Showing all records | The Scheding Index of Australian Art and Artists

Dupain Max and F G Crook-King essays p133 and 154view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Brown Vincent essay p138view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Cilento Margaret essay p143view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Blackman Charles essay p148view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Rootsey Joe essay p165view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Macqueen Kenneth essay p196 etcview full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Annand Douglas essay p213view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Wood Noel essay p217view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Dalgarno Roy essay p222view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Read Arthut Evan essay p226view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Ashworth Olive essay p241view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

McConnell Carl essay p242view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Shillam Kathleen and Leonard essay p248view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Mayo Daphne essay p253view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Molvig Jonessay p257view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Molvig Jonessay p257view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Berriman Stan p130view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Berriman Stan p130view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Carnegie Frances p236view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Chargois Herbert p128-9view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Crooke Ray p225 270-1view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Dunstan Marjorie p234view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Eutrope Stanley W p124-5 127 195view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Harvey Dorothy p237view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Lovelock Gloria p235view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Lancaster Charles H p29 113view full entry

Reference: see Under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Martin Ida p239view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Martin Ida p239view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Powell Geoffreyp54 126view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Reydon Cotje p246-7view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Roggenkamp Joy p65 102-3view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Sherrin Frank p203 p12view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Smith Orma p238view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Wieneke James p59 117 211view full entry

Reference: see under a modern sun - art in Queensland 1930s-1950s., with essays by Samantha Littley and Peter Spearitt.
Under a Modern Sun: Art in Queensland 1930s-1950s celebrates a transformative period during which artists introduced new forms of expression to what was then a conservative state. Featuring more than 140 paintings, sculptures, photographs and works of decorative art from the Queensland Art Gallery | Gallery of Modern Art Collection, this publication showcases a vibrant era of artistic evolution when Queensland's creative landscape began to shift to accommodate fresh approaches. Highlights include artworks by renowned Queensland artists Vida Lahey, Kenneth Macqueen, Daphne Mayo, Margaret Olley and Joe Rootsey, among many others, as well as works by artists from interstate, such as Jon Molvig, Sidney Nolan and Charles Blackman, who travelled north and brought a modernist sensibility to Queensland audiences.  The Under a Modern Sun publication and exhibition of the same name underscore the important role that women artists, including Margaret Cilento, Gwendolyn Grant, Betty Quelhurst, Rose Simmonds and Kathleen Shillam played in fostering artistic practice in Queensland. While many artists chose to illuminate the natural features of Australia's most decentralised state, others focused on symbols of modernity and public infrastructure such as the building of the Grey Street Bridge.  This handsome publication features a curatorial essay by Samantha Littley, Curator, Australian Art, QAGOMA; a contemporary sociopolitical history of Queensland by Peter Spearritt, Emeritus Professor of History, University of Queensland, Brisbane; a list of further reading; and full-colour illustrations of all the artworks in the exhibition.
Publishing details: Queensland Art Gallery, 2025, pb, 277pp.

Innovative Aboriginal art of Western Australiaview full entry

Reference: Innovative Aboriginal art of Western Australia. Arranged and presented by John E. Stanton.
An excellent survey of what is now more commonly termed transitional (as opposed to innovative) art, including mission drawings (Carrolup School etc.) and works by ‘Butcher’ Joe Nangan, Shane Pickett and other artists.

Publishing details: : University of Western Australia, Anthropology Research Museum Board of Management, 1988. Series: University of Western Australia Anthropology Research Museum, Occasional Paper no. 1. Large octavo (245 x 175 mm), pictorial wrappers, stapled; pp. 24; b/w photographic and line-drawn illustrations, map; a

Ref: 1000

Lewis Sara (1865-1926) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 8:
SARA LEWIS (1865-1926)
Hauling the Logs 1895
oil on canvas
signed and dated lower right: Sara Lewis/ 1895
45.5 x 76.5cm

PROVENANCE:
The Artist
Thence by descent

OTHER NOTES:
In the 1950s, a remarkable group of paintings by the little-known artist Sara Lewis came to light when her family uncovered them in a pig shed on their Camperdown farm. Left undisturbed for decades, the works were later cleaned and reframed, allowing the artist's story to re-emerge.
The paintings carry with them not only the vision of the artist but also the provenance of place, rooted in the very property where they were created and hidden away.

Sara Lewis had been a student of Jan Hendrik Scheltema, the Dutch-born artist who arrived in Australia in 1888 and soon became known for his rural landscapes and depictions of livestock. Scheltema, often accompanied by his friend and fellow artist Robert Camm, ran 'en plein air' art classes, travelling to his students' family properties across Victoria's Western District. These excursions turned farms into plein air studios, where students could learn directly from the land around them, paddocks, sheds, animals, and the rhythm of country life.
Her paintings feature livestock and the details of working farms, echoing the themes favoured by Scheltema.

