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The Scheding Index of Australian Art & Artists

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Shmith Athol (1930s)view full entry
Reference: see Douglas Stewart Fine Books, July 5, 2021, online catalogue:
A selection of works by Australian photographers Robert Ashton (2000s), Rennie Ellis (1970s) and Athol Shmith (1930s)
Morgan Squire 1886 - 1974view full entry
Reference: see Douglas Stewart Fine Books, July 5, 2021, online catalogue:
MORGAN, James Squire (1886 - 1974)
Original etching plate for a Christmas Greeting card
Zinc etching plate, 102 x 130 mm, etched in reverse, image of a kangaroo perched under a tree, etched inscription ‘The Season’s Greetings from Hayward C. Parish 1928 – 1929’, signed in the plate ‘Squire Morgan, Sydney – Australia’ Provenance: Collection of James R Jackson (1882-1975) The Estate of Dora Toovey (1898-1986), thence by descent
MENARD Romuald George (painter); FRÈRES, Thierry; SABATIER, Léon Jean Baptiste (lithographers)view full entry
Reference: see Douglas Stewart Fine Books, July 5, 2021, online catalogue:
Vue de Sydney et de l’entree de la Riviere de Paramatta (panorama in two sections).
Two plates, forming a continuous panorama, from: Voyage autour du monde sur la frégate la Vénus, pendant les années 1836-1839 … atlas pittoresque. [Paris : Gide, 1841]. Tinted lithographs, 170 x 420 mm; pale foxing to the margins of the first plate, else in fine condition. Custom framed in museum timber, measures 422 x 1138 mm.
The voyage of the Vénus, under the command of Abel du Petit-Thouars, was critical to the establishment of a French colonial presence in the Pacific, as well as for the promotion and protection of French commercial activities around the globe. It achieved its primary objective of establishing a French protectorate over Tahiti and the Marquesas. The Frenchmen arrived in Sydney in 1838, this magnificent panorama shows the harbour from perspective of Pinchgut Island (Fort Denison) with the Venus sailing in the foreground

Cayley Nevilleview full entry
Reference: Our birds, by Nevile Cayley

Publishing details: Sydney : The Aldenhoven Art Galleries, [1918]. Octavo, diecut wrappers, stringbound, seven colour plates, text sheet. No. 1 – Australian Bird Series. 1st edition.
Ref: 1000
Landmarksview full entry
Reference: Landmarks : contemporary perspectives in the local product (collector’s edition), by Richard Maude. A limited edition survey of the artists of northern New South Wales. Artists include Peter John Steggall, Mostyn Bramley-Moore, Philip Nicol, James A. Smith, Bonney Bombach, John McCormick, Sabine Vogelsang, Alan Lethbridge, John L. Smith, Stuart Cussons, Rose McKinley, Geoff Levitus, Graeme Holden, Grant Vaughan, Jan Davis, Gary Jolley, Geof Beyer, Elsebeth Buivids, Felix-Srecko Radman, Rene Bolton, Fiona Murphy, Marko Koludrovic, Jennifer Aspinall, Jan Renkin, Patsy Payne, Tony Nankervis, Lizabeth Johnson, Peter Widmer, Les Dorahy, Keyy Wilson, Shelagh Morgan, Roger Garlick, Helen Hawkes, Corinne Fletcher, Martin James Hunting, Christopher Meagher, Branwen Cler Davies, Jacklyn Wagner,


Publishing details: Lismore : Lismore Regional Art Gallery, 1988. Quarto, illustrated wrappers, unpaginated, illustrated.
The Collector’s Edition, limited to 99 numbered copies,
Ref: 1000
Wilson Hardyview full entry
Reference: Catalogue of the Hardy Wilson collection of antique furniture, catalogue of 147 works.
Publishing details: Sydney : Anthony Hordern’s Fine Art Galleries, circa 1920. Octavo, lettered wrappers (crease), pp. 12, illustrated, [copy with see Douglas Stewart Fine Books, July 5, 2021, online catalogue]
Ref: 1000
Stellarcview full entry
Reference: Obsolete body / suspensions / Stelarc, compiled and edited by James D. Paffrath with Stelarc. Davis, CA. Publication on the performance artist with numerous images of his unnerving pierced body suspensions.
.P. Publications, 1984. Quarto, illustrated wrappers, pp. 156, illustrated. Very scarce publication on the performance artist with numerous images of his unnerving pierced body suspensions.
Contents:
An interview with Stelarc.
Introduction
1. Rotating the body in space ; Early performances / Ken Scarlett ; Events in Japan / Nobuo Yamagishi ; The myth of information ; Event for stretched skin ; Event for stretched skin spin/swing ; Event for stretched skin aligned slot ; Event for stretched skin no. 4
2. Propped contained and wedged : Tomorrow’s artist / Rod O’Brien ; The predominance of intuition / Takeshi Sugawara ; Triggering an evolutionary dialectic ; Event for propped body ; Event for support structure ; Event for obsolete body
3. Structural and amplified suspensions : Link exhibitions / Ian North ; A new image of the artist / David Dolan ; Event for obsolete body #3 escape DBD / Emily Hicks ; Stelarc, performance and masochism / Rachel Rosenthal ; A seat on Mt. Olympus: nature, consciousness adn metaphor / Ryoichi Hirai ; Strategies and trajectories ; Event for lateral suspension ; Event for spin suspension ; Event for amplified tension ; Pull out/pull up event for self suspension ; Sitting/swaying event for rock suspension ; Tilted/twisting event for cone configuration ; Event for clone suspension ; Moving/modifying suspension for obsolete body ; Trajectory ; Internal/external suspension for obsolete body
4. Environmental suspensions : Shaft suspension / Thomas G. McCullough ; 1G gravitational landscape / Takatoshi Shinoda ; The splitting of the species ; Up/down event for shaft suspension ; Seaside suspension: event for wind and waves ; Sculture space suspension ; Prepared tree suspension event for obsolete body no. 6.


Publishing details: J.P. Publications, 1984. Quarto, illustrated wrappers, pp. 156, illustrated.
Ref: 1000
Lowenstein Tom view full entry
Reference: Lovers and others.
‘In this richly illustrated volume full of photographs from Lowenstein’s personal archives documenting his long-standing friendships and reflecting the volume’s heady mixture of accounting, art and wine. Tom Lowenstein OAM is one of Australia’s most respected tax accountants and financial advisors. This candidly written memoir, narrates the way in which, by chance and circumstance, he placed his career at the service of the Australian art world.
Lowenstein’s interactions with his colourful and gregarious clients took him frequently out of the comfort of the corporate environment into the artists’ homes and studios. The personalities of Charles Blackman, Colin Lanceley, Margaret Olley, John Olsen, Garry Shead, Tim Storrier, and many other luminaries of the art world are vividly portrayed with unique insights.
The book describes Lowenstein’s numerous David and Goliath battles with the Australian Government and the Australian Tax Office for a greater understanding and fairer treatment of the unique set of circumstances and numerous challenges faced by the country’s creative sectors.’ – the publisher.
Includes reproductions of artworks by Lin Onus, John Wolseley, John Olsen, Rick Amor amongst others and recollections about the artists Brett Whiteley, John Howley, Peter Corlett, Rod Milgate, John Olsen, Charles Blackman, Colin Lanceley, Tim Storrier, John Firth-Smith, Margaret Olley, Robert Jacks, John Wolseley, Akio Makigawa, Yvonne Audette, Robert Klippel, Mel Ogden, Clifford Possum, Arthur Boyd, Guy Boyd, Lin Onus, Ken Unsworth, Rick Amor, Lewis Miller, Allan Mitelman, Garry Shead, Clinton Nain, Danie Mellor, Richard Bell, Michael Johnson, Matthew Johnson, Joshua Yeldham, Ben Lewin, Takanori Oguiss, John Walker, Yosl Bergner, Dennis Oppenheim, Jeffrey Smart, Guan Wei, Ah Xian, and many others.
 


Publishing details: Melbourne Books, 2021. Quarto, boards in illustrated dustjacket, pp. 236, illustrated.
Ref: 1000
Gilmore D H (David Hunter)view full entry
Reference: The tale of Christopher Cricket
Publishing details: Angus and Robertson, 1946. Quarto, illustrated papered boards in pictorial dust jacket (price clipped), pp 46, with numerous full-page plates (several in colour) and line drawings in the text
Ref: 1000
Oppen Margaret view full entry
Reference: Dare to Vote! ‘An artist’s exploration of Australia’s system of democracy.’
Publishing details: Sydney : Ant Press, 2012. Artist’s book. Small quarto, screenprinted wrappers in lettered box (which includes two HB pencils – for voting!), unpaginated, letterpress text discussing the principles of voting and democracy, folding section for voting.
Ref: 1000
Henson Billview full entry
Reference: Particle mist
“Particle Mist draws together works from three of Bill Henson’s earliest photographic series: ’Untitled 1974’, ‘Untitled 1975’ with additional previously unseen photographs from an unfinished work begun in 1976.
Publishing details: London : Stanley / Barker, 2015. Oblong quarto, cloth in dustjacket, pp. 140.
Ref: 1000
Raynor Miss student friend of Charles Condorview full entry
Reference: see Lauraine Diggins Fine Art, press release 7.7.21
CHARLES CONDER, Miss Raynor c.1889, 
oil on canvas on cardboard, 16 x 16 cm

This small, rapidly painted sketch belongs to Conder's Melbourne years (1888-90) and is typical of his en plein air style. This was a style, developed in the ateliers of Paris and in the summer painting 'camps' of rural France in the 1870s that involved the artist capturing and holding the essence of the moment and the scene as he or she stood in front of it. The first marks put onto the canvas were to be the only ones: nothing was to be altered or worked over later, back in the studio. The heart of plein air painting was truth to the moment of vision. Stylistically it was characterised by clarity of vision, an understanding of technique and  poetic response to the moment.
Subject is thus everything and nothing. Miss Raynor, the principal female figure in this sketch is essential for the articulation of the work but only as a form to set against other forms - the heavy cypress tree behind her, the post and rail fence, the smoothness of the gold greens and brown of the paddock in which she stands. Her everyday dress adds to the prosaic note of the sketch, the drab attire enlivened by a few touches of red on the unfurled umbrella at her side.  Behind her stands a second female form, painted even more ethereally in relation to the raking light that falls from left to right across the picture plane and is even less identifiable.
'Mrs (sic) Raynor was a student friend of Conder and was sketched by him during a picnic outing in Melbourne during his stay there (1889)'. She seems to have modelled for Conder on other occasions. Another study of her, an oil on cedar panel, in which she wears a  rather more elaborate costume and is seated on a river bank, is to be found in the Joseph Brown Collection.
Ann Galbally, 
Extract LDFA Annual Collectors' Exhibition Catalogue 2000

Taylor John Hview full entry
Reference: see Ebay listing 9.7.21:
Unframed Original INK & WASH Portrait on Paper, by Australian Listed Artist JOHN H TAYLOR, (1921 - 2012).  It is signed lower right, and was Painted around 1970.  

It is titled "PORTRAIT OF THE ARTIST'S WIFE EMME". Unframed, and has come from a folio of Sketch work by the Artist.
TAYLOR, John H; (born 1921, died 2012). Painter and Printmaker, studies: Footscray Technical College, 1939, Melbourne Technical College, 1945-46 George Bell 1950, Chelsea Polytechnic, London 1951-52 study tours to Holland, Belgium, France, Spain, Portugal, Italy, France and Mexico 1952-1991. Awards: Albany 1962, 1968 Eltham, 1999 Lorne Represented: National Gallery of Victoria, National Gallery of Australia, Tokyo University, Australian Embassy Tokyo Japan, Private Collections in England, Japan, throughout Australia and USA, Bibliography: Directory of Australian Printmakers 1976, 1982, 1988, McCulloch, Germaine, James Mollison.
Excellent Condition, on paper, and measures, 9 inch by 11 1/2 inch, (22.8cm x 29.3cm). (Image size). 

