, 1984n [Previously catalogued as George the Fourth]

Publishing details:

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Adlam Albert Victorview full entry

Reference: See Elders Fine Art auction, Important Australian & International Paintings
Including the estate collections of Brian Dunlop & Brian Seidel. Sunday 23rd August, 2020:
Lot 129
ALBERT VICTOR ADLAM (Working 1930’s)


“Adelaide City Bridge, Torrens River towards the Cathedral c.1930”
Watercolour
54 x 75cm
Signed Lower Right, Dated 1930
Artist represented in the National Museum of Australia.

Frame Measurement: 88 x 109cm

Condition Report: Lovely condition, no foxing, some slight discolouration to sky area, lovely wooden frame in very good condition.
Estimate: $2,500 - 3,500

×

Adlam Albert Victor

Reference: See Elders Fine Art auction, Important Australian & International Paintings
Including the estate collections of Brian Dunlop & Brian Seidel. Sunday 23rd August, 2020:
Lot 129
ALBERT VICTOR ADLAM (Working 1930’s)


“Adelaide City Bridge, Torrens River towards the Cathedral c.1930”
Watercolour
54 x 75cm
Signed Lower Right, Dated 1930
Artist represented in the National Museum of Australia.

Frame Measurement: 88 x 109cm

Condition Report: Lovely condition, no foxing, some slight discolouration to sky area, lovely wooden frame in very good condition.
Estimate: $2,500 - 3,500

Publishing details:

Location:

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Scott Margaret Cochrane (1825-1919)view full entry

Reference: See Elders Fine Art auction, Important Australian & International Paintings
Including the estate collections of Brian Dunlop & Brian Seidel. Sunday 23rd August, 2020:
Lot 149
MARGARET COCHRANE SCOTT (1825-1919)


“Wildflowers and Rock Pools, Horsnell Gully, Adelaide Hills, SA”
(Painted from Nature)
Oil on Artist’s Board
37x54cm
Signed Lower Left

Frame Measurement: 49 x 65

Condition Report: Excellent Condition, no faults or concerns, traditional gilt style frame in good condition.

Prov: The Estate of Horsnell. Private Collection, Adelaide

Born in Liverpool, Margaret arrived with her family in Adelaide in 1861. A skilled painter of flowers from nature, in the 1870s she recorded a local wildflower sketchbook.
Margaret found a special affinity with the orchid species that thrived in the Adelaide Hills and exhibited her work in many exhibitions of the time.
In 1895 Viscountess Kintore, wife of the Governor of South Australia greatly admired her unique paintings and purchased a significant collection of her works to take back to England for herself and her friends and the Glasgow Art Gallery in Scotland and the then Duchess of York who was crowned Queen Mary.
In 1899 a number of her drawings and watercolours were published in a book presented to the Vice-Regal’s wife, Lady Buxton.
In the 1870s she compiled a comprehensive study of wildflowers from the Adelaide Hills and Horsnell Gully. These volumes of studies were bequeathed to the Adelaide Botanical Gardens on the death of her daughter Winnifred in 1950.
She died in 1919 and is regarded highly for her work.
Estimate: 1,500-2,500

×

Scott Margaret Cochrane (1825-1919)

Reference: See Elders Fine Art auction, Important Australian & International Paintings
Including the estate collections of Brian Dunlop & Brian Seidel. Sunday 23rd August, 2020:
Lot 149
MARGARET COCHRANE SCOTT (1825-1919)


“Wildflowers and Rock Pools, Horsnell Gully, Adelaide Hills, SA”
(Painted from Nature)
Oil on Artist’s Board
37x54cm
Signed Lower Left

Frame Measurement: 49 x 65

Condition Report: Excellent Condition, no faults or concerns, traditional gilt style frame in good condition.

Prov: The Estate of Horsnell. Private Collection, Adelaide

Born in Liverpool, Margaret arrived with her family in Adelaide in 1861. A skilled painter of flowers from nature, in the 1870s she recorded a local wildflower sketchbook.
Margaret found a special affinity with the orchid species that thrived in the Adelaide Hills and exhibited her work in many exhibitions of the time.
In 1895 Viscountess Kintore, wife of the Governor of South Australia greatly admired her unique paintings and purchased a significant collection of her works to take back to England for herself and her friends and the Glasgow Art Gallery in Scotland and the then Duchess of York who was crowned Queen Mary.
In 1899 a number of her drawings and watercolours were published in a book presented to the Vice-Regal’s wife, Lady Buxton.
In the 1870s she compiled a comprehensive study of wildflowers from the Adelaide Hills and Horsnell Gully. These volumes of studies were bequeathed to the Adelaide Botanical Gardens on the death of her daughter Winnifred in 1950.
She died in 1919 and is regarded highly for her work.
Estimate: 1,500-2,500

Publishing details:

Location:

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Hunter Johnview full entry

Reference: HUNTER, Captain John. AN HISTORICAL JOURNAL OF EVENTS AT SYDNEY AND AT SEA, 1787-1792. With further accounts by Governor Arthur Phillip; Lieut. P.G.King & Lieut. H.L.Ball.’One of the first accounts of the fledgling colony of NSW.’
Publishing details: Reprint ed. Edited & with notes by John Bach. Syd. A & R. 1968. Or.cl. Dustjacket. 452pp. b/w plates & folding maps. Dj.
Ref: 1009

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Hunter John

Reference: HUNTER, Captain John. AN HISTORICAL JOURNAL OF EVENTS AT SYDNEY AND AT SEA, 1787-1792. With further accounts by Governor Arthur Phillip; Lieut. P.G.King & Lieut. H.L.Ball.’One of the first accounts of the fledgling colony of NSW.’

Publishing details: Reprint ed. Edited & with notes by John Bach. Syd. A & R. 1968. Or.cl. Dustjacket. 452pp. b/w plates & folding maps. Dj.

Location: 1009

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Lesueur Charles Alexanderview full entry

Reference: see PERON, Francois and FREYCINET, Louis de. VOYAGE OF DISCOVERY TO THE SOUTHERN LANDS, an historical record. Atlas by Mm. Lesueur and Petit, second edition. Small folio Atlas, coloured and black & white plates, half leather (mottled).
Publishing details: Adelaide, Friends of the State Library of South Australia, 2008. Facsimile edition of the 1824 original. The deluxe issue of 150 numbered copies within the edition of 400. + Volume I (of two) of the accompanying octavo text

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Lesueur Charles Alexander

Reference: see PERON, Francois and FREYCINET, Louis de. VOYAGE OF DISCOVERY TO THE SOUTHERN LANDS, an historical record. Atlas by Mm. Lesueur and Petit, second edition. Small folio Atlas, coloured and black & white plates, half leather (mottled).

Publishing details: Adelaide, Friends of the State Library of South Australia, 2008. Facsimile edition of the 1824 original. The deluxe issue of 150 numbered copies within the edition of 400. + Volume I (of two) of the accompanying octavo text

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Laird Campbell view full entry

Reference: see John Moran Auctioneer, LA Art Association Annual Benefit Auction
Wed, Aug 19, 2020, Monrovia, CA, USA
Campbell Laird (20th/21st Century, Australian), lot 10, "Soul Burst," 2016
Propane, plastique and paint
Signed and dated verso
19" H x 27" W

Notes: Campbell Laird has been recognized by museum curators from SFMOMA, MOCA and LACMA for his meditative abstractions. His works appear in private collections across the globe, from NYC to modernist homes in the Hollywood Hills, London, Sydney, Madrid and Tokyo. For over 30 years, Laird has created artworks for major corporations, including Saatchi, Estee Lauder, American Express and 20th Century Fox, and the Beverly Hilton. Campbell currently shows his work regularly at Gallery 825, bG Gallery & LACDA in Los Angeles, CA.

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Laird Campbell

Reference: see John Moran Auctioneer, LA Art Association Annual Benefit Auction
Wed, Aug 19, 2020, Monrovia, CA, USA
Campbell Laird (20th/21st Century, Australian), lot 10, "Soul Burst," 2016
Propane, plastique and paint
Signed and dated verso
19" H x 27" W

Notes: Campbell Laird has been recognized by museum curators from SFMOMA, MOCA and LACMA for his meditative abstractions. His works appear in private collections across the globe, from NYC to modernist homes in the Hollywood Hills, London, Sydney, Madrid and Tokyo. For over 30 years, Laird has created artworks for major corporations, including Saatchi, Estee Lauder, American Express and 20th Century Fox, and the Beverly Hilton. Campbell currently shows his work regularly at Gallery 825, bG Gallery & LACDA in Los Angeles, CA.

Publishing details:

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National Art Gallery of New South Walesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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National Art Gallery of New South Wales

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Aldis A Eview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Aldis A E

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Andrew Frank Cview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Andrew Frank C

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Appleton Jeanview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Appleton Jean

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Howardview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Howard

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Julian Rossiview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Julian Rossi

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Richardview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Richard

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Will (John William)view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ashton Will (John William)

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Auld James Muir 1887-1942view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Auld James Muir 1887-1942

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Badham Herbertview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Badham Herbert

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Baker Normand Hview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Baker Normand H

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bale Alice Marian Ellisview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bale Alice Marian Ellis

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Balfour Lawsonview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Balfour Lawson

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Banks Johnview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Banks John

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Barron Howardview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Barron Howard

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bell Georgeview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bell George

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bellette Jeanview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bellette Jean

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Board Leslieview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Board Leslie

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Boyd Arthurview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Boyd Arthur

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Boyd Penleighview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Boyd Penleigh

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bryant Charlesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bryant Charles

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Buckmaster Ernestview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Buckmaster Ernest

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bunny Rupertview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bunny Rupert

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Burgess Arthurview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Burgess Arthur

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bush Charlesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Bush Charles

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Cardamatis Wolfgangview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Cardamatis Wolfgang

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Carter Normanview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Carter Norman

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Chapman Evelynview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Chapman Evelyn

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Chevalier Nicholasview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Chevalier Nicholas

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Claux Eugene Crick 1929-50view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Claux Eugene Crick 1929-50

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Claxton Marshallview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Claxton Marshall

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Coates George Jview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Coates George J

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Coffey Alfred 1869-1950view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Coffey Alfred 1869-1950

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Collingridge Arthurview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Collingridge Arthur

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Collins Albertview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Collins Albert

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Colquhoun Amalieview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Colquhoun Amalie

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Colquhoun Archibald Douglasview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Colquhoun Archibald Douglas

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Conder Charlesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Conder Charles

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Cook James b1904view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Cook James b1904

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Counihan Noelview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Counihan Noel

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Coutts Gordonview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Coutts Gordon

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Cowan Lionelview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Cowan Lionel

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Danciger Aliceview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Danciger Alice

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Dargie Williamview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Dargie William

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Davies Davidview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Davies David

