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Lasisi David NZview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Lasisi David NZ

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Lindsay (Sale) Joeview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Lindsay (Sale) Joe

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Sale Joe Lindsay view full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Sale Joe Lindsay

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Maguire Marion NZview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Maguire Marion NZ

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Marika Bandukview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Marika Banduk

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mast Robertview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mast Robert

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Matchitt Paratene NZview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Matchitt Paratene NZ

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mor’o Ocampo Indonesianview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mor’o Ocampo Indonesian

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Morububuna Martin PNGview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Morububuna Martin PNG

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mungatopi Maryanneview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mungatopi Maryanne

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mununggurr Marrnyula 2view full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mununggurr Marrnyula 2

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mununggurr Mundulview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Mununggurr Mundul

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Murray Janiceview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Murray Janice

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Nona Dennisview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Nona Dennis

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Nona Laurieview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Nona Laurie

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Norris Kathrynview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Norris Kathryn

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Orsto Josetteview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Orsto Josette

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Orsto Reppieview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Orsto Reppie

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Pranata Ardiyanto Indonesiaview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Pranata Ardiyanto Indonesia

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Pule Johnview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Pule John

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Puruntatameri Thelca Bernadetteview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Puruntatameri Thelca Bernadette

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Robertson Brianview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Robertson Brian

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Sabatino Ninoview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Sabatino Nino

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tipoti Alickview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tipoti Alick

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tipungwuti Giovanniview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tipungwuti Giovanni

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Toki Leba Fijiview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Toki Leba Fiji

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tremblay Theoview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tremblay Theo

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tuffery Michelview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tuffery Michel

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tungutalum Bedeview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Tungutalum Bede

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Wanambi Gunaimulkview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Wanambi Gunaimulk

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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White Robin NZview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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White Robin NZ

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Wonaeamirra Pedroview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Wonaeamirra Pedro

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Wungi Cecil King PNGview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Wungi Cecil King PNG

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Yunupingu Dhophiaview full entry

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Yunupingu Dhophia

Reference: see Islands In The Sun: Prints By Indigenous Artists Of Australia & The Australasian Region, Roger Butler (ed). Icludes brief biographical notes on the artists. The essays include: Printmaking by Aboriginal artists (Tiwi Islands, Arnhem Land); Motif Etching, the history of Ilan printing (Torres Strait Islands); printmaking in Papua New Guinea; Polynesian printmakers in Aotearoa New Zealand (Maori artists, Pacific Islander artists); the cross-cultural experience.

Publishing details: Published by National Gallery of Australia, Canberra 2001, 116pp, b/w 7 colour illusts, very good+ paperback & cover

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Australian Outsidersview full entry

Reference: Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Australian Outsiders

Reference: Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Outsiders Artview full entry

Reference: Outsiders Art
Publishing details: Campbelltown City Art Gallery, [1991?] 
[6] p. : ports
Ref: 1000

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Outsiders Art

Reference: Outsiders Art

Publishing details: Campbelltown City Art Gallery, [1991?] 
[6] p. : ports

Location: 1000

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Fallonview full entry

Reference: An outsider's art : paintings by Kathleen Mary Fallon / [essays by Nicholas Pounder and George Alexander]
Unbound folio of 23 prints of Kathleen Mary Fallon's paintings on paper, which use watercolour, ink, metallic paint, gouache and collage as their medium. Nicholas Pounder recalls the emergence of Fallon as an author, and the circumstances of his first encounter with the artwork. He quotes extensively from Fallon's account of the creation of many of the images during her bleak and wretched period in London: "I painted dark passions and pains from the soul; paintings about camouflage, vulnerability and ruin." George Alexander notes that Fallon's visual art is as forceful and fierce as her literary work, and treats the body as a battleground: "In these watercolours - a notoriously tricky medium to get right - it's as if blood and bodily fluids were the primary materials, the vulva-bright colours of unquenchable longing burn densely or shiver away in feathery deliquescence." The artwork Fallon produced for the covers of her first two books appear amongst the plates.
Full contents • Finding the art of Kathleen Mary Fallon / Nicholas Pounder
• Eros and thanatos, baby: the art of Kathleen Mary Fallon / George Alexander
• 1. Untitled (1972)
• 2. The maypole dance continues under that eye the sky
• 3. Untitled
• 4. Untitled
• 5. Mt Cootha, or rained into (1972)
• 6. Untitled (1973)
• 7. One stone eye, one sand eye & the shadows of the wings of death (1975)
• 8. Dear Kathleen, take the bull by the horns
Publishing details: Tamarama, [N.S.W.]: Polar Bear Press, 2014 
26 unnumbered loose leaves : colour illustrations. "Printed on 330 gsm acid free cotton rag using archivally stable high density pigments from images of the original works prepared by Oliver Strewe. Each portfolio is housed in a Solander box made by Jean Riley of Burradoo."--Colophon.
Limited edition of 12 set of copies, numbered and signed by the artist.
National Library's SR copy is no. 2/12.
Ref: 1000

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Fallon

Reference: An outsider's art : paintings by Kathleen Mary Fallon / [essays by Nicholas Pounder and George Alexander]
Unbound folio of 23 prints of Kathleen Mary Fallon's paintings on paper, which use watercolour, ink, metallic paint, gouache and collage as their medium. Nicholas Pounder recalls the emergence of Fallon as an author, and the circumstances of his first encounter with the artwork. He quotes extensively from Fallon's account of the creation of many of the images during her bleak and wretched period in London: "I painted dark passions and pains from the soul; paintings about camouflage, vulnerability and ruin." George Alexander notes that Fallon's visual art is as forceful and fierce as her literary work, and treats the body as a battleground: "In these watercolours - a notoriously tricky medium to get right - it's as if blood and bodily fluids were the primary materials, the vulva-bright colours of unquenchable longing burn densely or shiver away in feathery deliquescence." The artwork Fallon produced for the covers of her first two books appear amongst the plates.
Full contents • Finding the art of Kathleen Mary Fallon / Nicholas Pounder
• Eros and thanatos, baby: the art of Kathleen Mary Fallon / George Alexander
• 1. Untitled (1972)
• 2. The maypole dance continues under that eye the sky
• 3. Untitled
• 4. Untitled
• 5. Mt Cootha, or rained into (1972)
• 6. Untitled (1973)
• 7. One stone eye, one sand eye & the shadows of the wings of death (1975)
• 8. Dear Kathleen, take the bull by the horns

Publishing details: Tamarama, [N.S.W.]: Polar Bear Press, 2014 
26 unnumbered loose leaves : colour illustrations. "Printed on 330 gsm acid free cotton rag using archivally stable high density pigments from images of the original works prepared by Oliver Strewe. Each portfolio is housed in a Solander box made by Jean Riley of Burradoo."--Colophon.
Limited edition of 12 set of copies, numbered and signed by the artist.
National Library's SR copy is no. 2/12.