Noble Richardview full entry
Reference: from DAAO: Richard Noble
Also known as R. P. Noble, J. Noble, P.? Richard Noble. Artist (Painter).
A painter who dealt mainly in portraiture. He painted portraits for many of Sydney's leading residents and exhibited his works in various exhibitions. His last known oil painting is a portrait of Elizabeth Solomon.
painter, was very probably the student of that name who enrolled at the London Royal Academy Schools in 1828. As the son of Robert Heysham Noble, an oil painter who specialised in coastal scenes, he could well have used 'R.P. Noble’, with its distinguishing middle initial, when exhibiting a watercolour, Near East Malling, Kent , at the Royal Academy in 1841. Richard Noble possibly brought this and other paintings to New South Wales. A painting by 'Noble’ entitled East Malling, Kent was in Sydney by 20 July 1847 when described by the Sydney Morning Herald , along with a Dutch landscape by Tasker, as 'two clever sketches by artists who know well how to handle their tools’. When next exhibited in Sydney – at the 1849 exhibition of the Society for the Promotion of the Fine Arts in Australia – East Malling, Kent was owned by the father of the painter Frederick Garling (also Frederick). E. Salamon lent an untitled 'Noble’ landscape to the same exhibition that had also been shown in 1847.
Richard Noble does not seem to have lived in Sydney nor relied on advertising his abilities. The first documented evidence that he was in the colony is found early in 1855 when he was commissioned to execute portraits of the Scarvell family of Clare House, Pitt Town, near Windsor. It was a major commission and Noble moved into the Scarvell residence for nearly twelve months in order to execute it. According to family tradition, he formed a romantic attachment to Sarah Winifred Isabella Mary Scarvell, then aged eighteen; another family tale is that he had only one arm. He painted Captain John Larking Scarvell-who came from East Malling, Kent-his wife Sarah, née Redmond, and probably all their eight children. Five of the children’s portraits are known; two – of Elizabeth and John Scarvell – are in the State Library of New South Wales, acquired from a descendant in 1999. However, if portraits were made of the two youngest girls they have been lost. Scarvell also produced a view of the nearby Anglican church of St Matthew, Windsor (private collection).
Extant portraits by Noble of leading Sydney residents include that of Governor FitzRoy’s daughter, the Hon. Mrs Keith Stewart (1855, Old Government House, Parramatta), a commission he received after James Wilson drowned. Noble’s portrait of Commander Robert Johnston (1856, Mitchell Library), son of Lieutenant-Colonel George Johnston, a former lieutenant-governor of New South Wales and the first Australian-born subject to enter the Royal Navy, was modelled on a much earlier portrait of Johnston by the English painter R.C. George and replicated its inaccurate background view of Sydney Harbour. James Wilshire MLA, a former mayor of Sydney, lent Noble’s portrait of him (1856, Sydney Town Hall) to the third exhibition of the Society for the Promotion of the Fine Arts in Australia in 1857. Noble himself contributed seven paintings to the show: an English landscape, three copies – Copy of Lucretia , Copy of Beatrice Cenci (presumably after Guido Reni) and Madonna and Child – and three portraits. He probably also exhibited an Italian landscape after Zucarelli. None was specifically noted by local reviewers, who had a decided preference for Old Master and British paintings; Marshall Claxton was the only 'colonial’ artist acclaimed.
Noble’s portraits almost invariably reveal a keen interest in the depiction of fabrics, laces and ribbons, a skill shown to particular advantage in two highly idealised child studies, The Russell-Jones Children (1857, Art Gallery of New South Wales) and Benedotto John Bernasconi , son of the Sydney carver and frame-maker Benedotto Bernasconi (1860, Joseph Brown Collection, Melbourne). His last extant work is an extremely competent and sensitive portrait of Elizabeth Solomon, wife of an affluent bullion merchant, painted at Sydney in 1862 (Art Gallery of South Australia [AGSA], purchased 1986); the companion portrait of her husband John is lost. Other portraits include Mr John Thomas and Mrs John Thomas (1858, National Gallery of Australia), members of the Knox and Macartney families, and several unknowns (the Mitchell Library holds a pair inscribed 'Sydney, 1862’ and a fine portrait of a Sydney gentleman, possibly Hugh McKay, of 1856). His oil portrait of Father J. Conway was among the paintings raffled at St Augustine’s Catholic Church bazaar in 1870. He did landscapes, e.g. Market Square from Bradley’s Mill, Goulburn n.d. (Dixson Galleries), and excellent animal paintings, e.g. The Favourite Gig Horse, Napoleon, the Property of Michael Marred Esq. 1858 (AGSA).
All Noble’s surviving works are oil paintings. Most are signed 'Richard Noble’ and inscribed with the date and, occasionally, with the place of execution. He was first listed as an artist in Cox & Co.'s Sydney Post Office Directory for 1857 at 246 George Street, then not again until Sands Sydney Directory for 1864 locates him at Lansdowne Street, Newtown. The following year his address was given as 612 George Street, Sydney. After this he seems to have disappeared, unless he is the otherwise unknown 'J.’ Noble, listed as an artist of Nelson Street, Newtown, in 1867. His death is not recorded in New South Wales; a letter from his nephew suggests he later went to Italy where he was still living in 1900.
Writers:
McDonald, Patricia R.
Date written:
1992
Last updated:
1989
Noble Richardview full entry
Reference: Richard Noble, fl Australia 1850s-60s. Was this RICHARD PRATCHETT NOBLE (1814-1861) see LAWRENCES AUCTIONEERS,
Crewkerne, Somerset, 21 July, 2021. lot 1311, RICHARD PRATCHETT NOBLE (1814-1861)
SUMMER AFTERNOON, HENDON
Signed, inscribed on backboard, watercolour and bodycolour over traces of pencil, heightened with gum arabic
41 x 55cm.
* The inscriptions on the backboard are faint and partially illegible: A Remembrance of a [unclear] afternoon/ at Hendon [unclear]/ R Pratchett Noble/ to his friend/ Henry Reynolds Esq. and, in another hand, Presented by his daughter Hero Reynolds to her dear friends Mr and Mrs Spooner/ of Clifton House Henwick as a token of esteem and affection/ Novr 1st 1883
++ Good colour; needs a light clean
Thomas George Grosvenor 1856-1923view full entry
Reference: see AUKTIONSHAUS SATOW, Satow, 17.7.21, lot 116:
Thomas, George Grosvenor (1856 Sydney-1923 London) "Forest Landscape", oil / canvas, signed. u.l. and dated 1912, 39x53 cm, frame (George Grosvenor Thomas was an Australian late Impressionist painter and member of the Glasgow Boys, an artist group from the 19th and early 20th centuries. He mainly painted landscapes)
Adams Araceliview full entry
Reference: see May Space website:
Araceli Adams is a ceramic artist who runs a small porcelain studio, Casa Adams Fine Wares, in Sydney. Born in Spain, she spent her childhood between her birth country and Australia, later moving to the United Kingdom and Canada before settling in Sydney permanently. She was introduced to the ceramic medium in Toronto, Canada, and learnt to work with porcelain in New York’s Greenwich House Pottery.
With a nod to the hand-coloured, natural history copperplate engravings of the 18th century, Araceli monoprints her illustrations onto handmade porcelain vessels. After a first firing in the kiln, she paints them with watercolour-like washes of underglaze. Each piece is then meticulously glazed and fired a second time, producing functional artworks that are equally at home in daily use or on display.
Araceli’s work is inspired by Australia’s rich biodiversity, with an aim to recreate the wonder and curiosity felt by botanists during the Age of Discovery. As the climate changes and more natural habitat is lost, she hopes her pieces elicit the same wonder and joy, so we may all be more inclined to value and preserve what we have.
Publishing details: https://www.mayspaceonline.com.au/about-araceli-adams
Adams Araceliview full entry
Reference: see May Space website, artist cv:
• ARACELI ADAMS •
EDUCATION
2014 Diploma of Ceramics (Distinction), TAFE NSW - Sydney Institute
2007 Master of Marketing and Sales Management, ESADE Business School, Spain
2005 Bachelor of Art (English Philosophy), University of La Roija, Spain
GROUP EXHIBITIONS

2021 VESSEL, MAY SPACE Online, Australia

2019 Cup: The Intimate Object XV, Charlie Cummings Gallery, Gainesville, FL, United States
2019 The Functional Canvas IV, Charlie Cummings Gallery, Gainesville, FL, United States
2018 Cup: The Intimate Object XIV, Charlie Cummings Gallery, Gainesville, FL, United States

Table Talk 2018: Australian Handmade Ceramics, Kerrie Lowe Gallery, Sydney

2017 Cup: The Intimate Object XIII, Charlie Cummings Gallery, Chapel Hill, NC, United States
MEDIA & PUBLICATIONS
2021 “People & Places”, The Journal of Australian Ceramics 60, no.1 (April): 64-65.
• BIOGRAPHY •
Araceli Adams is a ceramic artist who runs a small porcelain studio, Casa Adams Fine Wares, in Sydney. Born in Spain, she spent her childhood between her birth country and Australia, later moving to the United Kingdom and Canada before settling in Sydney permanently. She was introduced to the ceramic medium in Toronto, Canada, and learnt to work with porcelain in New York’s Greenwich House Pottery.
With a nod to the hand-coloured, natural history copperplate engravings of the 18th century, Araceli monoprints her illustrations onto handmade porcelain vessels. After a first firing in the kiln, she paints them with watercolour-like washes of underglaze. Each piece is then meticulously glazed and fired a second time, producing functional artworks that are equally at home in daily use or on display.
Araceli’s work is inspired by Australia’s rich biodiversity, with an aim to recreate the wonder and curiosity felt by botanists during the Age of Discovery. As the climate changes and more natural habitat is lost, she hopes her pieces elicit the same wonder and joy, so we may all be more inclined to value and preserve what we have.
Publishing details: https://static1.squarespace.com/static/5fe16e2ab9c87d07fa028acf/t/609cd7d0e9ed5d76a3aedc01/1620891601437/Adams_Araceli_5-21.pdf
Adams Araceliview full entry
Reference: Araceli Adams - Underwater Sydney
14 Aug 2021 - 29 Aug 2021
Publishing details: Maunsell Wickes Gallery, 2021, catalogue details to be added)
Ref: 1000
Judell Anneview full entry
Reference: Anne Judell, exhibition Charles Nodrum Gallery.
Born in Melbourne in 1942, Anne Judell studied design at RMIT University before living and working in the US and Europe and then settling in Sydney in 1977.  She has exhibited regularly at various Sydney and Melbourne galleries since then, including at the Charles Nodrum Gallery in 1991.  That show included works from her ‘Silence’ series; paintings and works on paper of monolith-like forms, standing upright or floating horizontally, radiating a thick and misty light.  In 1992 she relocated to the Southern Highlands of NSW and connection with this gallery faded.  She moved back to Melbourne in 2014 and now lives and works in an apartment in St Kilda.  So this exhibition is something of a return to Judell’s work for Charles, and an introduction for me. 

This show includes large works on paper dating from around the time Anne won the Dobell Prize for drawing in 2011 for an elegant and, in her words, “shy, retiring and meditative”, triptych in which the vessel-like forms in the centre of each panel – much like the monoliths of the ‘Silence’ series, though much more softly - seem to emerge and disappear from view, like rising smoke or a passing cloud.  Guy Warren, who judged the prize, described the process of making these works as “as much an art of archaeology as drawing, an excavation… Judell sculpts her paper, revealing hidden layers between charcoal, pastel, gesso and paper.”  Indeed, the surface of the Highland and St Kilda works in this exhibition are so textured, so soft and fluffy, you might mistake them for some sort of fabric rather than paper.  In the artist’s own words: “I work very lightly with many many layers of pastel until some form asserts itself. This is then refined with graphite and more layers. I’m attempting to reach that very elusive point where they are neither form nor formless.” Her minute and repetitive tearing and scraping is worked up or down the thick Hahnmuhle paper in greater or lesser intensity - in some areas so deep she’s almost torn a hole - creating a gradation of detail which, in some cases, produces what looks like a snowscape receding into the horizon, in others, moss growing on a damp wall, and, as in Void, a cluster of stars in deep space.  At the other end of the spectrum, works like Tango have a less concentrated and more open-air quality, with gestural brush strokes dancing down the paper.

Also in this exhibition are a series of Icons made of gold leaf and wood panel, some of which were exhibited in Japan in 2019.  Their reception in Kyoto was warm – something I find unsurprising and encouraging: the Japanese, like the Koreans, have an unparalleled eye for finely crafted objects, and for a refined, organic, landscape-inclined abstraction - and that’s just what these icons are.  In some I see a cliff face, others a seascape, others the bark of a tree – all with a jewel-like brilliance and intimacy of scale.  These works can hang on the wall like paintings or stand on surfaces like sculptures.  Anne has continued her use of gold leaf, in a series of works on aluminium board and paper – evocative of a flock of birds in the sky, an aerial landscape of a mountain range or, as the title suggests, an ancient Script.  Finally, a series of sculptures made from rock found in Maldon which, despite their small scale, have a sense of monumentality; one is reminded of the apparently impossible balance of Stonehenge – and its ancient, mystical feel.
 
