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The Scheding Index of Australian Art & Artists

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Showing 158,397 records of 158,397 total. We are displaying one thousand.

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de Putron Violet L - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

O’Keefe Kathleen - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Wilson Lucille H - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Griffiths R - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Ashworth Olive - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Brown Catherine J - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Rubenstein Clara - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Atkinson Herbert - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Barber Ian - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Burton Jack L - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Williams Marie - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Daff Lily A - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Slack Shirley - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Mills M B - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Elshout P G Van Den - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Brookes E S - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Ashby Doris - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Finch H J - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Shadlow Jean - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Wibberley Reg - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Longford Max - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Retchford Ray - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Melvaine Tom - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Richter G - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Kelley Keith - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Henley R - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Renton Elsie M - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Lodens I K - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Hogan Joseph - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Withers N G - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Badcoe Walter - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Whitnall Albert - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Taylor Keith - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Carson A S - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

McIneeley John - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Redding B W - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Gadd C R - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Williams Irene - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Nayler Valmai - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Fischer Laurie - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Matthews Martha - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Reese Graham - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Houghton T A - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Jaffer D D - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Young R A- prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Worthington Brian - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Fittler R J - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Hein E G - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Rogers Henry - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Shimeld J A - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Zilberts Gill - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Tyson Don - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Davis George H - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Hill Alan - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Taylor J L - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Turner Frank E - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Abbott Jean I - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Follett Miss - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Watterson G D - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Siebels Felix - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Tweddle Anne - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Andrews Caroline E - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Wheatley Doreen - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Craig Estelle - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Day Frank Mervyn - prizewinnerview full entry
Reference: see Art Training Institute - Prize-Winning Students of the Art Training Institute, contest no.17. (Entrants in the undergraduate contest ranged ‘from 8 to 71’. In contest 17 there were 903 entries in the Professional Section and exactly one third were women. Entrants in the professional section ranged from 20 to 80). All prize winners are listed with a brief testimonial.

Publishing details: printed by Hedges and Bell Pty Ltd, Maryborough, Victoria, undated edition. 42pp

Young Johnview full entry
Reference: Three propositions - exhibition catalogue Pruss & Ochs Gallery Berlin
Publishing details: Pruss & Ochs Gallery Berlin, 2003, pb, 95pp
Ref: 218
Nolan Sidneyview full entry
Reference: The 1946-47 Ned Kelly Paintings By Sidney Nolan Exhibition Catalogue
Publishing details: Museum Of Modern Art And Design Of Australia, Malvern, Victoria, No Date.(1956?) First Edition. Wraps., 1970
Narow folio (19cm x 41cm). Colour illustrated wraps. pp 8 (unpaginated). 4 illustrations. Exhibition catalogue
Ref: 1000
Nolan Sidneyview full entry
Reference: Sidney Nolans Ned Kelly: the Ned Kelly Paintings in the Australian National Gallery and a Selection of the Artists Sketches for the Series: Elwyn Lynns Story of the Paintings with Sir Sidney Nolans Comments [In Original Slip-Case]
Publishing details: Australian National Gallery, 1985
Description: 53 p. : ill.Date of publication: 1962
Pages: 8pp

Binding: Softcover

Ref: 1001
Nolan Sidneyview full entry
Reference: The Ned Kelly Paintings - Sidney Nolan at Heide 1946-47
Publishing details: Heide Museum of Modern Art in Melbourne, 1997
Ref: 1001
Charting a Continentview full entry
Reference: Charting a Continent, by Geoffrey Ingleton. A Brief Memoir on the History
of Marine Exploration & Hydrographical
Surveying in Australian Waters from the
Discoveries of Captain James Cook to the
War Activities of the Royal Australian
Navy Surveying Service.
Publishing details: A and R, 1944, hc, dw, 145pp. b/w plates. End-paper maps.
Ref: 1000
mapsview full entry
Reference: see Charting a Continent, by Geoffrey Ingleton. A Brief Memoir on the History
of Marine Exploration & Hydrographical
Surveying in Australian Waters from the
Discoveries of Captain James Cook to the
War Activities of the Royal Australian
Navy Surveying Service.
Publishing details: A and R, 1944, hc, dw, 145pp. b/w plates. End-paper maps.
Readettt C Wview full entry
Reference: painting in DGS auction (UK?) 12.2011. Description: Rare 1904 watercolour of the famous 19th century racehorse ST. Simon painted by Australia’s renowned artist C.W. Readett, the painting measures 69cm X 49cm , the painting is said to be Readetts finest work he has captured the very essence and presence of ST. Simon, A London veterinary surgeon commissioned Readett to paint St Simon in 1904, the painting was purchased by Sir Roger William-Smith in 1958 from a dealer who brought the estate of the deceased vet. The painting has been in Sir Roger William-Smith’s private collection since 1958 till today when he has decided to sell the art work, ST. Simon was born in 1881 at William Barrow’s paddock near Newmarket the father of St. Simon was the well known famous Galopin, St, Simon was sold in may 1883 for 1,600 guineas to the 25 year old Duke of Portland and was moved to Health House stables at Newmarket, The colt began his racing career under the jockey Fred Archer at the five furlong Halnaker stakes at Goodwood winning by six lengths, more info available if needed. St. Simon was a very successful sire of 423 live foals. Family tree available upon request and more information, major wins 1884 Ascot Gold cup, 1884 Goodwood cup, 1884 Epsom gold cup, St. Simon was trained by Matthew Dawson
Olsen Johnview full entry
Reference: SMH Good weekend article
Publishing details: 11 December, 2011 (inserted into Journey into the You Beaut Country)
Gibbs Mayview full entry
Reference: Josef Lebovic catalogue - prints, postcards, etc
Publishing details: Collectors’ List 155, 2011
Ref: 57
Lindsay Lionelview full entry
Reference: see Josef Lebovic catalogue - 25 Lionel Lindsay etchings
Publishing details: Collectors’ List 154, 2011
Art Gallery of New South Wales - Highlights from the Collectionview full entry
Reference: Art Gallery of New South Wales - Highlights from the Collection, by Edmund Capon
Publishing details: AGNSW, 2008, card covers, 195 pp plus illustrations, indexed
Art Gallery of New South Wales historyview full entry
Reference: see Art Gallery of New South Wales - Highlights from the Collection, by Edmund Capon
Publishing details: AGNSW, 2008, card covers, 195 pp plus illustrations, indexed
Cox Philipview full entry
Reference: Australian Architects - Philip Cox. The Philip Cox volume in the Australian Architects series, being a series of monographs surveying elements of late c20th Australian Architecture;
Publishing details: Australia Royal Australian Institute of Architects, 1984, colour and b&w illustrations throughout. stiff card covers, profusely illustrated, quarto, 95pp
Biennale of Sydneyview full entry
Reference: Zones of Contact - Biennale of Sydney 2006 - artistic director Charles Merewether [to be indexed]
Publishing details: Biennale of Sydney Ltd, 2006, 304 pp. With 192 ills. (174 col. ). ex Library copy
Ref: 71
Grunstein Billview full entry
Reference: Bill Grunstein - A Retrospective, introduction by Sarah Grunstein and introduction by Colin Parker
Publishing details: Phillip Mathews, 2006, hc, dw, 96pp with list of 79 works
Newton Helmutview full entry
Reference: Autobiography by Helmut Newton
Publishing details: Duckworth, 2003. hc, dw, 289 p. ill.
Churcher Peterview full entry
Reference: Peter Churcher Official Artist the War Against Terrorism. (Son of Betty Churcher, previous director of the National Art Gallery) was selected by the Australian War Memorial to record his impressions of the Australian involvement in the coalition war against terrorism. The Memorial is very pleased to present an exhibition of the work he completed during his commission).
Publishing details: AWM, 2002, pb, 23pp
Ref: 136
Mayo Eileenview full entry
Reference: see Coppel Stephen - British Prints from the Machine Age: Rhythms of Modern Life 1914-1939 - Published to accompany the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Imagery ranges from powerful artistic impressions of the first fully mechanized war, to radical geometric abstractions, to the colourful, streamlined jazz age images of speed, sport...
Publishing details: Thames Hudson, Museum of Fine Arts, Boston, , 2009, card covers, 224pp, artists biographies, and checklist of exhibits

Grovesnor Schoolview full entry
Reference: see Coppel Stephen - British Prints from the Machine Age: Rhythms of Modern Life 1914-1939 - Published to accompany the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Imagery ranges from powerful artistic impressions of the first fully mechanized war, to radical geometric abstractions, to the colourful, streamlined jazz age images of speed, sport...
Publishing details: Thames Hudson, Museum of Fine Arts, Boston, , 2009, card covers, 224pp, artists biographies, and checklist of exhibits

British Prints from the Machine Age: Rhythms of Modern Life 1914-1939view full entry
Reference: see Coppel Stephen - British Prints from the Machine Age: Rhythms of Modern Life 1914-1939 - Published to accompany the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Imagery ranges from powerful artistic impressions of the first fully mechanized war, to radical geometric abstractions, to the colourful, streamlined jazz age images of speed, sport...
Publishing details: Thames Hudson, Museum of Fine Arts, Boston, , 2009, card covers, 224pp, artists biographies, and checklist of exhibits