Location: 1000

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Sherwood Maudview full entry

Reference: see Jonathan Grant Gallery (NZ) catalogue, Frances Hodgkins and Her Circle, 12 November - 6 December, 2020:
Maud Winifred Sherwood (née Kimbell) (1880-1956) was born in Dunedin and moved as a child to Wellington in the early 1890s. She began exhibiting with the New Zealand Academy of Fine Arts in 1898 and won a travelling scholarship in 1902. Deferring this opportunity, she chose instead to become a teacher at the Technical College under James Nairn, whose position she assumed on his death in 1904.

SOLD



MAUD SHERWOOD 
Tea for Two
Watercolour
40 x 56 cm




SOLD



MAUD SHERWOOD 
Fishing Boats at Concarneau
Watercolour
42 x 50 cm
Signed lower left



Her first solo exhibition opened at the McGregor Wright Art Gallery, Wellington, on 16 April 1910. In late 1911 she left New Zealand and after a brief stay in London went to Paris where she visited artists’studios with Frances Hodgkins. She then studied at the Académie Colarossi, one of the best-known art schools in Paris, where Frances had taught, and soon after moved to Percyval Tudor-Hart’s studio. In the summer of 1912, she toured southern England in a sketching group organised by Tudor-Hart which included fellow expatriates Owen Merton, Cora Wilding and C.Y. Fell.
The following summer Sherwood visited the small fishing port and artist mecca of Concarneau, Brittany. It may well have been recommended to her by Hodgkins, who had spent the summer of 1911 painting in the picturesque fishing village. Whilst staying there Sherwood also met Cantabrian expatriate Sydney Lough Thompson, who was resident in Concarneau during this period.
Sherwood was greatly inspired by the subjects that Concarneau offered which included the marketplace, the locals in their historic vernacular costumes, the apparently ungoverned urchins of the town, the warm beaches and the fishing port.
Fishing Boats at Concarneau reflects the enthusiasm expressed by Sherwood for the small fishing village. Inspiration seemed to abound, and she wrote in her letters home:
‘The boats are gorgeous things with orange and brown sails and one I saw was a canary yellow and another almost an emerald green. Just imagine these all clustered together with the sun shining on them’.
The vigour of the present subject matter is cleverly underpinned by the square format chosen by the artist. This painting exemplifies what critics expressed of Sherwood’s work on her return to New Zealand as ‘her coat-off freedom of treatment’ (Evening Post).
Sherwood left Europe in October 1913 and settled in Sydney, where she became a regular exhibitor. An unhappy marriage made in 1917 came to an end in 1922, whereafter she exhibited and travelled extensively. She spent several years working abroad and returned to Australia permanently in 1933.
Written by Jonathan Gooderham & Grace Alty
We are grateful to Dr Pamela Gerrish Nunn for her assistance in compiling the catalogue entries.

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Sherwood Maud

Reference: see Jonathan Grant Gallery (NZ) catalogue, Frances Hodgkins and Her Circle, 12 November - 6 December, 2020:
Maud Winifred Sherwood (née Kimbell) (1880-1956) was born in Dunedin and moved as a child to Wellington in the early 1890s. She began exhibiting with the New Zealand Academy of Fine Arts in 1898 and won a travelling scholarship in 1902. Deferring this opportunity, she chose instead to become a teacher at the Technical College under James Nairn, whose position she assumed on his death in 1904.

SOLD



MAUD SHERWOOD 
Tea for Two
Watercolour
40 x 56 cm




SOLD



MAUD SHERWOOD 
Fishing Boats at Concarneau
Watercolour
42 x 50 cm
Signed lower left



Her first solo exhibition opened at the McGregor Wright Art Gallery, Wellington, on 16 April 1910. In late 1911 she left New Zealand and after a brief stay in London went to Paris where she visited artists’studios with Frances Hodgkins. She then studied at the Académie Colarossi, one of the best-known art schools in Paris, where Frances had taught, and soon after moved to Percyval Tudor-Hart’s studio. In the summer of 1912, she toured southern England in a sketching group organised by Tudor-Hart which included fellow expatriates Owen Merton, Cora Wilding and C.Y. Fell.
The following summer Sherwood visited the small fishing port and artist mecca of Concarneau, Brittany. It may well have been recommended to her by Hodgkins, who had spent the summer of 1911 painting in the picturesque fishing village. Whilst staying there Sherwood also met Cantabrian expatriate Sydney Lough Thompson, who was resident in Concarneau during this period.
Sherwood was greatly inspired by the subjects that Concarneau offered which included the marketplace, the locals in their historic vernacular costumes, the apparently ungoverned urchins of the town, the warm beaches and the fishing port.
Fishing Boats at Concarneau reflects the enthusiasm expressed by Sherwood for the small fishing village. Inspiration seemed to abound, and she wrote in her letters home:
‘The boats are gorgeous things with orange and brown sails and one I saw was a canary yellow and another almost an emerald green. Just imagine these all clustered together with the sun shining on them’.
The vigour of the present subject matter is cleverly underpinned by the square format chosen by the artist. This painting exemplifies what critics expressed of Sherwood’s work on her return to New Zealand as ‘her coat-off freedom of treatment’ (Evening Post).
Sherwood left Europe in October 1913 and settled in Sydney, where she became a regular exhibitor. An unhappy marriage made in 1917 came to an end in 1922, whereafter she exhibited and travelled extensively. She spent several years working abroad and returned to Australia permanently in 1933.
Written by Jonathan Gooderham & Grace Alty
We are grateful to Dr Pamela Gerrish Nunn for her assistance in compiling the catalogue entries.

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Nerli Girolamoview full entry

Reference: see Jonathan Grant Gallery (NZ) catalogue, Frances Hodgkins and Her Circle, 12 November - 6 December, 2020:
Girolamo Pieri Nerli
The Springtime of Life