Like many female artists of the period, little is recorded about Lewis in art history, yet the rediscovery of her work on the Camperdown farm brings her voice back into the conversation and reminds us how many stories are hidden. Her paintings, once forgotten, now stand as a rare record of plein-air teaching in regional Victoria, capturing not only the influence of Scheltema and Camm but also the artist's own response to the world around her, a vision that is both personal and firmly grounded in the land where she once lived and painted.

Hannah Ryan
Senior Art Specialist

and 13: SARA LEWIS (1865-1926) Grazing Cattle 1895 oil on canvas 44.5 x 75cm

Chomley Mary Elizabeth Maud 1872-1960 with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 7:
MARY ELIZABETH MAUD CHOMLEY OBE (1872-1960)
Princes Bridge, Melbourne 1904
watercolour on paper
signed and dated lower left: M. E. . '04
16 x 34cm

PROVENANCE:
The Artist
Thence by descent
Private collection, Melbourne

OTHER NOTES:
Mary Elizabeth Maud Chomley OBE was deeply woven into Melbourne's cultural and civic life at a moment when women were forging new roles in art and society. Raised at the family estate of Dromkeen, she became a founding member of the Victorian Arts and Crafts Society and served as secretary of the First Australian Exhibition of Women's Work in 1907. Both ventures gave female artists and makers greater visibility at a time when professional opportunities were often restricted, and Chomley's advocacy and commitment were central to their success.

Travelling to England in 1914, Chomley was prevented from returning home by the onset of war. She turned to relief work, assisting Belgian refugees, volunteering in hospitals, and helping run a canteen for allied troops in France. In 1916 she became secretary of the Australian Red Cross Prisoners of War Department in London, coordinating vast networks of supplies and correspondence for captured servicemen. Her dedication earned her the affectionate title "angel of prison camps" and in 1918 she was awarded with an OBE.

Following the war, Chomley continued to shape opportunities for women on an international stage. She represented Australia on committees examining women's working conditions and migration and later served as president of the women's section of the British Legion in Surrey. Returning to Melbourne in 1934, she remained active in public life until her death in 1960. Elizabeth Chomley's story is a reminder that the shaping of Australia's cultural history was not only carried out by artists in the studio, but also by women whose advocacy and service helped define the world in which art could flourish.

Hannah Ryan
Senior Art Specialist

Whiting Ada 1859-1953 with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 6:
ADA WHITING (1859-1953)
Portrait 1903
watercolour and gouache on ivory, in a Willis & Sons 9ct gold pendant
accompanied by the original fitted presentation case
initialled and dated lower left: AW./ 03.
3cm (tondo)

PROVENANCE:
Private collection, Victoria
Thence by descent

OTHER NOTES:
Ada Whiting came to miniature painting comparatively late, producing her first portrait at the age of forty. Just two years later, in 1900 two of her miniatures were accepted for exhibition at the Royal Academy in London, a rare honour from an Australian at the time. Soon afterwards, the National Gallery of New South Wales (not the Art Gallery of New South Wales) exhibited a group of her portraits, and in 1905 acquired three for its collection.

From her Collins Street studio in Melbourne, Whiting became widely admired for the clarity of her likeness and the delicate colouring of her watercolours on ivory. Newspapers frequently remarked on the swiftness of her execution, noting that she could finish a portrait "in two or three settings with little loss of likeness," a skill that secured her a steady stream of commissions from prominent families and public figures.

Among her most loyal patrons was Dame Nellie Melba, who also became a close friend. Melba urged Whiting to take her career abroad, but she chose to instead remain in Australia, working well into her nineties. As her eyesight failed, she turned from portraiture to still lifes, continuing to paint with the same quiet determination.

Hannah Ryan
Senior Art Specialist

Buxton Jessamine (1894-1966) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 11:
JESSAMINE BUXTON (1894-1966)
Still Life, The Glass Cheese Dish c.1928
oil on canvas
artist's name and title inscribed on exhibition label verso
57.5 x 65.5cm

PROVENANCE:
Private collection, Melbourne
Thence by descent

EXHIBITIONS:
Autumn Exhibition, Royal South Australian Society of Arts Gallery, Adelaide, 26 April - 12 May 1928, cat. no. 2 (label verso)

LITERATURE:
Society of Arts - The Autumn Exhibition, The Advertiser, Adelaide, 26 April 1928, p. 7

OTHER NOTES:
To mention the extent of Jessamine Buxton's art activities is not to make them a phenomenon, for versatility was marked characteristic of all these forgotten women artists.(1)
Born in Adelaide in 1894, Buxton trained at the South Australian School of Art, where her artistic achievements brough her the offer of a travelling scholarship but her father's strict care for his young daughter forbade her to accept it.(2) Buxton instead remained in Adelaide and devoted herself to painting, modelling sculptures and to teaching.(3)

In 1920 she joined the staff of the South Australian School of Arts and Crafts, first teaching clay and plaster modelling before succeeding Elizabeth Armstrong as instructor of still life painting in 1930. She remained at the school until her retirement in 1954, balancing her teaching with regular exhibitions at the Royal South Australian Society of Arts, where she was recognised for both painting and sculpture.