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Dobell Williamview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Dobell William

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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de Maistre Royview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

de Maistre Roy

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Drysdale Russellview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Drysdale Russell

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Duncan George Bview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Duncan George B

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Dundas Douglasview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Dundas Douglas

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Edgecombe Henry b1881view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Edgecombe Henry b1881

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Edwards Maryview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Edwards Mary

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Eldershaw John Rview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Eldershaw John R

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ewart Joyview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Ewart Joy

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Feint Adrianview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Feint Adrian

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Felton Mauriceview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Felton Maurice

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Finey Georgeview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Finey George

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Fizelle Rahview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Fizelle Rah

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Fleming Margaretview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Fleming Margaret

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Folingsby Georgeview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Folingsby George

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Folingsby George Frederick 1830-91view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Folingsby George Frederick 1830-91

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Fox E Phillipsview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Fox E Phillips

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Frater Williamview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Frater William

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Freedman Harold b1915view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Freedman Harold b1915

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Friend Donaldview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Friend Donald

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Fry Douglas 1872-1911view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Fry Douglas 1872-1911

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Fullwood A Hview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Fullwood A H

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Gallop Herbert b1890view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Gallop Herbert b1890

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Garlick Harry 1877-1910view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Garlick Harry 1877-1910

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Garrett Tom 1879-1952view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Garrett Tom 1879-1952

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Gilliland Hector b1911view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Gilliland Hector b1911

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Gleeson Jamesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Gleeson James

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Goodsir Agnesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Goodsir Agnes

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Griffin Jane L exh 1886-7view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Griffin Jane L exh 1886-7

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Griffiths Harley b1878view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Griffiths Harley b1878

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Gruner Elioth 1882-1939view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Gruner Elioth 1882-1939

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Habbe Nicholas Francois 1827-1889view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Habbe Nicholas Francois 1827-1889

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hall Bernard 1859-1935view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hall Bernard 1859-1935

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hanke Henry b1901view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hanke Henry b1901

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hanson Albert J 1866-1914view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hanson Albert J 1866-1914

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hansen Allen b1911view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hansen Allen b1911

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Harrison H B 1878-1948view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Harrison H B 1878-1948

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Harvey E A b1907view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Harvey E A b1907

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Haxton Elaineview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Haxton Elaine

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hele Ivorview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hele Ivor

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Herman Sali view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Herman Sali

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Heysen Hansview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Heysen Hans

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Heysen Noraview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Heysen Nora

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hick Jacquelineview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hick Jacqueline

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hinder Frankview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hinder Frank

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hunt C Hview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hunt C H

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ironside Adelaide 1831-1867view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Ironside Adelaide 1831-1867

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Jackson James R b1886view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Jackson James R b1886

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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James Roger b1914view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

James Roger b1914

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Joel Graceview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Joel Grace

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Johnson Robertview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Johnson Robert

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Johnstone H J 1835-1907view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Johnstone H J 1835-1907

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Jones John Llewelyn view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Jones John Llewelyn

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Jones Charles Lloyd b1878view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Jones Charles Lloyd b1878

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Jones Paul b1921view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Jones Paul b1921

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Joyce Enaview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Joyce Ena

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Kilgour J Noelview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Kilgour J Noel

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Lambert George Wview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Lambert George W

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Langker Erik b1899view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Langker Erik b1899

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Lawrence George b1901view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Lawrence George b1901

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Leason Percy b1889view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Leason Percy b1889

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Leist Fred 1878-1945view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Leist Fred 1878-1945

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Hayley-Lever Richardview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Hayley-Lever Richard

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Lindsay Darylview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Lindsay Daryl

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Lindsay Normanview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Lindsay Norman

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Lindsay Percyview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Lindsay Percy

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Lister Lister W 1859-1943view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Lister Lister W 1859-1943

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Long Leonard H b1911view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Long Leonard H b1911

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Long Sydney (Sid)view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Long Sydney (Sid)

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Longstaff John 1862-1941view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Longstaff John 1862-1941

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Lymburner Francisview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Lymburner Francis

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Mahony Frank P 1862-1916view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Mahony Frank P 1862-1916

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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McCubbin Frederickview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

McCubbin Frederick

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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McInnes W B 1889-1939view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

McInnes W B 1889-1939

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Mackenzie Isabelview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Mackenzie Isabel

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Macleod William 1850-1929view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Macleod William 1850-1929

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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McClintock Herbert b1906 (Max Ebert)view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

McClintock Herbert b1906 (Max Ebert)

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ebert Max see McClintock Herbert b1906 view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Ebert Max see McClintock Herbert b1906

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Mann G V F 1863-1948view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Mann G V F 1863-1948

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Martens Conradview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Martens Conrad

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Medworth Frank 1892-1947view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Medworth Frank 1892-1947

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Meeson Dora Mrs Dora Coatesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Meeson Dora Mrs Dora Coates

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Coates Dora see Meeson Dora view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Coates Dora see Meeson Dora

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Meldrum Maxview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Meldrum Max

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Meston Emilyview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Meston Emily

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Miller Godfrey Cliveview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Miller Godfrey Clive

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Missingham Halview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Missingham Hal

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Moore John Dview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Moore John D

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Murch Arthurview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Murch Arthur

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Muskett Alice Jview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Muskett Alice J

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Nathan Jerrold b1899view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Nathan Jerrold b1899

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Nerli Girolamoview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Nerli Girolamo

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Newbury A E b1891view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Newbury A E b1891

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Nicholas Hilda Rixview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Nicholas Hilda Rix

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Nimmo Lornaview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Nimmo Lorna

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Nolan Sidneyview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Nolan Sidney

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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O’Brien Justinview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

O’Brien Justin

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Olley Margaretview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Olley Margaret

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Orban Desideriusview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Orban Desiderius

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Passmore John Richadview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Passmore John Richad

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Paterson John Ford 1851-1912view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Paterson John Ford 1851-1912

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Patterson Ambroseview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Patterson Ambrose

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Peisley Wilfred John b1916view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Peisley Wilfred John b1916

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Penglase Marjoryview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Penglase Marjory

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Perry Adelaideview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Perry Adelaide

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Pidgeon William Edwin b1909view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Pidgeon William Edwin b1909

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Piguenit William Charles 1836-1914view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Piguenit William Charles 1836-1914

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Power Harold Septimus 1878-1951view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Power Harold Septimus 1878-1951

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Preston Margaretview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Preston Margaret

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Quinn James 1871-1951view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Quinn James 1871-1951

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ragless Maxview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Ragless Max

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Ramsay Hugh 1877-1906view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Ramsay Hugh 1877-1906

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Read Arthur Evan b1911view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Read Arthur Evan b1911

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rees Lloydview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rees Lloyd

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rehfisch Alisonview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rehfisch Alison

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rivers Richard Godfrey 1859-1925view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rivers Richard Godfrey 1859-1925

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Roach Elmaview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Roach Elma

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Roberts Tomview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Roberts Tom

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Robertshaw Fredaview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Robertshaw Freda

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rodway Florenceview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rodway Florence

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Roth H Constance view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Roth H Constance

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rousel J H R b1897view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rousel J H R b1897

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rowell Kennethview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rowell Kenneth

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rowell John b1894view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rowell John b1894

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Dattilo-Rubbo Aview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Dattilo-Rubbo A

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rubbo A Dattilo see Dattilo-Rubboview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rubbo A Dattilo see Dattilo-Rubbo

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Rubbo Ellenview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Rubbo Ellen

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Salvana Johnview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Salvana John

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Scarvell Jessie Eview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Scarvell Jessie E

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Scheltema Jan Hendrikview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Scheltema Jan Hendrik

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Shaw Roderick Malcolm b1915view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Shaw Roderick Malcolm b1915

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Sherman Albert J b1882view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Sherman Albert J b1882

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Shore Arnoldview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Shore Arnold

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Smart Jeffeyview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Smart Jeffey

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Smith Eric J b1919view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Smith Eric J b1919

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Smith Grace Cossingtonview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Smith Grace Cossington

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Smith Jack Carrington b1908view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Smith Jack Carrington b1908

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Smith Joshua b1905view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Smith Joshua b1905

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Solomon Lance b1913view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Solomon Lance b1913

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Spence Percy F 1868-1933view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Spence Percy F 1868-1933

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Stainforth Martinview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Stainforth Martin

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Stewart Helenview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Stewart Helen

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Stoddard Maryview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Stoddard Mary

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Strachan Davidview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Strachan David

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Strasser Roland b1880view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Strasser Roland b1880

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Streeton Arthurview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Streeton Arthur

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Thornhill Dorothyview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Thornhill Dorothy

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Thornton Wallace b1915view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Thornton Wallace b1915

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Toovey Doraview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Toovey Dora

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Trindall G Lyall b1886view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Trindall G Lyall b1886

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Vagarini George b1905view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Vagarini George b1905

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Veal Hayward b1913view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Veal Hayward b1913

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wakelin Rolandview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wakelin Roland

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Walton Georgeview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Walton George

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Watkins J S 1886-1942view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Watkins J S 1886-1942

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Watson Douglas b1920view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Watson Douglas b1920

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wheeler Charlesview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wheeler Charles

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wienholt Anneview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wienholt Anne

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wilkie Leslie 1879-1935view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wilkie Leslie 1879-1935

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Williams Rhys b1894view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Williams Rhys b1894

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wilson Dora L 1883-1946view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wilson Dora L 1883-1946

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wilson Eric 1911-1946view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wilson Eric 1911-1946

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wilson H Stuartview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wilson H Stuart

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Withers Walterview full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Withers Walter

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Wolinski Joseph b1872view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Wolinski Joseph b1872

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Zusters Reinis b1918view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Zusters Reinis b1918

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Stone J W listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Stone J W listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Stephens Ethel listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Stephens Ethel listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Reid D G listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Reid D G listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Price J R listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Price J R listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

Location:

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Peters Helen A listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Peters Helen A listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

Location:

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Jones H Moore listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Jones H Moore listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

Location:

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Fitzgerald Gerald listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Fitzgerald Gerald listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

Location:

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Cusack Edith listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Cusack Edith listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

Location:

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Daplyn A J listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Daplyn A J listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

Location:

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Dymock Hetty listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Dymock Hetty listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

Location:

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Fuller Florence listed as deaccessioned details p220view full entry

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.
Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

×

Fuller Florence listed as deaccessioned details p220

Reference: see A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875 - 1952. With Annotations, biographies and index. Forward by Hal Missingham, introduction by Bernard Smith. Concise but detailed biographical information is provided for each artist listed in the catalogue together with references and in some cases ‘writings’.

Publishing details: National Art Gallery of NSW [AGNSW], 1952, pb, 234pp.

