Showing all records | The Scheding Index of Australian Art and Artists

White Coral 2 sketches for programme covers and 4 covers of modern design and book coverview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Hoff Rayner - Hercules Deianira and Achelous exh at RA and Portrait Bustview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Andrews Mabel a cover design and 3 drawingsview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Grange Emily travel booklet coverview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Pritchard Marjorie fashion sketch and 2 illustrationsview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Bashford Dorothy garden vase on bronze and 2 illustrationsview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Bashford Dorothy garden vase on bronze and 2 illustrationsview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Remarque Erich book cover designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

O’Harris Pat sketchview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Stephen M sketch The Rain Dwarfview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Collins Kathleen poster design cigarette advertisementview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Schmidt Ellen greeting card designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Williams Gwynneth calendar design view full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Friedenson Jeanne greeting card designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Friedenson Jeanne greeting card designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Gordon Georgina show card designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Stone Gwen greeting card designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Stone Gwen greeting card design Aboriginal motifview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Chambers Betty chocolate box top designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Tait Margret cover design for a catalogue and a calendar designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Barton Janet greeting card designview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Robb J cover design for Art Students Exhibitionview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Morris E R photographic platesview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Martin Jan view full entry

Reference: Jan Martin sketchbook
Publishing details: Surrey Hills, Vic. : J. Martin and B. Chandler, 2003
102 p. : ill. (some col.)
Ref: 1000

Theory and Elements of Architectureview full entry

Reference: Theory and Elements of Architecture by A. H. Martin [advertised in Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.(Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Angus and Robinson, 1929
Ref: 1000

Martin A Hview full entry

Reference: see Theory and Elements of Architecture by A. H. Martin [advertised in Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.(Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Angus and Robinson, 1929

architectureview full entry

Reference: see Theory and Elements of Architecture by A. H. Martin [advertised in Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.(Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Angus and Robinson, 1929

van Raalte Henry advertisement for Anthony Horderns exhibitionview full entry

Reference: see Art and Printing - A Selection of Students’ Work from the Art and Printing Depts. of the Sydney Technical College. Produced by E. Shea, Head Teacher of Letterpress Printing, Lecturers in Charge S. V. Rowe & J. T. Lyons. (Includes illustrations of examples of works by students at the Art and Printing Departments at Sydney Technical College. This book was produced by Ernest Shea before the creation of his Sunnybrook Press.)
Publishing details: Sydney Technical College, 1929, [56] leaves : ill. (some col.), large
quarto, wrappers. Limited ed. of 600 copies.

Fitzgerald Paul Desmondview full entry

Reference: see eBay listing Apil 23, 2021:
Paul Desmond Fitzgerald 1922- 2017
Australian Portrait Artist
The surgeon WW2
This is a beautifully executed painting
A Catholic, Fitzgerald was educated at Xavier College in Melbourne (1933–1939) and studied for five years at the National Gallery School (1940–43 and 1946–47), interrupted for three and a half years in the Army during World War II (1943–46)
When he was painting away from his studio in Melbourne, he usually lived with the subjects of his portraiture. He lived and painted overseas on commissioned portraits twice each year since 1958 including America, Canada, England, Scotland, Ireland, Jersey, France, Italy, Germany, Spain, Malaysia, Singapore, Hong Kong, Hawaii and Bermuda. He also painted throughout Australia.
Fitzgerald was a finalist for the Archibald Prize for portraiture on multiple occasions including 1958 (with a portrait of Justice Robert Monahan), in 1962 (with portraits of each of Sir Reg Ansett and Sir Robert Menzies), and in 1972 (with a portrait of Sir Henry Bolte).
In 1997 Fitzgerald was appointed a Member of the Order of Australia and a Knight of Malta. He founded the Australian Guild of Realist Artists, where he was a Life Member of the Council, and was president for seven years. Fitzgerald was a member of "Portraits Incorporated" in America, is a trustee of the A.M.E. Bale Travelling Scholarship and Art Prize, and produced the art book Australian Realist and Impressionist Artists, donating the profits to charity
Fitzgerald's work was prolific and the following are known notable portraits by the artist
Queen Elizabeth II in 1963,] in 1978 being the only official portrait in her Silver Jubilee year, and one other portrait in 1967.
Prince Philip, Duke of Edinburgh in 1976, plus one other portrait in 1974.
Charles, Prince of Wales, two portraits, 1978.
Pope John XXIII painted in The Vatican in 1963.
The Duke of Kent, two portraits, in 1978 and 2000.
Sir William Heseltine, Private Secretary to Queen Elizabeth II.
Five portraits of the Malaysian Royal Family
Two identical 6 feet (1.8 m) portraits of Sharafuddin Idris Shah -The Raja Muda of Selangor (Crown Prince of Malaysia), son of the Sultan of Selangor
Prince Ludwig (nephew of Prince Philip) and Princess Von Baden and family (Germany)
Three Cardinals, including Cardinal James Knox, four Archbishops including Daniel Mannix, and two Bishops
Angelo de Mojana di Cologna – 77th Prince Grand Master of the Knights of Malta and Count Da Larocca – Knight of Malta
The Duke of Westminster; a Marquess; three Earls; two Viscounts; four Barons
SEE LINK - https://www.abc.net.au/news/2017-06-26/melbourne-painter-paul-fitzgerald-dies-at-the-age-of-94/8652646
Details
Size framed (approx) 25 x 21 inches
Size canvas (approx) 16 x 20 inches
Oil on canvas
Signed