Oil on canvas
39 x 26.5 cm
Signed c.1890
Provenance
Private Collection, Auckland since c. 1960
Illustrated
Peter Entwisle, Michael Dunn & Roger Collins, Nerli – An Exhibition of Paintings & Drawings, (Dunedin Public Art Gallery, 1988) p. 102 (engraving of this work)
From Frances Hodgkins to Isabel Field, 9 June 1893, Cranmore Lodge
‘I went to see Mr Cole’s studio today. I admire his work and his method tremendously but I think compared with Nerli his work is lifeless. What an artist a judicious blending of the two would make! Nerli has been most awfully good to me and gives me an extra lesson on Saturdays in his studio’.
Girolamo Pieri Pecci Ballati Nerli (1860-1926) was an Italian painter born into an aristocratic family in Siena. He studied art under Antonio Ciseri and Giovanni Muzzioli and emigrated to Australia in 1885. After a short stay in Melbourne he moved to Sydney, where he became associated with the Heidelberg School. He travelled to Samoa in 1892 where he painted the portrait of Robert Louis Stevenson.
Nerli first visited Dunedin in 1889 and settled there in 1893. A colourful figure, he became an influential teacher and exhibitor, with Frances Hodgkins and Grace Joel his principal protégées. In 1893 Nerli was elected to the council of the Otago Art Society and in 1894 he set up the Otago Art Academy along with J.D. Perret and L.W. Wilson in Dunedin’s Octagon.
Nerli was a charismatic teacher and his private classes were so popular that the Dunedin School of Art and Design decided to employ him as a teacher of painting. Having no particular specialty, he produced portraits, landscapes and genre compositions in an impressionistic, animated style which was new to Otago artists. He encouraged his students to look beyond the limitations and restraints of New Zealand art to the innovations of Europe. Nerli encouraged Hodgkins to focus on capturing the natural effects of colour and light by sketching en plein air and his influence can clearly be seen in the fluid watercolour handling of her early works.
Nerli combined different trends of European modernism in his works, choosing to focus on everyday subjects and intimate portraits, rather than grand historical themes. The Springtime of Life has its origins in an 1887 picture by Nerli known as In Transgression or Courtship. The painting illustrated here was exhibited under the present title at the Wellington Art Club’s annual exhibition in the winter of 1894 (no. 151) and again at the Otago Art Society in the following November (no. 105). Identified in Wellington variously as ‘an amorous boy and girl followed by some wondering turkeys’(Wellington Evening Post) and ‘a goose-girl and her lover’(New Zealand Times), it was suggested by more than one New Zealand reviewer that its narrative beginnings might have lain in the popular French opera of 1880, La mascotte.
Taken altogether, these possibilities of its meaning perhaps overload this essentially anecdotal genre picture. On a simpler level, it is a prime example of Nerli’s roots in the Macchiaioli, the Tuscan painters of modern life who refreshed Italian art in the 1860s and ‘70s by painting out of doors. It exemplifies the technique that impressed New Zealand audiences in the 1890s, leading to him exercising an influence on Dunedin artists that was unri- valled once James Nairn left the southern centre for Wellington.
If Nerli’s sensibilities tended to the risqué, there was no denying his energetic use of paint to create fresh, brisk and animated figure-paintings which was highly invigorating to the art in his adopted country. ‘Signor Nerli’ spent just over three years in Dunedin. In 1897 he left suddenly and headed north, opening a studio in Auckland. After eloping to Christchurch to marry Marie Cecilia Josephine Barron, the couple set sail for Australia. Nerli’s work continued to circulate in this country, being grouped with that of Petrus van der Velden and James Nairn. By 1906, he was back in the land of his birth, and died in Genoa in 1926.

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Nerli Girolamo

Reference: see Jonathan Grant Gallery (NZ) catalogue, Frances Hodgkins and Her Circle, 12 November - 6 December, 2020:
Girolamo Pieri Nerli
The Springtime of Life

Oil on canvas
39 x 26.5 cm
Signed c.1890
Provenance
Private Collection, Auckland since c. 1960
Illustrated
Peter Entwisle, Michael Dunn & Roger Collins, Nerli – An Exhibition of Paintings & Drawings, (Dunedin Public Art Gallery, 1988) p. 102 (engraving of this work)
From Frances Hodgkins to Isabel Field, 9 June 1893, Cranmore Lodge
‘I went to see Mr Cole’s studio today. I admire his work and his method tremendously but I think compared with Nerli his work is lifeless. What an artist a judicious blending of the two would make! Nerli has been most awfully good to me and gives me an extra lesson on Saturdays in his studio’.
Girolamo Pieri Pecci Ballati Nerli (1860-1926) was an Italian painter born into an aristocratic family in Siena. He studied art under Antonio Ciseri and Giovanni Muzzioli and emigrated to Australia in 1885. After a short stay in Melbourne he moved to Sydney, where he became associated with the Heidelberg School. He travelled to Samoa in 1892 where he painted the portrait of Robert Louis Stevenson.
Nerli first visited Dunedin in 1889 and settled there in 1893. A colourful figure, he became an influential teacher and exhibitor, with Frances Hodgkins and Grace Joel his principal protégées. In 1893 Nerli was elected to the council of the Otago Art Society and in 1894 he set up the Otago Art Academy along with J.D. Perret and L.W. Wilson in Dunedin’s Octagon.
Nerli was a charismatic teacher and his private classes were so popular that the Dunedin School of Art and Design decided to employ him as a teacher of painting. Having no particular specialty, he produced portraits, landscapes and genre compositions in an impressionistic, animated style which was new to Otago artists. He encouraged his students to look beyond the limitations and restraints of New Zealand art to the innovations of Europe. Nerli encouraged Hodgkins to focus on capturing the natural effects of colour and light by sketching en plein air and his influence can clearly be seen in the fluid watercolour handling of her early works.
Nerli combined different trends of European modernism in his works, choosing to focus on everyday subjects and intimate portraits, rather than grand historical themes. The Springtime of Life has its origins in an 1887 picture by Nerli known as In Transgression or Courtship. The painting illustrated here was exhibited under the present title at the Wellington Art Club’s annual exhibition in the winter of 1894 (no. 151) and again at the Otago Art Society in the following November (no. 105). Identified in Wellington variously as ‘an amorous boy and girl followed by some wondering turkeys’(Wellington Evening Post) and ‘a goose-girl and her lover’(New Zealand Times), it was suggested by more than one New Zealand reviewer that its narrative beginnings might have lain in the popular French opera of 1880, La mascotte.
Taken altogether, these possibilities of its meaning perhaps overload this essentially anecdotal genre picture. On a simpler level, it is a prime example of Nerli’s roots in the Macchiaioli, the Tuscan painters of modern life who refreshed Italian art in the 1860s and ‘70s by painting out of doors. It exemplifies the technique that impressed New Zealand audiences in the 1890s, leading to him exercising an influence on Dunedin artists that was unri- valled once James Nairn left the southern centre for Wellington.
If Nerli’s sensibilities tended to the risqué, there was no denying his energetic use of paint to create fresh, brisk and animated figure-paintings which was highly invigorating to the art in his adopted country. ‘Signor Nerli’ spent just over three years in Dunedin. In 1897 he left suddenly and headed north, opening a studio in Auckland. After eloping to Christchurch to marry Marie Cecilia Josephine Barron, the couple set sail for Australia. Nerli’s work continued to circulate in this country, being grouped with that of Petrus van der Velden and James Nairn. By 1906, he was back in the land of his birth, and died in Genoa in 1926.