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Cook Alfred 1907 – 1970view full entry

Reference: Artarmon Galleries catalogue, August, August 2020, Alfred Cook, (1907 – 1970).
Born in New Zealand 1907 and is well-known by artists who trained at East Sydney Technical College from the 1940s.

Alfred himself trained at the School of Art, Canterbury University New Zealand during 1922 to 1927.
According to the Encyclopaedia of Australian Art, Alfred Cook is represented in the Art Gallery of South Australia Adelaide,
Queen Victorian Museum and Art Gallery Launceston Tasmania and the Auckland Gallery in New Zealand.

Artarmon Galleries has nineteen of Alfred’s works for sale which have been in their storage - imaged below.
This interesting Cook exhibition compliments our Trees exhibition still on view so that small groups of visitors can enjoy new
exhibits every month during the Government limitations on exhibition programmes this year.

1 North Queenstown Tasmania Signed L/L 34 x 44 cm Oil on Board $ 3,000
2 Burrunjuck Lake Signed L/L 1969 32 x 44.5 Watercolour 800
3 Countryside with Friesians Signed L/R 44.5 x 54.5 Watercolour 450
4 Whispering Trees Unsigned 32 x 44 Pen and Watercolour 400
5 The Beacon Signed L/R 30 x 42 Oil on Paper Monotype 320
6 Sombre Hills (unframed) Unsigned 18 x 26 Oil on Paper Monotype 100
7 Tranquil Wood Signed L/R 1969 32 x 44 Watercolour 600
8 Bush composition Signed L/R 1969 33 x 46 Watercolour 650
9 Billabong, Camden Signed L/R 35.5 x 46 Oil on Board 1,200
10 Mother and Child Unsigned 25 x 20 Pen & Wash 280
11 Blue and Gold Unsigned 31 x 42 Oil on Paper Monotype 320
12 Stanley Chasm Unsigned but credited on verso 24.5 x 19.5 Oil on Board 650
13 River Valley (Unframed) Unsigned 18.5 x 26 Oil on Paper Monotype 130
14 Windswept Plain (unframed) Unsigned 30 x 43 Oil on Paper Monotype 200
15 Misty Oaks (unframed) Unsigned 30 x 43 Oil on Paper Monotype 200
16 Shoalhaven Valley Signed L/R 1969 32 x 44 Watercolour 500
17 Berrima Hills Signed L/R 1969 32 x 44 Watercolour 450
18 Pastures Moss Vale (unframed) Unsigned 12 x 20 Oil on Paper Monotype 80
19 The Headland near Kiama Unsigned 31 x 43 Oil on Paper Monotype 320


Publishing details: Artarmon Galleries, 2020.
Ref: 138

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Cook Alfred 1907 – 1970

Reference: Artarmon Galleries catalogue, August, August 2020, Alfred Cook, (1907 – 1970).
Born in New Zealand 1907 and is well-known by artists who trained at East Sydney Technical College from the 1940s.

Alfred himself trained at the School of Art, Canterbury University New Zealand during 1922 to 1927.
According to the Encyclopaedia of Australian Art, Alfred Cook is represented in the Art Gallery of South Australia Adelaide,
Queen Victorian Museum and Art Gallery Launceston Tasmania and the Auckland Gallery in New Zealand.

Artarmon Galleries has nineteen of Alfred’s works for sale which have been in their storage - imaged below.
This interesting Cook exhibition compliments our Trees exhibition still on view so that small groups of visitors can enjoy new
exhibits every month during the Government limitations on exhibition programmes this year.

1 North Queenstown Tasmania Signed L/L 34 x 44 cm Oil on Board $ 3,000
2 Burrunjuck Lake Signed L/L 1969 32 x 44.5 Watercolour 800
3 Countryside with Friesians Signed L/R 44.5 x 54.5 Watercolour 450
4 Whispering Trees Unsigned 32 x 44 Pen and Watercolour 400
5 The Beacon Signed L/R 30 x 42 Oil on Paper Monotype 320
6 Sombre Hills (unframed) Unsigned 18 x 26 Oil on Paper Monotype 100
7 Tranquil Wood Signed L/R 1969 32 x 44 Watercolour 600
8 Bush composition Signed L/R 1969 33 x 46 Watercolour 650
9 Billabong, Camden Signed L/R 35.5 x 46 Oil on Board 1,200
10 Mother and Child Unsigned 25 x 20 Pen & Wash 280
11 Blue and Gold Unsigned 31 x 42 Oil on Paper Monotype 320
12 Stanley Chasm Unsigned but credited on verso 24.5 x 19.5 Oil on Board 650
13 River Valley (Unframed) Unsigned 18.5 x 26 Oil on Paper Monotype 130
14 Windswept Plain (unframed) Unsigned 30 x 43 Oil on Paper Monotype 200
15 Misty Oaks (unframed) Unsigned 30 x 43 Oil on Paper Monotype 200
16 Shoalhaven Valley Signed L/R 1969 32 x 44 Watercolour 500
17 Berrima Hills Signed L/R 1969 32 x 44 Watercolour 450
18 Pastures Moss Vale (unframed) Unsigned 12 x 20 Oil on Paper Monotype 80
19 The Headland near Kiama Unsigned 31 x 43 Oil on Paper Monotype 320

Publishing details: Artarmon Galleries, 2020.

Location: 138

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Bennett Gordonview full entry

Reference: Unfinished Business : The Art of Gordon Bennett, Contributions by Zara Stanhope, Abigail Bernal, Simon Wright, J. Faith (Kapwa) Almiron, and Tim Riley Walsh. New copy.
‘Unfinished Business offers fresh insight into the work of Australian artist Gordon Bennett (1955-2014), including new interpretations of his intelligent synthesis of influences and ideas and globally recognised contribution to contemporary art. More than 120 colour reproductions of Bennett’s paintings, installations and video works – including not only key series but also a selection of rarely seen works on paper – as well as written commentaries by Dr Zara Stanhope, Abigail Bernal, Simon Wright, Dr J. Faith Almiron and Tim Riley Walsh confirm Bennett as one of our most important contemporary artists whose influence continues to reverberate around Australia and across the world.
Produced in close collaboration with the Estate of Gordon of Bennett, Unfinished Business includes works created from the 1980s to 2014 sourced from studio, public and private collections, including early installation works; Bennett’s ‘history’ paintings; mirror paintings, De Stijl works; his ‘Home décor’ series; ‘Notes to Basquiat’ works; abstract ‘Stripe’ paintings; and late works showing renewed engagement with political contexts. Pages from the artist’s personal notebooks, as well as archival photographs provided by the Gordon Bennett Estate, provide intimate insight into how the artist worked with images and text and used drawing as a generative tool, and convey the connection with international artists in his work.’ – the publisher
Publishing details: Queensland Art Gallery I Gallery of Modern Art(QAGOMA), 2020. Quarto, gatefold wrappers, pp. 200, illustrated.
Ref: 1000

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Bennett Gordon

Reference: Unfinished Business : The Art of Gordon Bennett, Contributions by Zara Stanhope, Abigail Bernal, Simon Wright, J. Faith (Kapwa) Almiron, and Tim Riley Walsh. New copy.
‘Unfinished Business offers fresh insight into the work of Australian artist Gordon Bennett (1955-2014), including new interpretations of his intelligent synthesis of influences and ideas and globally recognised contribution to contemporary art. More than 120 colour reproductions of Bennett’s paintings, installations and video works – including not only key series but also a selection of rarely seen works on paper – as well as written commentaries by Dr Zara Stanhope, Abigail Bernal, Simon Wright, Dr J. Faith Almiron and Tim Riley Walsh confirm Bennett as one of our most important contemporary artists whose influence continues to reverberate around Australia and across the world.
Produced in close collaboration with the Estate of Gordon of Bennett, Unfinished Business includes works created from the 1980s to 2014 sourced from studio, public and private collections, including early installation works; Bennett’s ‘history’ paintings; mirror paintings, De Stijl works; his ‘Home décor’ series; ‘Notes to Basquiat’ works; abstract ‘Stripe’ paintings; and late works showing renewed engagement with political contexts. Pages from the artist’s personal notebooks, as well as archival photographs provided by the Gordon Bennett Estate, provide intimate insight into how the artist worked with images and text and used drawing as a generative tool, and convey the connection with international artists in his work.’ – the publisher

Publishing details: Queensland Art Gallery I Gallery of Modern Art(QAGOMA), 2020. Quarto, gatefold wrappers, pp. 200, illustrated.

Location: 1000

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McCubbin Louisview full entry

Reference: Catalogue of pictures by Mr. Frederick McCubbin and Mr. Louis McCubbin - catalogue of 62 works by Frederick and 14 works by Louis McCubbin, small advertisement notice for the publication The Art of F. McCubbin available from the Gallery.
Publishing details: Melbourne : Athenaeum Art Gallery, [1916]. Mrs. Walter Withers, Manager. Narrow folio, exhibition catalogue, pp. [4],
Ref: 1000

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McCubbin Louis

Reference: Catalogue of pictures by Mr. Frederick McCubbin and Mr. Louis McCubbin - catalogue of 62 works by Frederick and 14 works by Louis McCubbin, small advertisement notice for the publication The Art of F. McCubbin available from the Gallery.

Publishing details: Melbourne : Athenaeum Art Gallery, [1916]. Mrs. Walter Withers, Manager. Narrow folio, exhibition catalogue, pp. [4],

Location: 1000

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McCubbin Frederickview full entry

Reference: see Catalogue of pictures by Mr. Frederick McCubbin and Mr. Louis McCubbin - catalogue of 62 works by Frederick and 14 works by Louis McCubbin, small advertisement notice for the publication The Art of F. McCubbin available from the Gallery.
Publishing details: Melbourne : Athenaeum Art Gallery, [1916]. Mrs. Walter Withers, Manager. Narrow folio, exhibition catalogue, pp. [4],

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McCubbin Frederick

Reference: see Catalogue of pictures by Mr. Frederick McCubbin and Mr. Louis McCubbin - catalogue of 62 works by Frederick and 14 works by Louis McCubbin, small advertisement notice for the publication The Art of F. McCubbin available from the Gallery.