Kate Nodrum, 2021
 
Anne Judell is represented in major private and public collections including the Australian National Gallery, the Art Gallery of NSW, The National Gallery of Victoria, Parliament House Collection, Art Bank and regional galleries throughout NSW and VIC. 
A survey exhibition of works from 1992-2002 toured regional galleries in NSW and Tasmania from 2002-2005.
Publishing details: Charles Nodrum Gallery, 2021, (catalogue details to be added)
Ref: 1000
Phillips H (Harry)view full entry
Reference: Picturesque Sydney Harbour, N.S.W. / [photographed, printed and published by H. Phillips
Publishing details: Willoughby, N.S.W. : H. Phillips, [1924] 
[30]p. : all ill. ; 22 x 52 cm. 
Ref: 1000
folk artview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
naive artview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Carrison Edward James wooden figure c1900view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hawkes Gay b1942 various referencesview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
White John 1787-1860 house modelview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
king plates [sic] breastplate p6view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
breastplate or king plates [sic] p6view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
McIntyre Archibald train model 1919view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Bailie Maude 1884-1961 chiffoniere 1904view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Ward John b1836 flag designview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
primitive artview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
outsider artview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
ethnic artview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Morgan Glenn b1955 view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Ngallametta George 1941-1986view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Barak William 1824-1903 Corroboreeview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Angas George French 1822-1886 native weapons and implementsview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Erliakiliakirra Jim Kite c1865 - c1930 gypsum pipeview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Petyarre Ada Birdview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
figurehead of ship possibly depicting Truganiniview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Truganini figurehead of ship possibly depicting Truganiniview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
ship figurehead of ship possibly depicting Truganiniview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Schneider Johann 1833 - ? iron grave markerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Mauran maker of grave markerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Herbert Daniel 1797-1868view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Fritsche Andreas 1808-1896 earthenware jugview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hoffman family pottersview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hoffman Johann Gotthilf Samuel 1818-1900 potterview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Zoerner Gottleib 1844 - 1916 potterview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Germanic folk artview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Giles J 1801 - 1870 litho from South Australia Illustratedview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Gerler Carl ink drawing 1846view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Brauer Friedrich blanket boxview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Launer Karl 1820 - 1894 wardrobe etc p69-71, 76 85view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Schaedel Wilhelm 1834 - 1856 wardrobeview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Graetz Carl Ewald 1865-1937 dresserview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Loessel Alma 1866 - 1952view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Otto F J E watercolour and frame 1911view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Preiss Otto 1891 - 1981 cabinetview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Ahrens Hugo 1905 - 1993 foil artwork c1940view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Bartholomaeus Friedrich wedding card 1885view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Holford and Son pottery photo of 1897view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Fieldsen F J house model 1889view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Smith Maitland 1920 - c1998 stoneware lionview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hall Ron 1919-1999 pottery koalasview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Wood Perce 1892-1975 stonewareview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Eldridge John 1904-1966 stoneware koala planterview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Kierle Samuel 1907-c1995 folk artistview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Choate Joseph 1899-1955 stonewareview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Gorringe Mary Ann 1839-? samplerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
White Mary 1869-? samplerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hampson Melissa quilt 1900-3view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hannaford Mary Jane 1840-1930 quilt 1924view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hannaford Mary Jane 1840-1930 quilts c1910 and 1924view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Huppatz Nettie 1915-1987 quilt 1932view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
King Rebecca 1859-1915 quilt c1890view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Kettle Maud 1893-1983 rug c1941view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hamilton Quliters The 1986view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hanrahan Barbara - Barbara Hanrahan Community Tapestry 2000view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Barbara Hanrahan Community Tapestry 2000view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Wiseman Gwenda banner 1983view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Whitbread Edgar d1958 bannerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Barrkman Joanna and Christina Yambeing bannerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Yambeing Christina and Joanna Barrkman bannerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Krell Barbara b1949 challah coverview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Howe Iris 1905-1998 shell gardenview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Warwick James and Caroline photo of their Old Curiosity Shopview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Old Curiosity Shop - Warwick and Caroline Jamesview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Lowey Joseph Reginald 1911-1983 cactus gardenview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Capaldo Germano c1910-1996 fountain gardensview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Clarke George 1918-2000 gardenview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Taankink Martin b1953 Tarpeena Fairy Tale Parkview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Tarpeena Fairy Tale Park - Martin Taankink b1953 view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Zuiderwyk Jack 1915-c1996 model villageview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Bosley Thomas George Dufty 1867-1945 gnome, plaque, etcview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Smith Ron and Sally Gray railway station decoration 2001view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Gray Sally and Ron Smith railway station decoration 2001view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Browne Richard 1776-1824 emu watercolourview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Bolger John 1776-1839 Wolloomoolloo watercolourview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Dowling Robert 1827-1886 Minjah in the Old Time 1856 oilview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Duterrau Benjamin 1767-1851 The Conciliation 1840view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Skipper John Michael 1815-1883 Corroboree c1840view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Backler Joseph c1813-1895 portrait of Emily Louisa Kiteview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Tjapanangka Long Tom c1930-2006view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Munuwalawala Ginger Riley c1937-2002view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Riley Ginger see Munuwalawala Ginger Riley c1937-2002view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
McLean Panjiti Maryview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Abdullah Ian W 1947-2011 drive in theatreview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Wedge Harry 1952-2012view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Tucker Alan b1952view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Bastin Henri 1897-1979 view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Byrne Sam 1883-1978view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Frame Iris 1915-2003view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Robson Ivy 1901-1976 Suffer Little Children, oil, c1970view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Ban Vitorio 1935-2008 oil Mona Lisa 1995view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Bekos Anastasia b1946 Pier Day, oil, 1994view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Mehran Abbas b1946view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Kalentzis John b1958view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Galovic Michael b1949view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Galovic Michael b1949 icon of Mary MacKillop 1995view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Rushby Charlotte 1833-1914 model of a settler’s hut c1855view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Withnell John 1825-1898 chair 1864view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Wridgeway Vic 1898-1989 walking sticksview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Gore Mary Jane 1858-1944 model of a bullock team 1879view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Zilm Wilhelm 1860-1932 chairsview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Pumpa Paul 1908-1994 hawk 1985view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Wallace David b1969 stockman and horse 1997view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Boon Arthur 1882-c1957 chairview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Brandt Lewis T 1910-1987 car doorview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Plavenieks Voldemars c1905-1995 sculpturesview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Aisen Charles 1900-1991 model makerview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Rusconi Frank 1874-1964 model maker inc Dog on the Tucker Box 1932view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Sergeef Germogen Ilyich 1900-1979 planetarium c1977view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Aili Erminio 1905-1987 view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Olah Sandor b1936? sculptorview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Lara-Gomez Fransisco Javier 1954-1997 modelview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Gastaldo Damiano (Gus) 1871-1952 dog sculpureview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Amber Rex Kitchener 1915-1988 sculpture 1985view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Curtis Joe 1933-2015 sculptureview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Gilders Kevin b1940 tree sculptures c1998view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Alferink Cornelis Johan b1945 sculpturesview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Talc Alf aka Alferink Cornelis Johan b1945 sculpturesview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Grotjahn Arno b1930 wall paintingview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Morgan Glenn b1955 paintingview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Torrisi Mario b1932 Sicilia chairview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Midwood Tom 1854-1912 huon pine figureview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Harpis Daniel b1978view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Pearse Mark 1941-2019 terracotta figure 2000view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Wilson Ray b1936 modelview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Golda Agnieszka b1969view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Sampie Bonnie b1936view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Pamulkan Uki 1912-1980view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Kngwarreye Lilly b1955view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Puatjimi Mark b1964view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Thancoupie 1936-2011 stoneware bowlview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Entata Irene Mbitjana b1946view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Watson Janet c1910-c1980 fibre aeroplanesview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Pautjima Marie Evelyn b1945 basketsview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Roberts Bluey b1948 carved emu eggview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Hart Peter b1939 meat safeview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Ralph David b1946 chairview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Cavalan Peter b1954 medalview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Heading Robert b1954 paintings from soft drink cans etcview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Jones Stephen sculpture of Ned Kellyview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Kelly Paul b1931 big lobster 2019view full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Kabi 101 b1970 graffitiview full entry
Reference: see Vernacular Visions - A folklife history of Australia: art, diversity, storytelling, by Noris Ioannou. [Some biographical information is provided on artists when discussing their work. Artists whose works are illustrated in thi book have been entered into the Scheding Index].
‘What is the character of Australian folk creativity, where does it spring from, what are its artistic outcomes, and what does it say about the diverse make-up of the nation and its history and culture? Cultural historian Dr Noris Ioannou explores these queries in this, the first comprehensive and richly illustrated cultural history text on Australian folk creativity, its art and its stories.

Vernacular Visions highlights the communal and spontaneous creativity and meaning of folk art, embracing it as a tool for the imagining and re-telling of everyday life. Based on extensive research combining ethnology, material culture studies, folkloristics and art history, Dr Ioannou ranges widely across media, time, place and country, exploring the origins and character of Australia's vernacular creativity and its springboard of diverse visual traditions.

From the ancient and contemporary creative practices of Australia's indigenous people, to those which emerged from the colonial and our ongoing migrant experiences - embracing bush mythology, love of sport, larrikin character, 'fair go' national values, and 'making do' resourcefulness - the author highlights the perennial and animating themes that determine the diverse and multicultural character of Australian folk creativity, its diverse artistic outcomes and its extraordinary stories: from the vast outback to the crowded urban and suburban fringes.

About the Author

Dr Noris Ioannou is an Adelaide-based cultural historian among Australia's foremost published writers on material folk culture and the decorative arts. He is the author of seven other books including three cultural histories. His first, Ceramics in South Australia 1836-1986: From folk to studio pottery, received the Australian Heritage Award. His second milestone text, The Barossa Folk: Germanic Furniture and Craft Traditions in Australia, was published in 1995. His other books include Masters Of Their Craft: Tradition and innovation in Australian contemporary decorative arts (1997); and his popular cultural travel book Barossa Journeys: Into a valley of tradition, now in its third printing. Dr Ioannou is a past president of the Professional Historians Association of South Australia, and was executive director of Nexus Multicultural Arts Centre for seven years.

Born in Cyprus of Greek parents, Dr Ioannou has lived in Australia since he was three and was a secondary school science teacher prior to becoming an independent scholar. He holds a Bachelor of Science with Honours and a Diploma of Education from the University of Adelaide, and a Doctorate in Visual Arts and Archaeology from Flinders University.’
Publishing details: Wakefield Press, 2021, hc, dw, 292pp. With Index.
Graham Bob b1942view full entry
Reference: see Bellmans auction, UK, 15 July, 2021, lot 566: GRAHAM, Bob (b. 1942). A collection of 75 original pen, ink and grey wash drawings.

GRAHAM, Bob (b. 1942, illustrator). A collection of 75 ORIGINAL PEN, INK AND GREY WASH DRAWINGS BY BOB GRAHAM for Iona and Peter Opie’s Babies. An Unsentimental Anthology (London, 1990), various sizes, the largest 150 x 350mm., 68 contained in 6 frames, the remainder loose. Also included in the lot is a copy of the published book, a postcard by Bob Graham to Wendy Fisher (“The book was great fun to illustrate (once I had stopped worrying about my exalted company. Shakespeare, Jane Austen, and Queen Vic no less) …”) and a ring binder containing material relating to the book labelled “Interim MS.” Born in Sydney, where he attended the Julian Ashton Art School, the illustrator Bob Graham won the Kate Greenaway Medal, awarded annually for "distinguished illustration in a book for children", in 2002.
huntingview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
kangaroo huntsview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Parkinson Sydneyview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Stubbs George kangarooview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Smyth Arthur Bowesview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Stone Sarahview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Mazell Peterview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Hunter Johnview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Lycett Joseph various refs p26-45view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Clark John Heavisideview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Lewin John William view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Taylor Major James in passingview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Evans George William 3 refsview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Made In Fitzroy: Exhibition 3: Three Australian Sculptorsview full entry
Reference: Made In Fitzroy: Exhibition 3: Three Australian Sculptors. Catalogue for Exhibition 3 of the Regional Development Program. Documents the development of a sculptural work by Augustine Dall'ava, Geoffrey Bartlett, and Anthony Pryor.
Publishing details: Sydney: Australia Council, Regional Development Program, Visual Arts Board, 1978.
First Edition.
21cm x 24cm. [62] pages, black and white illustrations. Pictorial wrappers.

Ref: 146
Dall'ava Augustineview full entry
Reference: see MADE IN FITZROY: EXHIBITION 3: THREE AUSTRALIAN SCULPTORS. Catalogue for Exhibition 3 of the Regional Development Program. Documents the development of a sculptural work by Augustine Dall'ava, Geoffrey Bartlett, and Anthony Pryor.
Publishing details: Sydney: Australia Council, Regional Development Program, Visual Arts Board, 1978.
First Edition.
21cm x 24cm. [62] pages, black and white illustrations. Pictorial wrappers.

Bartlett Geoffrey view full entry
Reference: see MADE IN FITZROY: EXHIBITION 3: THREE AUSTRALIAN SCULPTORS. Catalogue for Exhibition 3 of the Regional Development Program. Documents the development of a sculptural work by Augustine Dall'ava, Geoffrey Bartlett, and Anthony Pryor.
Publishing details: Sydney: Australia Council, Regional Development Program, Visual Arts Board, 1978.
First Edition.
21cm x 24cm. [62] pages, black and white illustrations. Pictorial wrappers.

Pryor Anthony view full entry
Reference: see MADE IN FITZROY: EXHIBITION 3: THREE AUSTRALIAN SCULPTORS. Catalogue for Exhibition 3 of the Regional Development Program. Documents the development of a sculptural work by Augustine Dall'ava, Geoffrey Bartlett, and Anthony Pryor.
Publishing details: Sydney: Australia Council, Regional Development Program, Visual Arts Board, 1978.
First Edition.
21cm x 24cm. [62] pages, black and white illustrations. Pictorial wrappers.

IN THE LABYRINTH: DRAWINGS BY PETER BOOTH AND MIKE BROWN
view full entry
Reference: IN THE LABYRINTH: DRAWINGS BY PETER BOOTH AND MIKE BROWN. Exhibition 7

Publishing details: Sydney: Australia Council, Regional Development Program, Visual Arts Board, 1980.
First Edition.
21cm x 24cm. 54 pages, illustrations, some colour. Illustrated wrappers.
Ref: 1000
BOOTH Peter
view full entry
Reference: see IN THE LABYRINTH: DRAWINGS BY PETER BOOTH AND MIKE BROWN. Exhibition 7

Publishing details: Sydney: Australia Council, Regional Development Program, Visual Arts Board, 1980.
First Edition.
21cm x 24cm. 54 pages, illustrations, some colour. Illustrated wrappers.
BROWN MIKE view full entry
Reference: see IN THE LABYRINTH: DRAWINGS BY PETER BOOTH AND MIKE BROWN. Exhibition 7

Publishing details: Sydney: Australia Council, Regional Development Program, Visual Arts Board, 1980.
First Edition.
21cm x 24cm. 54 pages, illustrations, some colour. Illustrated wrappers.
Nona Dennisview full entry
Reference: MULUKA PYBAN (PASSING DOWN) -
Dennis Nona
Publishing details: Brisbane: Andrew Baker Art Dealer, 2009.
First Edition.
21cm x 21cm. [60] pages, colour illustrations. Illustrated wrappers.
Ref: 1000
Marcus Donnaview full entry
Reference: Gold, Silver & Rough Diamonds. Donna Marcus

Publishing details: Brisbane: Andrew Baker Art Dealer, 2019. 26 pages, colour illustrations. Illustrated saddle-stapled wrappers.
Ref: 1000
Marcus Donnaview full entry
Reference: Bolt. Donna Marcus

Publishing details: Brisbane: Andrew Baker Art Dealer, 2017. 26 pages, colour illustrations. Illustrated saddle-stapled wrappers.
Ref: 1000
Hayes Cameron view full entry
Reference: Cameron Hayes. Exhibition catalogue for Australian painter Cameron Hayes (1969-) solo show at Ronald Feldman Fine Arts, New York.
Publishing details: New York: Ronald Feldman Fine Arts, 2004. 50 pages, colour illustrations. Illustrated wrappers.