Loudon Edith Mary (may be Loudon)view full entry
Reference: Exhibitor with the NSW Society of Artists before 1918. [This information from an index of all Society of Artists exhibitors and their works, between 1895 and 1918, held by Stephen Scheding].
Cuisine & Countryview full entry
Reference: Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
food and cooking in Australian artview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Preston Margaretview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Godwin Peter - squid and fishview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Tans Laurens lightboxesview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Keeling David - early Morningview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Picnic at Mrs Macquarie’s Chair c1855view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Carter Jeff - 3 photographsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Durran Eugenie - Home from Market 1916view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Streeton Arthur melon c1926view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Culliton Lucy - orange 2000view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Zahalka Anne - The Cookview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Wilson Eric - abstract, stove 1943view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Haxton Elaine - Sweet and sour, still life 1958view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Olley Margaretview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Crooke Rayview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Lincoln Kevinview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Heysen Norahview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Badham Herbert Breakfast pieceview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Cressida Campbell 3 works illustratedview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Strachan David 2 works illustratedview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Olsen Johnview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Sciberras Luke Ocean perch stockview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Dobell William Chez Walterview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Shead Garry - Feast on Mount Pleasant 1999view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Drysdale Russell The Rabbiter and his familyview full entry
Reference: see Cubumpedisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Storrier Tim Black dog dilemmaview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Durrant Ivan Five Pigs’ Headsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Whiteley Brett still life with meatsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Ryan Paul stack of chopsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Williams Fred Lamb in meat room, Tibooburra 1968-70view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Macleod Euan - 3 dining imagesview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Yang William - 4 photographsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Ollis Bernardview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Cress Fred simmerview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Alexakis Effy 2 photographs illustratedview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Sharpe Wendyview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Quilty Ben the lot (hamburger)view full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Kngwarreye Emilyview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Koolmartrie Yvonneview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Djabu Rerrkirrwana Munungurrview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Yirawalaview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Gunwinggu Bobbyview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Maralngurru Williamview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Gemes Juno 3 photographsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Trapnell Kerry photographsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Dixon Vicki 2 acrylicsview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Perle Angelinaview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Nona Dennis linocutview full entry
Reference: see Cuisine & Country - a gastronomic venture in Australian art, by Gavin Wilson
Publishing details: Orange Regional Gallery, 2007, card covers, 92pp
Mangold Michaelview full entry
Reference: Paddington Bazaar - text and photographs by Michael Mangold
Publishing details: Tandem Productions, 1993, pb, 99pp
Paddington Bazaar (Saturday markets)view full entry
Reference: see Mangold Michael - Paddington Bazaar - text and photographs by Michael Mangold
Publishing details: Tandem Productions, 1993, pb, 99pp
Quarry Nevilleview full entry
Reference: Award Winning Australian Architecture -
Neville Quarry
Publishing details: Fine Art Publishing 1997
Ref: 1000
Fibro Frntier The view full entry
Reference: The Fibro Frontier: A Different History of Australian Architecture by
Charles Pickett
Publishing details: Museum of Applied Arts & Sciences, 1999
Ref: 1000
Contemporary Australian Printmakingview full entry
Reference: Contemporary Australian Printmaking: An Interpretative History by Sasha Grishin
Publishing details: Fine Art Publishing, 1995. Quarto, boards in dustjacket, pp. 192, illustrated.
Ref: 1006
Contemporary Australian Printmakingview full entry
Reference: see Grishin Sasha Contemporary Australian Printmaking: An Interpretative History by Sasha Grishin
Publishing details: Fine Art Publishing, 1995.
Stanbury Peter & John Cleggview full entry
Reference: A Field Guide to Aboriginal Rock Carvings. Book Condition: Fine. No Jacket. 8vo - over 7¾" - 9¾". 'Rock engravings are among the least known and most subtle examples of Australian art. This authoritative guide explains their historical and cultural significance, how they were made and used, and how to interpret them. Ritual use, carving methods, and engraving styles are discussed, as is the relationship of the engravings to the Dreaming. Many of the engravings are freely accessible in national parks, but are seldom visited or understood.'
Publishing details: Sydney University Press, Sydney, Australia, 1996. Soft cover. 162pp, bibliography, index, color & b/w photos, illustrations, site maps.
Ref: 1000
Aboriginal Rock Carvingsview full entry
Reference: see Stanbury Peter & John Clegg - A Field Guide to Aboriginal Rock Carvings. Book Condition: Fine. No Jacket. 8vo - over 7¾" - 9¾". 'Rock engravings are among the least known and most subtle examples of Australian art. This authoritative guide explains their historical and cultural significance, how they were made and used, and how to interpret them. Ritual use, carving methods, and engraving styles are discussed, as is the relationship of the engravings to the Dreaming. Many of the engravings are freely accessible in national parks, but are seldom visited or understood.'
Publishing details: Sydney University Press, Sydney, Australia, 1996. Soft cover. 162pp, bibliography, index, color & b/w photos, illustrations, site maps.
Royal Anglo-australian Society Artist 1890view full entry
Reference: Illustrated page from The Illustrated Sporting and Dramatic News dated January to March 1890. Size of each page is approx ( including margins as shown ) 15.5 x 11 inches (390x280). The Illustrated Sporting and Dramatic News was an English weekly magazine founded in 1874 and published in London. In 1945 it changed its name to the Sport and Country, and in 1957 to the Farm and Country, before closing in 1970.
Publishing details: 1890
Ref: 1000
llustrated Sporting and Dramatic News view full entry
Reference: see Royal Anglo-australian Society Artist 1890 - Illustrated page from The Illustrated Sporting and Dramatic News dated January to March 1890. Size of each page is approx ( including margins as shown ) 15.5 x 11 inches (390x280). The Illustrated Sporting and Dramatic News was an English weekly magazine founded in 1874 and published in London. In 1945 it changed its name to the Sport and Country, and in 1957 to the Farm and Country, before closing in 1970.
Publishing details: 1890
Karntaview full entry
Reference: Karnta - Aboriginal Women's Art. Introduction by Mick Reid . Preface by Jennifer Isaacs. This book relates to a touring exhibition concentrating exclusively on Aboriginal women. There is a chapter by Margie West curator of Aboriginal Art Museums and Art Galleries of the N.T.

Pitjantjatjarra artists from Kaltjiti, Fregon, Ernabella, Waripiri, Utopia Station, Tiwi PIma Art, Bathurst and Melville Islands, Maningrida



Publishing details: Aboriginal Arts Board, Softcover 27 Page Booklet
Ref: 1000
O’Harris Pixieview full entry
Reference: PIXIE O'HARRIS GIFT BOOK
Stories and Poems Written and Illustrated by Australia's Best Loved Author for the Not-so-old. [Pixie O'Harris was christened Rhonda Olive Harris, but on the way to Australia, she was given the name, The Welsh Pixie, by fellow passengers, and so it remained. O'Harris, was surrounded by art and artists from an early age, with the whole family drawing and inventing stories.



This is a collection of her works, in excellent unmarked condition. Pixie O'Harris is remembered fondly by all - the reason for her success is her warmth of personality and her abiding faith in life, and the goodness of human friendships, which shines through her words and pictures. He also adds, a single lifetime of devotion to a noble craft, an act of faith - the making of beautiful books for children.

The name of Pixie O'Harris is also recognised in the Pixie O'Harris Award. Established in 1994, this award honours those offering 'distinguished and dedicated service to the development and reputation of Australian children’s books'. Those eligible include publishers, editors, booksellers and publicists working consistently in the field of children's literature and demonstrating a commitment beyond the call of duty]
Publishing details: Dymock's Book Arcade Limited. n.d. but 1953., 1953. 128pp.
Ref: 1000
Australian Quiltsview full entry
Reference: AUSTRALIAN QUILTS 1988. A Vision Unfolding - Meredith, Barbara (editor).