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Meeson Doraview full entry

Reference: see Jonathan Grant Gallery (NZ) catalogue, Frances Hodgkins and Her Circle, 12 November - 6 December, 2020:
Dora Meeson

From Frances Hodgkins to Isabel Field, 17 April 1899, Castle St.
‘I have had a long letter from Dora Meeson in Paris giving me much valuable information as to ways and means etc. Ways and means will be very costly next year in Paris on account of the Exhibition so she advises me to stay in London till after the rush is over ...’
Dora Coates (née Meeson) (1869-1955) was born in Melbourne on 7 August 1869, the eldest daughter of John Thomas Meeson, headmaster of Hawthorn Grammar School, and Amelia (née Kipling). The Meeson family were constantly on the move between 1876 and 1896, living in London, New Zealand and Melbourne, and Dora was mainly educated at home. The Meeson family were well known to Isabel and Frances Hodgkins in the early 1890s, whilst they were resident in Dunedin. Frances Hodgkins wrote on several occasions about socialising with the Meeson family to her mother, Rachel, and sister, Isabel.
Studying at the Canterbury College School of Art, Meeson began appearing in New Zealand exhibitions in 1890. She studied intermittently at London’s Slade School of Fine Art in 1892-3, at the National Gallery School, Melbourne 1895-6, then in Paris at the Académie Julian 1898-99. Returning to London in 1900, she married fellow artist George Coates in 1903. A move to Chelsea in 1906 saw Meeson resume her involvement with the suffrage movement. Meeson had signed the 1893 suffrage petition in New Zealand and actively campaigned for equality in both Australia and Britain, not least through her persuasive and ground-breaking political cartoons.
She became a founding member of the Women’s Freedom League (Kensington Branch), she was also a member of the Conservative and Unionist Women’s Franchise Association and the Artists’ Suffrage League. In 1912 she was a member of the London-based Australia and NZ Women Voters Committee and during the war was the Australian representative in London of the British Dominions Women’s Suffrage Union. Described as ‘an ardent feminist all her life’ she later became a noted maritime painter and war artist. While her husband served in the Royal Army Medical Corps at Wandsworth Hospital, Dora helped found the Women’s Police Service. In 1919 she became the first Australian woman member of the Royal Institute of Oil Painters.
In Meeson’s large body of work produced over six decades, water as a foreground feature was a staple motif, recurring innumerable times. It is seen from Ebb Tide on the Thames 1907 through Weymouth at Night 1912 and Villefranche 1929 to Fishing Boats at Hastings 1932 and Below Tower Bridge 1950. The format in use here is also seen frequently in her work (e.g. London Bridge looking South, 1922-4), using a body of water to offset an architectural volume.
The present work, Pulteney Bridge, Bath, is altogether an eloquent example of how Meeson maintained a career from her beginnings as a twenty year old in Christchurch to the paintings of bombed-out London by an artist in her seventies. Unbothered by theories and isms, she painted scenes laden with interest and associations for a wide public. She continued to exhibit in England, France and Australia and painted until her death in 1955.
Written by Jonathan Gooderham & Grace Alty
We are grateful to Dr Pamela Gerrish Nunn for her assistance in compiling the catalogue entries.

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Meeson Dora

Reference: see Jonathan Grant Gallery (NZ) catalogue, Frances Hodgkins and Her Circle, 12 November - 6 December, 2020:
Dora Meeson

From Frances Hodgkins to Isabel Field, 17 April 1899, Castle St.
‘I have had a long letter from Dora Meeson in Paris giving me much valuable information as to ways and means etc. Ways and means will be very costly next year in Paris on account of the Exhibition so she advises me to stay in London till after the rush is over ...’
Dora Coates (née Meeson) (1869-1955) was born in Melbourne on 7 August 1869, the eldest daughter of John Thomas Meeson, headmaster of Hawthorn Grammar School, and Amelia (née Kipling). The Meeson family were constantly on the move between 1876 and 1896, living in London, New Zealand and Melbourne, and Dora was mainly educated at home. The Meeson family were well known to Isabel and Frances Hodgkins in the early 1890s, whilst they were resident in Dunedin. Frances Hodgkins wrote on several occasions about socialising with the Meeson family to her mother, Rachel, and sister, Isabel.
Studying at the Canterbury College School of Art, Meeson began appearing in New Zealand exhibitions in 1890. She studied intermittently at London’s Slade School of Fine Art in 1892-3, at the National Gallery School, Melbourne 1895-6, then in Paris at the Académie Julian 1898-99. Returning to London in 1900, she married fellow artist George Coates in 1903. A move to Chelsea in 1906 saw Meeson resume her involvement with the suffrage movement. Meeson had signed the 1893 suffrage petition in New Zealand and actively campaigned for equality in both Australia and Britain, not least through her persuasive and ground-breaking political cartoons.
She became a founding member of the Women’s Freedom League (Kensington Branch), she was also a member of the Conservative and Unionist Women’s Franchise Association and the Artists’ Suffrage League. In 1912 she was a member of the London-based Australia and NZ Women Voters Committee and during the war was the Australian representative in London of the British Dominions Women’s Suffrage Union. Described as ‘an ardent feminist all her life’ she later became a noted maritime painter and war artist. While her husband served in the Royal Army Medical Corps at Wandsworth Hospital, Dora helped found the Women’s Police Service. In 1919 she became the first Australian woman member of the Royal Institute of Oil Painters.
In Meeson’s large body of work produced over six decades, water as a foreground feature was a staple motif, recurring innumerable times. It is seen from Ebb Tide on the Thames 1907 through Weymouth at Night 1912 and Villefranche 1929 to Fishing Boats at Hastings 1932 and Below Tower Bridge 1950. The format in use here is also seen frequently in her work (e.g. London Bridge looking South, 1922-4), using a body of water to offset an architectural volume.
The present work, Pulteney Bridge, Bath, is altogether an eloquent example of how Meeson maintained a career from her beginnings as a twenty year old in Christchurch to the paintings of bombed-out London by an artist in her seventies. Unbothered by theories and isms, she painted scenes laden with interest and associations for a wide public. She continued to exhibit in England, France and Australia and painted until her death in 1955.
Written by Jonathan Gooderham & Grace Alty
We are grateful to Dr Pamela Gerrish Nunn for her assistance in compiling the catalogue entries.

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primitive artistsview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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primitive artists

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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naive artistsview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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naive artists

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Bour Marcview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Bour Marc

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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St Claire Claireview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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St Claire Claire

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Convey Stephenview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Convey Stephen

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Convey Sylviaview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Convey Sylvia

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Convey Tonyview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Convey Tony

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Daddo Jamieview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Daddo Jamie

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Deix Guntherview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Deix Gunther

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Feleggakis Stavroulaview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Feleggakis Stavroula

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Heckenberg Phillipview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Heckenberg Phillip

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Hilder Janineview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Hilder Janine

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Hopkins Anthonyview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Hopkins Anthony

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Karnikowski Georgeview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Karnikowski George

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Knott Richard Conleyview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Knott Richard Conley

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Lara-Gomez Javierview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Lara-Gomez Javier

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Mannix Anthonyview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Mannix Anthony

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Michaels Damianview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Michaels Damian

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Mitchell Travisview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Mitchell Travis

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Morgan Davidview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Morgan David

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Parkinson Elizabethview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Parkinson Elizabeth

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Pollard Robertview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Pollard Robert

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Rizgalla Andrewview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Rizgalla Andrew

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Stearn Mayview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Stearn May

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Wyat Jukeview full entry

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.
Publishing details: Orange Regional Gallery 2006, 32pp. Colour illustrations. Staplebound wraps.