Ref: 1000
New Alchemistsview full entry
Reference: New Alchemists. Alicia King curator.
ART ORIENTÉ OBJET (MARION LAVAL-JEANTET AND BENOIT MANGIN)
ORON CATTS & IONAT ZURR
IAN HAIG
NADEGE PHILLIPE-JANON
MICHAELA GLEAVE
THOMAS THWAITES,
LU YANG
[’“I’m interested in the social impact of technology and the way it is incorporated into our collective vision under the premise of being innately symbiotic to maintaining human life,” says curator Alicia King. “The intent of the show isn’t to either glorify or condemn the use of technologies addressed in the works – it’s really exploring a spectrum of approaches to life from the machinic to the visceral – at times challenging, absurd, and insightful.” Curator Dr Alicia King
Putting forward the artist as contemporary alchemist, the selected works invite audiences to channel experiences beyond our accessible human and non-human worlds. They include:
A digital print of ‘Victimless Leather’ by internationally renowned biological artists Oron Catts and Ionat Zurr from the collaborative art-science research centre SymbioticA.
A video work by media artist Lu Yang exploring consciousness and the human brain through the re-envisaging of the artist as a digitised and asexual future humanoid being. Yang’s work recently represented China at the 2015 Venice Biennale.
A new work by UK based artist Thomas Thwaites, known for his Channel 4 series From Scratch, exploring how humans may augment themselves in the future through prostheses created to help him live with another species – a goat herd in the Swiss Alps.
A video work by French bioart pioneers Art Orienté Objet, of their experimental performance transfusing horse blood into an artist’s bloodstream. The work was awarded the prestigious Prix Ars Electronica Golden Nica prize.’]

Publishing details: Hobart: Long Gallery, Salamanca Arts Centre, 2016.
First Edition. 28 pages, colour illustrations. Illustrated saddle-stapled wrappers, lettered jacket.
Ref: 1000
Viola Tusk 4view full entry
Reference: Viola Tusk 4
Claine Keily, Clair Hague, Javant Biarujia, Misha, Philip Sipp, Russell Milledge

Limited edition artist book featuring words by Javant Biarujia, Claine Keily, Misha, and Philip Sipp. 5 mounted photo manipulation pieces by Clair Hague and Russell Milledge. Limited to 200 copies and signed by the press, this is number 119.
Publishing details: Sydney: Viola Tusk Press, 1990. [68] pages, [5] colour photographs. Wrappers.
Ref: 1000
Out of Asiaview full entry
Reference: Out of Asia. Group exhibition curated by Alison Carroll featuring Micky Allan, Geoff Lowe, Tony Clark, Fiona MacDonald, Matthys Gerber, Susan Norrie, Pat Hoffie, Robert Owen, Tim Johnson, and Gareth Sansom.
Publishing details: Melbourne: Heide Park and Art Gallery, 1990. 32 pages, black and white illustrations. Illustrated saddle-stapled wrappers.

Ref: 1000
Praxis: Volume 1 No. 1view full entry
Reference: Praxis: Volume 1 No. 1, Spring 2005: Construct [to be indexed]
Amy Smith, Helen Terauds, Holly Kiehne, Sonia Crawford, Val Howard

Australian artist collective book featuring work from 23 artists.
Publishing details: Praxis, 2005. 116 pages, black and white illustrations. Illustrated side-stapled papers, cloth tape spine
Ref: 1000
de Couvreur Genevieve view full entry
Reference: Infinite Vision: Paintings by Genevieve de Couvreur. “Essay and catalogue of the work of Genevieve de Couvreur. The deep reds, oranges and purples are completely immersive, drawing the viewer deep within the work to a contemplative space heightened by the colour’s intensity. Her work wrings every drop of light energy it can from the rainbow.”
Publishing details: Gold Coast: Keeaira Press, 2003. 32 pages, colour illustrations. Illustrated wrappers.
Ref: 1000
Songlinesview full entry
Reference: Songlines: Emerging Queensland Indigenous Artists. Michael Fox
“Songlines brings together the diverse practices of emerging and established contemporary Indigenous artists from across Queensland. The book features Clinton Nain, Jenny Fraser, Dita Brook, Tony Albert, Kathryn Farrell, Vanessa Fisher, Yvonne Anderson, Lisa Michl, Andrea Fisher, Walter Lui, Dennis Nona, Walter Waia, Arthur Pambegan, Rick Roser, Deb Pirard, Wilma Walker and the Woomera Aboriginal Corporation from Mornington Island.”
Publishing details: Gold Coast: Keeaira Press, 2003. 32 pages, colour illustrations. Illustrated wrappers.

Ref: 1000
Haunts & Folliesview full entry
Reference: Haunts & Follies, by Simon Mee
Catalogue for an exhibition of works by Penny Byrne, Sam Leach, Simon Mee, and Kate Rohde. Curated by Simon Mee.
Publishing details: Melbourne: Linden Centre for Contemporary Arts, 2012. 16 pages, colour illustrations. Illustrated saddle-stapled wrappers.
Ref: 1000
Marioni / Macphersonview full entry
Reference: Marioni / Macpherson. Rex Butler
Exhibition catalogue of works by Joseph Marioni and Robert Macpherson with essays by Rex Butler, Ingrid Periz, and Michael Fried.

Publishing details: Brisbane: UQ Art Museum, 2013.
52 pages, colour illustrations. Illustrated french fold wrappers.
Ref: 1000
Marioni Joseph view full entry
Reference: see Marioni / Macpherson. Rex Butler
Exhibition catalogue of works by Joseph Marioni and Robert Macpherson with essays by Rex Butler, Ingrid Periz, and Michael Fried.

Publishing details: Brisbane: UQ Art Museum, 2013.
52 pages, colour illustrations. Illustrated french fold wrappers.
Macpherson Robert view full entry
Reference: see Marioni / Macpherson. Rex Butler
Exhibition catalogue of works by Joseph Marioni and Robert Macpherson with essays by Rex Butler, Ingrid Periz, and Michael Fried.

Publishing details: Brisbane: UQ Art Museum, 2013.
52 pages, colour illustrations. Illustrated french fold wrappers.
Austin Lincoln
view full entry
Reference: Joyride. Lincoln Austin
Publishing details: Brisbane: Andrew Baker Art Dealer, 2016. 26 pages, colour illustrations. Illustrated wrappers.

Ref: 1000
Fame Ruki view full entry
Reference: Kamano Man - Ruki Fame
Exhibition catalogue.
Publishing details: Brisbane: Andrew Baker Art Dealer, 2016. 26 pages, colour photographs. Pictorial saddle-stapled wrappers.
Ref: 1000
Lopes Steveview full entry
Reference: The Late Riser - Steve Lopes

Publishing details: Sydney: Stella Downer Fine Art, 2016.
.
Ref: 1000
Norton Charles 1826-1872view full entry
Reference: with Scheding Berry Fine Art c2012: Charles Norton (1826 -1872)
(’Monumental bush grave’) c1860s
watercolour
20.4 x 29.5 cm
For a similar example see McCulloch’s Encyclopedia of Australian Art, p737

References: Squatter Artist: Charles Norton, State Library of Victoria, 1989; Lost Images of Geelong, Geelong Gallery, 1986.

Norton Frank Meade b1845?view full entry
Reference: see National Galley of Australia catalogue:
Frank Meade Norton
born 1845
Blue Mountains, 1918, oil on canvas
Frame 46 h x 39 w cm
framed 41 h x 34 w cm
signed lower right: 'F. Meade Norton'
Credit Line
Bequest of Dr Lee MacCormick Edwards 2015


Isaacs Jeffview full entry
Reference: See Allbids auction: A Collection of Paintings and Works on Paper by Local Artist Jeff Isaacs. Closing Thursday 22 July, 2021.
Born and educated in South Africa, Isaacs attended Art School in Johannesburg, working as an illustrator in Cape Town before moving into advertising in Ghana and Nigeria.
He migrated to Australia in 1967 and worked in design studios in Sydney before moving to Canberra. After several years working as a graphic designer, he moved to the Department of Defence. His interest in painting was soon recognised and he was appointed as Defence Artist.
Jeff Isaacs was awarded the Medal of the Order of Australia in 1995 for his contribution to Art and Australian Defence Heritage .
His works are nationally and internationally recognised, his art is on display in the Pentagon, the National Collection of Papua New Guinea and other collections in Australia and overseas. Her Majesty the Queen Mother was presented with one of Isaac’s works in 1988 and many of his paintings hang in defence establishments around Australia.
One of his paintings was used in a limited edition of prints celebrating the Australian Army Centenary in 2001. Copies were presented to the Governor General, the Prime Minister and the Australian War Memorial.
Isaacs’ paintings and drawings were used to illustrate many books including Australian Defence Heritage, The Spirit of Anzac, High Flyers, Return to Greece, Diggers, Australia Remembers and Canberra Sketchbook.
Jeff's love of landscapes and animals has taken him to many African countries as well as Borneo and the Antarctic. He is dedicated through his wildlife art to protecting endangered species and donates to various charities that support this cause.
Arago Jacquesview full entry
Reference: see Trillium Antique Prints & Rare Books
July 24, 2021, Franklin, TN, US, lot Lot 33025: Arago - Savage of New Holland coming from Battle (Australian Aborigine)
‘This historic lithograph is from Jacques Arago's Narrative of a Voyage round the World, in the Uranie and Physicienne Corvettes commanded by Captain Freycinet, during the Years 1817, 1818, 1819, and 1820. The work was published in London by Treuttel and Wurtz in 1823.

This work serves as an account of Freycinet's voyage of scientific exploration. His voyage was one of the most important French 19th century circumnavigations of the globe. Many zoological and botanical specimens were collected on the voyage by naturalist-surgeons: Jospeh Paul Gaimard and Jean Rene Constant Quoy. Jacques Arago was the artist for the work. Freycinet also smuggled his wife, Rose, on board the ship making it the first time a woman circumanvigated the globe.

"The Uranie, with a crew of 125 men, entered the Pacific from the West to make scientific observations on geography, magnetism, and meteorology. Arago was the artist of the expedition which visited most notably Australia, the Hawaiian Islands, Tonga, and Tierra del Fuego. The original ship, wrecked off the Falkland Islands, was replaced by the Physicienne which visited Rio de Janeiro. Captain Louis Freycinet's wife, Rose, was smuggled on board at the advent of the voyage and made the complete journey, causing a great deal of discord among the crew. Freycinet named the island he discovered after her - Rose Island, among the Samoa Islands." (Hill pp.9-10)

"This later circumnavigation by Captain Freycinet was organized by the French government, under the recently restored Bourbon Dynasty, to show the flag around the world and to make scientific observations on geography, magnetism, and meteorology. It was one of the important voyages of exploration of the early nineteenth century. The URANIE sailed from Toulon to Gibraltar, Tenerife, Rio de Janeiro, Cape of Good Hope, Mascarene Islands, Western Australia, Timor, New Guinea, the Mariana Islands, Caroline Islands, Sandwich Islands, New South Wales, New Zealand, Tierra del Fuego, and the Falkland Islands, where the URANIE was shipwrecked in French Bay....The ship's doctors, Quoy and Gaimard, and the pharmacist Gaudichaud served as the naturalists, collected specimens, and published separate volumes on zoology and botany. Freycinet was clandestinely accompanied by his wife, Rose, after whom he named an island in the Samoan chain....The scientific results of Freycinet's explorations in Timor, the islands off New Guinea, the Marianas, and Hawaii were particularly significant and added greatly to the fund of knowledge that the Europeans had of the geography, cultures, and histories of these areas. The writings on the penal colony of Port Jackson, Australia, are of special historic importance" - Hill. The voyage included a one-month visit in the Sandwich Islands, with time spent in Hawaii, Maui, and Oahu, as well as visits to Rio de Janeiro, Cape of Good Hope, Montevideo, Mauritius, New South Wales, and the Caroline Islands. The handsome plates in the atlases, many of which are colored, add greatly to the ethnographic and natural historical aspect of the work." (Ferguson 941, Hill 649, Sabin 25916, Forbes 602)

Paper Size ~ 8" by 10 1/4"
Dimensions
~ 8" by 10 1/4"
Artist or Maker
Jacques Arago
Medium
Lithograph with Recent Professional Hand-coloring
Date
1823

Freycinetview full entry
Reference: see Trillium Antique Prints & Rare Books
July 24, 2021, Franklin, TN, US, lot Lot 33025: Arago - Savage of New Holland coming from Battle (Australian Aborigine)
‘This historic lithograph is from Jacques Arago's Narrative of a Voyage round the World, in the Uranie and Physicienne Corvettes commanded by Captain Freycinet, during the Years 1817, 1818, 1819, and 1820. The work was published in London by Treuttel and Wurtz in 1823.

This work serves as an account of Freycinet's voyage of scientific exploration. His voyage was one of the most important French 19th century circumnavigations of the globe. Many zoological and botanical specimens were collected on the voyage by naturalist-surgeons: Jospeh Paul Gaimard and Jean Rene Constant Quoy. Jacques Arago was the artist for the work. Freycinet also smuggled his wife, Rose, on board the ship making it the first time a woman circumanvigated the globe.