Bergner Yosl 1920-2017view full entry

Reference: Yosl Bergner (1920-2017)- A Selling Retrospective
Artvisory are proud to present a significant selling exhibition of works by the famous Australian-Israeli artist Yosl Bergner. The exhibition comprises important oil paintings from the 1960's through to fine later period works, a wonderful collection of limited edition bronzes and fine graphics.
The launch night is Wednesday 5 May and The exhibition continues Wednesday to Saturday 11am-5pm until 21 May, 2021.
Publishing details: Artvisory Galleries, South Yarra, 2021.
Ref: 1000

Stokes Everton (Evie)sculptorview full entry

Reference: see Nora Heysen by Lou Klepac [Everton or Evie Stokes was a sculptor from Adelaide. She joined Nora Heysen in Europe and they travelled together].
Publishing details: Beagle Press, 1989
80 p. : chiefly col. ill. ; 32 cm. Includes bibliography

Dawson David b1961view full entry

Reference: see lot 174, Wednesday 26 May, 2021, Roseberys, London,

David Dawson, Australian b.1960- Northern Territories, Australia; acrylic on two panels, 24.6x36.5cm Provenance: The Solomon Gallery, London; Private Collection, London 29.5x41.5x2.1cm(including frame) Held in a shared silvered wooden frame of plain form with some scuff marks to the surface. The two panels abut each other and appear to be adhered to a backing board. They have not been examined out of the frame. The grain and the uneven edges of the wood are evident in the paint. Particularly where the two panels are connected. There are marks and substances on the surface, but they all appear to be since creation and most likely occurred when the surface was wet, so one can presume it was the artist's hand. Overall the piece appears to be in good condition.
Estimate 300 - 500 GBP

Damman Carl and F W
view full entry

Reference: see lot 562 Nosbüsch & Stucke GmbH
May 13, 2021, 1:00 PM CET
Berlin, Germany. Ethnological photographic gallery of the various races of mankind. With 167 original photographic portraits on 12 plates. Vintage. Albumin prints. Assembled. London, Trübner, 1876. Title. 31 x 42 cm. Restored, blind-embossed original canvas (bumped and somewhat scraped).
Rarissimum of the early ethnological photography, here in the English-language edition, which was finished by his brother after C. Damman's death in 1874. - C. Damman was a Hamburg photographer who began to reproduce ethnological photos from the Hamburg Goddefroy Museum in the early 1870s for the Berlin Society for Anthropology. A large part of these recordings then appeared in book form in the years 1872-74 in a German edition under the title "Anthropological-Ethnological Album in Photographs". The photographer of the original photos can only be identified occasionally, for example some of the photos of Australian ethnic groups were taken by Thomas Washbourne, Daniel Marquis and Joseph Wilder. The album is divided into regions: German or Germanic types, Romance types, Slavic types, locals from Persia, from Arab countries, from India, China, Japan, Australia, America, Oceania etc. The format of the recordings is mainly CDV. - Liner partly browned in the margin, a little darkened and stained, the prints only occasionally a little pale and stained, all in all a good copy of this rare work.