Shown in the 1928 Autumn Exhibition, 'Still Life, The Glass Cheese Dish' reflects Buxton's refined still life practice, where clarity of form and quiet observation reveals her enduring commitment to the genre.

Hannah Ryan
Senior Art Specialist

Boyd Emma Minnie (1858-1936) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 30:
EMMA MINNIE BOYD (1858-1936)
Children at Sandringham c.1897
oil on canvas
80 x 147cm

PROVENANCE:
The Artist
The Artist's Family, thence by descent
Private collection, Melbourne, acquired from the above 1945
Thence by descent
Private collection, Melbourne
Thence by descent

LITERATURE:
Hammond, V., and Peers, J., Completing the Picture: Women Artists of the Heidelberg Era, Artmoves, Melbourne, 1992, p. 8 (illus.)

OTHER NOTES:
Emma Minnie Boyd's name is most often recalled as the matriarch of one of Australia's great artistic dynasties, yet she was herself a painter of considerable talent and recognition in her own time. Born into the prominent a'Beckett family, she grew up within an environment of wealth and social standing that afforded her opportunities to cultivate artistic training rarely available to women of her generation. Trained at the National Gallery School in Melbourne, she developed a practice that encompassed landscapes, portraits and interiors, balancing technical discipline with a sensitivity to the subtleties of domestic life and atmosphere.

'Children at Sandringham' c.1897, carries a provenance that links it directly to Boyd's domestic world. The painting remained at 5 Edward Street, Sandringham, where she lived with her husband from the 1920s until her death in 1936. The house, long a gathering place for generations of the Boyd family, was sold out of the family in the 1940s, at which time the painting passed to the vendors' grandparents. Within her oeuvre, 'Children at Sandringham' stands out as one of the largest recorded paintings, offering valuable insight into the scale and ambition of Boyd's practice. Though incomplete, the work nonetheless demonstrates her command of tone and atmosphere. Its survival within this context underscores the close relationship between her painting practice and the home life that so often shaped her subjects.

She pursued her studies first at Madame Pfund's before entering the Gallery School in 1876, returning for further study throughout the 1880s. At just seventeen she produced 'Interior Figures, The Grange' 1875 (in the collection of the National Gallery of Victoria), an early demonstration of her technical skill and her inclination toward subjects rooted in the home.

In 1886 she married fellow artist Arthur Merric Boyd, with whom she shared a lifelong devotion to art. Their home life became interwoven with their creative work, and while the responsibilities of family inevitably shaped her career, Emma Minnie remained committed to painting throughout her life. Her works were often noted for their ability to transform modest, everyday subjects into scenes of resonance and depth. Teaching also became part of her practice, providing both financial support and further embedding her within Melbourne's artistic circles.

Even as later generations of her family shaped the course of modernism, Emma Minnie Boyd's own achievements deserve renewed recognition. Her academic training, her lifelong dedication to painting, and the intimate provenance of works such as 'Children at Sandringham' reveal the foundations upon which the Boyd family's artistic reputation was built.

Hannah Ryan
Senior Art Specialist

Williams Mabel (1896-1980) with brief biograohy view full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 48:
MABEL WILLIAMS (1896-1980)
Sea-Side (Semi Abstract)
gouache on paper
signed lower right: M Williams
artist's name and title inscribed on unknown label verso
19.5 x 25.5cm

PROVENANCE:
Eastgate Galleries, Melbourne
Private collection, Melbourne

OTHER NOTES:
Mabel Williams' long and multifaceted career reflected a deep engagement with both modernist practice and the artistic community around her. Born in Adelaide, she studied at the South Australian School of Art and first gained recognition through her contributions to the Royal South Australian Society of Arts, exhibiting from 1916 to 1918.

By the late 1940s, Williams had moved to Melbourne and become a student of George Bell, with whom she studied with from 1948 to 1954. As Allan McCulloch observed, "the qualities that give her work identity are lightness and soft colour, combined with firm cubist structure, all carefully considered elements in the pattern of George Bell's teaching and philosophy."