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Wyat Juke

Reference: see Australian Outsiders. Exhibition catalogue. Essay: the Beauty of Outsider Art, by Roger Cardinal. Includes biographies of 23 artists. Includes list of the Australian Collection of Outsider Art (23) exhibitions, publications and videos.

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Cook Captain artistsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Cook Captain artists

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Bauer Ferdinand numerous refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Bauer Ferdinand numerous refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Forster George 2 refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Forster George 2 refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Heaphy Thomas Jr p200-1view full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Heaphy Thomas Jr p200-1

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Hodges William numerous refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Hodges William numerous refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Nodder Frederick Polydore 2 refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Nodder Frederick Polydore 2 refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Parkinson Sydney numerous refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Parkinson Sydney numerous refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Parry Williamview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Parry William

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Miller John Frederick 2 refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Miller John Frederick 2 refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Lycett Joseph 2 refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Lycett Joseph 2 refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Mortimer John Hamilton portrait of Cook et alview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Mortimer John Hamilton portrait of Cook et al

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Pye John 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Pye John 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Preston Walter 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Preston Walter 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Reynolds S W 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Reynolds S W 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Scott John 1774-1827 engraver 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Scott John 1774-1827 engraver 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Scriven Edward engraver 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Scriven Edward engraver 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Sharp William engraver 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Sharp William engraver 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Sherwin John Keyes engraver 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Sherwin John Keyes engraver 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Taylor Isaac 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

×

Taylor Isaac 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Thornwaite John 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Thornwaite John 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Wallis Captain James 1 refview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Wallis Captain James 1 ref

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Webber John numerous refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

×

Webber John numerous refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Westall William numerous refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

×

Westall William numerous refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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Westall Richard 2 refsview full entry

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]
Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

×

Westall Richard 2 refs

Reference: Picturing the Pacific - Joseph Banks and the shipboard artists of Cook and Flinders, by James Taylor. Includes index of artworks and artists.
[‘For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery.

It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement.

Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.’]

Publishing details: Adlard Coles, 2018, 256pp, hc, dw, colour Illustrations.

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women artistsview full entry

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]
Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

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women artists

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]

Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

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Atkinson Louisa numerous referencesview full entry

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]
Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

×

Atkinson Louisa numerous references

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]

Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

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Meredith Louisa numerous referencesview full entry

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]
Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

×

Meredith Louisa numerous references

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]

Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

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North Marianne numerous referencesview full entry

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]
Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

×

North Marianne numerous references

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]

Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

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Rowan Ellis 2 referencesview full entry

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]
Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

×

Rowan Ellis 2 references

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]

Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

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von Mueller Baron 4 referencesview full entry

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]
Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

×

von Mueller Baron 4 references

Reference: see Australia through women's eyes, by Ann Standish. Includes index. Bibliography: p. 274-292. Some biographical information included.

[’When Louisa Meredith arrived in Van Diemen's land in 1841 after living in NSW, she was struck by how much the colony resembled her homeland. Finding signs of home in both the landscape and social life of the colonies is a theme that recurs in writings of female colonists But in these writings it becomes evident that they must be "white"...’]

[’Historian Ann Standish provides a glimpse into colonial Australia, as observed by women writers of the day. Utilising Library collections Standish provides insight into 19th-century British emigrants as diverse as Louisa Meredith, Marianne North, Beatrice Webb and others who travelled to the Australian colonies and recorded their thoughts on what they found there.’]

Publishing details: Australian Scholarly Publishing in association with the State Library of Victoria, 2008, pb, viii, 336 p., [12] p. of plates : ill. (some col.), maps, ports. Signed copy with inscription by author.

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Ku-ring-gai Architecture view full entry

Reference: see EDWARDS, Zeny. SIX OF THE BEST ARCHITECTS OF KU-RING- GAI. Sir John Sulman, Richard George Howard Joseland, Walter Liberty Vernon, Hugh Venables Vernon, Augustus Aley, Leith Cecil McCredie. The lives & works of six architects who chose to live on the North Shore of Sydney in the area known as Ku-ring-gai, & designed houses that reflected their interpretation of the Australian style.
Publishing details: Rosebery. Centatime Pty Ltd. 1998. Col.Ill.wrapps. 141pp. Profusely illustrated in black & white.

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Ku-ring-gai Architecture

Reference: see EDWARDS, Zeny. SIX OF THE BEST ARCHITECTS OF KU-RING- GAI. Sir John Sulman, Richard George Howard Joseland, Walter Liberty Vernon, Hugh Venables Vernon, Augustus Aley, Leith Cecil McCredie. The lives & works of six architects who chose to live on the North Shore of Sydney in the area known as Ku-ring-gai, & designed houses that reflected their interpretation of the Australian style.

Publishing details: Rosebery. Centatime Pty Ltd. 1998. Col.Ill.wrapps. 141pp. Profusely illustrated in black & white.

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Architecture in Ku-ring-gaiview full entry

Reference: see EDWARDS, Zeny. SIX OF THE BEST ARCHITECTS OF KU-RING- GAI. Sir John Sulman, Richard George Howard Joseland, Walter Liberty Vernon, Hugh Venables Vernon, Augustus Aley, Leith Cecil McCredie. The lives & works of six architects who chose to live on the North Shore of Sydney in the area known as Ku-ring-gai, & designed houses that reflected their interpretation of the Australian style.
Publishing details: Rosebery. Centatime Pty Ltd. 1998. Col.Ill.wrapps. 141pp. Profusely illustrated in black & white.

×

Architecture in Ku-ring-gai

Reference: see EDWARDS, Zeny. SIX OF THE BEST ARCHITECTS OF KU-RING- GAI. Sir John Sulman, Richard George Howard Joseland, Walter Liberty Vernon, Hugh Venables Vernon, Augustus Aley, Leith Cecil McCredie. The lives & works of six architects who chose to live on the North Shore of Sydney in the area known as Ku-ring-gai, & designed houses that reflected their interpretation of the Australian style.

Publishing details: Rosebery. Centatime Pty Ltd. 1998. Col.Ill.wrapps. 141pp. Profusely illustrated in black & white.