Publishing details: QPNE Australia, A4 Paperback (stiff pictorial card), 1988, 72p, illsts., 1988.
Ref: 1000
Art of the First Australiansview full entry
Reference: Art of the First Australians - An exhibition of Aboriginal paintings, sculpture and artefacts of the past two hundred years. [’This Aboriginal art exhibition was part of Australia's contribution to the USA's Bicentennial celebrations in 1976. It includes items from the Conzinc Riotinto of Australia Collection of Aboriginal artefacts.’][to be indexed]
Publishing details: Aboriginal Arts Board, The Australia Council, (n.d.). 4to. Orig. illust. wrapper. (80pp.). With illust. title-page, over 100 b/w illusts and 2 maps
Exhibition of the Society for the Promotion of the Fine Arts in Australiaview full entry
Reference: Exhibition of the Society for the Promotion of the Fine Arts in Australia. The First (Exhibition Catalogue) at The Australian Library, Bent Street.
Publishing details: facsimile, Original printed by Kemp and Fairfax, 1847. Royal 8vo. Orig. printed wrapper preserved in printed envelope. (24pp.). The exhibition listed 380 items
Ref: 1006
Theodore Bruce auction catalogueview full entry
Reference: Art & Antique Auction - Sydney
Publishing details: 4.12.11
Ref: 66
Publish your own art bookview full entry
Reference: Publish your own art book- 10 Group brochure [Level 1, 30 William Street, Newtown, NSW, 2042, Phone 02 9550 1021 - www.10group.com.au
Publishing details: 2011 [a brochure]
Ref: 128
Theodore Bruce auction catalogueview full entry
Reference: Art & Antique Auction - Sydney and Art on Sunday
Publishing details: 20.11.2011
Ref: 66
Roddy Meagher Collectionview full entry
Reference: Lawson Menzies auction catalogue
Publishing details: 11.12.11
Frank Daleview full entry
Reference: The Dale Frank collection of Australian Furniture - Bonham’s Sydney, 20.11.2011
Publishing details: Bonham’s Sydney, 20.11.2011
Grunstein Billview full entry
Reference: ll Grunstein, A Retrospective, by
Grunstein, Sarah; Parker, Colin
Publishing details: Phillip Mathews Publishers, New South Wales, Australia, 2006. Hard Cover. dw, 96pp
Harris Brentview full entry
Reference: Martin Browne invite and price list
Publishing details: 2011
Ref: 38
Halpern Deborahview full entry
Reference: invite to exhibition at Arthouse Gallery, rushcutters Bay, 2 illustrations. Exhibition to be opened by Stephen Scheding
Publishing details: November, 2011
Ref: 117
Blackman Charlesview full entry
Reference: Arthouse Gallery invite - Women (recent drawings)
Publishing details: November, 2011
Ref: 36
Band Davidview full entry
Reference: fundraising auction to benefit his son Alfie Band. Includes work by David Band and many others
Publishing details: Deutsher & Hackett, 30 October, 2011
Ref: 218
Campbell Johnview full entry
Reference: The Scott Collection of John Campbell pottery (brief biography of Campbell and 12 illustrations)
Publishing details: Mossgreen auction flier, 2009
Ref: 82
Murrumbeena Pottery - Arthur Boyd John Perceval Neil Douglasview full entry
Reference: ‘Collect’ article by James Cockington in Sydney Morning Herald
Publishing details: SMH October 26 2011’ Money’ p12
Ref: 82
Museums in Australia critique - problems of displayview full entry
Reference: article in ‘The Monthly’ by Amanda Lohrey
Publishing details: June 2010?
Ref: 128
Australian War Memorial displayview full entry
Reference: see Museums in Australia critique - problems of display - article in ‘The Monthly’ by Amanda Lohrey
Publishing details: June 2010? photocopy
Powerhouse Museum displayview full entry
Reference: see Museums in Australia critique - problems of display - article in ‘The Monthly’ by Amanda Lohrey
Publishing details: June 2010?
National Museum of Australia displayview full entry
Reference: see Museums in Australia critique - problems of display - article in ‘The Monthly’ by Amanda Lohrey
Publishing details: June 2010?
Tasmanian Museum and Art Gallery display Acquisitionsview full entry
Reference: see Museums in Australia critique - problems of display - article in ‘The Monthly’ by Amanda Lohrey
Publishing details: June 2010?
Roughley T Cview full entry
Reference: Fishes of Australia and their Technology by T C Roughsey
Publishing details: Technical Museum, Sydney, , Authoritu of the Government of New South Wales, 1916, hc, illustrated boards,
Aboriginal Artview full entry
Reference: see Time before Morning - Art and Myth of the Australian Aborigines - By Louis A. Allen. All objects are from the author’s collection.


Publishing details: Thomas Y. Crowell, 1975, hc, dw, 304pp with index. Signed by author.
Allen Louis Aview full entry
Reference: see Time before Morning - Art and Myth of the Australian Aborigines - By Louis A. Allen. All objects are from the author’s collection.