Williams exhibited regularly with the Melbourne Contemporary Artists, serving as its president from 1959 until its dissolution in 1965. She was a passionate advocate for artists, playing a key role in establishing the Argus Gallery in Melbourne and chairing the Red Cross Picture Library sub-committee for six years. Her leadership and advocacy positioned her as a significant figure within Melbourne's mid-century art circles.
After her death, in a 1981 memorial exhibition catalogue, McCulloch described her as "a woman who loved art and artists, and was herself a painter of great sensitivity."

Hannah Ryan
Senior Art Specialist

Wahlers Chrisma c1886-1952 with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 49:
CHRISMA WAHLERS (c.1886-1952)
A Windmill in Kent c.1950
oil on canvas
in the original John Thallon frame (partial label verso)
signed lower right: CHRISMA/ WAHLERS
signed and titled verso
45 x 40cm

PROVENANCE:
Private collection, Melbourne
Thence by descent

EXHIBITIONS:
(possibly) Chrisma Wahlers, Book Club Gallery, Melbourne, 13 - 23 June 1950

OTHER NOTES:
Chrisma Wahlers was a longstanding member of the Melbourne Society of Women Painters and Sculptors, exhibiting regularly alongside Dora Wilson, Janet Cumbrae-Stewart, and A.M.E. Bale. Working primarily in oils, her paintings were described by art critic George Bell as a "thoughtful organisation of subject matter"(1), highlighting her considered approach to composition. Though her name is less prominent in the broader cannon of Australian art, she played an active role in the cultural life of Melbourne, contributing to exhibitions and community efforts including the 1940s Red Cross War Appeal.

Hannah Ryan
Senior Art Specialist

Tuomy Fabiola (1875-1967) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 74:
FABIOLA TUOMY (1875-1967)
Vase of Roses
pastel on paper laid on board
signed lower left: Fabiola Tuomy
44 x 62cm

PROVENANCE:
The Artist
Thence by descent

OTHER NOTES:
Fabiola Tuomy trained under E. Phillips Fox and Tudor St. George Tucker at Charterisville, where she absorbed impressionist principles and the practices of working directly from nature. She exhibited regularly alongside fellow artists such as Jane Sutherland, A.M.E. Bale, Bertha Merfield, Ina Gregory, and May Vale at the Victorian Artists Society.
Yet despite her active career, Fabiola Tuomy's name was later overshadowed, a reminder of how many women artists were forgotten in the broader story of Australian art.

Gregory Ina (1874-1964) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 76:
INA GREGORY (1874-1964)
Floral Study
oil on board
signed lower right: I Gregory
19.5 x 45.5cm

PROVENANCE:
Private collection, Melbourne

OTHER NOTES:
Ina Gregory was among the circle of young artists who gathered at Charterisville in the 1890s, where the emphasis on light and colour shaped her vision as a painter. Under the guidance of E. Phillips Fox and Tudor St. George Tucker, she embraced the practice of working en plein air, cultivating a sensitivity to fleeting atmosphere and the shifting tones of the Australian landscape.

Jones Marion (c.1897-1977) with brief biograohyview full entry

Reference: Marion Jones Portraits, Anthony Horden's Fine Art Gallery, Sydney, 21 July - 8 August 1925. Reviewd: Marion Jones Portraits, The Daily Telegraph, Sydney, 18 July, 1925, p. 18; Miss Marion Jones's Portraits, The Sydney Morning Herald, Sydney, 18 July 1925, p. 11
Publishing details: Anthony Horden's Fine Art Gallery, Sydney, 1925

Thompson Roma (1919-2020) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 82:
ROMA THOMPSON (1919-2020)
Geometric Composition I 1980
oil on canvasboard
signed lower left: R. Thompson
title and date inscribed verso
34 x 27cm

PROVENANCE:
The Artist
Thence by descent
Private collection, Melbourne

OTHER NOTES:
Growing up in Bayside Melbourne in the early 1920s, Roma Thompson developed ardour for patterns and textures in art, with the abundant natural backdrop of Mentone serving as her inspiration like many artists before her. Attending formal training at the Melbourne Technical College as a teenager, the painter, graphic artist and fabric designer exhibited very early in her career with collectives such as the George Bell Group and Melbourne Contemporary Art Society. Exploring geometric design and Australian motifs in all facets of her practice, including textile design, printmaking and painting, Roma went on to teach within the RMIT art department in 1945.