Washbourne Thomas photographerview full entry

Reference: see lot 562 Nosbüsch & Stucke GmbH
May 13, 2021, 1:00 PM CET
Berlin, Germany. Ethnological photographic gallery of the various races of mankind. With 167 original photographic portraits on 12 plates. Vintage. Albumin prints. Assembled. London, Trübner, 1876. Title. 31 x 42 cm. Restored, blind-embossed original canvas (bumped and somewhat scraped).
Rarissimum of the early ethnological photography, here in the English-language edition, which was finished by his brother after C. Damman's death in 1874. - C. Damman was a Hamburg photographer who began to reproduce ethnological photos from the Hamburg Goddefroy Museum in the early 1870s for the Berlin Society for Anthropology. A large part of these recordings then appeared in book form in the years 1872-74 in a German edition under the title "Anthropological-Ethnological Album in Photographs". The photographer of the original photos can only be identified occasionally, for example some of the photos of Australian ethnic groups were taken by Thomas Washbourne, Daniel Marquis and Joseph Wilder. The album is divided into regions: German or Germanic types, Romance types, Slavic types, locals from Persia, from Arab countries, from India, China, Japan, Australia, America, Oceania etc. The format of the recordings is mainly CDV. - Liner partly browned in the margin, a little darkened and stained, the prints only occasionally a little pale and stained, all in all a good copy of this rare work.

Marquis Daniel photographerview full entry

Reference: see lot 562 Nosbüsch & Stucke GmbH
May 13, 2021, 1:00 PM CET
Berlin, Germany. Ethnological photographic gallery of the various races of mankind. With 167 original photographic portraits on 12 plates. Vintage. Albumin prints. Assembled. London, Trübner, 1876. Title. 31 x 42 cm. Restored, blind-embossed original canvas (bumped and somewhat scraped).
Rarissimum of the early ethnological photography, here in the English-language edition, which was finished by his brother after C. Damman's death in 1874. - C. Damman was a Hamburg photographer who began to reproduce ethnological photos from the Hamburg Goddefroy Museum in the early 1870s for the Berlin Society for Anthropology. A large part of these recordings then appeared in book form in the years 1872-74 in a German edition under the title "Anthropological-Ethnological Album in Photographs". The photographer of the original photos can only be identified occasionally, for example some of the photos of Australian ethnic groups were taken by Thomas Washbourne, Daniel Marquis and Joseph Wilder. The album is divided into regions: German or Germanic types, Romance types, Slavic types, locals from Persia, from Arab countries, from India, China, Japan, Australia, America, Oceania etc. The format of the recordings is mainly CDV. - Liner partly browned in the margin, a little darkened and stained, the prints only occasionally a little pale and stained, all in all a good copy of this rare work.

Wilder Joseph photographerview full entry

Reference: see lot 562 Nosbüsch & Stucke GmbH
May 13, 2021, 1:00 PM CET
Berlin, Germany. Ethnological photographic gallery of the various races of mankind. With 167 original photographic portraits on 12 plates. Vintage. Albumin prints. Assembled. London, Trübner, 1876. Title. 31 x 42 cm. Restored, blind-embossed original canvas (bumped and somewhat scraped).
Rarissimum of the early ethnological photography, here in the English-language edition, which was finished by his brother after C. Damman's death in 1874. - C. Damman was a Hamburg photographer who began to reproduce ethnological photos from the Hamburg Goddefroy Museum in the early 1870s for the Berlin Society for Anthropology. A large part of these recordings then appeared in book form in the years 1872-74 in a German edition under the title "Anthropological-Ethnological Album in Photographs". The photographer of the original photos can only be identified occasionally, for example some of the photos of Australian ethnic groups were taken by Thomas Washbourne, Daniel Marquis and Joseph Wilder. The album is divided into regions: German or Germanic types, Romance types, Slavic types, locals from Persia, from Arab countries, from India, China, Japan, Australia, America, Oceania etc. The format of the recordings is mainly CDV. - Liner partly browned in the margin, a little darkened and stained, the prints only occasionally a little pale and stained, all in all a good copy of this rare work.