Publishing details: Melbourne : Athenaeum Art Gallery, [1916]. Mrs. Walter Withers, Manager. Narrow folio, exhibition catalogue, pp. [4],

Location:

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Johnson Timview full entry

Reference: Spiritual Journeying: The Art of Tim Johnson. ‘As a young Australian artist, Tim Johnson sought to look beyond the world he knew and was familiar with into mysteries that naturally come with things foreign. He wanted to explore what it was like to exist beyond the margins of his known world and to reach into alternative spaces that interested him. This book documents his spiritual journeying and creative explorations. In 1980, Johnson’s encounter with Aboriginal artists in the deserts of central Australia revolutionised his entire approach to art and life. In 1982, when he learned of the existence of the ancient medieval Buddhist cave temples of Mogao at Dunhuang in Western China, the experience also set his imagination aflame. The caves were an inspirational oasis of spirituality on the Silk Road and another powerful artistic expression in desert country. These two spiritual and artistic traditions inspired the path Johnson was to take over the next four decades. Over time his work expanded to include references to Japanese, Tibetan, Native American and a range of other sources and influences. Today, as a veteran artist, he has created an imagined universe abundantly informed by influences and ideas.’ – the publisher


Publishing details: Melbourne : Australian Scholarly Publishing, 2020. Quarto, illustrated gatefold wrappers, pp. 361, illustrated
Ref: 1000

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Johnson Tim

Reference: Spiritual Journeying: The Art of Tim Johnson. ‘As a young Australian artist, Tim Johnson sought to look beyond the world he knew and was familiar with into mysteries that naturally come with things foreign. He wanted to explore what it was like to exist beyond the margins of his known world and to reach into alternative spaces that interested him. This book documents his spiritual journeying and creative explorations. In 1980, Johnson’s encounter with Aboriginal artists in the deserts of central Australia revolutionised his entire approach to art and life. In 1982, when he learned of the existence of the ancient medieval Buddhist cave temples of Mogao at Dunhuang in Western China, the experience also set his imagination aflame. The caves were an inspirational oasis of spirituality on the Silk Road and another powerful artistic expression in desert country. These two spiritual and artistic traditions inspired the path Johnson was to take over the next four decades. Over time his work expanded to include references to Japanese, Tibetan, Native American and a range of other sources and influences. Today, as a veteran artist, he has created an imagined universe abundantly informed by influences and ideas.’ – the publisher

Publishing details: Melbourne : Australian Scholarly Publishing, 2020. Quarto, illustrated gatefold wrappers, pp. 361, illustrated

Location: 1000

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Papapetrou Polixeni
view full entry

Reference: The ghillies : Polixeni Papapetrou.Published to accompany an exhibition held at Nellie Castan Gallery, Melbourne, 28 March – 25 May 2013.
Publishing details:
[Melbourne] : Polixeni Papapetrou, 2013. Quarto, illustrated boards, pp. 36, illustrated. Printed in an edition of 1000 copies. Invitation card enclosed.
Ref: 1000

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Papapetrou Polixeni

Reference: The ghillies : Polixeni Papapetrou.Published to accompany an exhibition held at Nellie Castan Gallery, Melbourne, 28 March – 25 May 2013.

Publishing details:
[Melbourne] : Polixeni Papapetrou, 2013. Quarto, illustrated boards, pp. 36, illustrated. Printed in an edition of 1000 copies. Invitation card enclosed.

Location: 1000

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CEMA Australianview full entry

Reference: Australian CEMA Victorian Division. Autumn Arts Festival. First Annual Exhibition 1945. o be opened by Sir Keith Murdoch. 3rd April to 13th April. Velasquez Gallery, Tye & Co., Bourke St. [Melbourne : Council for the Encouragement of Music and the Arts], 1945. Octavo, printed wrappers, pp. [8], catalogue of 156 works.
Artists include A.M.E. Bale, J. Bergner, Athur Boyd, Ian Bow, Lina Bryans, Nutter Buzacott, Victor Cobb, Noel Counihan, W. Coleman, Sybil Craig, Aileen Dent, W. Frater, Nornie Gude, Edward Heffernan, Sidney Nolan, Vic O’Connor, J. Percival (sic), Arnold Shore, Stephany(sic) Taylor, Violet Teague, Albert Tucker, Danila Vassilieff, James V. Wigley, Dora Wilson, Marguerite Mahood.
A rare and early exhibition catalogue of the newly formed Council for the Encouragement of Music and the Arts (later the Arts Council of Australia, now known as Regional Arts Australia). It features a roll call of significant painters from the period including Sidney Nolan, who would paint his famous Kelly series the following two years and exhibit them at the same Velasquez Gallery in 1948.
The catalogue also includes important works by John Perceval (A boy with a cat, A Negro painting); Albert Tucker (three works simply titled Image); Josl (Yosl) Bergner (four works titled Jews, not for sale) and Arthur Boyd (The Kite, The Circus, The Lovers).
[Copy with Douglas Stewart Fine Books, 2020. No copy traced on Trove.]

Publishing details: CEMA 1945.
Ref: 1000

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CEMA Australian

Reference: Australian CEMA Victorian Division. Autumn Arts Festival. First Annual Exhibition 1945. o be opened by Sir Keith Murdoch. 3rd April to 13th April. Velasquez Gallery, Tye & Co., Bourke St. [Melbourne : Council for the Encouragement of Music and the Arts], 1945. Octavo, printed wrappers, pp. [8], catalogue of 156 works.
Artists include A.M.E. Bale, J. Bergner, Athur Boyd, Ian Bow, Lina Bryans, Nutter Buzacott, Victor Cobb, Noel Counihan, W. Coleman, Sybil Craig, Aileen Dent, W. Frater, Nornie Gude, Edward Heffernan, Sidney Nolan, Vic O’Connor, J. Percival (sic), Arnold Shore, Stephany(sic) Taylor, Violet Teague, Albert Tucker, Danila Vassilieff, James V. Wigley, Dora Wilson, Marguerite Mahood.
A rare and early exhibition catalogue of the newly formed Council for the Encouragement of Music and the Arts (later the Arts Council of Australia, now known as Regional Arts Australia). It features a roll call of significant painters from the period including Sidney Nolan, who would paint his famous Kelly series the following two years and exhibit them at the same Velasquez Gallery in 1948.
The catalogue also includes important works by John Perceval (A boy with a cat, A Negro painting); Albert Tucker (three works simply titled Image); Josl (Yosl) Bergner (four works titled Jews, not for sale) and Arthur Boyd (The Kite, The Circus, The Lovers).
[Copy with Douglas Stewart Fine Books, 2020. No copy traced on Trove.]

Publishing details: CEMA 1945.

Location: 1000

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Australian CEMA view full entry

Reference: see Australian CEMA Victorian Division. Autumn Arts Festival. First Annual Exhibition 1945. o be opened by Sir Keith Murdoch. 3rd April to 13th April. Velasquez Gallery, Tye & Co., Bourke St. [Melbourne : Council for the Encouragement of Music and the Arts], 1945. Octavo, printed wrappers, pp. [8], catalogue of 156 works.
Artists include A.M.E. Bale, J. Bergner, Athur Boyd, Ian Bow, Lina Bryans, Nutter Buzacott, Victor Cobb, Noel Counihan, W. Coleman, Sybil Craig, Aileen Dent, W. Frater, Nornie Gude, Edward Heffernan, Sidney Nolan, Vic O’Connor, J. Percival (sic), Arnold Shore, Stephany(sic) Taylor, Violet Teague, Albert Tucker, Danila Vassilieff, James V. Wigley, Dora Wilson, Marguerite Mahood.
A rare and early exhibition catalogue of the newly formed Council for the Encouragement of Music and the Arts (later the Arts Council of Australia, now known as Regional Arts Australia). It features a roll call of significant painters from the period including Sidney Nolan, who would paint his famous Kelly series the following two years and exhibit them at the same Velasquez Gallery in 1948.
The catalogue also includes important works by John Perceval (A boy with a cat, A Negro painting); Albert Tucker (three works simply titled Image); Josl (Yosl) Bergner (four works titled Jews, not for sale) and Arthur Boyd (The Kite, The Circus, The Lovers).
[Copy with Douglas Stewart Fine Books, 2020. No copy traced on Trove.]

Publishing details: CEMA 1945.

×

Australian CEMA

Reference: see Australian CEMA Victorian Division. Autumn Arts Festival. First Annual Exhibition 1945. o be opened by Sir Keith Murdoch. 3rd April to 13th April. Velasquez Gallery, Tye & Co., Bourke St. [Melbourne : Council for the Encouragement of Music and the Arts], 1945. Octavo, printed wrappers, pp. [8], catalogue of 156 works.
Artists include A.M.E. Bale, J. Bergner, Athur Boyd, Ian Bow, Lina Bryans, Nutter Buzacott, Victor Cobb, Noel Counihan, W. Coleman, Sybil Craig, Aileen Dent, W. Frater, Nornie Gude, Edward Heffernan, Sidney Nolan, Vic O’Connor, J. Percival (sic), Arnold Shore, Stephany(sic) Taylor, Violet Teague, Albert Tucker, Danila Vassilieff, James V. Wigley, Dora Wilson, Marguerite Mahood.
A rare and early exhibition catalogue of the newly formed Council for the Encouragement of Music and the Arts (later the Arts Council of Australia, now known as Regional Arts Australia). It features a roll call of significant painters from the period including Sidney Nolan, who would paint his famous Kelly series the following two years and exhibit them at the same Velasquez Gallery in 1948.
The catalogue also includes important works by John Perceval (A boy with a cat, A Negro painting); Albert Tucker (three works simply titled Image); Josl (Yosl) Bergner (four works titled Jews, not for sale) and Arthur Boyd (The Kite, The Circus, The Lovers).
[Copy with Douglas Stewart Fine Books, 2020. No copy traced on Trove.]

Publishing details: CEMA 1945.

Location:

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Melbourne Society of Women Painters and Sculptorsview full entry

Reference: Melbourne Society of Women Painters and Sculptors. By Marjorie McChesney Mathews. Brief history from 1901 – 1959
A history of the Society compiled from old minutes and reports by the Honorary Secretary.
Publishing details: Melbourne : the Society, 1959. Quarto, lettered wrappers, ribbon tied, pp. 38, printed roneo.
Ref: 1009

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Melbourne Society of Women Painters and Sculptors

Reference: Melbourne Society of Women Painters and Sculptors. By Marjorie McChesney Mathews. Brief history from 1901 – 1959
A history of the Society compiled from old minutes and reports by the Honorary Secretary.

Publishing details: Melbourne : the Society, 1959. Quarto, lettered wrappers, ribbon tied, pp. 38, printed roneo.

Location: 1009

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Henson Billview full entry

Reference: Principio erat (Artist’s edition A)Principio erat is published in a standard and deluxe edition – described as the ‘Artist’s edition’ by the publisher.
Publishing details: Paris : Editions Bessard, 2019. Folio, pictorial laminated boards, pp. [70], several double fold-out pages, printed on high quality matt photographic paper.
Ref: 1000

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Henson Bill

Reference: Principio erat (Artist’s edition A)Principio erat is published in a standard and deluxe edition – described as the ‘Artist’s edition’ by the publisher.

Publishing details: Paris : Editions Bessard, 2019. Folio, pictorial laminated boards, pp. [70], several double fold-out pages, printed on high quality matt photographic paper.