Chapman Dora (1911-1995) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 84:
DORA CHAPMAN (1911-1995)
Stipa 1970
screenprint, ed. 13/58
signed and dated lower right: 1970 Dora Chapman
titled and editioned lower left
28 x 22.5cm

PROVENANCE:
Private collection, Adelaide

OTHER NOTES:
RELATED WORK:
Dora Chapman, Study for the Girl with the Long Nose 1969, gouache and pencil on paper, 40.2 x 28.6cm, in the collection of the Art Gallery of South Australia, Adelaide.

Other examples of this print are held in the collections of the National Gallery of Australia, Canberra; and Art Gallery of South Australia, Adelaide.

Dora Chapman was a significant South Australian artist and educator whose achievement in screenprinting deserves renewed recognition. Trained at the South Australian School of Art, she first excelled in portraiture and landscape before adopting a modernist vocabulary. After her marriage in 1944 to fellow artist James Cant, she often placed his career ahead of her own, a circumstance that contributed to her later under recognition.

It was during the 1970s that Chapman created her most distinctive body of work. Turning to hard-edge abstraction and screenprinting, she developed a clear independent voice, producing images full of colour and design. The precision required by screenprinting suited her disciplined approach, resulting in works that stood apart from both her earlier realism and Cant's style.

Examples of her work from this period, including the Head series, are represented in the Art Gallery of South Australia and other national collections. They affirm Chapman's place as a significant figure in twentieth-century Australian art - an artist long overshadowed by her husband, yet whose artworks stand as important contributions in their own right.

Hannah Ryan
Senior Art Specialist

SKLOVSKY CELIA MARGARET A'BECKETT (1915-2004) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot
CELIA MARGARET A'BECKETT SKLOVSKY (1915-2004)
Portrait of Artist Anne Graham 1967
oil on board
signed lower left: Sklovsky 67
84 x 60cm
PROVENANCE:
The Collection of Anne Marie Graham
Private collection, Melbourne

Waller Christian nee Yandell ) (1894-1954) with brief biograohy
view full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 89:
CHRISTIAN WALLER (NÉE YANDELL) (1894-1954)
The Great Breath: A Book of Seven Designs 1932
complete suite of linocuts (7), ed. 31/150
in the original three-fold portfolio covered in green fabric with gold paint additions, bound with green and gold cord
signed on justification page: Christian Waller
published by The Golden Arrow Press, Melbourne
32 x 13.5cm (image, each); 43 x 25cm (sheet, each); 44 x 26cm (portfolio, folded)

PROVENANCE:
Private collection, Melbourne
Thence by descent

EXHIBITIONS:
Project 39 - Women's Imprint 1982, Art Gallery of New South Wales, Sydney, 1 - 31 October 1982 (another example)
Spirit and Place: Art in Australia 1861-1996, Museum of Contemporary Art, Sydney, 21 November 1996 - 31 March 1997 (another example)
Australian Prints from the Gallery's Collection 1998-1999, Art Gallery of New South Wales, Sydney, 6 November 1998 - 7 February 1999 (another example)

LITERATURE:
Deutscher, C., and Butler, R., A Survey of Australian Relief Prints 1900-1950, Deutscher Galleries, Melbourne,1978, cat. no. 38-39, pp. 24-25 (illus., another example)
Mellick, R., and Waterlow, N., Spirit and Place: Art in Australia 1861-1996, Museum of Contemporary Art, Sydney, 1996, pp. 132-133, 151 (illus., another example)
Grant, K., In Relief: Australian Wood Engravings, Woodcuts and Linocuts, National Gallery of Victoria, Melbourne, 1997, p. 34 (illus., another example)
Kolenberg, H., and Ryan, A., Australian Prints from the Gallery's Collection, Art Gallery of New South Wales, Sydney, 1998, cat. no. 63, pp. 74-75 (illus., another example)

OTHER NOTES:
Other examples of this portfolio are held in the collections of the Art Gallery of New South Wales, Sydney; Queensland Art Gallery of Modern Art, Brisbane; Castlemaine Art Museum, Victoria; National Library of Australia, Canberra; and National Gallery of Victoria, Melbourne.

"The production of 'The Great Breath' was entirely undertaken by Waller; all aspects from the cutting and printing of the linoblocks to the manufacture of the distinctive gold-painted emerald green cover was done by hand. She printed the blocks on her 1849 hand-press in her studio at Ivanhoe, each book taking about four days to make, hand-bound with green cord. Although it was intended to produce an edition of 150, it seems only about 30 were made, with some unbound impressions extant, usually untrimmed. Each consisted of a title page, colophon, contents page and seven linocut designs. The images were printed in solid black on white translucent tracing paper, trimmed and tipped onto the cream pages. The books were not numbered sequentially, but rather in relation to the numerology of the buyer."
(Art Gallery of New South Wales, Sydney)