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Agnew Jeanetteview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Agnew Jeanette

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Allman Connieview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Allman Connie

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Aubrey Barbaraview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Aubrey Barbara

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Baker Janetview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Baker Janet

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Beck Erikaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Beck Erika

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Belobrajdic Tonyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Belobrajdic Tony

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Barry Eva Marieview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Barry Eva Marie

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Beukers Afraview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Beukers Afra

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Berling Robyneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Berling Robyne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Bluett Ghyslaineview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Bluett Ghyslaine

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Blundell Janeview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Blundell Jane

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Boyd Arthurview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Boyd Arthur

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Boyd Wandaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Boyd Wanda

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Brassil Jannview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Brassil Jann

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Bravery Janineview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Bravery Janine

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Brocklebank Paulview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Brocklebank Paul

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Bryce Robynview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Bryce Robyn

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Buckle Geoffreyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Buckle Geoffrey

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Cadwallader Sandraview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Cadwallader Sandra

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Butterfield Lindaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Butterfield Linda

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Caldersmith Brianview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Caldersmith Brian

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Caldersmith Mavisview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Caldersmith Mavis

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Campbell Merrileeview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Campbell Merrilee

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Candy Robview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Candy Rob

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Carpenter Anneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Carpenter Anne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Carver Malcolmview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Carver Malcolm

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Chen Chow Susannaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Chen Chow Susanna

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Christenson Elsaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Christenson Elsa

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Christian Vivianview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Christian Vivian

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Coffey Sallyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Coffey Sally

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Copes Johnview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Copes John

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Crofts Berylview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Crofts Beryl

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Cunningham Brianview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Cunningham Brian

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Daniel Judyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Daniel Judy

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Davis Sylviaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Davis Sylvia

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Deakin Anneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Deakin Anne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Dellit Shirleyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Dellit Shirley

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Desai Sadhanaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Desai Sadhana

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Dedman Normaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Dedman Norma

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Devenport Susieview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Devenport Susie

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Duffy Melvinview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Duffy Melvin

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Eisner Ruthieview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Eisner Ruthie

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Evans Valview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Evans Val

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Farrell Susanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Farrell Susan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Ferguson Janview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Ferguson Jan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Filson Billview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Filson Bill

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Forsyth Margaretview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Forsyth Margaret

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Freer Bryanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Freer Bryan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Giles Billview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Giles Bill

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Gill Angelaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Gill Angela

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Gillespie Kathrynview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Gillespie Kathryn

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Glover Joyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Glover Joy

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Gomes Annview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Gomes Ann

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Greiner Kathrynview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Greiner Kathryn

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Hallowes Dianaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Hallowes Diana

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Gough Margotview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Gough Margot

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Gray Rebeccaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Gray Rebecca

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Harkness Bruceview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Harkness Bruce

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Harrington Johnson Janview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Harrington Johnson Jan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Harrison Henryview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Harrison Henry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Henderson Gillianview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Henderson Gillian

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Hendy Sandraview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Hendy Sandra

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Hess Lynview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Hess Lyn

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Howe Elaineview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Howe Elaine

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Hundleby Cynthiaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Hundleby Cynthia

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Jackson Deeview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Jackson Dee

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Irwin Joanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Irwin Joan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Joyce Lindaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Joyce Linda

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Kahn Margaretview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Kahn Margaret

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Kell Annview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Kell Ann

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Kotwal Shernaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Kotwal Sherna

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Korduba Jeanetteview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Korduba Jeanette

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Lane Anneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lane Anne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Lane Suzanneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lane Suzanne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Langshaw Yvonneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Langshaw Yvonne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Lee Yolandaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lee Yolanda

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Lee Lynetteview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lee Lynette

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Lennon Richardview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lennon Richard

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Lloyd Chrissieview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lloyd Chrissie

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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MacLeren Judyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

MacLeren Judy

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Lopes Anneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lopes Anne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Macree Jo-Anneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Macree Jo-Anne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Marshall Maryview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Marshall Mary

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Matthews Lynview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Matthews Lyn

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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McCall Annabelleview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

McCall Annabelle

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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McCrossin Annetteview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

McCrossin Annette

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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McManus Thereseview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

McManus Therese

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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McLachlan Margview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

McLachlan Marg

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Meares Dougview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Meares Doug

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Middlemass Graceview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Middlemass Grace

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Milch Annview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Milch Ann

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Millar Noeleneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Millar Noelene

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Monty Rowenaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Monty Rowena

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Morello Robynview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Morello Robyn

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Mors Joanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Mors Joan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Moy Patview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Moy Pat

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Neighbour Sidneyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Neighbour Sidney

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Neilson Joanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Neilson Joan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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O’Connor Noeleneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

O’Connor Noelene

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Oesterheld Carolineview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Oesterheld Caroline

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Old Ursulaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Old Ursula

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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O’Young Jenniferview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

O’Young Jennifer

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Phillips Charmaineview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Phillips Charmaine

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Piry Trishview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Piry Trish

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Price G S (Sue)view full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Price G S (Sue)

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Prinsen Eveview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Prinsen Eve

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Purvis Marionview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Purvis Marion

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Ranucci Georgeview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Ranucci George

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Richards Nivenview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Richards Niven

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Robinson Jeanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Robinson Jean

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Robinson Judithview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Robinson Judith

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Robinson Susannaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Robinson Susanna

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Rogers Lesleyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Rogers Lesley

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Rowley Primroseview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Rowley Primrose

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Schaeffer Sandraview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Schaeffer Sandra

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Russett Valerieview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Russett Valerie

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Sheehan Yvonneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Sheehan Yvonne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Simmons Geraldineview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Simmons Geraldine

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Sincock Dianeview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Sincock Diane

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Smart Susanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Smart Susan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Smith Josephine Anneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Smith Josephine Anne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Smith Marilynview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Smith Marilyn

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Smoker Kathyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Smoker Kathy

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Somerville Alanview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Somerville Alan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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South Nanetteview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

South Nanette

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Spira Tinaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Spira Tina

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Spears Juneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Spears June

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Sproule Aileenview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Sproule Aileen

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Stevens Rhomaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Stevens Rhoma

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Stewart Douglasview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Stewart Douglas

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Strange Julieview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Strange Julie

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Stroud Marionview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Stroud Marion

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Sully Primroseview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Sully Primrose

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Surmon Louiseview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Surmon Louise

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Sutcliffe Doreenview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Sutcliffe Doreen

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Swann Terryview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Swann Terry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Swart Jillview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Swart Jill

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Swita-Bobryk Zofiaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Swita-Bobryk Zofia

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Symonds Beverlyview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Symonds Beverly

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Taylor Alisonview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Taylor Alison

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Temperley Anneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Temperley Anne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Thom Johnview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Thom John

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Toon Evnikeview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Toon Evnike

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Turner Michaelview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Turner Michael

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Turner Dianeview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Turner Diane

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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van Wyk Angelaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

van Wyk Angela

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Vincent Janview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Vincent Jan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Warren Annaview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Warren Anna

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Szymanski Madeleineview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Szymanski Madeleine

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Whitehead Peterview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Whitehead Peter

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Wiles Marienneview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Wiles Marienne

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Wilkinson Chrisview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Wilkinson Chris

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Williams Elizabethview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Williams Elizabeth

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Williams Stephenview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Williams Stephen

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Williamson Janview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Williamson Jan

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Wills Margaretview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Wills Margaret

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Wilson Patview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Wilson Pat

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Wood Maryview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Wood Mary

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Young Elizabethview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Young Elizabeth

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Young Margaretview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Young Margaret