"The Uranie, with a crew of 125 men, entered the Pacific from the West to make scientific observations on geography, magnetism, and meteorology. Arago was the artist of the expedition which visited most notably Australia, the Hawaiian Islands, Tonga, and Tierra del Fuego. The original ship, wrecked off the Falkland Islands, was replaced by the Physicienne which visited Rio de Janeiro. Captain Louis Freycinet's wife, Rose, was smuggled on board at the advent of the voyage and made the complete journey, causing a great deal of discord among the crew. Freycinet named the island he discovered after her - Rose Island, among the Samoa Islands." (Hill pp.9-10)

"This later circumnavigation by Captain Freycinet was organized by the French government, under the recently restored Bourbon Dynasty, to show the flag around the world and to make scientific observations on geography, magnetism, and meteorology. It was one of the important voyages of exploration of the early nineteenth century. The URANIE sailed from Toulon to Gibraltar, Tenerife, Rio de Janeiro, Cape of Good Hope, Mascarene Islands, Western Australia, Timor, New Guinea, the Mariana Islands, Caroline Islands, Sandwich Islands, New South Wales, New Zealand, Tierra del Fuego, and the Falkland Islands, where the URANIE was shipwrecked in French Bay....The ship's doctors, Quoy and Gaimard, and the pharmacist Gaudichaud served as the naturalists, collected specimens, and published separate volumes on zoology and botany. Freycinet was clandestinely accompanied by his wife, Rose, after whom he named an island in the Samoan chain....The scientific results of Freycinet's explorations in Timor, the islands off New Guinea, the Marianas, and Hawaii were particularly significant and added greatly to the fund of knowledge that the Europeans had of the geography, cultures, and histories of these areas. The writings on the penal colony of Port Jackson, Australia, are of special historic importance" - Hill. The voyage included a one-month visit in the Sandwich Islands, with time spent in Hawaii, Maui, and Oahu, as well as visits to Rio de Janeiro, Cape of Good Hope, Montevideo, Mauritius, New South Wales, and the Caroline Islands. The handsome plates in the atlases, many of which are colored, add greatly to the ethnographic and natural historical aspect of the work." (Ferguson 941, Hill 649, Sabin 25916, Forbes 602)

Paper Size ~ 8" by 10 1/4"
Dimensions
~ 8" by 10 1/4"
Artist or Maker
Jacques Arago
Medium
Lithograph with Recent Professional Hand-coloring
Date
1823

Duperrey Louis-Isidore voyageview full entry
Reference: see Trillium Antique Prints & Rare Books
July 24, 2021, 10:00 AM CST
Franklin, TN, US, Lot 33022: Duperrey - Caroline Islands (Vue de l'Ile Oualan Prise du Havre de la Coquilld, Archipel des Iles Carolines). 49, This folio, hand-colored engraving is from Louis-Isidore Duperrey's Voyage autour du monde, sur la corvette La Coquille, pendant les années 1822-25, sous le ministère et conformement aux instructions de ... ministre de la marine; et publié sous les auspices de M. le Cte. de Chabrol, ministre de la marine et des Colonies. The work was published in Paris by by Firmin Didot for A. Bertrans between 1826 and 1830. The work illustrated costumes, landscapes, and exotic animals encountered on the voyage.

The voyage, led by Duperrey, concentrated on the exploration of the Pacific. He had 'already circumnavigated the globe under Freycinet. Dumont d'Urville, who would later lead his own expeditions in the Pacific, was Duperrey's second-in-command, Réné Lesson was the naturalist on the voyage. The Coquille called at Brazil, the Falkland Islands, Concepciõn, Callao, and Payta. The Pacific islands visited were the Tuamotu Archipelago, Tahiti and the Society Islands, Tonga, Rotuma, the Gilbert and Caroline Islands, and the Bismarck Archipelago. Australia was visited twice, and explorations made of New Zealand and the Maoris were of particular significance. Vast quantities of ethnographic and scientific data were collected. Before returning to Marseilles, Java, Mauritius, and Ascension were visited" (Hill p.90).
Dimensions
~ 19 1/2" by 13"
Artist or Maker
Louis-Isidore Duperrey
Medium
Originally Hand-colored Engraving
Date
1826-1830
Murphy Michael b1943view full entry
Reference: see The Rug Life Auctions, Virginia, USA,
July 20, 2021, 3:00 PM EST
Glen Allen, VA, US, Lot 68: MICHAEL MURPHY (1943-Now) ORIGINAL WATERCOLOR ON PAPER, MEASURING 22in x 26in.,
Original watercolor on paper by Michael Murphy (1943-Now). This is an original watercolor on paper showing a streetcar on a street at night, and it came from a Virginia estate. It measures 22in x 26in x 1in, it is signed, matted and framed.
Artist or Maker
Michael Murphy
Medium
Watercolor painting on Paper
Date
1970
Condition Report
Excellent
Provenance
Acquired from a Virginia Estate.
Notes
About The Artist: Michael Murphy (1943-Now) is an South African artist. He was born in England in 1943. In 1950 his family emigrated to South Africa. In 1960 he started work in the commercial art field. In 1984 he studied fine art painting at the Port Elizabeth Technicon in South Africa and started painting professionally in 1985. In 2000 he moved to Australia and after spending a few years in Sydney, he now live and work in Mandurah, Western Australia. His works are in public and private collections in South Africa, England, France, Netherlands, Switzerland, Germany, Italy, America, Singapore and Australia.
Wilks Maxwell b1944view full entry
Reference: see Cheffins auction, July 29, 2021, Cambridge, United Kingdom, Lot 243: Maxwell Wilks (Australian 1944-) Crops, Field signed 'MAXWELL WILKS' (lower left) oil on canvas 44.5 x 49.5cm
Rendle-Short Hephzibah view full entry
Reference: see Cheffins auction, July 29, 2021, Cambridge, United Kingdom, Lot 28, Hephzibah Rendle-Short (Australian contemporary) Birds by a window oil on board, unframed 123 x 92cm
Henderson John c1850 aka John Henderson MacDonaldview full entry
Reference: Excursions and adventures in New South Wales : with pictures of squatting and of life in the bush : an account of the climate, productions, and natural history of the colony, and of the manners and customs of the natives, with advice to emigrants, &c. / by John Henderson.
ILLUSTRATIONS:
VOL . I. 
VIEW OF SYDNEY . Engraved from an 
original sketch by Mrs. Lowe , by Hamerton MAP OF NEW SOUTH WALES . Engraved by Netherclift 
GUNYAS inhabited by the Author at 
Elsineur. Engraved from a sketch by the Author, by E. V. Campbell 
VOL . II . 
VIEW FROM THE AUTHOR'S RESIDENCE AT ELSINEUR . 
Engraved from a sketch by the Author, by 
Hamerton 
INTERIOR OF HOUSE ELSINEUR . 
Engraved from a sketch by the Author, by E. V. Campbell 


Publishing details: London : W. Shoberl, 1851, 2 volumes : illustrations (some colour), 1 map
Ref: 1000
Campbell  E Vview full entry
Reference: see Excursions and adventures in New South Wales : with pictures of squatting and of life in the bush : an account of the climate, productions, and natural history of the colony, and of the manners and customs of the natives, with advice to emigrants, &c. / by John Henderson.
ILLUSTRATIONS:
VOL . I. 
VIEW OF SYDNEY . Engraved from an 
original sketch by Mrs. Lowe , by Hamerton MAP OF NEW SOUTH WALES . Engraved by Netherclift 
GUNYAS inhabited by the Author at 
Elsineur. Engraved from a sketch by the Author, by E. V. Campbell 
VOL . II . 
VIEW FROM THE AUTHOR'S RESIDENCE AT ELSINEUR . 
Engraved from a sketch by the Author, by 
Hamerton 
INTERIOR OF HOUSE ELSINEUR . 
Engraved from a sketch by the Author, by E. V. Campbell 


Publishing details: London : W. Shoberl, 1851, 2 volumes : illustrations (some colour), 1 map
Lowe Mrs c1850view full entry
Reference: see Excursions and adventures in New South Wales : with pictures of squatting and of life in the bush : an account of the climate, productions, and natural history of the colony, and of the manners and customs of the natives, with advice to emigrants, &c. / by John Henderson.
ILLUSTRATIONS:
VOL . I. 
VIEW OF SYDNEY . Engraved from an 
original sketch by Mrs. Lowe , by Hamerton MAP OF NEW SOUTH WALES . Engraved by Netherclift 
GUNYAS inhabited by the Author at 
Elsineur. Engraved from a sketch by the Author, by E. V. Campbell 
VOL . II . 
VIEW FROM THE AUTHOR'S RESIDENCE AT ELSINEUR . 
Engraved from a sketch by the Author, by 
Hamerton 
INTERIOR OF HOUSE ELSINEUR . 
Engraved from a sketch by the Author, by E. V. Campbell 


Publishing details: London : W. Shoberl, 1851, 2 volumes : illustrations (some colour), 1 map
Hamerton c1850view full entry
Reference: see Excursions and adventures in New South Wales : with pictures of squatting and of life in the bush : an account of the climate, productions, and natural history of the colony, and of the manners and customs of the natives, with advice to emigrants, &c. / by John Henderson.
ILLUSTRATIONS:
VOL . I. 
VIEW OF SYDNEY . Engraved from an 
original sketch by Mrs. Lowe , by Hamerton MAP OF NEW SOUTH WALES . Engraved by Netherclift 
GUNYAS inhabited by the Author at 
Elsineur. Engraved from a sketch by the Author, by E. V. Campbell 
VOL . II . 
VIEW FROM THE AUTHOR'S RESIDENCE AT ELSINEUR . 
Engraved from a sketch by the Author, by 
Hamerton 
INTERIOR OF HOUSE ELSINEUR . 
Engraved from a sketch by the Author, by E. V. Campbell 


Publishing details: London : W. Shoberl, 1851, 2 volumes : illustrations (some colour), 1 map
Netherclift engraver c1850view full entry
Reference: see Excursions and adventures in New South Wales : with pictures of squatting and of life in the bush : an account of the climate, productions, and natural history of the colony, and of the manners and customs of the natives, with advice to emigrants, &c. / by John Henderson.
ILLUSTRATIONS:
VOL . I. 
VIEW OF SYDNEY . Engraved from an 
original sketch by Mrs. Lowe , by Hamerton MAP OF NEW SOUTH WALES . Engraved by Netherclift 
GUNYAS inhabited by the Author at 
Elsineur. Engraved from a sketch by the Author, by E. V. Campbell 
VOL . II . 
VIEW FROM THE AUTHOR'S RESIDENCE AT ELSINEUR . 
Engraved from a sketch by the Author, by 
Hamerton 
INTERIOR OF HOUSE ELSINEUR . 
Engraved from a sketch by the Author, by E. V. Campbell 


Publishing details: London : W. Shoberl, 1851, 2 volumes : illustrations (some colour), 1 map
Abbott Maryview full entry
Reference: This artist is listed in Australian Art Sales Digest (AASD), as at July, 2021, with at least the following information: Gender: F, 1906-96, Australia, 4 works listed. AASD (online) lists auction sale information on over 20,000 Australian and NZ artists and includes biographical and bibliographical information on many of the artists. AASD also lists auction houses and commercial galleries in Australia and NZ and publishes articles and other information on the art market.

Publishing details: https://www.aasd.com.au
Ferguson John photographerview full entry
Reference: see Sydney Rare Book Auctions
July 30, 2021, Ultimo, Australia, lot 143: Four magnificent photo albums. These were the property of the Rev John Ferguson. He was the minister in charge of St Stephens Presbyterian Church in Sydney. He made a tour to Europe in the 1910s and met the Pope which caused great controversy in Australia. Ferguson was the father of the great Australian bibliographer Sir John Ferguson. The four albums are bound in half leather and cloth covered boards with all edges gilt and marbled endpapers. They are in very good condition. each page measures 30 x 38 cm and most of the albumen prints measure 28 x 22 cm in Some pages have 2 prints on a page and these are of course smaller. Each page has a print on one side only. All told there are 80 full page black and white images, 25 full page colour prints and 40 smaller images. 105 albumen prints all in very good condition. Images are clear and sharp. Many are identified either printed at the bottom of the photograph or in pencil under the image. Most are scenes of buildings, monuments or scenery. Some are photographs of art works. All but a few are European. The last volume has a few photographs from Sri Lanka

Denton Sherman Footeview full entry
Reference: Incidents of a Collector's Rambles in Australia, new Zealand and new Guinea by Sherman F Denton with illustrations by the Author. [Aboriginal and Maori content with illustrations].
Publishing details: Boston lee and Shepherd 1889.
Ref: 1000
Voyagers: The Settlement of the Pacificview full entry
Reference: Voyagers: The Settlement of the Pacific
By Nicholas Thomas .
[’An award-winning scholar explores the sixty-thousand-year history of the Pacific islands in this dazzling, deeply researched account.
The islands of Polynesia, Melanesia, and Micronesia stretch across a huge expanse of ocean and encompass a multitude of different peoples. Starting with Captain James Cook, the earliest European explorers to visit the Pacific were astounded and perplexed to find populations thriving thousands of miles from continents. Who were these people? From where did they come? And how were they able to reach islands dispersed over such vast tracts of ocean?