Fiveash Tina b1970view full entry

Reference: see Roseberys
May 26, 2021, 2:00 PM BST
West Norwood, United Kingdom
lot 164: Tina Fiveash, Australian b.1970- Twilight Lovers, 1994; chromogenic print, signed and dated 1994 lower right, titled lower center, and number 9/10 lower left, 44.5x56cm Provenance: Whitford Fine Art, London, where purchased by the present owner.

This work is in a wooden white glazed frame- there are some minor marks to the frame. 69x79.2cm(frame) The work has not been examined out of the frame, it may or may not be stuck down. The work appears to be in very good condition.

Also lots 165 and 166

Newton June 1923-2021view full entry

Reference: obituary in Sydney Morning Herald 29.4.2021, p29. June Newton was the wife of and collaborator with Helmut Newton
Publishing details: SMH 29 April, 2021, p29
Ref: 140

Newton Helmutview full entry

Reference: see June Newton obituary in Sydney Morning Herald 29.4.2021, p29. June Newton was the wife of Helmut Newton
Publishing details: SMH 29 April, 2021, p29

Jesman Boleslaw view full entry

Reference: Boleslaw Jesman, Artist has shown at
Casey Art Show 2013
Mornington Art Exhibition 2013
Gallery 247, Melbourne.

Jesman Boleslaw view full entry

Reference: see Casey Art Show exhibition, 2013:
CURRICULUM VITAE
Boleslaw Jesman
Born in Poland
Hobby Artist from 2000
Membership
2004 - Malvern Artists’ Society â Malvern
2008 - Polish Art Foundation
Group Exhibitions
2004 - 2012 - Malvern Artists’ Society Malvern
2008 - 30 BY 30n"Around Us" A small format art exhibition - Polish Art Foundation -Steps Gallery - Carlton
2009 - Strathdon Communityâs 6th Annual Art Exhibition Forest Hill
2009 - 9X5 Walker St Gallery Dandenong
2010 -Â Polish Art Foundation -Steps Gallery Carlton
2011 - 9X5 Walker St Gallery -Dandenong
2011 - Camberwell Rotary Art Show
2012 - Camberwell Rotary Art Show
2012-June - Chelsea Rotary Art Show
Solo Exhibition
2012 -Â Malvern Artists, Society Gallery Malvern
Â Miscellaneous Arts Related Activities\
2000 â 2011 attended various art workshops:
The Centre of Adults Education â Melbourne - Malvern Artistsâ Society Art Workshops

- Oil and Watercolour Paintingâ Endeavour Hills
Awards
2006 - Highly Commended Modern/Abstract ‘Summer’ â oil - Malvern Artistsâ Society
2010 - Highly Commended ‘Summer Blossoms’ â pastel - Malvern Artists’ Society

2010 - Best Still Life/Floral ‘Paradise’ â pastel â Spring Exhibition, Malvern Artists’ Society
2010 - Highly Commended -- Malvern Artistsâ Society
Publishing details: http://caseyartshow.snapdev.com.au/boleslaw-jesman

Van Eeden Claudia view full entry

Reference: Claudia Van Eeden – Coo-ee! [’Coo-ee! is a celebration of a land that is both beautiful and brutal, hardy and vulnerable. In her first book with Perimeter Editions, young Melbourne artist Claudia Van Eeden crafts a vibrantly optimistic ode to the landscape, iconography and visual language of Australia. Refreshing in its palette and tenor, Coo-ee! acts as a travel diary of sorts, rendering the scenic environment, weather, passersby and native flora and fauna in loose, playful brushstrokes. Van Eeden embraces Australiana in a way that balances humour with sincerity, avoiding cultural cringe at every turn. Featuring an original painting for every page – including the covers, title page and colophon – and made with found gouache paints, Coo-ee! extends beyond kitsch to rest somewhere closer to that of naïve art. Before suspicion, before cynicism, Van Eeden’s paintings shimmer with love and care.’]
Publishing details: Perimeter Editions, 86 pages, 26 x 19.5cm, perfect bound, softcover.
Ref: 1000