Publishing details: Thomas Y. Crowell, 1975, hc, dw, 304pp with index. Signed by author.
McDonald Frank view full entry
Reference: obituary in SMH by Jacqueline Strecker and references in Terry Ingram article in AFR
Publishing details: 2012
Ref: 7
Cooley Peterview full entry
Reference: Through the Archipelago
Publishing details: Martin Browne Fine Art, 2012, illustrated catalogue with price list
Ref: 218
Taylor A Jview full entry
Reference: Mapleton
Publishing details: Martin Browne Fine Art, 2012, illustrated catalogue with price list
Ref: 218
Ellis Rennieview full entry
Reference: Mossgreen Gallery invite for Rennie Elis, ‘This is the show’.
Publishing details: Mosgreen, 2012, 6pp
Ref: 218
French Leonardview full entry
Reference: The Journey - 10 screenprints
Publishing details: 1970
Ref: 1000
Dridan David view full entry
Reference: David Dridan
Publishing details: Publisher: Qantas Gallery, London, 1962, Softcover
Ref: 1000
Tucker Albertview full entry
Reference: Albert Tucker - Adelaide Arts Festival Exhibition, 36 works listed
Publishing details: March, 1966, photocopy only
Adelaide Arts Festival Exhibition 1966view full entry
Reference: see Albert Tucker - Adelaide Arts Festival Exhibition, 36 works listed
Publishing details: March, 1966, photocopy only
Tucker Albertview full entry
Reference: Albert Tucker - March 29 - April 16, 1960, Hirschl & Adler Gallery, NY. 18 works listed
Publishing details: March, 1960 photocopy only
Tucker Albertview full entry
Reference: Albert Tucker - Australian Galleries - 46 paintings in catalogue and some additions
Publishing details: nd photocopy only (possibly 1980s)
Tucker Albertview full entry
Reference: Albert Tucker - Works on Paper - 183 works listed in catalogue. Coventry Gallery, Sydney
Publishing details: Coventry Gallery, 1979, photocopy only of AGNSW photocopied copy
Tucker Albertview full entry
Reference: Albert Tucker - An Aspect of his Work, Tolarno Galleries. Works on Paper - 36 works listed in catalogue.
Publishing details: Tolarno Galleries, 1990, photocopy only
Tucker Albertview full entry
Reference: Albert Tucker - Imperial Institute, South Kensington - 27 1950s works listed in catalogue.
Publishing details: Imperial Institute, South Kensington, 1957, photocopy only
Treasures - Art Gallery of South Australia, Adelaideview full entry
Reference: Treasures - Art Gallery of South Australia, Adelaide. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Watling Thomas - view of the town of Sydneyview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Lewin John William Fish Catch and Dawes Pointview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Glover John, a Corrobery... Mills Plainview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Glover John, aartist’s house Mills Plainview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Janssen Jacob Sydney Harbour oilview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Gill S T 2 worksview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Berkeley Martha view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Bock Thomas attributedview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Shramm Alexander 2 worksview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
von Guerard Eugene 2 worksview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Whitehead Isaac Sassafras Valley Vicview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Johnstone H J evening shadowsview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Streeton Arthur ‘Early Summer’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Conder Charles ‘How we lost poor Flossie’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Conder Charles ‘A Holiday at Mentone’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Roberts Tom ‘A break away’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
David Davies ‘Moonrise’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
McCubbin Frederick ‘A ti tree glade’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
McCubbin Frederick ‘A ti tree glade’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Piguenit W Cview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Long Sydney ‘The Valley’ 1898view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Heysen Hans ‘Mystic Morn’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Fox E Phillips ‘Al Fresco’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Waller Napier ‘The Pastoral Pursuits of Australia’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Hoff Rayner ‘Lions
view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Preston Margaret ‘Aboriginal Flowers’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Smith Grace Cossington ‘Poinsettias’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Griffin WalterBurley furnitureview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Waller Christian stained glassview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Kauffmann John phoitographview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Dupain Max phoitographview full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Rees Lloyd ‘The Silent Bush’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Trenerry Horace ‘Port Willunga Landscape’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Perceval John ‘recollections of the artist...’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Nolan Sidney ‘Brighton Road Stae School’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Black Dorrit ‘olive plantation’ view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Marek Dusan ‘Equator’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Fairweather Ian ‘Kangaroo Hunt’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Boyd Arthur ‘Persecuted Lovers’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Balson Ralph ‘ Painting’ 1958view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Tuckson Tony ‘ROIE’ c1964view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Williams Fred ‘silver and grey’ 1969view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Brack John ‘Now and then’ 1986view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
BoothePeter Painting 1982view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
McCahon Colin ‘five wounds of Christ’view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Gascoigne Rosalie ‘Swell’ 1984view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Newson Marc LC1 chaise longue 1986view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Hall Fiona ‘Occuopied Territory’ 1995view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Angus james ‘Rhinoceros’ 1995view full entry
Reference: see Treasures - Art Gallery of South Australia. Includes essays on key Australian works in the collection.
Publishing details: Art Gallery of South Australia, 1998, hc, no dw as issued, 183pp with index
Jomantas Vincentview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Kubbos Evaview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Meskenas Vladasview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Pocius Ievaview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Ratas Vaclovasview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Salkauskas Henryview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Serelis Vytasview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Simkunas Algirdasview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Urbonas Leonasview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Vaicaitis Adolfasview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Zikaras Teisutisview full entry
Reference: see Eleven Lithuanian Artists in Australia by Ratas Vaclovas
Publishing details: Lithuanian Community in Australia, 1967. Limited edition of 500 copies only. First and only edition.
Gould Johnview full entry
Reference: Birds of Australia, lithographs by John Gould, text by Rutgers
Publishing details: 1967
Ref: 1000
Newton Helmutview full entry
Reference: Helmut Newton. Sumo. (20th Anniversary Edition), by June Newton (editor) and Helmut Newton.
Publishing details: Taschen America Llc (US), 2019, 464pp
Body Cultureview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Gould Johnview full entry
Reference: John Gould - an Australian Perspective (Counted as one of the foremost one hundred men of his century, Gould more than any other naturalist, is responsible for superbly showing Europeans the unique wildlife of the 'Great South Land'. This book magnificently documents his-often ground-breaking-work from his time in Australia and is accompanied by many of the wonderfully rich and distinctive paintings which resulted from his visit.)
Publishing details: Axiom Publishing, 2011. Quarto, hc, dustwrapper, 228 pp
Ref: 1000
Wolseley Johnview full entry
Reference: Lines for birds: poems and paintings - John Wolseley and Barry Hill [’They follow flight paths and habitats of birds, from the Victorian Mallee to the forests of South East Asia, to Japan and the South of France. ‘Sometimes,’ as the painter says, ‘it’s almost as if I am looking at the earth with a bird’s eye view— the birds suggest new ways of telling stories about the earth.’ This is a dazzling book, a conversation between two venerable artists in love with birds. In a world of endangered nature, they celebrate joy. They write: ‘When a bird arrives in our midst, its presence signifies at least one clear thing: that it is not too late, not yet.’’]
Publishing details: Perth: University of Western Australia Press, 2011
Ref: 1000
Gould Johnview full entry
Reference: John Gould & Australia - The business of nature (A brief biography, from his humble beginnings, then 130 reproductions of his Australian birds and mammals illustrations) by Roslyn Russell
Publishing details: National Library of National Library of Australia, 2011, 228pp, col plates thru, laminated h/c.
Lewin John Williamview full entry
Reference: Wild Art - Mitchell Library room brochure. Includes catalogue of exhibition opened March 2012
Publishing details: SLNSW, 2012, pb, 12pp
Ref: 3
Lewin John Williamview full entry
Reference: Mr J W Lewin - Painter & Naturalist by Richard Neville. Includes illustrated list of illustrations
Publishing details: SLNSW, 2012, card covers, 272 pp, with index
Art of the First Fleet Theview full entry
Reference: The Art of the First Fleet by Lisa Di Tommaso
Publishing details: Hardie Grant Books, 2012, hc, dw, 112 pp withindex
Di Tommaso Lisaview full entry
Reference: see Art of the First Fleet The by Lisa Di Tommaso
Publishing details: Hardie Grant Books, 2012, hc, dw, 112 pp with index
Port Jackson Painterview full entry
Reference: see Art of the First Fleet The by Lisa Di Tommaso
Publishing details: Hardie Grant Books, 2012, hc, dw, 112 pp with index
Raper Georgeview full entry
Reference: see Art of the First Fleet The by Lisa Di Tommaso
Publishing details: Hardie Grant Books, 2012, hc, dw, 112 pp with index
Watling Thomasview full entry
Reference: see Art of the First Fleet The by Lisa Di Tommaso
Publishing details: Hardie Grant Books, 2012, hc, dw, 112 pp with index
Hunter Johnview full entry
Reference: A Steady Hand - Governor Hunter & His First Fleet Sketchbook by Linda Groom.
Publishing details: NLA, 2012, hc, dw, 229pp with index
Gostelow Ebenezer Edwardview full entry
Reference: For the Love of Nature - E. E. Gostelow’s Birds & Flowers by Christobel Mattingly (and Stephen Debus and Barrie Hadlow)
Publishing details: NLA, 2010, hc, dw, quarto, 158pp with index
Dupain Maxview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Australian photography and the bodyview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Boyd A H photographerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Galton Francis photographerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Cazneaux Haroldview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Robertshaw Freda and Charles Meere beach patternsview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Heysen Norahview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Broome-Norton Jeanview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Foelsche Paul photographerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Neville A O photographerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Millward Grey F ‘Jim, an Australian Boy’view full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Griffin Murray ‘Young Far,er’view full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Millward Grey F ‘Jim, an Australian Boy’view full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Burke Keast photographerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Le Guay Laurence photographerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Annand Douglas posterview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Cotton Oliveview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Smith Dr Julian photographerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Powell Geoffreyview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Hoff Raynerview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Lindsay Lionel autochrome printview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Murch Arthurview full entry
Reference: see Crombie Isobel - Body Culture : Max Dupain, Photography and Australian Culture, 1919-1939
Publishing details: Pelus Press, NGV, 2004, card covers, 208pp
Nan Kivell as collectorview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Carter George ‘Death of Captain Cook’view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Convict uprising at Castle Hill 1804 unknown artistview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Read Richard 1814 portraitview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Bevalet Antoine-Germaine ‘Magpie’ 1800sview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Earle Augustus lithograph Mrs Macquarie’s Seatview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Hoddle Robert 1832 wc (Canberra)view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Duterrau Benjamin ‘Truganini’view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Peacock George ‘Proclamation Tree at Glenelg’ (not the convict Peacock)view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Crossland John Michael ‘cricketer’ 1854 and another oil portrait of an Aboriginal manview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Wray Henry watercolours of Fremantle prison 1859view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Chevalier Nicholas 1867 wc costume subjectview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Strutt William ‘Little Wanderers’ wc 1865view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Frank Louis Lake George c1880view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Lycett Joseph litho Lake George 1825view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Bunny Rupert portrait of Henry Handel Richardsonview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Marony Patrick William ‘bushrangers attacking Goimbla Station’ 1894view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Marony Patrick William portrait of Mrs Campbell 1894view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Wilson William Hardy map of Kurrajong and architectural drawingview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Pier Cliff was art critic on Daily Mirrorview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Pier Cliff portrait of Gertrud Bodenwieser c1950 - Pier was art critic on Daily Mirrorview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Dawson Neville portrait of Lindy Chamberlainview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Dowling Julie domestic scene 2004view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Hunter John and George Raper paintings of the king parrotview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Gill Samuel Thomas Spencer’s Gulf c1846view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Campbell Sophia - Australia’s first female artist - a Newcastle churchview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Lycett Joseph aquatintview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Gould Elizabeth - the woman behind the manview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Martens Conrad Sydney Cove 1842view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Stocqueler Edwin Gold Diggings c1855view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Stocqueler Edwin lost dioramaview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Rowe George shop front wc c1857view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
von Guerard Eugene KoortKoort-nog homestead 1860view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Hodgkinson William ‘Bulla, Queensland ‘1861 wcview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Eustace Alfred William gumleaf paintingview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Boyd Emma Minnie gumleaf paintingview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Jervois Sir William - South Australian wc 1879view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Haynes Louisa, near Adelaide, oil 1896 (Haynes was in a menage a trois)view full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Roberts Tom opening of Parliament Houseview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Rowen Ellis watercolourview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Gostelow Ebenezer black cockatooview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Gostelow Ebenezer black cockatooview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Heysen Nora kangaroos - book illustrationview full entry
Reference: see Picturing Australia - A stimulating collection of visual imagery, Picturing Australia is a volume of stories: of adventure, near tragedy and deliverance, of success, failure and ultimate triumph, that are a testament to the changing face of this ancient land and the people who inhabit it. The selection of images from the National Librarys Pictures Collection contained in this volume (watercolours, oils and lithographs
Publishing details: NLA, 2009, pb, 88pp
Moore Neilview full entry
Reference: Neil Moore - Paintings from Umbria
Publishing details: Mossgreen catalogue, 2012, 20pp, fully illustrated
Ref: 218
Bowen Deanview full entry
Reference: Dean Bowen - Aviary, exhibition invite - 5 illustrations
Publishing details: Arthouse Gallery invite, 2012, 6pp
Ref: 218
Edwards McLeanview full entry
Reference: Here comes everybody
Publishing details: Martin Browne Gallery invite with price list, 2012
Ref: 218
Doig Adrienneview full entry
Reference: AD in Arcadia Ego - embroidery on tapestry
Publishing details: Martin Browne Gallery, invite and price list 2012
Ref: 218
Gilbert George Alexanderview full entry
Reference: see Australiana Magazine February 2012 for article by Andrew Morris on Gilbert’s watercolour of Mount Alexander gold fields
Prout John Skinnerview full entry
Reference: see Australiana Magazine February 2012 for article by Andrew Morris on Gilbert’s watercolour of Mount Alexander gold fields which compres that view to the one by Prout
Tulloch Davidview full entry
Reference: see Australiana Magazine February 2012 for article by Andrew Morris on Gilbert’s watercolour of Mount Alexander gold fields which discusses a Tulloch gold mining scene
Shaw Marina - china painter, sculptor, portrait painterview full entry
Reference: see Australiana Magazine February 2012 for article by Dorothy Erickson
Firnhaber and Schomburgkview full entry
Reference: see Australiana Magazine February 2012 for article on these silversmiths
ceremonial maces of Australian universitiesview full entry
Reference: see Australiana Magazine February 2012 for article
Roberts John Rider view of Flowler’s Camperdown Brickworksview full entry
Reference: see Australiana Magazine February 2012 for article by Geoff Ford
Glover John drawing of Ben Lomond Tasmania 1833view full entry
Reference: see Australiana Magazine February 2012 for advert by J. B. Hawkins Antiques
Walsh Craigview full entry
Reference: SMH article 21.2.2012 on Craig Walsh’s artist in residnce at Australian Museum
Ref: 03
Tucker Albertview full entry
Reference: Images of Modern Evil - Albert Tucker, edited by Lesley Harding, Heide Museum of Modern Art. To accompany exhibition 19 March - 26 June, 2011, includes catalogue.
Publishing details: Heide Museum of Modern Art, 2011, hc, cloth, no dw as issued, 138pp,
Barry Cohenview full entry
Reference: The Yartz by Barry Cohen [to be indexed]
Publishing details: Allen & Unwin, 1998, pb, 209pp with index
Braithwaite Joannaview full entry
Reference: Pecking Order - Darren Knight Gallery catalogue
Publishing details: 2011.editionof 750
Ref: 218
Mais Hilarieview full entry
Reference: Hilary Maas - Survey of Works 1974 - 2004, an exhibition at the Drill Hall Gallery
Publishing details: ANU, 2004, pb, 34pp
Ref: 218
Baker Christina Asquith view full entry
Reference: Jim Alexander Gallery exhibition catalogue, 1986. 45 exhibits listed. Essay on the artist and some contemporary reviews included.
Publishing details: Jim Alexander Gallery, 1986, photocopy only
Ref: 82
Baker Christina Asquith view full entry
Reference: Athenaeum Art Gallery exhibition catalogue, 1933. 72 works listed
Publishing details: photocopy only
Ref: 82
Maguire Timview full entry
Reference: Time and Nature 2012, fully illustrated
Publishing details: Martin Browne catalogue, 2012, with price list
Ref: 218
Bennett Janeview full entry
Reference: see ANMM magazine Signals, no. 97 - Jan- Feb 2012 - Pirrima and Pyrmont for Pupils (article illustrated by Jane Bennett with biographical details
Australiana 124 itemsview full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Jerrott Robert I (item 14, 27)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Rae John (item 10 and 23)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Rae John (item 10)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Wallis Captain James (items 2 - 4)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Willis James A C (item 18, 20)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Montefiore E L (item 24)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Flynn S H (item 28)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
King Henry ‘Australian Aborigine and versions (item 39))view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Phillip-Steffan prints (items 40-42))view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Hunt Charles Henry (item 46)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Cousins J J (item 46)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Hinton Thomas (items 51 and 53)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Hammon G H (item 52)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Nuttall Charles - Opening Parliament ( item 55)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Perceval C H at the movies ( item 74)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Perceval C H at the movies ( item 74)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Barton Art poster ( item 83, 95)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Shreve Carl - American visitor to Australia ( item 82)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Nevin R L ( item 85)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Waugh John Edward ( item 85)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
McDonald P c1954 oil ( item 93)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Lowe Kerrie ( item 96)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Illingworth Nelson of Edmund Barton ( item 102)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Curtis Robert Emerson ( item 107)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Arts & Crafts Jewellery ( item 110 - 125)view full entry
Reference: see Josef Lebovic Collectors’ List 156, 2012
Larrikins in Londonview full entry
Reference: Larrikins in London: An Australian Presence in 1960s London. By Richard Neville, Martin Sharp et al. Catalogue to the exhibition curated by Nick Waterlow, with an introductory essay by him. featuring the larrikinism of many Australian artists in '60s London, including album covers, paintings and posters by Martin Sharp, Brett Whiteley's Christie murder series, Sidney Nolan's Ned Kelly series, photographs by Lewis Morley (incl. his Christine Keeler portraits), images by and of Barry Humphries, and Robert Whitaker's images of the Aloszko sisters (Oz #5, "Plant a Flower Child"). Includes numerous contributions from many of the Australians who formed part of the cultural exodus to London in the '60s - Richard Neville, Louise Ferrier, Marsha Rowe, Jim Anderson, Martin Sharp, Albie Thoms (all of whom wrote for Oz), and many others. Also features several poms who played key roles in the social and cultural mix of the era - Eric Clapton, Felix Dennis, David Hockney, Caroline Coon, John Mortimer, and John Lennon.
Publishing details: The University of NSW, College of Fine Arts/Ivan Dougherty Gallery, 2003, 15x14cm. 120pp. Profusely illustrated throughout in colour and black/white,
Ref: 1009
Biggest Estate on Earth view full entry
Reference: The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Aborigines and land practicesview full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Aborigines and land careview full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Lycett Joseph numerous refsview full entry
Reference: see The Biggest Estate on Earth – How Aborigines Made Australia, by Bill Gammage. Includes bibliographical references (p. 379-415) and index.
"Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter ... . With details of land-management strategies from around Australia, The biggest estate on earth rewrites the history of this continent, with huge implications for us today."--Dust cover.
Full contents Australia in 1788 Introduction - The Australian estate - 1. Curious landscapes - 2. Canvas of a continent Why was Aboriginal land management possible? - 3. The nature of Australia - 4. Heaven on earth - 5. Country How was land managed? - 6. The closest ally - 7. Associations - 8. Templates - 9. A capital tour - 10. Farms without fences Invasion - 11. Becoming Australian - Appendix 1: Science, history and landscape - Appendix 2: Current botanical names for plants named with capitals in the text 
Publishing details: Allen & Unwin, 2011, 2012, hc, dw, 
xxiii, 434 p. : col. ill. ;
Holleley Dview full entry
Reference: Visions of Australia (landscape photography)
Publishing details: A &R, 1980,
Ref: 1000
Australian Antiquesview full entry
Reference: Australian Antiques - First Fleet to Federation, by Caroline Simpson, Kevin Fahey, John Hawkins, Marjorie Graham, Vaughan Evans, David Ell, Diana Pockley and Anne Schofield. Photographs by John Delacour
Publishing details: Golden Press, in association with The National Trust of Australia, 1977, hc, dw, 144pp
First Fleet to Federationview full entry
Reference: see Australian Antiques - First Fleet to Federation. by Anne Schofield et al.
Publishing details: Golden Press, 1977, 144pp
Whisson Kenview full entry
Reference: Watters Gallery exhibition catalogue with prices
Publishing details: Watters Gallery, ct 1995, , 16pp, illustrated in colour,
Ref: 1004
Rose Grainger Costume Collectionview full entry
Reference: Rose Grainger Costume Collection selected by Elinor Wrobel. (Selection & preparation by Elinor Wrobel; Photographs by Jim Sheldon; Edited by Rosemary Florrimell; Introduction by Kay Dreyfus). Exhibition catalogue for the Rose Grainger Costume Collection. Selection & preparation by Elinor Wrobel. Photographs by Jim Sheldon. Edited by Rosemary Florrimell. Introduction by Kay Dreyfus. Illustrated in colour and b&w. Includes selected bibliography. Published in conjunction with the Australian Bicentenary 1788-1988.
Publishing details: University of Melbourne, 1988, 36pp
Ref: 1000
Chapman Evelynview full entry
Reference: see Look Magazine April 2012 - article by Anne Gerard-Austin with 3 illustrations
Australian Symbolismview full entry
Reference: see Look Magazine April 2012 - article on the AGNSW exhibition May - July 2012
Whiteley Brett Christie murder series,view full entry
Reference: see Larrikins in London: An Australian Presence in 1960s London. By Richard Neville, Martin Sharp et al. Catalogue to the exhibition curated by Nick Waterlow, with an introductory essay by him. featuring the larrikinism of many Australian artists in '60s London, including album covers, paintings and posters by Martin Sharp, Brett Whiteley's Christie murder series, Sidney Nolan's Ned Kelly series, photographs by Lewis Morley (incl. his Christine Keeler portraits), images by and of Barry Humphries, and Robert Whitaker's images of the Aloszko sisters (Oz #5, "Plant a Flower Child"). Includes numerous contributions from many of the Australians who formed part of the cultural exodus to London in the '60s - Richard Neville, Louise Ferrier, Marsha Rowe, Jim Anderson, Martin Sharp, Albie Thoms (all of whom wrote for Oz), and many others. Also features several poms who played key roles in the social and cultural mix of the era - Eric Clapton, Felix Dennis, David Hockney, Caroline Coon, John Mortimer, and John Lennon.
Publishing details: The University of NSW, College of Fine Arts/Ivan Dougherty Gallery, 2003, 15x14cm. 120pp. Profusely illustrated throughout in colour and black/white,
Morley Lewis Morley (incl. his Christine Keeler portraits),view full entry
Reference: see Larrikins in London: An Australian Presence in 1960s London. By Richard Neville, Martin Sharp et al. Catalogue to the exhibition curated by Nick Waterlow, with an introductory essay by him. featuring the larrikinism of many Australian artists in '60s London, including album covers, paintings and posters by Martin Sharp, Brett Whiteley's Christie murder series, Sidney Nolan's Ned Kelly series, photographs by Lewis Morley (incl. his Christine Keeler portraits), images by and of Barry Humphries, and Robert Whitaker's images of the Aloszko sisters (Oz #5, "Plant a Flower Child"). Includes numerous contributions from many of the Australians who formed part of the cultural exodus to London in the '60s - Richard Neville, Louise Ferrier, Marsha Rowe, Jim Anderson, Martin Sharp, Albie Thoms (all of whom wrote for Oz), and many others. Also features several poms who played key roles in the social and cultural mix of the era - Eric Clapton, Felix Dennis, David Hockney, Caroline Coon, John Mortimer, and John Lennon.
Publishing details: The University of NSW, College of Fine Arts/Ivan Dougherty Gallery, 2003, 15x14cm. 120pp. Profusely illustrated throughout in colour and black/white,
Whitaker Robert images of the Aloszko sistersview full entry
Reference: see Larrikins in London: An Australian Presence in 1960s London. By Richard Neville, Martin Sharp et al. Catalogue to the exhibition curated by Nick Waterlow, with an introductory essay by him. featuring the larrikinism of many Australian artists in '60s London, including album covers, paintings and posters by Martin Sharp, Brett Whiteley's Christie murder series, Sidney Nolan's Ned Kelly series, photographs by Lewis Morley (incl. his Christine Keeler portraits), images by and of Barry Humphries, and Robert Whitaker's images of the Aloszko sisters (Oz #5, "Plant a Flower Child"). Includes numerous contributions from many of the Australians who formed part of the cultural exodus to London in the '60s - Richard Neville, Louise Ferrier, Marsha Rowe, Jim Anderson, Martin Sharp, Albie Thoms (all of whom wrote for Oz), and many others. Also features several poms who played key roles in the social and cultural mix of the era - Eric Clapton, Felix Dennis, David Hockney, Caroline Coon, John Mortimer, and John Lennon.
Publishing details: The University of NSW, College of Fine Arts/Ivan Dougherty Gallery, 2003, 15x14cm. 120pp. Profusely illustrated throughout in colour and black/white,
Nolan Sidneyview full entry
Reference: The “Kelly” paintings of Sidney Nolan 1946 – 47 )For those of us who rank Sidney Nolan as one of the two or three painters of Australia of real significance, this Exhibition – his first one-man show in a Public Gallery – is of quite outstanding importance. We believe its value in the history of Australian painting is already assured.’ John Reed, Statement, the 1948 catalogue.
A great rarity, only a handful of copies recorded, and arguably the most important one-man exhibition of paintings in Australian art.)
Publishing details: Melbourne: Velasquez Gallery. April 1948. Quarto (255 x 204mm), 8pp, image on front wrapper, catalogue of the 27 paintings of the first Kelly series, foreword by John Reed, quote from Ned Kelly.
Ref: 1009
Drysdale Russellview full entry
Reference: Russell Drysdale - essays, 45 full page colour plates reproducing Drysdale paintings and drawings,
Publishing details: Melbourne : Richmond Hill Press, 1979. Elephant folio, full leather. paper folio with 6 loose colour plates, all housed in a tan clamshell box, Limited to 500 copies signed by the artist,
Ref: 1000
Anti Fascist Exhibitionview full entry
Reference: Anti-Fascist Exhibition (very rare and ephemeral exhibition catalogue from the important political exhibition held at the Atheneum Gallery in Melbourne from December 8 - 18 1942. The artist involved include Noel Counihan, Sidney Nolan, John Perceval, Albert Tucker, Dorrit Black and Donald Friend. The CAS, formed in response to institutions of the conservative Australian art establishment, saw Fascism as embodying the stifling cultural values which restricted creative expression in Australia. "The Contemporary Art Society embodies the traditions of that vigorous and critical modern art which has always ranged itself on the side of liberty and life against tyranny and reaction. This choice has called down on the heads of the modern artists the ruthless hatred of the Nazis and Fascists. It would be fitting for those who have so strongly attacked modern art in this country to bear this fact in mind'. The Anti-Fascist exhibition was shown for less than two weeks in Melbourne, before being also exhibited in Adelaide, and this includes a supplement in the catalogue for South Australian works. The exhibition includes some of the first works exhibited by members of the Angry Penguins circle.
Reference : The Silent Scream : political and social comment in books by artists. Sydney : Bibliotheca Librorum apud Artificem, 2011, pp. 48-49 (illustrated)
Publishing details: Contemporary Art Society of Australia, 1942. Oblong quarto, printed wrappers, statement, black and white reproductions of a Kathe Kollwitz lithograph, catalogue.
Ref: 1000
Silent Scream The view full entry
Reference: The Silent Scream : political and social comment in books by artists. [’Political and social comment in books by artists. Essays by Monica Oppen, Peter Lyssiotis, Walter Struve, Scott McQuire, Humphrey McQueen, Des Cowley. Sydney : Ant Press for Bibliotheca Librorum apud Artificem, 2011. Quarto, laminated card wrappers, 189 pp. fully illustrated. Produced to accompany the exhibition at Monash University Library of international and Australian artists’ books with political content. Features artists such as Natalia Goncharova, George Grosz, Ernst Kirchner, Max Beckmann, Noel Counihan, Ian Howard and Richard Tipping.’] [to be indexed]
Publishing details: Sydney : Bibliotheca Librorum apud Artificem, 2011, pp. 48-49 (illustrated)
Ref: 1000
Lindsay Lionelview full entry
Reference: The etched work of Lionel Lindsay (catalogue of 95 works)