In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas from late prehistory onward. Drawing on the latest research, including insights gained from genetics, linguistics, and archaeology, Thomas provides a dazzling account of these long-distance migrations, the seagoing technologies that enabled them, and the societies they left in their wake.’]
Publishing details: Head of Zeus, 228 pages, hc, dw, with index
Corrigan Pat Collectionview full entry
Reference: The Pat Corrigan collection of art related books, letters and photographs, paintings and drawings. Includes rare and important Norman Lindsay memorabilia. Auction catalogue at Sotheby's. 29 April 1998. The catalogue begins with an essay acknowledging Patrick Corrigan's contribution to the Australian arts, the library is notably associated with the Lindsay family, in particular, Norman. Letters, drawings and limited editions construct the story of Australian art in the most personal way's Sotheby's Australia, 1998. Includes all members of the Lindsay family and about 60 to do with Norman Lindsay's work, photographs, publications and letters.
Publishing details: Sotheby’s Australia, 29 April, 1998
Ref: 1000
Pat Corrigan Collectionview full entry
Reference: see The Pat Corrigan collection of art related books, letters and photographs, paintings and drawings. Includes rare and important Norman Lindsay memorabilia. Auction catalogue at Sotheby's. 29 April 1998. The catalogue begins with an essay acknowledging Patrick Corrigan's contribution to the Australian arts, the library is notably associated with the Lindsay family, in particular, Norman. Letters, drawings and limited editions construct the story of Australian art in the most personal way's Sotheby's Australia, 1998. Includes all members of the Lindsay family and about 60 to do with Norman Lindsay's work, photographs, publications and letters.
Publishing details: Sotheby’s Australia, 29 April, 1998
Lindsay Normanview full entry
Reference: see The Pat Corrigan collection of art related books, letters and photographs, paintings and drawings. Includes rare and important Norman Lindsay memorabilia. Auction catalogue at Sotheby's. 29 April 1998. The catalogue begins with an essay acknowledging Patrick Corrigan's contribution to the Australian arts, the library is notably associated with the Lindsay family, in particular, Norman. Letters, drawings and limited editions construct the story of Australian art in the most personal way's Sotheby's Australia, 1998. Includes all members of the Lindsay family and about 60 to do with Norman Lindsay's work, photographs, publications and letters.
Publishing details: Sotheby’s Australia, 29 April, 1998
Australian women artists : first fleet to 1945view full entry
Reference: Australian women artists : first fleet to 1945 : history, hearsay and her say, by Caroline Ambrus. Includes bibliographical references (p. 231-234) and index. [To be indexed urgently]
Publishing details: Woden, A.C.T. : Irrepressible Press, c1992, x, 246 p. : ill. (some col.)
Austin J G - Austin’s views of Sydneyview full entry
Reference: advertised and described in The Sydney Monitor, Wed 20 April, 1836, Page 4 


AASDview full entry
Reference: AASD - Australian Art Sales Digest (online) lists auction sale information on over 20,000 Australian and NZ artists and includes biographical and bibliographical information on many of the artists. AASD also lists auction houses and commercial galleries in Australia and NZ and publishes articles and other information on the art market. [Indexed to July 2021 - to be updated]
Publishing details: aasd.com.au
Australian Art Sales Digest - AASDview full entry
Reference: AASD - Australian Art Sales Digest (online) lists auction sale information on over 20,000 Australian and NZ artists and includes biographical and bibliographical information on many of the artists. AASD also lists auction houses and commercial galleries in Australia and NZ and publishes articles and other information on the art market. [Indexed to July 2021]
Publishing details: aasd.com.au
Auction sales - Australian Art Sales Digest - AASDview full entry
Reference: AASD - Australian Art Sales Digest (online) lists auction sale information on over 20,000 Australian and NZ artists and includes biographical and bibliographical information on many of the artists. AASD also lists auction houses and commercial galleries in Australia and NZ and publishes articles and other information on the art market. [Indexed to July 2021]
Publishing details: aasd.com.au
colonial artview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Patronage of the arts 19th centuryview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Elyard Samuelview full entry
Reference: see Diary in the Mitchell Library
Publishing details: ML MSS 594/2
MacLeod Williamview full entry
Reference: see sketchbooks in the Mitchell Library
Publishing details: ML MSS B1368
Martens Conradview full entry
Reference: see Notes on Painting 1835-1877 in the Dixson Library plus letters and letterbook
Publishing details: MS 143 and 143 144 and MSQ 313 item 2
Russell Robertview full entry
Reference: Correspondence
Publishing details: La Trobe Library
Ironside Adelaideview full entry
Reference: see Adelaide Ironside and the wentworths
Publishing details: Historic Houses Trust of NSW Newsletter, 1987
lithographsview full entry
Reference: see ‘Australia’s First Lithographs’ by Roger Butler [to be indexed]
Publishing details: The Australian Connoisseur and Collector, No. 3, 1982 pp 94-99
Ref: 1000
Nineteenth Century Paintings from Private Collectionsview full entry
Reference: Nineteenth Century Paintings from Private Collections in the Central West [to be indexed?]
Publishing details: Central West Branch Women’s Committee, National Trust of Australia (NSW), 1980
Ref: 1009
Dexter Williamview full entry
Reference: William Dexter, article by Michael Watson in Art and Australia, Vol 24, no. 5, 1987, p378-82
Colonial Gothickview full entry
Reference: Colonial Gothick: The Gothic Revival in New South Wales 1800-1850. Exhibition catalogue, with scholarly treatise by Dr Joan Kerr on ecclesiastical architecture as well as detailed descriptions of the oils, watercolours, photographs and other images of ecclesiastical architecture of the Gothic Revival period in New South Wales 1800-1850. Catalogued as well are furniture, ladies sketchbooks and books of the period.
Publishing details: Elizabeth Bay House Trust, Sydney, 1979, Soft cover; quarto (26 x 20 cm); 58 pages. Size: 4to
Ref: 1000
Abrahams Charlesview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Allport Henry Curzonview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Anderson Jamesview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Angas George Frenchview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Baker William Kellettview full entry
Reference: see DAAO: William Kellett Baker b. c.1806. Also known as I. W. R.
Artist (Printmaker)
A trained engraver, William Kellett Baker sold lithographic - often unauthorised prints of works by well known colonial artists including William Henry Fernyhough. As a publisher and printer who also imported and sold books, Baker established a reading room and library above his printing office in 1844, offering access to his collection of international periodicals for the annual sum of 10 shillings. - engraver, printer, publisher and clerk, was born in Dublin, Ireland. He reached Sydney early in 1835 as an assisted emigrant and announced in February that he was starting business as an engraver, offering both lithographic and copperplate printing. Lack of business led to the acceptance of the position of clerk to the deputy inspector-general of hospitals. He resigned in 1845 after breaking his leg and being laid up for 12 months, but remained clerk to the medical board.
While officially employed at the hospital, Baker returned to publishing part-time. He became noted as a copperplate engraver and was commended in the Australian of 9 March 1841 for a presentation plate he engraved for the departing attorney-general, John Plunkett, being reported as 'well known to be a first rate engraver and therefore we need hardly say the inscriptions &c. are admirably executed and does the artist great credit’. On its formal presentation Baker received 'a valuable present’ from the attorney-general in return despite his social position as a tradesman (as was patronisingly noted).
In October 1840 Baker purchased E.D. Barlow 's lithographic apparatus and this enabled him to enter the market for views and portraits. Probably included were the plates or rights of use for several Barlow productions, although he did make unauthorised copies of Barlow’s work: disagreement over claims to a lithographic drawing of the Mayor’s Fancy Ball led to litigation in 1844. Also in October 1840, Baker published a series called Twelve Profile Portraits of the Aborigines . Despite being signed I.W.R. most were copied from William Henry Fernyhough 's original 1836 edition; others were very similar to Charles Rodius 's 1834 portraits.
A 'Cheap edition for the People’ of C.J. Lever’s Charles O’Malley: An Irish Dragoon (illustrated 6d, unillustrated 4d) was issued by Baker in 50 weekly numbers in 1842-43. These may have been partly illustrated by local artists since the Australian of 21 April 1842 understood that the lithographs were not to be confined to those of the original edition but extended to other scenes 'as may afford scope for the artists’ fancy’. Other works from Baker’s office include Fort Macquarie , Sydney Cove, N.S. Wales (c.1851) and Garden Island and the Domain from Lindsay , the last being 'Dedicated to Sir T.L. Mitchell [q.v.] by his obedient servant Mr. Baker’, Mitchell being the owner of this Darling Point house in 1841-45.
Like John Carmichael , Baker engraved scenes for advertisements. An example is his depiction of the Australian Brewery in Low’s Directory for 1844. Other productions included the Australian Atlas , charts, almanacs and the Australian Medical Journal (1846). Perhaps his most significant contribution was the illustrated journal Heads of the People (1847-48). Baker wrote his own biography in the 24th issue (25 March 1848) and illustrated it with his portrait. Sidelines at his business premises, 101 King Street East, included importing and selling books and prints and running a stationery warehouse. He established a general reading room above the printing office in 1844 and advertised a circulating library. This held newspapers and periodicals from Britain and Ireland as well as New South Wales. The subscription was 10s per annum after a 5s entrance fee.
In 1847 Baker lent seven paintings by such prominent local artists as Frederick Garling and Joseph Fowles (and the obscure W. Rider ) to the first exhibition of the Society for the Promotion of the Fine Arts in Australia. He was a subscriber to George French Angas 's South Australia Illustrated . He also wrote undistinguished verse, the Sydney Morning Herald of 24 January 1849 publishing his pious tribute to his Irish uncle.
The last official listing of William Baker in Sydney is in an 1851 directory, then he moved to Victoria. Melthorpe remembered him as 'one of the best natured, most lively and genial of men’ and provided the derivation of Baker’s nickname, 'Go a head’: 'It arose from his preaching the Gospel of Go-a-headism to the then drowsy, moping and insouciant body politic of Sydney’. The nickname reappeared on the Victorian goldfields in October 1853, noted by William Howitt when visiting White Hills, near Bendigo: 'There is a lending library close to the camp with this emblazonment in great letters all along its side – “Baker’s gold-diggers’ Go-a-head Library and Registration Office for New Chums”. It must be American.’
Baker retained links with New South Wales and was stated to be the proprietor of the Hibernian Printing Office in Sydney when his corpse was discovered near Mount Vincent in the Maitland district in January 1857. Death by 'apoplexy’ on 16 January was certified by Dr Wilton, and the news conveyed to his widow, Jane. She was represented at his funeral in East Maitland by their 19-year-old son, eldest of their seven surviving children. An appeal for the widow and young family was placed in Bell’s Life in Sydney on 31 January 1859, which commented that during 25 years in Australia Baker had been 'a very persevering and industrious man; and a slight tinge of eccentricity, with a love for taking part in the formation of numerous friendly societies, have made him widely known and respected’. Jane Baker later erected a tombstone over his grave in St Peter’s Old Burial Ground, East Maitland, 'in remembrance of his many private virtues and in gratitude to his brother masons of Maitland by whom he was kindly interred’.
Writers:
Neville, Richard
Date written:
1992
Last updated:
2011
Updated Oct. 19, 2011
Created Jan. 1, 1992

Atkinson Louisaview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Austin John Gview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Backler Josephview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Balcombe Thomasview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Barnard Gview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
de Beuzeville Elvinaview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Blackwood williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Boulton Edward Bakerview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Brierly Oswaldview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Brodie Alexanderview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Browne Richardview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Brush and McDonnell Sydneyview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Bundock Mary Ellenview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Campbell O Rview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Carmichael Johnview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Carse James Howeview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Clarke James (John)view full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Claxton Marshallview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Clayton Samuelview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Dalton Edwardview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Darling Elizaview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Delohery Corneliusview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Dennis Josephview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Denison Mary Charlotteview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Dexter Williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Earle Augustusview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
East T Bview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Edgar Edmundview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Elyard Samuelview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Evans G Wview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Eyre Johnview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Felton Mauriceview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Fowles Josephview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Garling Frederick Jnrview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Gill S T view full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Glaister Thomasview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Griffith Williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Gritten Henryview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
von Guerard Eugeneview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Hardwick John Williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Harris Wview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Ironside Adelaideview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Janssen Jacobview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Knight John Prescott RAview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Lancashire John Willaimview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Lancashire John Williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Lewis F Gview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Lewin John Williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Lycett Josephview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
MacLeod Williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Martens Conradview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Martindale Mary Elizabethview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Marsh Mrs John Milbourneview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Martyn J Jview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Mitchell Thomas Livingstoneview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Nicholas Williamview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Noble Richardview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Otway Captainview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Parsons and Coview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
John Parsons and Coview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Peacock George Edwardsview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Piguenit William Charlesview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Prout John Skinnerview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Rae Johnview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Raworth W Hview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Read Richard Snrview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Read Richard Jnrview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Rodius Charlesview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Scott Maria Janeview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Scott Montaguview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Stuart Wview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Taylor Major Jamesview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Terry F Cview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Thacker Mariaview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Thacker Margaretview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Thomas Edmundview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Thurston Elizaview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Tulloch Eview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Wagner Conradview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Wilson Jamesview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Wilson John Glennview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Winstanley Edwardview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Woolner Thomasview full entry
Reference: see The Artist and The Patron - Aspects of Colonial Art in New South Wales, [compiled by] Patricia R. McDonald and Barry Pearce, catalogue of an exhibition held 2 March-1 May 1988. Includes biographical information on approximately nearly artists. Includes bibliography, list of artists, list of lenders.
Publishing details: Art Gallery of NSW, 1988, pb, 187pp, ill. (some col.)
Gothic art in Australiaview full entry
Reference: see Creating a Gothic Paradise: Pugin in the Antipodes. A catalogue produced for the exhibition curated by Brian Andrews. 2002. [’Pugin created a coherent collection of works for the Australian colonies. This is the first comprehensive study of his Australian oeuvre (ie 280 items of furniture, embroidered silk textiles, carved stonework, metalwork, books, paintings, engravings, architectural drawings and photographs).’
Publishing details: TMAG, 2002, 246pp Folio. Or.ill.wrapps. 246pp. Profusely illustrated in colour and black & white. 1st ed. Edition of 2,200 copies. With index.
Martin Mandy (1952-2021)view full entry
Reference: see Australian Galleries press release, 20.7.21: We farewell artist and friend Mandy Martin (1952-2021). Mandy was a highly influential artist, educator and a passionate environmentalist. Her painting practice emphatically explored the often fraught relationship between humans and the natural world.