Trower Dayne view full entry

Reference: Ground Form by Dayne Trower. This is Trower's third series, and in with his earlier work, topography is as much a focus as architecture. Trower's sculptures depict deep, three-dimensional ground planes, a constant in which volumes and details are traced, subtracted and added. While each "ground form" is a foundation on which a stage of the project is depicted, each is itself constructed.
[’In this third solo exhibition at fortyfive downstairs, Melbourne architect Dayne Trowner continues his meticulous, archaeological study into the processes behind the construction of our built environment. In ‘Ground Form’ Trowner documents the precise, methodical modification of the existing ground plane in the form of 20, individually-constructed, small-scale plywood models which record the reconfiguration of a site’s natural topography in preparation for built form.
Working off one elongated coastal site, Trowner’s sculptures are an examination of the underlying hierarchy in the architectural process, exploring architectural foundations as geological alterations to the boundary zone where natural ground first encounters the built environment.’]
Publishing details: William Stout Architectural Books, 2014
Ref: 1000

Bunyan Marcus view full entry

Reference: see website: https://artblart.com
‘Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He writes Art Blart, a photographic archive and form of cultural memory, which posts mainly photography exhibitions from around the world. He holds a Dr of Philosophy from RMIT University, Melbourne, a Master of Arts (Fine Art Photography) from RMIT University, and a Master of Art Curatorship from the University of Melbourne.

Art Blart - Dr Marcus Bunyanview full entry

Reference: see website: https://artblart.com
‘Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He writes Art Blart, a photographic archive and form of cultural memory, which posts mainly photography exhibitions from around the world. He holds a Dr of Philosophy from RMIT University, Melbourne, a Master of Arts (Fine Art Photography) from RMIT University, and a Master of Art Curatorship from the University of Melbourne.

Thomas Davidview full entry

Reference: David Thomas : Colour. Time.: Catalogue of Exhibition Held at Nellie Castan Gallery, Melbourne, 2 April - 2 May 2009. By Olivia Poloni. [’A composite of paintings and photopaintings, which draw the world, painting and viewer into a complex dynamic. A photographed real space and an expanding undefinable painting space (the non-figurative form) confront each other, resulting in a coexistence of various models of space, a coexistence and entanglement of inconsistent things. ‘]
Publishing details: Nellie Castan Gallery, 2009, 96pp. Paperback + CD-ROM

Ref: 1000

Porter Louisview full entry

Reference: Louis Porter - Conflict Resolution.
[’Finally available in Australia, Louis Porter's Conflict Resolution might be described as a series of typologies. The project is part of Porter's wider archive, which tracks fragments, markers and traces of minor suburban conflict – the kind that can be unearthed amid the streets, buildings, vehicles and detritus of any modern town or city. The book offers a very different vantage on conflict, considering its cumulative effects on the psyche of place. Published by Porter's own Twenty Shelves imprint (Melbourne).’]

Publishing details: Twenty Shelves, 164 pages, softcover,
Ref: 1000

Popperwell Georgeview full entry

Reference: George Popperwell ~ Delayed Voyage (Contemporary Art Centre of South Australia)
Publishing details: The Contemporary Art Centre of South Australia, 2009, pb.
Ref: 1000

Gilligan Minna view full entry

Reference: Time After Time - Flashback Fashion for Modern-Day Play. [’In Time After Time, fashion icon Minna Gilligan imparts her wisdom and penchant for mixing and matching fashion, and details contemporary ways to wear vintage things in combination with current new items of clothing. Minna s philosophy is that dressing has no rules or regulations other than what you impose on yourself, and that an outfit s greatest goal is to bring you joy and make you feel good. She fills the pages with snapshots of her own inspiration and art and details how to combine items plucked from different time periods with accessories, buttons, collar details, shoes, hats, and glasses. Minna offers the tools for how to shop from thrift shops to the internet to the occasional high-end store, with examples of looks she puts together from her own finds for a range of occasions. Time After Time is a color riot that is as beautiful as it is useful."