Publishing details: Melbourne : Decoration Galleries, n.d. [1921]. Octavo, illustrated wrappers, 8 pp., three tipped-in black and white plates,
Ref: 1000
Short William Wackenbarth Snrview full entry
Reference: A fine example 45 x 90 cm dated 1860 of a lake scene. Offered at Mossgreen auctions 15 April, 2012 (Clarenden House Tasmania)
Forrest Haughtonview full entry
Reference: A fine example 108 x 83 cm circa 1890 of Russell Falls Tasmania. Offered at Mossgreen auctions 15 April, 2012 (Clarenden House Tasmania)
Forrest Haughtonview full entry
Reference: book to be published 2021
Ref: 1000
Sommers Johnview full entry
Reference: Landscape with gumtrees. Offered at Mossgreen auctions 15 April, 2012 (Clarenden House Tasmania)
Blyth Elizaview full entry
Reference: A collection of 21 flower paintings exhibited 1866 at the Intercolonial exhibition. Offered at Mossgreen auctions 15 April, 2012 (Clarenden House Tasmania). Illustrated. Biographical details in catalogue essay.
Simons Johnview full entry
Reference: Rossetti’s Wombat: Pre-Raphaelites And Australian Animals In Victorian London (Rossetti's Wombat tells the story of 'Top', a wombat who lived with the Pre-Raphaelite painter Dante Gabriel Rossetti in Chelsea for a few months in 1869. The book also describes the strange history of the European fascination with the flora and fauna of Australia, from the late 18th century onwards.
By 1860, most well-to-do people could buy a pet kangaroo from a London pet shop - and many of them did. Wombats were rarer and more expensive but the tradition of wombat owning was well established by the turn of the 19th century. Napoleon had a pet wombat, as did the Duke of Edinburgh, so Dante Gabriel Rossetti was in good company when he bought his.
Rossetti's Wombat is a light-hearted account of an improbable side of Victorian England. It also examines the way a wombat participated in the delicate relationships between the men and women in the Pre-Raphaelite circle - particularly Rossetti's emotional affair with Jane Morris, wife of his friend and colleague William.
Fully illustrated with drawings and etchings of the period, Rossetti's Wombat will appeal to those with an interest in Victorian England and the Pre-Raphaelites, and to wombat lovers everywhere. -- Blackwell North Amer