Dennis Margery (1922-1996) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 106:
MARGERY DENNIS (1922-1996)
Clunes, Victoria 2 1983
oil on board
signed lower right: MARGERY DENNIS
artist's name, title and date on gallery label verso
44.5 x 59.5cm

PROVENANCE:
Bloomfield Galleries, Sydney (label verso)
Private collection, Melbourne

OTHER NOTES:
Margery Dennis was an Australian painter recognised for her considered approach to still life, interiors and landscape. Working within Melbourne's progressive artistic circles, she developed a modernist style defined by compositional clarity, a restrained palette and quiet lyricism. Though her contribution has often been overlooked, Dennis exhibited consistently throughout her career and played a role in the development of mid-century modernism in Melbourne. Her paintings stand as thoughtful examples of the refinement and sensitivity brought to the movement by women artists of her generation.

Maltby Peg 1899-1984 with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 104:
PEG MALTBY (1899-1984)
Old Woman who Lived in a Shoe
watercolour and ink on paper
signed lower right: P. Maltby
40 x 25.5cm (sheet, reveal)

PROVENANCE:
Private collection, Melbourne

OTHER NOTES:
Peg Maltby brought to life a world of whimsy and wonder through her enchanting illustrations and storytelling. Born in England and later settling in Australia, she became best known for her richly detailed depictions of fairies, woodland creatures, and botanical fantasy. Her books, 'Peg's Fairy Book' and the 'Nuttybub and Nittersing' series captured the imaginations of generations, blending the charm of English fairy lore with a distinctly Australian setting. With delicate linework and gentle palette, Maltby created immersive scenes that felt both nostalgic and otherworldly, securing her place as a beloved figure in the history of Australian children's illustration.

Haim-Wentcher Tina 1887-1974 with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 119:
TINA HAIM-WENTCHER (German/Australian, 1887-1974)
Balinese Figure c.1954
earthenware
initialled lower right: T/W
date inscribed on unknown label at base
21 x 13 x 5cm (including base)

PROVENANCE:
Private collection, Melbourne

OTHER NOTES:
Tina Haim-Wentcher remains a rare and significant figure whose artistic journey from Constantinople to Australia deeply shaped her unique style. She began training at a private art school in Istanbul, where she developed a strong foundation in classical traditions. Her practice was further refined in Paris, and received notable recognition from Auguste Rodin, affirming her growing talent. Whilst exhibiting her works were acquired by numerous esteemed galleries and museums in Berlin, including a bust of the artist and sculptor Käthe Kollwitz to the Staatliche Museen zu Berlin.

In 1931 Tina and her husband, painter Julius Wentscher, travelled in the Far East. Social and artistic success, followed by warnings about the worsening position of World War II, convinced the Wentscher's to postpone their return to Berlin. They held exhibitions, collected curios and accepted commissions in Indonesia, China, Thailand, Singapore and Malaysia. Their works were bought for public and private collections but many did not survive World War II.

In 1940, Tina and Julius sought refuge in Australia, settling in Melbourne. Tina adapted quickly to her new life and joined the Melbourne Society of Women Painters and Sculptors. Despite her eminence among early modernist sculptors, Tina never developed as an artist beyond what she had achieved in her Asian works, which was radical to Australian eyes. Her commissions in Australia were generally small-scale plaques and busts. Unlike male modernist sculptors, she did not receive public recognition, though she found many advocates among her peers.

Childless and predeceased by her husband, Tina died 1974 at 87 years of age. The Association of Sculptors of Victoria named a prize in her memory and examples of her works are represented in numerous major institutions across Australia. In 2017 the McClelland Gallery and Sculpture Park celebrated Tina's life with an exhibition of her works.

Hannah Ryan
Senior Art Specialist

Wentcher Tina see also Haim-Wentcher Tina 1887-1974view full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 119:
TINA HAIM-WENTCHER (German/Australian, 1887-1974)
Balinese Figure c.1954
earthenware
initialled lower right: T/W
date inscribed on unknown label at base
21 x 13 x 5cm (including base)

PROVENANCE:
Private collection, Melbourne

OTHER NOTES:
Tina Haim-Wentcher remains a rare and significant figure whose artistic journey from Constantinople to Australia deeply shaped her unique style. She began training at a private art school in Istanbul, where she developed a strong foundation in classical traditions. Her practice was further refined in Paris, and received notable recognition from Auguste Rodin, affirming her growing talent. Whilst exhibiting her works were acquired by numerous esteemed galleries and museums in Berlin, including a bust of the artist and sculptor Käthe Kollwitz to the Staatliche Museen zu Berlin.