About the Author

Minna Gilligan is a 24-year-old artist and illustrator who works primarily in painting, drawing, and collage, with exhibitions in galleries around the world. Minna displays her passion for fashion collecting through her blog and Instagram (40,000+ followers), and illustrates and writes for Tavi Gevinson s New York based online magazine, "ROOKIE, " while also collaborating with London-based photographer Elle Hardwick and Toronto-based photographer Petra Collins."’]
Publishing details: 2015
Ref: 1000

Freedman Haroldview full entry

Reference: Harold Freedman The Big Picture Hardcover By Gavin Fry, David Freedman & David Jack. [’Harold Freedman was an artist of enormous drive, ambition and achievement. He was never content to mark time, always ready to turn his hand to new challenges and he left his mark on the nation in many places.

Harold worked as a fine artist, an illustrator, printmaker, designer and muralist, all the while drawing on a deep well of traditional training and a determination to bring art and the creative spirit to the widest possible audience. He was a democrat at heart, seeing art as being for the people, the man and the woman in the street who had the right to live in a community where they could see and experience art on a daily basis.

While best known for his series of painted and mosaic murals, the largest ever created in Australia, he was also an influential teacher, an official wart artist and book designer.

About the Authors

Gavin Fry is an artist, writer, publisher and museum professional.

David Freedman, MBBS, BSc (Med), FRACS, has recently retired after 42 years working as a general surgeon in remote and regional centres in Australia and overseas.

David Jack is Director of the Melbourne Mural Studio.’]
[’Harold Freedman worked across a dazzling range of projects ,working as a Cartoonist ,Official War Artist ,book designer and illustrator, poster artist, teacher, print maker and most importantly as Australias foremost mural artist. Whilst Freedman’s work is concentrated in his home city of Melbourne, his work as the Senior War Artist for the RAAF and his ground breaking aircraft mural for the Australian War Memorial gave his art a national stature.
This handsome 208 page hardback book, which includes two striking gatefolds, each nearly a meter wide, of murals completed during his tenure of the position of Victorian State Artist is now available...’]
Publishing details: David Freedman, 2019, 200pp
Ref: 1009

Borland Pollyview full entry

Reference: Morph. [’Published to coincide with her major exhibition at the National Gallery of Victoria (NGV) in Melbourne, Polly Borland’s new book Morph offers an incisive new vantage on the celebrated Australian-born, Los Angeles-based photographer’s explorations of anthropomorphic soft-sculpture and abstracted portraiture. The new series of works – which were made in collaboration with model Sibylla Phipps, who also contributes a compelling psychoanalytic text to the book – serves as a dramatic, almost surrealistic expansion of Borland’s visual language, with her attention to colour and reimagining of form coming to the fore. At once tender and troubling, the works that populate Morph, the artist’s second book for Perimeter Editions, are poignantly human and pointedly not.

Polly Borland is one of Australia’s foremost photographic artists. Famed for her early editorial work and portraiture – which saw her photograph the likes of Queen Elizabeth II, Nick Cave, Donald Trump, Susan Sontag, Monica Lewinsky and Cate Blanchett for a host of clients such as The Guardian, The New York Times and The New Yorker – her art practice has seen her exhibit widely in Australia, the UK, Europe and the United States, including the major exhibition Polyverse at the National Gallery of Victoria, Melbourne, in late 2018. Her books include The Babies (2000), Bunny (2008), Smudge (2010) and YOU (Perimeter Editions, 2013). ’]
Publishing details: Perimeter Editions, 2018 (?)80 pages + 12-page insert, 29 x 22 cm, exposed bind, softcover,
Ref: 1000