In this examination of the fascination with exotic animals in mid-Victorian England, Simons (English, U. of Lincoln, UK) relates the role of a pet wombat in the complex relationships between his owner Pre-Raphaelite painter Dante Gabriel Rossetti and his circle of friends, which included Jane and William Morris. The book features whimsical wombat-related illustrations, verse, and prose).
Publishing details: Middlesex University Press, 2008, pb, 160pp
Ref: 1000
Rossetti’s Wombat: Pre-Raphaelites And Australian Animals In Victorian London view full entry
Reference: see Simons John, Rossetti’s Wombat: Pre-Raphaelites And Australian Animals In Victorian London (Rossetti's Wombat tells the story of 'Top', a wombat who lived with the Pre-Raphaelite painter Dante Gabriel Rossetti in Chelsea for a few months in 1869. The book also describes the strange history of the European fascination with the flora and fauna of Australia, from the late 18th century onwards.
By 1860, most well-to-do people could buy a pet kangaroo from a London pet shop - and many of them did. Wombats were rarer and more expensive but the tradition of wombat owning was well established by the turn of the 19th century. Napoleon had a pet wombat, as did the Duke of Edinburgh, so Dante Gabriel Rossetti was in good company when he bought his.
Rossetti's Wombat is a light-hearted account of an improbable side of Victorian England. It also examines the way a wombat participated in the delicate relationships between the men and women in the Pre-Raphaelite circle - particularly Rossetti's emotional affair with Jane Morris, wife of his friend and colleague William.
Fully illustrated with drawings and etchings of the period, Rossetti's Wombat will appeal to those with an interest in Victorian England and the Pre-Raphaelites, and to wombat lovers everywhere. -- Blackwell North Amer