All of us at Australian Galleries were privileged to have a close relationship with this remarkable artist. Her intelligence, passion for art and the environment, accompanied with her kind heart will be remembered always. Her contribution to the arts and her advocacy for protecting the natural world in this country are unquestionably significant. 

Mandy departed peacefully, surrounded by her family. Our love and thoughts are with them at this time. 

The wellbeing of Australia’s culture is so much richer for her and she will be sadly missed by those that did and did not know her. Mandy’s legacy will live on through her powerful artwork, and her love for people and the environment.
Ingpen Robertview full entry
Reference: OUT OF THIS WORLD: THE COMPLETE BOOK OF FANTASY. Michael Page; Robert Ingpen.
Publishing details: Lansdowne Press, 1986. 240 pages, colour illustrations. Grey cloth, white lettering, illustrated french fold jacket.
Ref: 1000
Queensland Architectsview full entry
Reference: QUEENSLAND ARCHITECTS OF THE 19TH CENTURY: A BIOGRAPHICAL DICTIONARY. Donald Watson; Judith McKay.

Publishing details: Brisbane: Queensland Museum, 1994. viii, 225 pages, black and white illustrations. Illustrated french fold wrappers.
Ref: 1000
Architects Queensland view full entry
Reference: see QUEENSLAND ARCHITECTS OF THE 19TH CENTURY: A BIOGRAPHICAL DICTIONARY. Donald Watson; Judith McKay.

Publishing details: Brisbane: Queensland Museum, 1994. viii, 225 pages, black and white illustrations. Illustrated french fold wrappers.
Architectureview full entry
Reference: see QUEENSLAND ARCHITECTS OF THE 19TH CENTURY: A BIOGRAPHICAL DICTIONARY. Donald Watson; Judith McKay.

Publishing details: Brisbane: Queensland Museum, 1994. viii, 225 pages, black and white illustrations. Illustrated french fold wrappers.
House Barbaraview full entry
Reference: CUSTOM STORIES OF THE SOLOMON ISLANDS VOLUME 2: 'ARE 'ARE FOLKLORE STORIES by Dick Keevil, llustrated by Barbara House.
Publishing details: Honiara: Solomon Islands Museum Association, 1972. [vii], 47 pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Ref: 1000
Butler Roger authorview full entry
Reference: see Printed - images in Colonial Australia 1801 - 1901, by Roger Butler. [to be indexed]
Publishing details: NGA, 2007, hc, dw, 294pp, review inserted
Butler Roger authorview full entry
Reference: Printed - images by Australian artists 1885 - 1955 by Roger Butler [to be indexed]
Publishing details: NGA, 2007, hc, dw, 328pp
Hodges William 2 illustrations p39-49view full entry
Reference: see Voyagers: The Settlement of the Pacific
By Nicholas Thomas . [’An award-winning scholar explores the sixty-thousand-year history of the Pacific islands in this dazzling, deeply researched account.
The islands of Polynesia, Melanesia, and Micronesia stretch across a huge expanse of ocean and encompass a multitude of different peoples. Starting with Captain James Cook, the earliest European explorers to visit the Pacific were astounded and perplexed to find populations thriving thousands of miles from continents. Who were these people? From where did they come? And how were they able to reach islands dispersed over such vast tracts of ocean?

In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas from late prehistory onward. Drawing on the latest research, including insights gained from genetics, linguistics, and archaeology, Thomas provides a dazzling account of these long-distance migrations, the seagoing technologies that enabled them, and the societies they left in their wake.’]
Publishing details: Head of Zeus, 228 pages, hc, dw, with index
Tobin George illustrationview full entry
Reference: see Voyagers: The Settlement of the Pacific
By Nicholas Thomas . [’An award-winning scholar explores the sixty-thousand-year history of the Pacific islands in this dazzling, deeply researched account.
The islands of Polynesia, Melanesia, and Micronesia stretch across a huge expanse of ocean and encompass a multitude of different peoples. Starting with Captain James Cook, the earliest European explorers to visit the Pacific were astounded and perplexed to find populations thriving thousands of miles from continents. Who were these people? From where did they come? And how were they able to reach islands dispersed over such vast tracts of ocean?

In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas from late prehistory onward. Drawing on the latest research, including insights gained from genetics, linguistics, and archaeology, Thomas provides a dazzling account of these long-distance migrations, the seagoing technologies that enabled them, and the societies they left in their wake.’]
Publishing details: Head of Zeus, 228 pages, hc, dw, with index
Webber John illustrationview full entry
Reference: see Voyagers: The Settlement of the Pacific
By Nicholas Thomas . [’An award-winning scholar explores the sixty-thousand-year history of the Pacific islands in this dazzling, deeply researched account.
The islands of Polynesia, Melanesia, and Micronesia stretch across a huge expanse of ocean and encompass a multitude of different peoples. Starting with Captain James Cook, the earliest European explorers to visit the Pacific were astounded and perplexed to find populations thriving thousands of miles from continents. Who were these people? From where did they come? And how were they able to reach islands dispersed over such vast tracts of ocean?

In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas from late prehistory onward. Drawing on the latest research, including insights gained from genetics, linguistics, and archaeology, Thomas provides a dazzling account of these long-distance migrations, the seagoing technologies that enabled them, and the societies they left in their wake.’]
Publishing details: Head of Zeus, 228 pages, hc, dw, with index
exploration imagesview full entry
Reference: see Voyagers: The Settlement of the Pacific
By Nicholas Thomas . [’An award-winning scholar explores the sixty-thousand-year history of the Pacific islands in this dazzling, deeply researched account.
The islands of Polynesia, Melanesia, and Micronesia stretch across a huge expanse of ocean and encompass a multitude of different peoples. Starting with Captain James Cook, the earliest European explorers to visit the Pacific were astounded and perplexed to find populations thriving thousands of miles from continents. Who were these people? From where did they come? And how were they able to reach islands dispersed over such vast tracts of ocean?

In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas from late prehistory onward. Drawing on the latest research, including insights gained from genetics, linguistics, and archaeology, Thomas provides a dazzling account of these long-distance migrations, the seagoing technologies that enabled them, and the societies they left in their wake.’]
Publishing details: Head of Zeus, 228 pages, hc, dw, with index
Duterrau Benjamin kangaroos and dogs in images p42 49 153 155view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Earle Augustus p22 45-6view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Winstanley Edward p54 74-5 inc biographical infoview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Harris W engraver of Edward Winstanley illustration p54 view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Balcombe Thomas p75, 127-8 view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Roper Edward p76-8view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Gill S T p78-82view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Munday Godfrey p82-5 89view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Chevalier Nicholas p86-9view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Gunston W p92 100view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Angas George French p98-9view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Ball Adam Gustavus p128 illus p120view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Snell Edward p125-7view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Spence Percy p152 180-1view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Prout J S p160view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Grey George 1838 p162-3view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Smith D T 1858 p168view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Stacey W S 1892 p175 illusview full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Mahony Frank P 1898 p188-90view full entry
Reference: see The Colonial Kangaroo Hunt, by Ken Gelder, Rachael Weaver. Illustrated. Some biographical information on the artists whose works are illustrated.
[’From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people. The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.’]



Publishing details: MUP, 2020, pb, 229pp with notes, bibliography and index
Bedwell Edward Parker 1834-1919 p18 98-9 ‘Somerset Cape York’view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Prout John Skinner p94-5view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Rothery Frederick Montague 1845-1928 p85-7view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Hardy Wentwoth Marmaduke mapmaker p84-5view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Abbott John 1803-75 p65 illustration 1829?view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
von Guerard Eugene various refsview full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Mountford Charles photographs p52-4view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Mountford Charles photographs p52-4view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Spencer Baldwin photographs p48-51view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Hoddle Robert 1794-1881 various referencesview full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Berkeley Martha 1813-99 p41-2 268view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Skipper John Michael p40-2view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Glover John p18-19 39-40view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Lewin John William 1770-1819 p37-8view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Parkinson Sydney p5 35-6view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Streeton Arthur p 33-4view full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Cummings Elisabethview full entry
Reference: see Annette Larkin Fine Art press release 23.7.21, Weekly Feature - Elisabeth Cummings: ‘Elisabeth Cummings, After the Wet, 2006, oil on canvas, 70 x 60 cm
 
“Cummings has tried to paint an emotional sensation rather than an observation. She wants to capture what it felt like to be in such a place in a way that can’t be conveyed by any likeness….We are not looking at a landscape per se, but a landscape transformed by a sensibility, a temperament – or any other word one might use to describe the mechanism by which an artist makes us see the world in a new way.” (John McDonald, ‘Elisabeth Cummings’, Sydney Morning Herald, 6 June 2017)

Elisabeth Cummings is often referred to as a ‘late bloomer’, although she has been painting and drawing since her teenage years. It was a move to Wedderburn on the outskirts of Sydney, with the local peer support of artists such as John Peart, Joan Brassil and Roy Jackson, that she found her individual voice expressed through a colourful gestural abstraction, with still-lives and landscape as her inspiration.
 
Much of Cummings work has always been deeply embedded in an understanding of the seasonal cycles of the Australian landscape. She does not choose to paint moments of high tension but, rather, paints the aftermath of natural events – the residual landscape left after rains, fire or drought.  A hallmark of her late work in particular is a refusal to let the eye settle in one place for any length of time – and as in After the Wet - she resists precise interpretation of forms, instead creating an abstract melding of human and natural elements in a way that is part still life, part landscape.
 
In After the Wet, Cummings perfectly captures the feeling of the bush after rainfall, in the colours, in the application of the paint and in her technique of linear scrapping through the paint to mirror the flow of water.
 
Authencity
signed ‘Cummings’ (lower left) and further signed, dated and inscribed with title ‘Elisabeth Cummings/’After the Wet’/2006’ (on the reverse)
 