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Inman Richard President 1973view full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Inman Richard President 1973

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Ramsden Dorothy President 1974-5view full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Ramsden Dorothy President 1974-5

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Menetrey Nancy President 1979-81view full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Menetrey Nancy President 1979-81

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Francis-Johnson Toni President 1994view full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Francis-Johnson Toni President 1994

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Robinson Diana President 1995-6view full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Robinson Diana President 1995-6

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Walker Jean President 2006-8view full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Walker Jean President 2006-8

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Coen Margaret life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Coen Margaret life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Jarron J life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Jarron J life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Leitch-Hennessy Rae life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Leitch-Hennessy Rae life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Silver Alfred life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Silver Alfred life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Blake Carmen life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Blake Carmen life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Arnott Phyllis life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Arnott Phyllis life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Cox Lillian life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Cox Lillian life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Gibson Iris life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Gibson Iris life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

Location:

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Menetrey Nancy life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Menetrey Nancy life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Angus Sue life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Angus Sue life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Lynch Noela life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Lynch Noela life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Surmon Louise life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Surmon Louise life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Walker Jean life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Walker Jean life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Khan Eric life memberview full entry

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]
Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

×

Khan Eric life member

Reference: see A History of the Ku-ring-gai Art Society, 1965 - 2015, by Rowena Monty. Includes Index, list of life members, Presidents and patrons. Artists who have works illustrated in the book are included in the Scheding Index.
[‘For more than 50 years, the Ku-ring-gai Art Society has contributed to the cultural needs of the region, with countless exhibitions, lessons & art prizes to encourage local talent.’] [to be indexed]

Publishing details: Willoughby. Phillip Mathews. 2015. 4to. Or.bds. Dustjacket. 156pp. Profusely illustrated in colour and black & white.

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Mythopoetic - women artistsview full entry

Reference: Mythopoetic : women artists from Australia and India. Catalog of an exhibition held at the Griffith University Art Gallery, Project Gallery, and Webb Gallery, April 10-May 18, 2013. [to be indexed]
Curatorial essay. Mythopoetic : women artists from Australia and India / Marnie Dean.
Artist essays / Marnie Dean. Dhruvi Acharya ; Di Ball ; Kate Beynon ; Laini Burton ; Marnie Dean ; Simone Eisler ; Fiona Hall ; Pat Hoffie ; Sonia Khurana ; Pushpamala N. ; Ann-Maree Reaney and Jill Kinnear ; Mandy Ridley ; Sangeeta Sandrasegar ; Shambhavi.

Publishing details: Queensland College of Art, Griffith University, [2013] 
44 pages : illustrations (chiefly color)
Ref: 1009

×

Mythopoetic - women artists

Reference: Mythopoetic : women artists from Australia and India. Catalog of an exhibition held at the Griffith University Art Gallery, Project Gallery, and Webb Gallery, April 10-May 18, 2013. [to be indexed]
Curatorial essay. Mythopoetic : women artists from Australia and India / Marnie Dean.
Artist essays / Marnie Dean. Dhruvi Acharya ; Di Ball ; Kate Beynon ; Laini Burton ; Marnie Dean ; Simone Eisler ; Fiona Hall ; Pat Hoffie ; Sonia Khurana ; Pushpamala N. ; Ann-Maree Reaney and Jill Kinnear ; Mandy Ridley ; Sangeeta Sandrasegar ; Shambhavi.

Publishing details: Queensland College of Art, Griffith University, [2013] 
44 pages : illustrations (chiefly color)

Location: 1009

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Artist's hand - collectors' eye view full entry

Reference: Artist's hand : collectors' eye : the Angel gift.
Since 2002, David and Anita Angel have gifted more than 100 contemporary Indigenous works to the NGV. Artist’s Hand: Collectors’ Eye: The Angel Gift presents a selection of these works by senior male and female artists from the Western Desert, the Kimberley and the Tiwi Islands, from 1990 to now. This generously illustrated volume, featuring insightful texts by Judith Ryan, Senior Curator of Indigenous Art, and donors Anita and David Angel, surveys the immense change in Indigenous art practice. Notably the emergence of Indigenous women as artists of consequence and invention, as well as, expression that has enabled Pintupi male artists to distil the specificity of place. Artist’s Hand: Collectors’ Eye: The Angel Gift conveys the power and spiritual aura of Indigenous art and affirms the importance of benefaction to the NGV’s collection of Indigenous art. Exhibition at NGV Australia from 31 May 16 - Nov 16.
Full contents • The 'long view': reflections on collecting art in Australia's Northern Territory / Anita Angel, with David Angel
• Form and freedom: modern Australian masters / Judith Ryan
• A new advance: Aboriginal women make their mark / Judith Ryan.
Publishing details: National Gallery of Victoria, 2016, v, 49 pages : illustrations
Ref: 1000

×

Artist's hand - collectors' eye

Reference: Artist's hand : collectors' eye : the Angel gift.
Since 2002, David and Anita Angel have gifted more than 100 contemporary Indigenous works to the NGV. Artist’s Hand: Collectors’ Eye: The Angel Gift presents a selection of these works by senior male and female artists from the Western Desert, the Kimberley and the Tiwi Islands, from 1990 to now. This generously illustrated volume, featuring insightful texts by Judith Ryan, Senior Curator of Indigenous Art, and donors Anita and David Angel, surveys the immense change in Indigenous art practice. Notably the emergence of Indigenous women as artists of consequence and invention, as well as, expression that has enabled Pintupi male artists to distil the specificity of place. Artist’s Hand: Collectors’ Eye: The Angel Gift conveys the power and spiritual aura of Indigenous art and affirms the importance of benefaction to the NGV’s collection of Indigenous art. Exhibition at NGV Australia from 31 May 16 - Nov 16.
Full contents • The 'long view': reflections on collecting art in Australia's Northern Territory / Anita Angel, with David Angel
• Form and freedom: modern Australian masters / Judith Ryan
• A new advance: Aboriginal women make their mark / Judith Ryan.