In this examination of the fascination with exotic animals in mid-Victorian England, Simons (English, U. of Lincoln, UK) relates the role of a pet wombat in the complex relationships between his owner Pre-Raphaelite painter Dante Gabriel Rossetti and his circle of friends, which included Jane and William Morris. The book features whimsical wombat-related illustrations, verse, and prose).
Publishing details: Middlesex University Press, 2008, pb, 160pp
Cazneaux Haroldview full entry
Reference: Sunlight and Shadow - the lifework of Harold Cazneaux by Zeny Edwards. Includes biographical information and bibliography. Extensively illustrated.
Publishing details: The Author, 1996, 206pp, edition limited to 500 of which this is copy 355, signed by author, printed by Wild & Woolley, hc, 206pp
Drysdale Russellview full entry
Reference: Drysdale Photographer by Jennie Boddington
Publishing details: National Gallery of Victoria, Australia, 1987. Soft Cover. 4to. 216 pp.
Ref: 1000
Baker Richard Thomas 1854-1941 view full entry
Reference: The Australian Flora in Applied Art [Originally planned in 2 parts but Part 1 was the only part published.} 67 coloured plates
Publishing details: Department of Public Infrastructure, Technological Museum, 1915
Ref: 1000
Art of the Pacificview full entry
Reference: Art of the Pacific, by Brian Brake, James McNeish and David Simmons
Publishing details: Oxford University Press, Wellington, New Zealand, 1979. Hardcover.
Ref: 1000
Phillips (Aust.) Auction cataloguesview full entry
Reference: 15 May 2001
Publishing details: Phillips Australia
Ref: 55.2
Phillips (Aust.) Auction cataloguesview full entry
Reference: Modern & Contemprary 30 - 31 July 2007
Publishing details: Phillips Australia
Ref: 55.2
Artemis Auctionsview full entry
Reference: Melbourne 19 May, 2009 - Modern & Contemporary Australian
Publishing details: Artemis
Ref: 55.2
Artemis Auctionsview full entry
Reference: Melbourne 27 - 28 April 2009, Australian & International Art
Publishing details: Artemis
Ref: 55.2
Artemis Auctionsview full entry
Reference: Melbourne 4 August 2009, Affordable Australian & International Art [online]
Publishing details: Artemis
Ref: 55.2
Deutscher & Hackett Auctionsview full entry
Reference: Complete set missing 7, 11, 13, 15, 17, 20
Deutscher Menzies (later Menzies) Auctionsview full entry
Reference: Complete set missing no 5
Bay East auction catalogues view full entry
Reference: Oct 2007; May 2008; May 2008 Mallesons Stephen Jaques collection; March 2009; May 2009; July 2009; September 2009; March 2010; May 2010; May 2011; July 2011; Nov 2011; Sept 2011; March 2012
Ref: 55.4
Ochre - supporting Indigenous health through Artview full entry
Reference: see Mossgreen Auctions - 123 works with 123 individual biographies biographies [to be indexed
Publishing details: 14 October 2008
Ref: 55.5
Hoskins Hughview full entry
Reference: Hugh Hoskins: Memoirs 1918 - 2008. Includes colour plates of works by Hugh Hoskins. (A copy in Berrima Library?)
Publishing details: unknown, 2008?
Ref: 1009
Collingridge Arthurview full entry
Reference: a comic illustration titled ‘Anniversary Day - Capsized in the Harbour’ was offered at Lawsons, Sydney 13.4.12. It showed 3 men having been thrown out of a capsized boat
Publishing details: possibly published in the illustrated Sydney News c1888?
Fleischmann Arthurview full entry
Reference: Arthur John Fleischmann (1896-1990) trained in Prague, Budapest and Vienna and worked in France and Italy before travelling to Australia. He spent six months working in Bali in 1938 and arrived in Australia the following year. He was hailed as a modernist sculptor and exhibited in Sydney and Melbourne with Lyndon Dadswell and Daphne Mayo. Fleischmann left Australia in 1948 and settled in London where he became a Fellow of the RBS and exhibited widely. This bust of Ferrier was sculpted to commemorate her life and the bronze version was unveiled at a memorial concert at King George's Hall in her home town of Blackburn, Lancashire on October 8th 1954, a year after her death. It is now held at Blackburn Museum.
BAUER,Ferdinandview full entry
Reference: BAUER,Ferdinand. Illustrationes florae Novae Hollandiae...
Very large folio, 624 x 490mm, with a series of 15 engraved plates after Bauer, in two states, sepia and bound, or hand-coloured (by Karen Lightfoot or Helen Wellard) and unbound; number XV, in fine condition in the original cloth-backed marbled boards, the coloured plates loose within window mounts, all contained within a single very large green morocco-backed solander box, by Aquarius. London,
Publishing details: Alecto Historical Editions, 1989.
From an edition of 35
Ref: 1000
PALMER, Maudie. and, Bryony Marks. (Editors).view full entry
Reference: TarraWarra Museum of Art. Study of the Victorian art gallery.


Publishing details: Melbourne, 2003.
Illusts. in colour.

Oblong 8vo. or.pict. wrap. OCTAVO SIZE. WRAPPERED EDITION.

(62pages).
TarraWarra Museum of Art. view full entry
Reference: see PALMER, Maudie. and, Bryony Marks. (Editors). - TarraWarra Museum of Art. Study of the Victorian art gallery.
Publishing details: Melbourne, 2003.
Illusts. in colour.

Oblong 8vo. or.pict. wrap. OCTAVO SIZE. WRAPPERED EDITION.

(62pages).
Van Gennipview full entry
Reference: a work offered at Cheffins Auction UK, May 3, 2012, lot 350. (Born in Australia from parents of an artistic background Van Gennip was encouraged to draw by his parents and inspired by his surroundings which included the Blue Mountains. At 18 Van Gennip accepted a 3-year working scholarship with the Sydney Technical College. For the next 12 years he worked with a prominent commercial art firm in Sydney. Concurrent with these rigorous demands he studied with the Drummoyne Art Society which was then guided by the most notable and heralded of Australian impressionists, Joshua Smith. Eventually, he gave up commercial endeavours to concentrate on fine art, in particular he sought to uncover the secrets that enabled Streeton and McCubbin to be known as the kings of the "Golden Era" of Australian Art. )
May R Hamiltonview full entry
Reference: TWO 1940's AUSTRALIAN BIRD BOOKS, by the GOULD LEAGUE OF BIRD LOVERS. They are Full of Illustrations by Bird Artist, R.HAMILTON MAY. These books were produced around the 1940's. One has the Australian Lyrebird, and 18 Pages. The other has a Magpie on the cover, and 17 pages. They are both in Very Good Condition, and measure, 11 1/2 inch by 8 3/4 inch, (29.1cm x 22.2cm).
Publishing details: Gould League Aust, not dated, softcover
28 pages with b&w illustrations
Ref: 1000
Astley Charlesview full entry
Reference: Two works on eBay April 28, 2012 with following notes: Charles Ernest Astley was born in Deptford, Kent on 12 May 1869. Nothing is known of his early life or education but it appears that he studied at the Goldsmiths Institute, London under Frank Marriott. He came to Australia c.1887-88 and lived in rural New South Wales before moving to Hobart. There he painted (exhibiting with the Tasmanian Art Society in 1899). He came to Queensland about 1902 and settled in Toowoomba where he became art instructor at the Toowoomba Technical College. He was instrumental in organising the first art show for the Austral Association in Toowoomba in 1903. He travelled back to England in 1907 and on his return settled in Warwick where, except for one year teaching in Rockhampton in 1925, he was to spend the remainder of his life as art master at the Warwick Technical College and High School.


His students exhibited their work annually and reports in the local papers describe stencilled curtains, woodcarving and modelling as well as painting and drawings. About 1920 he began to teach china painting and pottery. While the establishment of a course in ceramics in a small Queensland regional centre does not seem remarkable it becomes much more significant if we remember that the course was instituted more than a decade prior to courses at such institutions as the Royal Melbourne Institute of Technology. The Warwick Technical College in fact acquired a kiln before the Central Technical College, Brisbane, and received a positive response when the students' works were displayed at the Queensland National Agricultural and Industrial Association annual exhibitions in 1921 and 1923. The College also submitted a display to the British Empire Exhibition at Wembley Stadium in 1924. (Gladys Fell's 'Kookaburra bowl' was included the contingent from Warwick.)

As a painter, Astley exhibited oils and watercolours at Toowoomba and in Queensland Art Society Exhibitions in 1902, 1911 and 1914. His pottery classes at the Warwick Technical College was a major expression of the interest generated by L.J. Harvey's classes in Brisbane. Astley's own work is much more sophisticated that that of his students and compares favourably with the pottery being produced in Brisbane.

His most significant artistic achievement is carved 'Hallstand: Flanders Field' which is a significant example of the distinctive Arts and Crafts furniture style that evolved on the Darling Downs in the late nineteenth century through the association of Edith Robinson with the Toowoomba Technical College. By looking at Astley's carving with the tradition of symbolic devices, the effects of World War One on the Warwick district and the association with John McCrae's poem, one can conclude that the strong underlying social forces in Astley's environment affected his choice of motif. Astley's work thus transcends its intended function as a simple domestic object and provides an opening to explore the social and artistic context of the period. His work can be found in the collections of the Tasmanian Museum and Art Gallery, Hobart, Tasmania; Toowooomba Regional Art Gallery, Queensland; and the Queensland Art Gallery, Brisbane, Queensland.