In 1931 Tina and her husband, painter Julius Wentscher, travelled in the Far East. Social and artistic success, followed by warnings about the worsening position of World War II, convinced the Wentscher's to postpone their return to Berlin. They held exhibitions, collected curios and accepted commissions in Indonesia, China, Thailand, Singapore and Malaysia. Their works were bought for public and private collections but many did not survive World War II.

In 1940, Tina and Julius sought refuge in Australia, settling in Melbourne. Tina adapted quickly to her new life and joined the Melbourne Society of Women Painters and Sculptors. Despite her eminence among early modernist sculptors, Tina never developed as an artist beyond what she had achieved in her Asian works, which was radical to Australian eyes. Her commissions in Australia were generally small-scale plaques and busts. Unlike male modernist sculptors, she did not receive public recognition, though she found many advocates among her peers.

Childless and predeceased by her husband, Tina died 1974 at 87 years of age. The Association of Sculptors of Victoria named a prize in her memory and examples of her works are represented in numerous major institutions across Australia. In 2017 the McClelland Gallery and Sculpture Park celebrated Tina's life with an exhibition of her works.

Hannah Ryan
Senior Art Specialist

Wilson Dora L (1883-1946) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 126:
DORA L. WILSON (1883-1946)
Miss Mabel Cramer
pastel on paper
signed lower left: - DORA L. WILSON -
47 x 36cm

PROVENANCE:
Private collection, Victoria

OTHER NOTES:
Miss Mabel Cramer was born in the Lake Eyre region to a British Army officer and an Indigenous woman. Following the death of her mother during an epidemic at the age of two, she was placed under the guardianship of a local Aboriginal family, where she received both care and formal schooling. She entered domestic service as a young woman, and secured employment with prominent households, including the Lansell family of Bendigo, and later served as a chef for Dame Nellie Melba.

Moran Patricia (1944-2017) with brief biograohyview full entry

Reference: see Joels Women Artists auction, 22.9.2025, lot 127:
PATRICIA MORAN (1944-2017)
Opposites Attract, Still Life
oil on canvas
signed lower right: P. Moran
60 x 70cm

PROVENANCE:
The Artist
Thence by descent

OTHER NOTES:
Patricia Moran was a Melbourne based painter, teacher, and writer, known for her detailed floral oil paintings and commitment to art education. She was in her thirties when she finally followed a life-long dream to study painting full time. Later she became a member of the Australian Guild of Realist Artists and a tutor at the Victorian Artists Society in the 1980s.

Badham Herbert (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Stewart Janet Cumbrae (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Coppersmith Yvette (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Ramsay Hugh (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Amor Rick (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bezor Annette (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bock Thomas (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Wainewright Thomas Griffiths (nude painting illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Wheeler Charles (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Henson Bill (nude illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Streeton Arthur (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Roberts Tom (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Richardson Chjarles Douglas(nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Wilson Dora (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Lambert George W (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Mackennal Bertram (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Trindall Gordon Lyall (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Parker Harold (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Alston Abby (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Watkins J S (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bunny Rupert (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Fox E Phillips (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Hall Lindsay Bernard (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Reynell Gladys (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Frater William (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Robertshaw Freda (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Meere Charles (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bell George (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Shore Arnold (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Fletcher Marjorie (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Hoff Rayner( nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Fletcher Marjorie (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Broome-Norton Jean (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Tribe Barbara (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Hinder Margel (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Dadswell Lyndon (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Fleischmann Arthur (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Crowley Grace (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bowen Stella (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Fizelle Rah (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Black Dorrit( nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Wilson Eric (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Blumann Elise (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Heysen Nora (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Murch Arthur (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Colahan Colin (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Hele Ivor (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bostock Cecil (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Dupain Max (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Le Guay Laurence (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

O’Brien Justin (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Thornhill Dorothy (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bryans Lina (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Dobell William (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Drysdale Russell (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Olley Margaret (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Tucker Albert (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Madigan Rosemary (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Shead Garry (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Miller Godfrey (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Boyd Guy (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Gleeson James (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Brack John (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Whiteley Brett (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Blackman Charles (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Pugh Clifton (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Baldessin George (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Armstrong Ian (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Warren David (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Dunlop Brian (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Boissevain William (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Rowland Bruce (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Cyrulla Dagmar (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Flint Prudence (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Sharpe Wendy (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Rodgerson Jenny (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Wegner Peter (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Hannaford Robert (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Churcher Peter (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Powditch Peter (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Miller Lewis (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

MacFarlane Stewart (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Malherbe Robert (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Drendel Graeme (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Bass Tom (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Snape Michael (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Shillam Leonard (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Hall Clara (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Ladyman John (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Miles Dale (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Hyatt Peter (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Browell Anthony (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Friend Donald (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Wrest-Smith Christine (nude art work illustrated)view full entry