Location: 1000

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Spirits in the Bush: The Art of Gippslandview full entry

Reference: Spirits in the Bush: The Art of Gippsland by Simon Gregg. Some biographical information on the artists illustrated is provided. [To be indexed fully - only the artists illustrated have been indexed.] [‘Spirits in the Bush surveys the art of Gippsland, from the colonial to the contemporary. This expansive, original and illuminating compendium leads readers on a journey through artistic and provincial history, interweaving the lives of residents and visitors. Collectively, it presents a vivid account of the influence of place on the cultural imagination.’ – the publisher [to be indexed]

Publishing details: Melbourne : Australian Scholarly Publishing, 2019. Quarto, illustrated wrappers, pp. 361, illustrated.

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Spirits in the Bush: The Art of Gippsland

Reference: Spirits in the Bush: The Art of Gippsland by Simon Gregg. Some biographical information on the artists illustrated is provided. [To be indexed fully - only the artists illustrated have been indexed.] [‘Spirits in the Bush surveys the art of Gippsland, from the colonial to the contemporary. This expansive, original and illuminating compendium leads readers on a journey through artistic and provincial history, interweaving the lives of residents and visitors. Collectively, it presents a vivid account of the influence of place on the cultural imagination.’ – the publisher [to be indexed]

Publishing details: Melbourne : Australian Scholarly Publishing, 2019. Quarto, illustrated wrappers, pp. 361, illustrated.

Location: 0

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Yang Williamview full entry

Reference: Starting again : a time in the life of William Yang.

Publishing details: Melbourne : Heinemann, 1989. Oblong quarto, illustrated gatefold wrappers, pp. 122,
Ref: 1000

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Yang William

Reference: Starting again : a time in the life of William Yang.

Publishing details: Melbourne : Heinemann, 1989. Oblong quarto, illustrated gatefold wrappers, pp. 122,

Location: 1000

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Moffatt Traceyview full entry

Reference: Spirited. [Tracey Moffatt represented Australia at the Venice Biennale in 2017.]
Publishing details: Brisbane : Queensland Art Gallery, 2014. Quarto, gilt-lettered cloth in illustrated dustjacket, pp. 112, illustrated.
Ref: 1000

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Moffatt Tracey

Reference: Spirited. [Tracey Moffatt represented Australia at the Venice Biennale in 2017.]

Publishing details: Brisbane : Queensland Art Gallery, 2014. Quarto, gilt-lettered cloth in illustrated dustjacket, pp. 112, illustrated.

Location: 1000

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Aboriginal artview full entry

Reference: see An Exhibition of Oenpelli paintings on bark. Presented by the Australian Gallery Directors Council for the Aboriginal Arts Board of the Australia Council.
Publishing details: [Sydney] : Aboriginal Arts Board of the Australia Council, circa 1978. Quarto, illustrated wrappers, pp. 52, illustrated.

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Aboriginal art

Reference: see An Exhibition of Oenpelli paintings on bark. Presented by the Australian Gallery Directors Council for the Aboriginal Arts Board of the Australia Council.

Publishing details: [Sydney] : Aboriginal Arts Board of the Australia Council, circa 1978. Quarto, illustrated wrappers, pp. 52, illustrated.

Location:

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Schmeisser Jorgview full entry

Reference: Elsewhere. Jörg Schmeisser, text by Susan Reid and the artist.
Publishing details: Cairns : Cairns Regional Gallery, 2007. Quarto, folding card, illustrated, pp. [4],
Ref: 1000

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Schmeisser Jorg

Reference: Elsewhere. Jörg Schmeisser, text by Susan Reid and the artist.

Publishing details: Cairns : Cairns Regional Gallery, 2007. Quarto, folding card, illustrated, pp. [4],

Location: 1000

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Nikulincky Philippaview full entry

Reference: Wildflowers in watercolour : journal
Watercolours of Western Australian wildflowers by the Kalgoorlie born artist.
Publishing details: Fremantle, W.A. : Fremantle Arts Centre Press, 2000. Octavo, boards in dustjacket, unpaginated.
Ref: 1000

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Nikulincky Philippa

Reference: Wildflowers in watercolour : journal
Watercolours of Western Australian wildflowers by the Kalgoorlie born artist.

Publishing details: Fremantle, W.A. : Fremantle Arts Centre Press, 2000. Octavo, boards in dustjacket, unpaginated.

Location: 1000

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Eye of the Stormview full entry

Reference: The eye of the storm : eight contemporary indigenous Australian artists
Includes the works of George Milpurrurru, John Mawurndjul, Brian Nyinawanga, Fiona Foley, Ken Thaiday, Roy Wiggan, Rover Thomas, and Kwementway Kngwarreye.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.
Ref: 1000

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Eye of the Storm

Reference: The eye of the storm : eight contemporary indigenous Australian artists
Includes the works of George Milpurrurru, John Mawurndjul, Brian Nyinawanga, Fiona Foley, Ken Thaiday, Roy Wiggan, Rover Thomas, and Kwementway Kngwarreye.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

Location: 1000

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Aboriginal artview full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Aboriginal art

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Milpurrurru George view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Milpurrurru George

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

Location:

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Mawurndjul John view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Mawurndjul John

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Nyinawanga Brian view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Nyinawanga Brian

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

Location:

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Foley Fiona view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Foley Fiona

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Thaiday Ken view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Thaiday Ken

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Wiggan Roy view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Wiggan Roy

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

Location:

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Thomas Rover view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Thomas Rover

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

Location:

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Kngwarreye Kwementway .view full entry

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.
Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

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Kngwarreye Kwementway .

Reference: see The eye of the storm : eight contemporary indigenous Australian artists.

Publishing details: New Delhi : National Gallery of Modern Art, 1996. Octavo, illustrated wrappers, pp. 112, illustrated.

Location:

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Nolan Sidneyview full entry

Reference: Antarctic paintings by Sidney Nolan catalogue of 18 priced works. Also included a catalogue of a secondary exhibition of the artist Max Hurley. ‘In 1964 Nolan visited Antarctica, fulfilling a boyhood passion for the continent and the story of its explorers: Shackleton, Scott and Mawson.
Publishing details: Adelaide : Bonython Art Gallery, 1965. Octavo, exhibition catalogue, folded sheet, pp. 6, illustrated,
Ref: 1000

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Nolan Sidney

Reference: Antarctic paintings by Sidney Nolan catalogue of 18 priced works. Also included a catalogue of a secondary exhibition of the artist Max Hurley. ‘In 1964 Nolan visited Antarctica, fulfilling a boyhood passion for the continent and the story of its explorers: Shackleton, Scott and Mawson.

Publishing details: Adelaide : Bonython Art Gallery, 1965. Octavo, exhibition catalogue, folded sheet, pp. 6, illustrated,

Location: 1000

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Hurley Maxview full entry

Reference: see Antarctic paintings by Sidney Nolan catalogue of 18 priced works. Also included a catalogue of a secondary exhibition of the artist Max Hurley. ‘In 1964 Nolan visited Antarctica, fulfilling a boyhood passion for the continent and the story of its explorers: Shackleton, Scott and Mawson.
Publishing details: Adelaide : Bonython Art Gallery, 1965. Octavo, exhibition catalogue, folded sheet, pp. 6, illustrated,

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Hurley Max

Reference: see Antarctic paintings by Sidney Nolan catalogue of 18 priced works. Also included a catalogue of a secondary exhibition of the artist Max Hurley. ‘In 1964 Nolan visited Antarctica, fulfilling a boyhood passion for the continent and the story of its explorers: Shackleton, Scott and Mawson.

Publishing details: Adelaide : Bonython Art Gallery, 1965. Octavo, exhibition catalogue, folded sheet, pp. 6, illustrated,

Location:

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Lindsay Normanview full entry

Reference: An exhibition of fine books, drawings and photographs arranged to commemorate the centenary of the birth in February 1879 of Norman Lindsay
Publishing details: Melbourne : La Trobe Library, State Library of Victoria, 1979. Foolscap folio, pp. [6], roneo sheets, text, catalogue of exhibits.
Ref: 1009

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Lindsay Norman

Reference: An exhibition of fine books, drawings and photographs arranged to commemorate the centenary of the birth in February 1879 of Norman Lindsay

Publishing details: Melbourne : La Trobe Library, State Library of Victoria, 1979. Foolscap folio, pp. [6], roneo sheets, text, catalogue of exhibits.

Location: 1009

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Robinson Williamview full entry

Reference: William Robinson : paintings 1987 – 2000
Selected and edited by Lou Klepac ; with notes and commentaries by William Robinson.
‘Robinson is an exceptional painter who during the last two decaded has emerged as one of the most original Australian artists of the 20th century. He has changed the way we perceive landscape and added a new and important chapter to the history of Australian painting. This book focuses on his recent landscapes.’
Publishing details: Quarto, boards in dustjacket (lower edge rubbed), pp. 204, illustrated.
Ref: 1000

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Robinson William

Reference: William Robinson : paintings 1987 – 2000
Selected and edited by Lou Klepac ; with notes and commentaries by William Robinson.
‘Robinson is an exceptional painter who during the last two decaded has emerged as one of the most original Australian artists of the 20th century. He has changed the way we perceive landscape and added a new and important chapter to the history of Australian painting. This book focuses on his recent landscapes.’

Publishing details: Quarto, boards in dustjacket (lower edge rubbed), pp. 204, illustrated.

Location: 1000

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Cole Dr F Hobill view full entry

Reference: Catalogue of original paintings & drawings by early Australian artists from the art collection of Dr. F. Hobill Cole.

Includes works by Henry Burn, S. T. Gill, J. Skinner Prout, F. Garling, J. H. Carse, Louis Buvelot, Robert Russell, Henry Gritten, Nicholas Chevalier, Neville Cayley, John Glover et al.

Publishing details: Melbourne : The Fine Art Society in conjunction with Leonard Joel, 1923. Quarto, lettered wrapper (split to spine), bookplate inside upper wrapper, pp. 30,  tipped-in colour and black and white illustrations.
Ref: 1000

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Cole Dr F Hobill

Reference: Catalogue of original paintings & drawings by early Australian artists from the art collection of Dr. F. Hobill Cole.

Includes works by Henry Burn, S. T. Gill, J. Skinner Prout, F. Garling, J. H. Carse, Louis Buvelot, Robert Russell, Henry Gritten, Nicholas Chevalier, Neville Cayley, John Glover et al.

Publishing details: Melbourne : The Fine Art Society in conjunction with Leonard Joel, 1923. Quarto, lettered wrapper (split to spine), bookplate inside upper wrapper, pp. 30,  tipped-in colour and black and white illustrations.

Location: 1000

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Gregory Drewview full entry

Reference: Drew Gregory, catalogue with
illustrations, biographical notes and artist’s comments.
Publishing details: Melbourne : Delshan Art Gallery, [2003]. Quarto, illustrated self wrappers, [pp. 8],
Ref: 1000

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Gregory Drew

Reference: Drew Gregory, catalogue with
illustrations, biographical notes and artist’s comments.