Armidale ‘42view full entry

Reference: Armidale ‘42 - Memory and Imagination  A collaboration between Col Madigan (survivor), Jan Senbergs (artist) and Don Watson (historian)
[’A Bendigo Art Gallery Travelling Exhibition Sponsored by the Pratt Foundation through the Australia Foundation for Culture and the Humanities
On 1 December 1942, HMAS Armidale succumbed to air attack and sank into the depths of the Timor Trench with the loss of 100 lives. The story of the dire plight of the survivors has entered the public annals of naval history only relatively recently. Armidale ‘42: Memory and Imagination, commemorates this story of bravery and endurance.
The artist, Jan Senbergs, who has frequently interpreted Australian history through series of works, created The Armidale Drawings in collaboration with one of the survivors, the architect Colin Madigan (whose firm Edwards, Madigan, Torzillo & Briggs Pty Ltd designed the National Gallery of Australia and the High Court of Australia).
Madigan and Senbergs met in the 1970s while Senbergs was working on the High Court mural. Over the years they remained in contact, but it was not until 1996, when Madigan saw Senbergs painting The swimmer, that he spoke of his ordeal and the sinking of the Armidale. Senbergs reflects:
Hee stared for a while, looking carefully at the painting,then turned to me and said: ‘You know, I was in the water like that once.'
Survivors of the sinking of HMAS Armidale were thrown into the Arafura Sea. Many were badly injured and covered in oil. Under a hail of gunfire they bound a raft together from floating remains of the wreck. Battling sharks and sea snakes, they hauled the ship’s lifeboat onto the raft and repaired it with canvas. In an attempt to maximise longevity they decided to split up, some taking to the lifeboat while others remained Ofl the raft. Eight days later the lifeboat and its complement were found by the RAAF 27 survivors and two dead men. No trace of the men on the raft was ever found.
The beautifully illustrated book accompanying the exhibition contains Col Madigan’s recollections and his own images drawn from memory, and reproduces the series of pastel and acrylic wash drawings by Senbergs which make up the exhibition. An essay by Don Watson places the sinking of the Armidale and subsequent events in an historical context aligned with current understanding of the issues.
’]
Publishing details: Macmillan, 2000
92 p. : ill., (some col.)
Ref: 1000

Madigan Col view full entry

Reference: see Armidale ‘42 - Memory and Imagination  A collaboration between Col Madigan (survivor), Jan Senbergs (artist) and Don Watson (historian)
[’A Bendigo Art Gallery Travelling Exhibition Sponsored by the Pratt Foundation through the Australia Foundation for Culture and the Humanities
On 1 December 1942, HMAS Armidale succumbed to air attack and sank into the depths of the Timor Trench with the loss of 100 lives. The story of the dire plight of the survivors has entered the public annals of naval history only relatively recently. Armidale ‘42: Memory and Imagination, commemorates this story of bravery and endurance.
The artist, Jan Senbergs, who has frequently interpreted Australian history through series of works, created The Armidale Drawings in collaboration with one of the survivors, the architect Colin Madigan (whose firm Edwards, Madigan, Torzillo & Briggs Pty Ltd designed the National Gallery of Australia and the High Court of Australia).
Madigan and Senbergs met in the 1970s while Senbergs was working on the High Court mural. Over the years they remained in contact, but it was not until 1996, when Madigan saw Senbergs painting The swimmer, that he spoke of his ordeal and the sinking of the Armidale. Senbergs reflects:
Hee stared for a while, looking carefully at the painting,then turned to me and said: ‘You know, I was in the water like that once.'
Survivors of the sinking of HMAS Armidale were thrown into the Arafura Sea. Many were badly injured and covered in oil. Under a hail of gunfire they bound a raft together from floating remains of the wreck. Battling sharks and sea snakes, they hauled the ship’s lifeboat onto the raft and repaired it with canvas. In an attempt to maximise longevity they decided to split up, some taking to the lifeboat while others remained Ofl the raft. Eight days later the lifeboat and its complement were found by the RAAF 27 survivors and two dead men. No trace of the men on the raft was ever found.
The beautifully illustrated book accompanying the exhibition contains Col Madigan’s recollections and his own images drawn from memory, and reproduces the series of pastel and acrylic wash drawings by Senbergs which make up the exhibition. An essay by Don Watson places the sinking of the Armidale and subsequent events in an historical context aligned with current understanding of the issues.
’]
Publishing details: Macmillan, 2000
92 p. : ill., (some col.)