Reference: see Slow Reveal - The Nude in Australian Art, by Paul McGillick. Includes bibliography.
Hardly mentioned in standard histories of Australian art, the nude is like an unwanted guest, somehow slightly embarrassing. After a tentative entrance in Hobart in the 1840s, it disappeared until the 1870s. Why was this? When it did finally emerge, how did it compare to its European origins? Is there something unique in this antipodean version, linking it to the tanned and scantily clad denizens of Australia's famous sandy beaches? This book reveals the fascinating variety to the nude in Australian art up to the present day in painting, sculpture, printmaking and photography and highlights the central role played by female artists. It is a fresh view of Australian art through the lens of the nude and suggesting new ways of looking at art generally. AUTHOR: Dr Paul McGillick has had a long and varied career embracing academe, radio and television, the visual arts, and architecture and design publishing. He was chief performing and visual arts critic for The Australian Financial Review for many years and a producer/presenter in arts television for SBSTV and ABCTV. He is the author of 18 previous books on art and architecture.
Publishing details: Yarra & Hunter Art Press, 2024, hardcover, 240pp, with index.

Dangerously modern : Australian women artists in Europe 1890-1940view full entry

Reference: Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Modern artview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Muntz-Adams Josephine essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Fuller Florence essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Teague Violet essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Preston Margaret and Bessie Davidson essays onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Davidson Bessie and Margaret Preston essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Stewart Cumbrae Janet essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Goodsir Agnes essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Kong Sing Justine essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Rodway Florence essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Rae Iso essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Carrick Ethel essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Hodgkins Frances essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Nicholas Hilda Rix essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Smith Grace Cossington essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Proctor Thea essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Chapman Evelyn essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Collier Edith essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Reynell Gladys and Margaret Preston essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Mirmande essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Crowley Grace essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Mercer Mary Cockburn essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

O’Connor Kathleen essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Stewart Helen essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Mayo Eileen essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Black Dorrit essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Dangar Anne essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Moly-Sabata essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Rehfisch Alison essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

sculpture by women essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Cohn Ola essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Bowen Stella essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Blumann Elise essay onview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Allport C L1860-1949 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Applketon Jean 1911-2003 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Baker Christine Asquith 1868-1960 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Benson Eva 1875-1949 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Edwell Bernice 1880-1962 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Gibson Bessie 1868-1961 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Heysen Nora short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Lange Eleanor 1893-1990 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Marks Stella Lewis 1887-1985 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Mayo Daphne 1887-1985 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Meeson Dora 1869-1955 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Tait Bess Norris 1878-1939 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Ohlsen Dora 1869-1948 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Harrison Eleanor Ritchie 1854-1895 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Simpson Norah 1896-1974 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Sherwood Maud 1880-1956 short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Spowers Ethel short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Syme Evelyn short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Traill Jesse short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Tribe Barbara short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Tuck Marie short biographyview full entry

Reference: see Dangerously modern : Australian women artists in Europe 1890-1940, edited by Elle Freak, Tracey Lock, Wayne Tunnicliffe. Includes bibliographical references and index.
"Held on the fiftieth anniversary of International Women's Year, this exhibition and its accompanying publication explore the art and the lives of fifty trailblazing women artists. Their remarkable achievements in both Australia and Europe are revealed and examined within the context of international modernism."--Summary. Co-published by The Art Gallery of New South Wales and the Art Gallery of South Australia in conjunction with the exhibition of the same name. AGSA: 24 May - 7 September 2025. AGNSW: 11 October 2025 - 1 February 2026.
Publishing details: Art Gallery of New South Wales and Art Gallery of South Australia, 2025, hc, 359 pages : illustrations (chiefly colour)

Transformationsview full entry

Reference: see Transformations: Harriet and Helena Scott, colonial Sydney’s finest natural history painters by Vanessa Finney. [’The fascinating story of the Scott sisters, who transformed nature into art in their extraordinary paintings of butterflies and moths, is told here for the first time.
With their collecting boxes, notebooks and paintbrushes, Harriet and Helena Scott entered the masculine worlds of science and art and became two of nineteenth-century Australia’s most prominent natural history painters.

Transformations tells the complete story of the Scott sisters for the first time – their early lives in colonial Sydney, their training as naturalists and artists on the isolated Ash Island in the Hunter River near Newcastle, and their professional triumphs. This is a rare pictorial record of two talented and determined women who transformed nature into art in their extraordinary paintings of Australian butterflies and moths.’]
Publishing details: New South, 2018, 220pp

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