Provenance
Framed Gallery, Darwin
Acquired by the present owners in 2006
 
Exhibited
In Good Company – Elisabeth Cummings, Chris Gentle, Robert Juniper, David Rose and Margaret Woodward, Framed Gallery, Darwin, 16 June – 10 July 2006 (illustrated on exhibition invitation).
In Good Companyview full entry
Reference: In Good Company – Elisabeth Cummings, Chris Gentle, Robert Juniper, David Rose and Margaret Woodward, Framed Gallery, Darwin, 16 June – 10 July 2006 (illustrated on exhibition invitation).
Publishing details: Framed Gallery, Darwin, 16 June – 10 July 2006 [catalogue details to be entered]
Ref: 1000
Gentle Chris view full entry
Reference: see In Good Company – Elisabeth Cummings, Chris Gentle, Robert Juniper, David Rose and Margaret Woodward, Framed Gallery, Darwin, 16 June – 10 July 2006 (illustrated on exhibition invitation).
Publishing details: Framed Gallery, Darwin, 16 June – 10 July 2006 [catalogue details to be entered]
Juniper Robert , view full entry
Reference: see In Good Company – Elisabeth Cummings, Chris Gentle, Robert Juniper, David Rose and Margaret Woodward, Framed Gallery, Darwin, 16 June – 10 July 2006 (illustrated on exhibition invitation).
Publishing details: Framed Gallery, Darwin, 16 June – 10 July 2006 [catalogue details to be entered]
Rose David view full entry
Reference: see In Good Company – Elisabeth Cummings, Chris Gentle, Robert Juniper, David Rose and Margaret Woodward, Framed Gallery, Darwin, 16 June – 10 July 2006 (illustrated on exhibition invitation).
Publishing details: Framed Gallery, Darwin, 16 June – 10 July 2006 [catalogue details to be entered]
Woodward Margaret view full entry
Reference: see In Good Company – Elisabeth Cummings, Chris Gentle, Robert Juniper, David Rose and Margaret Woodward, Framed Gallery, Darwin, 16 June – 10 July 2006 (illustrated on exhibition invitation).
Publishing details: Framed Gallery, Darwin, 16 June – 10 July 2006 [catalogue details to be entered]
Zagoria Eli (Latvian - South African - Australian, 1922-2013)view full entry
Reference: see Yair Art Gallery auction
July 31, 2021, lot 253: Houses in the landscape, Oil on canvas (attached to cardboard), 35 x 51 cm, Signed
Dimensions
35 x 51 cm
Artist or Maker
Eli Zagoria (Latvian - South African - Australian, 1922-2013)
Oil on canvas (attached to cardboard)
Signed
3rd Biennale of Sydneyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 14. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
A I Mview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
A Leveille et Filsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
AE Pearlview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
AHCview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Abbeyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Abbott Haroldview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Abdulla Ianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ABERHART Laurenceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ablitt Matthewview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aboriginal Art Award Committeeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aboriginal artistsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aboriginal artistsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aboriginal Arts Boardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ABRAHAM Deborahview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ABRAHAMS Chrisview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Abramovic Marinaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Abuullahview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 1view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 11. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 10view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 12. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 11view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 17. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 12view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 11. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 13view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 11. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 2view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 18. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 3view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 4view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 5view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 6view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 7view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 16. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 8view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACCESS 9view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 14. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Access Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Achilles Rodview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ackerman Rudolphview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ackermann & Coview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ackermann Rview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 18. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Acme Inkview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ACTUview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Actus Reus Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ad Hocview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adam Janeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adam Victor Jeanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adams Cathyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adams Maeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adams Stephenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adams Tateview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 87. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adamson Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adelaide Festival Committeeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adelaide University Unionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Administrative and Clerical Officers Associationview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Administrative and Clerical Officers Associationview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adsett Peterview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Adult Literacy and Basic Skills Action Coalition (ALBSAC)view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aeonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Agnew Garnetview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
aGOG: Australian Girls Own Galleryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ah Kee Vernonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 32. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ah Adventview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aihi Taitaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ainsworth Normanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ainsworth Ruthview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ake Ho Bo Jo Keview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Akehurst Chrisview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Akis Timothyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 14. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Albrecht Gretchenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alder Alisonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 123. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alder Regview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alderton Beverlyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aldor Christineview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alexander Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alexander Gregoryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 9. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alexander Leanneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 9. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alfonso Carmellaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alfred Morris & Coview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alfred Nazarethview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allan & Wigleyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 24. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allan Ailsa [1]view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allan Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allan Mickyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allan-Hannon Jonathonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen Davidaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 39. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen Jamesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen Jennyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 23. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen Jesseview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen Joyceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 145. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen Mary Cecilview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allen VFPview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allport CLview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 34. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Allport Mary Mortonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alsop Edithview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alsop Marionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Alum Jappangarti Ashleyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Amacview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Amble Jayneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Amies TRview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Amnesty International Australiaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Amnesty International Australiaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Amor Rickview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 347. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Amos Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ANCAAAview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Anceschi Erosview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 25. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ANDERSON Garryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Anderson Sueview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Anderson Williamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrewview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrew Brookview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrew Kevinview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrew Rodview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrews Daisyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrews Garryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrews Gordonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andrews Jeannineview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Andyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Angas George Frenchview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 99. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Angus & Robertsonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ANGUS Maxview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Animated Figureview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Annand Douglasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 58. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Annois Lenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Another Planet Posters Incview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ansdell Gerrardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ant Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Anthony Dougalview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Antonelli Giuseppeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Antonioview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Antoniou Andrewview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ANU School of Art Print Workshopview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Anwaya Jennyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Apelt Rachelview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Apple Billyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Appleton FAview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Apuatimi Jean Baptisteview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arago Jacques Etienne Victorview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arbuz Markview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 36. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arche Emaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Archer Suzanneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 11. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Architecture Studentview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Argus Jobbing Officeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aristophanesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ARKLEY Howardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Armitage Jeanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Armstrong Bruceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Armstrong Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Armstrong Fergusview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Armstrong Ianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 44. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Armytage JCview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arnaoutopoulos Andrewview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arnold Margeryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ARNOLD Raymondview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 219. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arnot Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aroneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 30. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ars Multiplicataview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 21. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art & Working Life Festival Committeeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Collectiveview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Direction Creativeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Gallery Society of New South Walesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Monthly Australiaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Signsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Slogansview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Union of Victoriaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Unitview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Art Workers Unionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Artback NETS NTview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arthur Jayview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Arthur Tomview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Artist unknownview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 29. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Artist unknownview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Artist's Unionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Artists for Peaceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Artprint Publicityview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Artspaceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aseare Peterview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aseng Wokengview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ashby Lynview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ashley Djardieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ashton Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ashton George Rossiview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ashton Julianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 18. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ashton Willview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ashtrayview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 138. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Asia Pacific Villageview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aslanidis Angelosview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aslanidis Koulaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aspen Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atelier 17view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 66. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atelier Champfleuryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atelier Clotview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atelier Franck Bordasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 58. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ATELIER HORAKview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atelier Lacourière-Frélautview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atelier Michel Casseview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atelier Patrisview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atherton Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkins Rosview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 38. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Conradview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Helenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Kevinview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Lanceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Mareaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Rebeccaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Rolandview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atkinson Rupertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
ATSIEIS Aboriginal and Torres Strait Islander Electoral Information Serviceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Atsuhiko Musashiview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Audebert Jean Baptisteview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aura Gavaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Auricchio Moniqueview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Austin GBHview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Austin J Gview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Austin JGview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Austin John Baptistview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Austin Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Austral Nolaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australia Councilview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australia Vietnam Friendship Societyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australia Vietnam Friendship Societyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australia-Vietnam Societyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Centre for Concrete Arts (AC4CA)view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Defence Force Academy Studentsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Electoral Commissionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Ex Libris Societyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Film Commissionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Galleriesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 12. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Labour Partyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Limited Editions Societyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian National Galleryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian National Travel Associationview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 19. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian National Travel Associationview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Opera Companyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
AUSTRALIAN PRINT WORKSHOPview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2714. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Railways Unionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian Social Welfare Unionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Australian United Steam Navigation Companyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ave Maria Collegeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Avitabile Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Awabakal Aboriginal Co-Operative Silk Screen Collectiveview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ayres Tonyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 18. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ayres Tony and friendsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Azlanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 113. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Aztlan Multiplesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baartz Michaelview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Backen Earleview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 23. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Backstrom Barbaraview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Backyard Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Badari Grahamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baddiley Shalview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BADGER Rickview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bailey Angelaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bailey Kenneth Wview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bailey Toniview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 16. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BAILLIE Lauraview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baillieu Marianneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BAILY Mayview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bainbridge Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 100. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baine Dougview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baira Fred Williamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baira Frederick Williamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baird Bobview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Alecview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Angkuna Kayview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Cristina Asquithview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Horaceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Marionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Minyunguview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Normand Hview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Nyukanaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baker Williamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 90. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Balcombe Thomasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baldessin's Studioview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 15. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BALDESSIN Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 373. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baldis Cariview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baldock Karenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baldwin Richardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baldwinson Arthurview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 52. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BALEY Angelaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ball Sydneyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ballarat Contemporary Arts Groupview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ballarat Fine Art Galleryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ballarat Historical Societyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Balsaitis Jonasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Balzac Honoreview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BANCROFT Bronwynview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Band Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 47. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BANGGALA Englandview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Banks Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BANNON Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baran Susanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barclay Claireview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barda Wallyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bardwell William Hview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barker Alanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barker Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 9. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barker Geoffreyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 119. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barker Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barker H Nevilleview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barlow Peterview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barndana Pty Ltdview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barnes Gustave Adrianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barnett P Nevilleview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barney Gordonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barr Rview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barraban Jacquesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barrat Julieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BARRATT Hview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 14. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BARRETT W Pview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 16. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barringer Gwenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barry Lett Galleriesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barsa Tatipaiview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BARSOUM Sourayaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barstow Cliveview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bartholomew Arthurview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bartolozzi Francescoview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barunga Sport & Social Clubview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barwell Geoffview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 46. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Barwell Jenniferview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 26. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Basire Jamesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BASIS Matiview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Batchelor Collegeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bateman Edward La Trobeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 70. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bates Badgerview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BAUER Ferdinandview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 23. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baur Carlview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baxter Anneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baxter Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baxter Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baxter Markview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baxter Paulview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bayliss Cliffordview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Baynard Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beacon Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beadle Paulview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beal Ianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beattie Rayview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beatty Margaretview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beaukenkamp Friedaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beck Leonardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beck Richardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 12. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Becker Ludwigview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beckett Pearlview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Beehive Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Behrens Monikaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Belford Amandaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BELIN Aview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell and Harperview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 127. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell Gregview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell Lucyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell Malcolmview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell Michaelview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bell Richardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BELVEDERE Dominicview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Belvoir Street Theatreview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Ben Peterview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Benard & Bicheboisview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bence Ronaldview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Benjamin Jasonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bennett Alysonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bennett Gordonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 35. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bennett Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bennett Ruberyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BENSON Jview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bergner Yoslview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 26. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Berick Wendy Watjeraview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BERKELEY EDITIONSview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Berkeley Public Schoolview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Berndt Eileenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BERRY Dorothyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bertie Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bettinson Ianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Betts Wview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bewick Thomasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bichebois Louis-Philippe Alphonseview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bienstock Matview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bienstock Samview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Big Fag Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Big O Posters Ltdview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bilby Lisaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bill Young Print Workshop [1]view full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 42. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BILLICH Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bilton Louisview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bilu Asherview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bimma of the Djauan Tribeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Binder Oscarview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BINHview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BINNEY Donview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Binns Vivienneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bird Petyarre Adaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bird Cynthiaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bird Eileenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bird Hildaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bird June Ngaleview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BIRD Lyndsay Mpetyaneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Birgit Skiold Studioview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Birmingham Karnaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Birmingham Richardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BIRO Kivuview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bisquolm Victorview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bisson Auguste Rosalieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bizley Royview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Black Banana Postersview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Black Cat Collectiveview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 25. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Black Dorritview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 24. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Black Margaretview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Black Mikeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Black Wendyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blackburn Veraview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 12. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blackman Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 96. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blacktown Anarchist Collectiveview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blackwell Susiview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 11. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BLAINE Julienview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blair Philippaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BLAKE WSview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blake Williamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blanchard Henri Pierre Leo Pharamondview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blanchflower Brianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blandowski Williamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 30. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BLANK Charles Fview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bleaney Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blond Carolview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bluett Thomasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 22. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blundell Richardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Blunt Wilfredview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOAG Yvonneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 57. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boccalatte Suzanneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOCK Thomasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 19. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boddy Michaelview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 14. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BODEY Elisabethview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bodford Terrace Restoration Committeeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bogart Bridgetview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bognar Michaelview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bogue Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bolch Ursulaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bolt Steveview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOLTON Alecview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 17. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOLTON Kenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bolzan Rickview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bone Melissaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BONETTI Tonyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bookerview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Booth Allanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Booth Edward Cartonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Booth Robynview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Booth Solomonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOOTJA BOOTJA Suzieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOPIRRI Namiyalview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bordas Franckview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BORIS Nicolettaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bornholdt Jennyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BORRICK Judithview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Borsato Adrianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boscacci Bernadetteview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bosun Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOT GWview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 18. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bott Steveview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bottigella Carloview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOTUview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boulanger Edouard Desireeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boullosa Carmenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boulos Demianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bouquet Productionsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOURKE Collienview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOUTIN Bobview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bovell Pennyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOW Ianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bowen Deanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 126. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bowers Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOWYER Libbyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Box Chrisview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOYALL Lynview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boyd Bookbinding Co Ltdview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 28. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boyd Arthurview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 731. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boyd Emma Minnieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boyd Hermiaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 21. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Boyd Penleighview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOYLAN & COview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOYNES Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BOYS Thomas Shotterview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRABHAM Anitaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRACK Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 30. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bradbeer Honorview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bradford Wendyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bradhurst Janeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 23. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bradley Printersview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bradley Julieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bradshaw Cherieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRAGGE Anitaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 41. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Braidwood Central Schoolview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bram Stephenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bramley-Moore Mostynview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 14. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRANAS Pamelaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRANGWYN Frankview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRASH Barbaraview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 73. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRAUGHM Mikeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bray Abigailview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRAY Bettyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRAY Vincentview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 12. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bread & Circus Theatre Coview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Breadline Postersview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Breheney Vivienneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bremner Annieview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brennan's Amphiteatreview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brennan Anneview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 22. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brereton Salview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRIAN Henry Thomasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bridgford Thomasview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bright Printing Servicesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brindabella Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 17. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRISBANE POSTER GROUPview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRISBANE TENANTS UNIONview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brissenden RFview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRITTON Fredview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROAD Rodneyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROADHURST Francisview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROADSHEET PUBLISHERSview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROADWAY PUBLISHING COMPANYview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRODIE Jimview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brodzky Horaceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 24. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bromfield Loretta Noonanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bromley Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bromley Davidview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROOK Donaldview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROOKS Kevinview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROOKS Ronview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROPHO Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown's Martview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Alisonview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Anmanariview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Clementineview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Donnaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 9. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROWN Geoffreyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 9. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Georgeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Madeleineview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Margaretview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROWN Marylinview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROWN Mikeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 11. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROWN Pamview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 18. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROWN Rossview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Tonyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brown Vanessa Nampijinpaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BROWN Vincentview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Browne Hablot Knightview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 17. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Browne Richardview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRUCE Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 10. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bruce Janeview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRUCE Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bruch Sandyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bruder Gazellahview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRUDERLIN Christineview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRUEN Bevview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRUMBLE Patricia Mview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BRUMBY Tjapukulaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brunnschweiler Ulliview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brunsdon Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brunsdon Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brunswick Electricity Supplyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Brusey Anne-Louiseview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bruton Nevanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bryant Darrenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 9. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Buchanan Pressview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Buchanan Megview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 13. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Buckingham Harryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Buckley Harold Lawrenceview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Buckley Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Buckley Sarahview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Buckley Sueview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 99. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bucklow JEview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Budden Francesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bula-Bula Artsview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 8. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bull Henryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bull Knudview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bull Norma Cview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 24. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bullock Myraview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bulunbulun Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bulunbulun Johnnyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 14. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BUNAM Konaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bung Bung Tommyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BUNNY Rupertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 19. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bunsell Allanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BUNUNGGURR Bobbyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURAK Donnaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURAK Lydiaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burchill Janetview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burchill Traceyview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURDETT Frankview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 74. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Bureau of Rural Resources & Conservation Commissionview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burgess Jeffview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 24. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burgess Johnview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burgess Noelview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burgess Peterview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 105. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burgess Rachelview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 4. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burgess Ruthview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURKE Francesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURKE Jeanview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burkett Melissaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURN Ianview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 44. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURNABYview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURNESS Heatherview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burns Naljarri Pearlview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURNS Cview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burns Diana Orindaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burns Monicaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURNS Peterview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 29. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURNS Robertview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURNS Timview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 19. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURNYILA Royview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 2. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burra Burra Samboview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 5. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
Burrows Lolaview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 7. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURROWS Terryview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BURT Warrenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 1. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BUSH Charlesview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 6. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au
BUSH Stephenview full entry
Reference: See Australian Prints and Printmaking website, National Gallery of Australia. Total works listed 3. [As at July 2021. From the website: ‘Prints and printmaking Australia Asia Pacific provides a gateway for information on printed images from Australia and the Asia Pacific region… Based on the Australian print collection at the National Gallery of Australia there is free online access to over 22,000 images. The databases can be searched by artist, subject or print techniques such as etching, woodcut, wood-engraving, linocut, lithograph, screenprint, monotype and other print related processes such as posters and artists books. Index to online information on printmakers, print workshops, print publishers, print galleries and public and private collections. This service is an initiative of Roger Butler, Senior Curator of Australian Prints and Drawings, National Gallery of Australia. This access initiative is generously supported by the Gordon Darling Australia Pacific Print Fund.’]
Publishing details: printsandprintmaking.gov.au


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