Publishing details: Melbourne : Delshan Art Gallery, [2003]. Quarto, illustrated self wrappers, [pp. 8],

Location: 1000

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Nolan Sidneyview full entry

Reference: Sidney Nolan : drought photographs
Text by Damian Smith and Sidney Nolan.
Publishing details: Melbourne : Australian Galleries, 2011. Octavo, exhibition catalogue, folded card, pp. [6], illustrated.
Ref: 1000

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Nolan Sidney

Reference: Sidney Nolan : drought photographs
Text by Damian Smith and Sidney Nolan.

Publishing details: Melbourne : Australian Galleries, 2011. Octavo, exhibition catalogue, folded card, pp. [6], illustrated.

Location: 1000

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Metamorphosis - contemporary Australian Aboriginal photography and sculptureview full entry

Reference: Metamorphosis : contemporary Australian Aboriginal photography and sculpture
Curated by Gabrielle Pizzi. Catalogue of an exhibition held at the Palazzo Papadopoli, Venice, 14 June – 13 July 1997
Publishing details: Melbourne, Vic. : Gabrielle Pizzi, 1997. Quarto, illustrated card wrappers, pp. 93, illustrated.
Ref: 1000

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Metamorphosis - contemporary Australian Aboriginal photography and sculpture

Reference: Metamorphosis : contemporary Australian Aboriginal photography and sculpture
Curated by Gabrielle Pizzi. Catalogue of an exhibition held at the Palazzo Papadopoli, Venice, 14 June – 13 July 1997

Publishing details: Melbourne, Vic. : Gabrielle Pizzi, 1997. Quarto, illustrated card wrappers, pp. 93, illustrated.

Location: 1000

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Aboriginal photography and sculptureview full entry

Reference: Metamorphosis : contemporary Australian Aboriginal photography and sculpture
Curated by Gabrielle Pizzi. Catalogue of an exhibition held at the Palazzo Papadopoli, Venice, 14 June – 13 July 1997
Publishing details: Melbourne, Vic. : Gabrielle Pizzi, 1997. Quarto, illustrated card wrappers, pp. 93, illustrated.

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Aboriginal photography and sculpture

Reference: Metamorphosis : contemporary Australian Aboriginal photography and sculpture
Curated by Gabrielle Pizzi. Catalogue of an exhibition held at the Palazzo Papadopoli, Venice, 14 June – 13 July 1997

Publishing details: Melbourne, Vic. : Gabrielle Pizzi, 1997. Quarto, illustrated card wrappers, pp. 93, illustrated.

Location:

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Aboriginal sculpture and photography view full entry

Reference: Metamorphosis : contemporary Australian Aboriginal photography and sculpture
Curated by Gabrielle Pizzi. Catalogue of an exhibition held at the Palazzo Papadopoli, Venice, 14 June – 13 July 1997
Publishing details: Melbourne, Vic. : Gabrielle Pizzi, 1997. Quarto, illustrated card wrappers, pp. 93, illustrated.

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Aboriginal sculpture and photography

Reference: Metamorphosis : contemporary Australian Aboriginal photography and sculpture
Curated by Gabrielle Pizzi. Catalogue of an exhibition held at the Palazzo Papadopoli, Venice, 14 June – 13 July 1997

Publishing details: Melbourne, Vic. : Gabrielle Pizzi, 1997. Quarto, illustrated card wrappers, pp. 93, illustrated.

Location:

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Smith Kevinview full entry

Reference: The art of Kevin Smith : paintings & drawings, sculpture, mirrors, furniture, boxes, photographs. Self-produced volume from the formally trained Melbourne artist.
Publishing details: Campbell’s Creek (Vic.) : Book Heaven, 2014. Quarto, illustrated wrappers, pp. 345, illustrated. Limited to 100 numbered copies.
Ref: 1000

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Smith Kevin

Reference: The art of Kevin Smith : paintings & drawings, sculpture, mirrors, furniture, boxes, photographs. Self-produced volume from the formally trained Melbourne artist.

Publishing details: Campbell’s Creek (Vic.) : Book Heaven, 2014. Quarto, illustrated wrappers, pp. 345, illustrated. Limited to 100 numbered copies.

Location: 1000

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Cook Michaelview full entry

Reference: Michael Cook, catalogue.

‘Michael Cook is a photographer who worked commercially both in Australia and overseas for twenty-five years. In 2009, Cook was drawn into art photography by an increasingly urgent desire to learn about his Aboriginal ancestry and identity. As a child, Cook was adopted and raised by a non-Indigenous family. Although they were not Aboriginal, they were active in their support of Indigenous rights. He said, ‘I was raised with a strong understanding of my Aboriginal ancestry thanks to my parents. When I produce art, I feel a stronger connection with my ancestry. This helps me to understand Australian history-in particular, my history.’
Drawing upon his many years of experience as a photographer within the commercial fashion industry, he employs photographic layering to build his images. Also, he characteristically works in photographic series, his unfolding tableaux offer insolvable narratives which are not prescribed but left open to interpretation.’ – Art Gallery of New South Wales website https://www.artgallery.nsw.gov.au/collection/works/102.2014.a-g/
See Also
Publishing details: Brisbane : Andrew Baker Art Dealer, circa 2015. Quarto, illustrated wrappers, pp. [20], illustrated.
Ref: 1000

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Cook Michael

Reference: Michael Cook, catalogue.

‘Michael Cook is a photographer who worked commercially both in Australia and overseas for twenty-five years. In 2009, Cook was drawn into art photography by an increasingly urgent desire to learn about his Aboriginal ancestry and identity. As a child, Cook was adopted and raised by a non-Indigenous family. Although they were not Aboriginal, they were active in their support of Indigenous rights. He said, ‘I was raised with a strong understanding of my Aboriginal ancestry thanks to my parents. When I produce art, I feel a stronger connection with my ancestry. This helps me to understand Australian history-in particular, my history.’
Drawing upon his many years of experience as a photographer within the commercial fashion industry, he employs photographic layering to build his images. Also, he characteristically works in photographic series, his unfolding tableaux offer insolvable narratives which are not prescribed but left open to interpretation.’ – Art Gallery of New South Wales website https://www.artgallery.nsw.gov.au/collection/works/102.2014.a-g/
See Also

Publishing details: Brisbane : Andrew Baker Art Dealer, circa 2015. Quarto, illustrated wrappers, pp. [20], illustrated.

Location: 1000

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Cook Michaelview full entry

Reference: Michael Cook.
‘Michael Cook is a photographer who worked commercially both in Australia and overseas for twenty-five years. In 2009, Cook was drawn into art photography by an increasingly urgent desire to learn about his Aboriginal ancestry and identity. As a child, Cook was adopted and raised by a non-Indigenous family. Although they were not Aboriginal, they were active in their support of Indigenous rights. He said, ‘I was raised with a strong understanding of my Aboriginal ancestry thanks to my parents. When I produce art, I feel a stronger connection with my ancestry. This helps me to understand Australian history-in particular, my history.’
Drawing upon his many years of experience as a photographer within the commercial fashion industry, he employs photographic layering to build his images. Also, he characteristically works in photographic series, his unfolding tableaux offer insolvable narratives which are not prescribed but left open to interpretation.
‘Majority rule’ 2014 is a landmark series by Cook in which he creates scenarios as a way of questioning Australian history and the dominance of those in power. Within each work, the character’s multiplicity signifies the non-reality of the image created. The works are poignant reminders of the lack of Indigenous representation with Parliament, the judicial system and the business world, as well as the lack of acknowledgement of Indigenous people who have been members of our military.’ – Art Gallery of New South Wales website https://www.artgallery.nsw.gov.au/collection/works/102.2014.a-g/
See Also
Publishing details: Brisbane : Andrew Baker Art Dealer, 2014. Quarto, illustrated wrappers, pp. [16], illustrated. Essay by Louise Martin-Chew. Printed in an edition of 1000 copies.
Ref: 1000

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Cook Michael

Reference: Michael Cook.
‘Michael Cook is a photographer who worked commercially both in Australia and overseas for twenty-five years. In 2009, Cook was drawn into art photography by an increasingly urgent desire to learn about his Aboriginal ancestry and identity. As a child, Cook was adopted and raised by a non-Indigenous family. Although they were not Aboriginal, they were active in their support of Indigenous rights. He said, ‘I was raised with a strong understanding of my Aboriginal ancestry thanks to my parents. When I produce art, I feel a stronger connection with my ancestry. This helps me to understand Australian history-in particular, my history.’
Drawing upon his many years of experience as a photographer within the commercial fashion industry, he employs photographic layering to build his images. Also, he characteristically works in photographic series, his unfolding tableaux offer insolvable narratives which are not prescribed but left open to interpretation.
‘Majority rule’ 2014 is a landmark series by Cook in which he creates scenarios as a way of questioning Australian history and the dominance of those in power. Within each work, the character’s multiplicity signifies the non-reality of the image created. The works are poignant reminders of the lack of Indigenous representation with Parliament, the judicial system and the business world, as well as the lack of acknowledgement of Indigenous people who have been members of our military.’ – Art Gallery of New South Wales website https://www.artgallery.nsw.gov.au/collection/works/102.2014.a-g/
See Also

Publishing details: Brisbane : Andrew Baker Art Dealer, 2014. Quarto, illustrated wrappers, pp. [16], illustrated. Essay by Louise Martin-Chew. Printed in an edition of 1000 copies.

Location: 1000

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Canning Crissview full entry

Reference: Criss Canning, exhibition catalogue.
Publishing details: Melbourne : Sotheby’s Australia, 2018. Quarto, gilt-lettered black cloth in illustrated dustjacket, pp. 44, illustrated with 20 oil paintings by the artist. Hardcover
Ref: 1000

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Canning Criss

Reference: Criss Canning, exhibition catalogue.

Publishing details: Melbourne : Sotheby’s Australia, 2018. Quarto, gilt-lettered black cloth in illustrated dustjacket, pp. 44, illustrated with 20 oil paintings by the artist. Hardcover

Location: 1000

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Arkley Howardview full entry

Reference: Howard Arkley. Exhibition & sale of 40 paintings
Publishing details: Melbourne : Metro 5 Gallery, 2002. Quarto, folding exhibition catalogue, pp. [8], illustrated, essay by David Thomas.
Ref: 1000

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Arkley Howard

Reference: Howard Arkley. Exhibition & sale of 40 paintings

Publishing details: Melbourne : Metro 5 Gallery, 2002. Quarto, folding exhibition catalogue, pp. [8], illustrated, essay by David Thomas.