Senbergs Jan view full entry

Reference: see Armidale ‘42 - Memory and Imagination  A collaboration between Col Madigan (survivor), Jan Senbergs (artist) and Don Watson (historian)
[’A Bendigo Art Gallery Travelling Exhibition Sponsored by the Pratt Foundation through the Australia Foundation for Culture and the Humanities
On 1 December 1942, HMAS Armidale succumbed to air attack and sank into the depths of the Timor Trench with the loss of 100 lives. The story of the dire plight of the survivors has entered the public annals of naval history only relatively recently. Armidale ‘42: Memory and Imagination, commemorates this story of bravery and endurance.
The artist, Jan Senbergs, who has frequently interpreted Australian history through series of works, created The Armidale Drawings in collaboration with one of the survivors, the architect Colin Madigan (whose firm Edwards, Madigan, Torzillo & Briggs Pty Ltd designed the National Gallery of Australia and the High Court of Australia).
Madigan and Senbergs met in the 1970s while Senbergs was working on the High Court mural. Over the years they remained in contact, but it was not until 1996, when Madigan saw Senbergs painting The swimmer, that he spoke of his ordeal and the sinking of the Armidale. Senbergs reflects:
Hee stared for a while, looking carefully at the painting,then turned to me and said: ‘You know, I was in the water like that once.'
Survivors of the sinking of HMAS Armidale were thrown into the Arafura Sea. Many were badly injured and covered in oil. Under a hail of gunfire they bound a raft together from floating remains of the wreck. Battling sharks and sea snakes, they hauled the ship’s lifeboat onto the raft and repaired it with canvas. In an attempt to maximise longevity they decided to split up, some taking to the lifeboat while others remained Ofl the raft. Eight days later the lifeboat and its complement were found by the RAAF 27 survivors and two dead men. No trace of the men on the raft was ever found.
The beautifully illustrated book accompanying the exhibition contains Col Madigan’s recollections and his own images drawn from memory, and reproduces the series of pastel and acrylic wash drawings by Senbergs which make up the exhibition. An essay by Don Watson places the sinking of the Armidale and subsequent events in an historical context aligned with current understanding of the issues.
’]
Publishing details: Macmillan, 2000
92 p. : ill., (some col.)

Zaadstra Pieterview full entry

Reference: The artist & the fly fisher / Pieter Zaadstra
Publishing details: Pieter Zaadstra Art Studio, c2007
1 v. : col. ill., col. port. Certified limited edition of 500.
Ref: 1000

king of the accordion Theview full entry

Reference: The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.
Ref: 1000

Archer Suzanneview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Bancroft Bronwynview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Connor Kevinview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Fairburn Davidview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Gittoes Georgeview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Kuo Grahamview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Lester Kerrieview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Majzner Victorview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Thomson Annview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Varvaressos Vickiview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Walker John Rview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Winch Madeleineview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Zofrea Salvatoreview full entry

Reference: see The king of the accordion / the writer: Anna Maria Dell'oso ; the artists: Suzanne Archer ... [et al.] ; the curator: Joseph Eisenberg ; the exhibition manager: Belinda Cotton. Edited, designed and produced by Jospeh Eisenberg and Belinda Cotton.
"A New England Regional Art Museum touring exhibition"--Cover.
"A short story was commissioned, then thirteen artists were invited to respond"--Introd.
Publishing details: New England Regional Art Museum, 1995
75 pages : 13 col. illustrations, portraits.

Melville Harden Sidney - Torres Strait canoe and 5 men and a wreck 1874view full entry

Reference: in collection of NGV purchased 2020: Melville Harden Sidney - Torres Strait canoe and 5 men and a wreck 1874

Clarke Daniel View of Warrnambool oil 1867view full entry

Reference: in the collection of the National Gallery of Victoria

Mouchette Berthe The Queen’s Bouquetview full entry

Reference: in the collection of the National Gallery of Victoria:
BERTHE MOUCHETTE
Born
1846 Forcalquier, Provence-Alpes-Côte d'Azur, France
Died
20 June 1928
Nationality
French
Lived/worked
worked in Australia 1881–(c. 1920)

Hollick Ruthview full entry

Reference: in the collection of the National Gallery of Victoria - numerous works

Rooney Robertview full entry

Reference: in the collection of the National Gallery of Victoria - numerous works, the bequest of Robert Rooney

Lissan Maisie c1935-c1998view full entry

Reference: in the collection of the National Gallery of Victoria

Smiler Badjingga Mona c1918-93view full entry

Reference: in the collection of the National Gallery of Victoria

McDonald Agnes Grant 1867-1941 portrait of Robert Hoddleview full entry