Publishing details: National Gallery of Victoria, 2016, v, 49 pages : illustrations

Location: 1000

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Angel Gift Theview full entry

Reference: see Artist's hand : collectors' eye : the Angel gift.
Since 2002, David and Anita Angel have gifted more than 100 contemporary Indigenous works to the NGV. Artist’s Hand: Collectors’ Eye: The Angel Gift presents a selection of these works by senior male and female artists from the Western Desert, the Kimberley and the Tiwi Islands, from 1990 to now. This generously illustrated volume, featuring insightful texts by Judith Ryan, Senior Curator of Indigenous Art, and donors Anita and David Angel, surveys the immense change in Indigenous art practice. Notably the emergence of Indigenous women as artists of consequence and invention, as well as, expression that has enabled Pintupi male artists to distil the specificity of place. Artist’s Hand: Collectors’ Eye: The Angel Gift conveys the power and spiritual aura of Indigenous art and affirms the importance of benefaction to the NGV’s collection of Indigenous art. Exhibition at NGV Australia from 31 May 16 - Nov 16.
Full contents • The 'long view': reflections on collecting art in Australia's Northern Territory / Anita Angel, with David Angel
• Form and freedom: modern Australian masters / Judith Ryan
• A new advance: Aboriginal women make their mark / Judith Ryan.
Publishing details: National Gallery of Victoria, 2016, v, 49 pages : illustrations

×

Angel Gift The

Reference: see Artist's hand : collectors' eye : the Angel gift.
Since 2002, David and Anita Angel have gifted more than 100 contemporary Indigenous works to the NGV. Artist’s Hand: Collectors’ Eye: The Angel Gift presents a selection of these works by senior male and female artists from the Western Desert, the Kimberley and the Tiwi Islands, from 1990 to now. This generously illustrated volume, featuring insightful texts by Judith Ryan, Senior Curator of Indigenous Art, and donors Anita and David Angel, surveys the immense change in Indigenous art practice. Notably the emergence of Indigenous women as artists of consequence and invention, as well as, expression that has enabled Pintupi male artists to distil the specificity of place. Artist’s Hand: Collectors’ Eye: The Angel Gift conveys the power and spiritual aura of Indigenous art and affirms the importance of benefaction to the NGV’s collection of Indigenous art. Exhibition at NGV Australia from 31 May 16 - Nov 16.
Full contents • The 'long view': reflections on collecting art in Australia's Northern Territory / Anita Angel, with David Angel
• Form and freedom: modern Australian masters / Judith Ryan
• A new advance: Aboriginal women make their mark / Judith Ryan.

Publishing details: National Gallery of Victoria, 2016, v, 49 pages : illustrations

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Aboriginal artview full entry

Reference: see Artist's hand : collectors' eye : the Angel gift.
Since 2002, David and Anita Angel have gifted more than 100 contemporary Indigenous works to the NGV. Artist’s Hand: Collectors’ Eye: The Angel Gift presents a selection of these works by senior male and female artists from the Western Desert, the Kimberley and the Tiwi Islands, from 1990 to now. This generously illustrated volume, featuring insightful texts by Judith Ryan, Senior Curator of Indigenous Art, and donors Anita and David Angel, surveys the immense change in Indigenous art practice. Notably the emergence of Indigenous women as artists of consequence and invention, as well as, expression that has enabled Pintupi male artists to distil the specificity of place. Artist’s Hand: Collectors’ Eye: The Angel Gift conveys the power and spiritual aura of Indigenous art and affirms the importance of benefaction to the NGV’s collection of Indigenous art. Exhibition at NGV Australia from 31 May 16 - Nov 16.
Full contents • The 'long view': reflections on collecting art in Australia's Northern Territory / Anita Angel, with David Angel
• Form and freedom: modern Australian masters / Judith Ryan
• A new advance: Aboriginal women make their mark / Judith Ryan.
Publishing details: National Gallery of Victoria, 2016, v, 49 pages : illustrations

×

Aboriginal art

Reference: see Artist's hand : collectors' eye : the Angel gift.
Since 2002, David and Anita Angel have gifted more than 100 contemporary Indigenous works to the NGV. Artist’s Hand: Collectors’ Eye: The Angel Gift presents a selection of these works by senior male and female artists from the Western Desert, the Kimberley and the Tiwi Islands, from 1990 to now. This generously illustrated volume, featuring insightful texts by Judith Ryan, Senior Curator of Indigenous Art, and donors Anita and David Angel, surveys the immense change in Indigenous art practice. Notably the emergence of Indigenous women as artists of consequence and invention, as well as, expression that has enabled Pintupi male artists to distil the specificity of place. Artist’s Hand: Collectors’ Eye: The Angel Gift conveys the power and spiritual aura of Indigenous art and affirms the importance of benefaction to the NGV’s collection of Indigenous art. Exhibition at NGV Australia from 31 May 16 - Nov 16.
Full contents • The 'long view': reflections on collecting art in Australia's Northern Territory / Anita Angel, with David Angel
• Form and freedom: modern Australian masters / Judith Ryan
• A new advance: Aboriginal women make their mark / Judith Ryan.

Publishing details: National Gallery of Victoria, 2016, v, 49 pages : illustrations

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Modern Australian Women Artistsview full entry

Reference: Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Museum Victoria Publishing, 2020, hc, dw, 244pp, with index.

×

Modern Australian Women Artists

Reference: Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Museum Victoria Publishing, 2020, hc, dw, 244pp, with index.

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Women Artistsview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Museum Victoria Publishing, 2020, hc, dw, 244pp, with index.

×

Women Artists

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Museum Victoria Publishing, 2020, hc, dw, 244pp, with index.

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Modernismview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Modernism

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Harkness Andree Collectionview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Harkness Andree Collection

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Allport Curzonia (Lily)view full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Allport Curzonia (Lily)

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Bale A M Eview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Bale A M E

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Bellette Jeanview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Bellette Jean

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Barringer Gwenview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Barringer Gwen

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Beckett Clariceview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Beckett Clarice

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Black Dorritview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Black Dorrit

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Bowen Stellaview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Bowen Stella

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Boyd Emmaview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Boyd Emma

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Fox Ethel Carrickview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Fox Ethel Carrick

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Coen Margaretview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Coen Margaret

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Colquhoun Amelieview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Colquhoun Amelie

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Smith Grace Cossingtonview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Smith Grace Cossington

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Cowan Theodoraview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Cowan Theodora

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Craig Sybilview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Craig Sybil

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Cumbrae-Stewart Janetview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Cumbrae-Stewart Janet

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Cumbrae-Stewart Janet see also Stewart Janet Cumbraeview full entry

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Cumbrae-Stewart Janet see also Stewart Janet Cumbrae

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Davidson Bessieview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Davidson Bessie

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Deerbon Unaview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

×

Deerbon Una

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Derham Francesview full entry

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]
Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

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Derham Frances

Reference: see Modern Australian Women Artists - Paintings, Prints and Pottery - the Andree Harkness Collection. Forward by Isobel Crombie, essays by Anne Gray, Caroline Jordan, Juliana Hooper. Includes List of (over 50) works, and bibliography.

[’The most comprehensive book on modern Australian women artists published, this bookrepresents some of Australia's most important women artists between 1870s-1960s, a dynamic period in Australian art. Artists include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. With an impressive selection of prints from influential printmakers including Thea Proctor, Dorrit Black and Ethel Spowers as well as significant art potters Klytie Pate, Theodora Cowan, Una Deerbon and Grace Seccombe. Featuring 145 works from 67 artists with essays from three prominent art writers focusing on the lives of the artists — their trials, tribulations and triumphs. The support, encouragement and incentive they gave each other during their lifetimes, vital to overcoming the obstacles as women artists. The works discussed in detail and stunningly reproduced on the page.’]

Publishing details: Amaled Pty, Ltd, 2020, hc, dw, 244pp, with index.

Location:

Close