Location: 1000

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Lindsay Lionelview full entry

Reference: Lionel Lindsay : artist, adventurer and advocate by Geoffrey Newmarch. A study of Creswick born Lionel Lindsay.
Publishing details: Creswick [Vic.] : Creswick Museum, 2012. Octavo, illustrated wrappers, pp. [24], illustrated.
Ref: 1009

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Lindsay Lionel

Reference: Lionel Lindsay : artist, adventurer and advocate by Geoffrey Newmarch. A study of Creswick born Lionel Lindsay.

Publishing details: Creswick [Vic.] : Creswick Museum, 2012. Octavo, illustrated wrappers, pp. [24], illustrated.

Location: 1009

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Edwards Lionelview full entry

Reference:  A collection of poetical works by Adam Lindsay Gordon, accompanied by a number of delightful illustrations by Lionel Edwards.
Publishing details: Constable and Company Ltd. London, 1927, 104pp
Ref: 1000

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Edwards Lionel

Reference:  A collection of poetical works by Adam Lindsay Gordon, accompanied by a number of delightful illustrations by Lionel Edwards.

Publishing details: Constable and Company Ltd. London, 1927, 104pp

Location: 1000

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Savill Dennisview full entry

Reference: Breaking history : Denis Savill “I did it my way”. Celebrating 35 years in business, a major exhibition with selected works for sale. illustrated with Blackman, Friend, Smart, Boyd, Shean, Nolan, Whiteley and Williams.
Publishing details: Sydney : Savill Galleries, 2015. Quarto, exhibition catalogue, pp. 8,
Ref: 1000

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Savill Dennis

Reference: Breaking history : Denis Savill “I did it my way”. Celebrating 35 years in business, a major exhibition with selected works for sale. illustrated with Blackman, Friend, Smart, Boyd, Shean, Nolan, Whiteley and Williams.

Publishing details: Sydney : Savill Galleries, 2015. Quarto, exhibition catalogue, pp. 8,

Location: 1000

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Drysdale Russellview full entry

Reference: Russell Drysdale Memorial Auction, catalogue of 108 artworks, annotated with prices.Fundraising auction for the Drysdale Memorial in the Monash University Art Gallery.
Publishing details: Melbourne : Sotheby’s Australia, 1983. Quarto, illustrated wrappers, pp. [4],
Ref: 1000

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Drysdale Russell

Reference: Russell Drysdale Memorial Auction, catalogue of 108 artworks, annotated with prices.Fundraising auction for the Drysdale Memorial in the Monash University Art Gallery.

Publishing details: Melbourne : Sotheby’s Australia, 1983. Quarto, illustrated wrappers, pp. [4],

Location: 1000

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Crooke Rayview full entry

Reference: Tahiti. Paintings and drawings by Ray Crooke, foreword by June Crooke, catalogue of 22 paintings plus drawings.
Publishing details: Melbourne : Australian Galleries, 1972. Quarto, lettered wrappers, pp. 8, central crease, illustrated,
Ref: 1000

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Crooke Ray

Reference: Tahiti. Paintings and drawings by Ray Crooke, foreword by June Crooke, catalogue of 22 paintings plus drawings.

Publishing details: Melbourne : Australian Galleries, 1972. Quarto, lettered wrappers, pp. 8, central crease, illustrated,

Location: 1000

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Appleton Jeanview full entry

Reference: Jean Appleton

Publishing details: Adelaide : Greenhill Galleries, 1989. Quarto, illustrated wrappers, pp. [8], illustrated.
Ref: 1000

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Appleton Jean

Reference: Jean Appleton

Publishing details: Adelaide : Greenhill Galleries, 1989. Quarto, illustrated wrappers, pp. [8], illustrated.

Location: 1000

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Felt space gold : a survey of emerging contemporary art practice in South Australia 2011view full entry

Reference: Felt space gold : a survey of emerging contemporary art practice in South Australia 2011. [to be indexed]
FELT space GOLD presents the work of South Australia’s brightest up and coming contemporary artists, surveying the practices of twenty eight emerging artists working in the areas of cross-disciplinary practice, collaboration, performance, video, glass, sculpture, painting, and drawing. The work of each artist is superbly illustrated and accompanied by a specially commissioned text from one of four emerging arts writers, along with essays from founding FELT members and the director of the Australian Experimental Art Foundation.

Publishing details: Adelaide, SA : FELTspace, [2011]. Quarto, lettered wrappers, unpaginated, illustrated.
Ref: 1000

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Felt space gold : a survey of emerging contemporary art practice in South Australia 2011

Reference: Felt space gold : a survey of emerging contemporary art practice in South Australia 2011. [to be indexed]
FELT space GOLD presents the work of South Australia’s brightest up and coming contemporary artists, surveying the practices of twenty eight emerging artists working in the areas of cross-disciplinary practice, collaboration, performance, video, glass, sculpture, painting, and drawing. The work of each artist is superbly illustrated and accompanied by a specially commissioned text from one of four emerging arts writers, along with essays from founding FELT members and the director of the Australian Experimental Art Foundation.

Publishing details: Adelaide, SA : FELTspace, [2011]. Quarto, lettered wrappers, unpaginated, illustrated.

Location: 1000

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contemporary art practice in South Australia 2011view full entry

Reference: see Felt space gold : a survey of emerging contemporary art practice in South Australia 2011. [to be indexed]
FELT space GOLD presents the work of South Australia’s brightest up and coming contemporary artists, surveying the practices of twenty eight emerging artists working in the areas of cross-disciplinary practice, collaboration, performance, video, glass, sculpture, painting, and drawing. The work of each artist is superbly illustrated and accompanied by a specially commissioned text from one of four emerging arts writers, along with essays from founding FELT members and the director of the Australian Experimental Art Foundation.

Publishing details: Adelaide, SA : FELTspace, [2011]. Quarto, lettered wrappers, unpaginated, illustrated.

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contemporary art practice in South Australia 2011

Reference: see Felt space gold : a survey of emerging contemporary art practice in South Australia 2011. [to be indexed]
FELT space GOLD presents the work of South Australia’s brightest up and coming contemporary artists, surveying the practices of twenty eight emerging artists working in the areas of cross-disciplinary practice, collaboration, performance, video, glass, sculpture, painting, and drawing. The work of each artist is superbly illustrated and accompanied by a specially commissioned text from one of four emerging arts writers, along with essays from founding FELT members and the director of the Australian Experimental Art Foundation.

Publishing details: Adelaide, SA : FELTspace, [2011]. Quarto, lettered wrappers, unpaginated, illustrated.

Location:

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Paterson Estherview full entry

Reference: Esther Paterson : a creative life. By EISENBERG, Joseph and DOWNER, Caroline
Publishing details: Armidale : New England Regional Art Museum, 2001. Quarto, illustrated wrappers, pp. 24, illustrated.
Ref: 1009

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Paterson Esther

Reference: Esther Paterson : a creative life. By EISENBERG, Joseph and DOWNER, Caroline

Publishing details: Armidale : New England Regional Art Museum, 2001. Quarto, illustrated wrappers, pp. 24, illustrated.

Location: 1009

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South Australia rephotographedview full entry

Reference: South Australia rephotographed. Catalogue of the exhibition produced for the Fifteenth Biennial Festival of Arts by the South Australian Visual Arts Committee and others.Coordinator, Alan Cruickshank ; essay by Martyn Jolly. Includes works by Ian North, Fiona Hall, Samuel Sweet et al. [to be indexed]
Publishing details: Adelaide : Adelaide Festival of Arts Inc., [1988]. Quarto, lettered wrappers, pp. [24, illustrated.
Ref: 1000

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South Australia rephotographed

Reference: South Australia rephotographed. Catalogue of the exhibition produced for the Fifteenth Biennial Festival of Arts by the South Australian Visual Arts Committee and others.Coordinator, Alan Cruickshank ; essay by Martyn Jolly. Includes works by Ian North, Fiona Hall, Samuel Sweet et al. [to be indexed]

Publishing details: Adelaide : Adelaide Festival of Arts Inc., [1988]. Quarto, lettered wrappers, pp. [24, illustrated.

Location: 1000

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photography South Australiaview full entry

Reference: see South Australia rephotographed. Catalogue of the exhibition produced for the Fifteenth Biennial Festival of Arts by the South Australian Visual Arts Committee and others.Coordinator, Alan Cruickshank ; essay by Martyn Jolly. Includes works by Ian North, Fiona Hall, Samuel Sweet et al. [to be indexed]
Publishing details: Adelaide : Adelaide Festival of Arts Inc., [1988]. Quarto, lettered wrappers, pp. [24, illustrated.

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photography South Australia

Reference: see South Australia rephotographed. Catalogue of the exhibition produced for the Fifteenth Biennial Festival of Arts by the South Australian Visual Arts Committee and others.Coordinator, Alan Cruickshank ; essay by Martyn Jolly. Includes works by Ian North, Fiona Hall, Samuel Sweet et al. [to be indexed]

Publishing details: Adelaide : Adelaide Festival of Arts Inc., [1988]. Quarto, lettered wrappers, pp. [24, illustrated.

Location:

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Hunter Toddview full entry

Reference: Todd Hunter : doused (signed copy)
Catalogue of an exhibition held at Scott Livesey Galleries, Armadale, Melbourne, 13 April – 4 May 2013
Publishing details: Melbourne : Scott Livesey Galleries, 2013. Quarto, illustrated wrappers, pp. 36, illustrated.
Ref: 1000

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Hunter Todd

Reference: Todd Hunter : doused (signed copy)
Catalogue of an exhibition held at Scott Livesey Galleries, Armadale, Melbourne, 13 April – 4 May 2013

Publishing details: Melbourne : Scott Livesey Galleries, 2013. Quarto, illustrated wrappers, pp. 36, illustrated.

Location: 1000

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Lindsay Normanview full entry

Reference: Norman Lindsay Issue]. Quadrant. November – December 1969.  No. 62, Vol. XIII, No. 6. Includes an article by Nancy Keesing on Norman Lindsay, following his death that year, and an article by A. D> Hope on his pencil drawings.
Publishing details: Sydney : Quadrant, 1969. Quarto, printed wrappers with a portrait photograph of Norman Lindsay (by Keith Wingrove), pp. 80.
Ref: 1000

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Lindsay Norman

Reference: Norman Lindsay Issue]. Quadrant. November – December 1969.  No. 62, Vol. XIII, No. 6. Includes an article by Nancy Keesing on Norman Lindsay, following his death that year, and an article by A. D> Hope on his pencil drawings.

Publishing details: Sydney : Quadrant, 1969. Quarto, printed wrappers with a portrait photograph of Norman Lindsay (by Keith Wingrove), pp. 80.

Location: 1000

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A’Beckett Edward (1844-1932; Australian)view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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A’Beckett Edward (1844-1932; Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Altson Aby (1866-1948; English/Australian)
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Altson Aby (1866-1948; English/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Altson Meyer (1881-1965; English/Australian)
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Altson Meyer (1881-1965; English/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Austin William (active 1850-84; English/Australian): Austin Arrival of the First Gold Escort {1884} SLV [WT]
 view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Austin William (active 1850-84; English/Australian): Austin Arrival of the First Gold Escort {1884} SLV [WT]
 

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Barak William (1824-1903; Australian)
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

×

Barak William (1824-1903; Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Batchelder & Co. (active c.1856-95; Australian): Batchelder & Co. & others: Fasti Victorienses {c.1865} SLV [PH]
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Batchelder & Co. (active c.1856-95; Australian): Batchelder & Co. & others: Fasti Victorienses {c.1865} SLV [PH]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Becker Ludwig (1808-61; German/Australian)
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

×

Becker Ludwig (1808-61; German/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Bernard D. & Co. (active c.1902; Australian): Bernard & Co. First Parliament 1901 {1902} SLV [PH]
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Bernard D. & Co. (active c.1902; Australian): Bernard & Co. First Parliament 1901 {1902} SLV [PH]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Bernard D. & Co. (active c.1902; Australian): Bernard & Co. First Parliament 1901 {1902} SLV [PH]
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

×

Bernard D. & Co. (active c.1902; Australian): Bernard & Co. First Parliament 1901 {1902} SLV [PH]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Nixon Johnview full entry

Reference: see Sydney Morning Herald, 19.8.2020, p12:
'A profound loss’: artist John Nixon dead at 70 - by Linda Morris
The influential Australian abstract artist and leading exponent of radical modernism, John Nixon, has died.
Nixon, who was 70, died at his home in Melbourne yesterday morning after a year-long struggle with leukaemia.
Nicholas Chambers, the Art Gallery of NSW’s senior curator of modern and contemporary international art, said Nixon’s contribution to contemporary art in Australia was immense.
Nixon’s work is held in the collections of the Museum of Contemporary Art, National Gallery of Australia and other state galleries as well as public collections in Denmark, France, Germany, Korea, New Zealand, Poland and the United States.
‘‘Over the course of more than half a century, he forged a practice marked by its independence, experimentation, passion, and humility,’’ Mr Chambers said. ‘‘John was represented in every major collection in the country, and several in Europe, but he never rested on his laurels.
‘‘He was always exploring, brimming with ideas, and giving platforms to younger artists.
‘‘He was a friend, supporter, and mentor to so many in Australia’s arts community. It is a profound loss.’’
Nixon studied at the Preston Institute of Technology in 1968, then the National Gallery School, and was first exhibited at the legendary Melbourne avantgarde gallery Pinacotheca in 1973. Later that decade Nixon established the gallery Art Projects in Melbourne with thenwife, Jenny Watson, one of a number of exhibition spaces and publishing ventures that he hoped would provide an outlet for the distribution and discussion of art ideas.
These projects were pivotal in offering publishing platforms for Nixon’s own works as well as many of his contemporaries including Tony Clark, Robert Owen, Peter Tyndall, Mike Parr and Imants Tillers.
Gallerist and friend Anna Schwartz said Nixon’s support of artists was one of his great qualities and he was always excited to collaborate with others on projects.
Nixon’s minimalist, abstract aesthetic was influenced by the Russian avant-garde artist and art theorist Kazimir Malevich.
Ms Schwartz said Nixon was prolific in output and his practice ranged across radical modernism, abstraction, minimalism, constructivism, non-objective art, the monochrome and the ‘readymade’. His work, she said, was all-encompassing and included painting, collage, print-making, drawing, photography, film, dance, experimental music, art theatre direction, graphic design, curating and teaching.
‘‘As one of John’s friends said to me last night, John made something out of nothing; he was doing that in his work every day of his life,’’ Ms Schwartz said. ‘‘He would make work from the most unlikely materials, from what was around him and transformed it into art, into a particular language of art.
‘‘It was, in one way, very straightforward, to do with the ordinary, but transformational into something powerful and contemplative. John always resiled from his work being seen in a metaphoric way but one can’t help but do that.’’
Nixon, who was awarded an Australia Council Fellowship Award in 2001, is survived by wife, Sue Cramer, a curator at the Heidi Museum of Modern Art, and daughter Emma Nixon.

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Nixon John

Reference: see Sydney Morning Herald, 19.8.2020, p12:
'A profound loss’: artist John Nixon dead at 70 - by Linda Morris
The influential Australian abstract artist and leading exponent of radical modernism, John Nixon, has died.
Nixon, who was 70, died at his home in Melbourne yesterday morning after a year-long struggle with leukaemia.
Nicholas Chambers, the Art Gallery of NSW’s senior curator of modern and contemporary international art, said Nixon’s contribution to contemporary art in Australia was immense.
Nixon’s work is held in the collections of the Museum of Contemporary Art, National Gallery of Australia and other state galleries as well as public collections in Denmark, France, Germany, Korea, New Zealand, Poland and the United States.
‘‘Over the course of more than half a century, he forged a practice marked by its independence, experimentation, passion, and humility,’’ Mr Chambers said. ‘‘John was represented in every major collection in the country, and several in Europe, but he never rested on his laurels.
‘‘He was always exploring, brimming with ideas, and giving platforms to younger artists.
‘‘He was a friend, supporter, and mentor to so many in Australia’s arts community. It is a profound loss.’’
Nixon studied at the Preston Institute of Technology in 1968, then the National Gallery School, and was first exhibited at the legendary Melbourne avantgarde gallery Pinacotheca in 1973. Later that decade Nixon established the gallery Art Projects in Melbourne with thenwife, Jenny Watson, one of a number of exhibition spaces and publishing ventures that he hoped would provide an outlet for the distribution and discussion of art ideas.
These projects were pivotal in offering publishing platforms for Nixon’s own works as well as many of his contemporaries including Tony Clark, Robert Owen, Peter Tyndall, Mike Parr and Imants Tillers.
Gallerist and friend Anna Schwartz said Nixon’s support of artists was one of his great qualities and he was always excited to collaborate with others on projects.
Nixon’s minimalist, abstract aesthetic was influenced by the Russian avant-garde artist and art theorist Kazimir Malevich.
Ms Schwartz said Nixon was prolific in output and his practice ranged across radical modernism, abstraction, minimalism, constructivism, non-objective art, the monochrome and the ‘readymade’. His work, she said, was all-encompassing and included painting, collage, print-making, drawing, photography, film, dance, experimental music, art theatre direction, graphic design, curating and teaching.
‘‘As one of John’s friends said to me last night, John made something out of nothing; he was doing that in his work every day of his life,’’ Ms Schwartz said. ‘‘He would make work from the most unlikely materials, from what was around him and transformed it into art, into a particular language of art.
‘‘It was, in one way, very straightforward, to do with the ordinary, but transformational into something powerful and contemplative. John always resiled from his work being seen in a metaphoric way but one can’t help but do that.’’
Nixon, who was awarded an Australia Council Fellowship Award in 2001, is survived by wife, Sue Cramer, a curator at the Heidi Museum of Modern Art, and daughter Emma Nixon.

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Barak William (1824-1903; Australian)
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Barak William (1824-1903; Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Becker Ludwig (1808-61; German/Australian)
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

×

Becker Ludwig (1808-61; German/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Blyth Eliza (1820-94; English/Australian): Blyth [attrib.] Australian Flowers {1872} Loc? [WT]
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Blyth Eliza (1820-94; English/Australian): Blyth [attrib.] Australian Flowers {1872} Loc? [WT]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Boake Barcroft Capel (1838-1921; Irish/Australian)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Boake Barcroft Capel (1838-1921; Irish/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Botterill John (1817-81; English/Australian)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Botterill John (1817-81; English/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Boyd Arthur Merric Senior (1862-1940; New Zealander/Australian): Boyd (A.) Waiting for the tide 1895 {1895} Loc? [PA]
view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Boyd Arthur Merric Senior (1862-1940; New Zealander/Australian): Boyd (A.) Waiting for the tide 1895 {1895} Loc? [PA]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Boyd Emma Minnie (1858-1936; Australian): Boyd (E.) To the Workhouse 1891 {1893} NGV [PA]
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Boyd Emma Minnie (1858-1936; Australian): Boyd (E.) To the Workhouse 1891 {1893} NGV [PA]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Burtt John Wesley (1839-1917; English/Australian): Unknown (Burtt?) Sir Charles Darling {1890} SLV [PA]
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Burtt John Wesley (1839-1917; English/Australian): Unknown (Burtt?) Sir Charles Darling {1890} SLV [PA]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Caire Nicholas (1837-1918; English/Australian)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Caire Nicholas (1837-1918; English/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Calvert Samuel (1828-1913; English/Australian): Calvert (?) after Cope view full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Calvert Samuel (1828-1913; English/Australian): Calvert (?) after Cope

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Cope - Calvert Samuel (1828-1913; English/Australian): Calvert (?) after Copeview full entry

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Cope - Calvert Samuel (1828-1913; English/Australian): Calvert (?) after Cope

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Carmichael John (1803-57; Scottish/Australian)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Carmichael John (1803-57; Scottish/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Chuck Thomas Foster (1826-98; English/Australian)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Chuck Thomas Foster (1826-98; English/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Clark John Heaviside (c.1771-1863; Scottish): Clark (J.) after Eyre View of Sydney (nos.1 & 2) {1904} SLV [PR]
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Clark John Heaviside (c.1771-1863; Scottish): Clark (J.) after Eyre View of Sydney (nos.1 & 2) {1904} SLV [PR]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Clark Thomas (c.1814-83; English/Australian): Clark (T.) Sir Henry Barkly {1865} SLV [PA]
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Clark Thomas (c.1814-83; English/Australian): Clark (T.) Sir Henry Barkly {1865} SLV [PA]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Coates George (1869-1930; Australian/English)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Coates George (1869-1930; Australian/English)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Cook Ebenezer Wake (1844-1926; English/Australian)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Cook Ebenezer Wake (1844-1926; English/Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Davies David (1864-1939; Australian): Davies (D.) Moonrise Templestowe 1894 {1895} NGV [PA]
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Davies David (1864-1939; Australian): Davies (D.) Moonrise Templestowe 1894 {1895} NGV [PA]

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Davies Henry Easom (1831-68; English/ Australian)
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Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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Davies Henry Easom (1831-68; English/ Australian)

Reference: see NGV/SLV catalogue/s. This artist is listed on the website beforefelton.com/artists/ which lists artists represented in the Melbourne Public Library/National Gallery of Victoria, from the foundation of the Library in 1853 until the Felton Bequest (1904), ‘most of them (it should be observed) contemporary artists, i.e. active during the period (c.1860-1904)’.

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