Listed in Davenports and AskArt, Astley was the subject of an article by Glenn R. Cooke entitled "Charles Astley, the career of an artist and art teacher on the Darling Downs" in the Feburary 2004 edition of Australiana.
Lipview full entry
Reference: Lip 1981/2: Women In The Visual & Performing Arts.
[Parkville, Vic:] Lip Collective, 1982. No 7. Includes “Six Statements: Feminism & Art Practice”; Judy Annear review- ing Germaine Greer’s Obstacle Race; collages by Michelle Ely; Colleen Chesterman on the “Women In Theatre Project”; photographs of ANZAC women by Glenda Ger- rard; an examination of Cleo magazine 1973 – 1981, by Jeannette Fenelon; and Janine Burke reviewing Mary Eagle’s Australian Women Artists 1840 – 1940. Quarto [295 x 210] 101 pages in bright red card wrappers reproducing the dictionary entry style of the first issue.
Lip 1982/3: A Feminist Arts Journal. [Parkville, Vic:] Lip Magazine Co-operative Limited, 1983. No 8 [though called No 7 on the title page and spine, with the issue number-
ing error initiated at page 82 where Double Issue Nos 4/5
is identified as Double Issue Nos 3/4]. Includes Meaghan Morris on Mary Daley’s poetics; photography by Ponch Hawkes and Sandy Edwards; an Emily Dickinson perform- ance piece by Judith Brett; Judith Mackay’s survey of the life and work of Brisbane sculptor, Daphne Mayo – “Miss Michelangelo from Brisbane” (1895 – 1982); and Barbara Creed on feminist film theory. Quarto [299 x 211] 89 pages in bright blue wrappers reproducing the dictionary entry style of the first issue.
Lip: Australian Feminist Arts Journal. Parkville, Vic: Lip Magazine Co-operative Limited, 1984. No 9 [though called No 8 on the title page and spine]. This issue includes Judith Mackay’s short essay and photo-survey of Beatrice May Sutton (“Australia’s First Woman Architect?”); an account
of the sixteen posters produced by the “Jill Posters” group; Andrea McLaughlin and Carolyn Lewens on the Epidavros Theatre; Terry Smith on Frida Kahlo; Andrea McLaugh-
lin on feminist theatre; Helen Saniga on Lucy Lippard’s
visit to Australia; Judith Rodriguez on Emily Hope; and Vicki Varvaressos on the working conditions of Australian women artists. Designed by Anne Algar (“Any Excuse For
A Design”) and with the adhesive erratum on the inside upper cover acknowledging Jeannette Fenelon’s place on the editorial board. Quarto [298 x 211] 111 pages in illustrated wrappers parodying an Italian soapowder advertisement.
The set: nine numbers in seven issues, all published.
Ref: 1000
Macky Eric Spencerview full entry
Reference: Eric Spencer Macky (New Zealand, 1880-1958)
A pair of Parisian river scenes, 1910, each signed and dated, oils on panel, 5 1/4" x 6 3/4", W. E. & J. J. Mark Fine Art Dealers labels verso (2).
Eric Macky was a painter, muralist, lecturer and educator born in Auckland, New Zealand. He studied in Australia before spending three years at the Academie Julian in Paris, studying with Jean-Paul Laurens. These pictures date from this period.
In 1911 Macky settled in the U.S. He taught at the University of California and the California School of Arts, where he was Dean and Professor of Painting and Drawing. He exhibited widely both in America and Europe, including the Salon des Artistes in Paris (1910); the Panama-Pacific International Exhibition, San Francisco (1915); San Francisco Museum of Art Inaugural exhibition and the Bohemian Club.
Publishing details: Mallams
20th Century Decorative Arts, Design & Studio Pottery
2012 | United Kingdom
Lot 558
Menpes Mortimerview full entry
Reference: PETER WALKER FINE ART

101 Walkerville Terrace
Walkerville SA 5081

Exhibition:
17 May - 2 June, 2012
11.00 - 5.00pm
Thursday - Saturday

Peter Walker Fine Art is proud to present an exhibition of paintings and etchings by Mortimer Menpes (1855 -1938).

Mortimer Menpes, painter, etcher and writer is a name not well recognised in Australia, let alone in his hometown of Adelaide, but in Europe his talents and fame flourish.

Menpes was born at Port Adelaide in 1855. He studied at the Adelaide School of Design and in 1875 moved to London. In 1880 he met the famous American artist James Whistler, prompting him to leave art school to study informally under him. As a result, Menpes's reputation was soon established. He regularly exhibited at the Royal Academy, was elected to the Royal Society of Painters and Etchers and became a member of the Society of British Artists.

Menpes travelled widely in Europe, India and Japan where he found inspiration for many of his works. Menpes also wrote a number of biographies, including ones on Lord Kitchener, Whistler, Gainsborough and Rembrandt. He was a book publisher, establishing the Menpes Press for publishing colour reproductions of the Old Masters.

This exhibition showcases the career, and contribution of this remarkable Australian artist!

A recently completed catalogue raisonne of Menpes's etchings will also be available. See our website for more details.


Publishing details: 2012
Ref: 1000
Woolley Kenview full entry
Reference: The Peter Pinson Gallery cordially invites you to view the exhibition:

Views from hotel windows in Paris, Moscow and Ravello.

New etchings by Ken Woolley AM.
Publishing details: 2012
Ref: 1000
Crow Jackview full entry
Reference: Unframed Original Abstract, Ink and Gouache Painting, by Australian Artist, and Designer, JACK CROW. It is signed lower right, and dated 1948. It shows a lovely Abstract work, with Red and Coloured Objects, which is in a similar style to artwork by BRITISH Artists, Graeme Sutherland, and John Piper. JACK CROW, was a relatively unknown Ma 1947, which was later to become whaster of Early Australian Abstract and Design Art, who had amazing abilities, but rarely Exhibited his art. It is unframed.

CROW, Jack; Artist and Designer, Studied at RMIT Melbourne, as a Student with Roy Opie, and Ron Rosenfeldt, and formed the First Incorporated, Interior Design Association of Australia, int is known today as the “Design Institute of Australia”. Jack was their first President in 1947, with Roy Opie as Treasurer. Jack later became senior Lecturer of Art and Designe at RMIT, Melbourne for some years. He also studied in London and worked with Artist Graham Sutherland. During the 1960’s, he helped establish an Art and Design Network in Melbourne, and worked with Top Designer Grant Featherstone, on projects. He was a varied Artist, who produced some brilliant artwork well ahead of it’s time.
This painting is in Good Condition, and measures, 14 inch by 17 inch, (36.2cm x 43.2cm). (Image size).
Publishing details: on eBay Australia May 2012
Rosenfeld Ronview full entry
Reference: see Crow Jack - Unframed Original Abstract, Ink and Gouache Painting, by Australian Artist, and Designer, JACK CROW. It is signed lower right, and dated 1948. It shows a lovely Abstract work, with Red and Coloured Objects, which is in a similar style to artwork by BRITISH Artists, Graeme Sutherland, and John Piper. JACK CROW, was a relatively unknown Master of Early Australian Abstract and Design Art, who had amazing abilities, but rarely Exhibited his art. It is unframed.

CROW, Jack; Artist and Designer, Studied at RMIT Melbourne, as a Student with Roy Opie, and Ron Rosenfeldt, and formed the First Incorporated, Interior Design Association of Australia, in 1947, which was later to become what is known today as the “Design Institute of Australia”. Jack was their first President in 1947, with Roy Opie as Treasurer. Jack later became senior Lecturer of Art and Designe at RMIT, Melbourne for some years. He also studied in London and worked with Artist Graham Sutherland. During the 1960’s, he helped establish an Art and Design Network in Melbourne, and worked with Top Designer Grant Featherstone, on projects. He was a varied Artist, who produced some brilliant artwork well ahead of it’s time.
This painting is in Good Condition, and measures, 14 inch by 17 inch, (36.2cm x 43.2cm). (Image size).
Baines Thomasview full entry
Reference: Thomas Baines Eastern Cape Sketches 1848-1852 by Jane Carruthers
Publishing details: The Brenthurst Press, 1990
A fine unread copy in a fine d.w., in the original plain corrugated thick cardboard mailing case as issued. Very scarce in such choice state. The Standard Edition, one of 850 unnumbered copies. Second Series #7; First Edition (AFRICA ARTIST MONOGRAPHS)
Ref: 1000
Baines Thomasview full entry
Reference: he Life and Work of Thomas Baines by Jane Carruthers
Publishing details: Fernwood Press (Pty) Ltd ,South Africa, 1997
Ref: 1000
Baines Thomasview full entry
Reference: Thomas Baines: Exploring Tropical Australia, 1855 to 1857, edited by Jane Carruthers and Lindy Stiebel
Publishing details: National Museum of Australia Press, 2012.
Lewis Martinview full entry
Reference: Offered at Chorleys Auction UK 2012 with accompanying information: Martin Lewis (American 1880-1962) SHADOWS ON THE RAMP signed in pencil lower right Martin Lewis, inscribed on mount Shadow on the Ramp and on reverse E8717 M.S./drypoint etching, plate size 22.5cm x 26.5cm (8.75" x 10.25") Note: Born in Australia, Martin Lewis had emigrated to the USA by 1910. He became a commercial artist in New York and after a successful exhibition concentrated on printmaking, the art of which he later helped to teach Edward Hopper. He also travelled and worked in Japan and the influences of both Hopper and Japanese Art can be seen in his successful work of the 1920s and 1930s. He left New York during the Depression and concentrated on rural scenes for some years, however upon his return, he found that his work had lost its popularity and he died a relatively unknown artist. He is now considered one of America's foremost printmakers of the early 20th Century, his depictions of 1930s New York epitomising the period.
Gilligan Brian Jview full entry
Reference: Christie's Interiors
2012, United Kingdom
Lot 609 | Brian J. Gilligan (Australian, b.1930). Starstan Hall, Interior; and The Nursery, Starstan Hall
oil on canvas, the second is unframed
15½ x 18¼ in. (39.4 x 46.3 cm.); 16 x 20 in. (40.5 x 50.7 cm.)
two in the lot (2)
Smith Ianview full entry
Reference: Ian Smith artist
Exhibition Catalogue
Publishing details: Heiser Gallery, Brisbane, 2008. Soft Cover. 16pp
Ref: 1000
Maiden J Hview full entry
Reference: The Flowering Plants and Ferns of New South Wales
Publishing details: John Sands, 1943, 28 coloured plates
Ref: 1000
Pareroultja Edwinview full entry
Reference: Exhibition of Watercolours by Edwin Pareroultja
Publishing details: Anthony Hordern’s Fine Art Exhibition Gallery 1947 4pp
Ref: 1008
Dunlop Brianview full entry
Reference: Eumeralla Paintings 1993-4 by Lynne Strahan
Publishing details: Australian Galleries, 1994, 24pp
Ref: 99
Curtis Winifredview full entry
Reference: ENDEMIC FLORA OF TASMANIA PART 1 - WINIFRED CURTIS
Ref: 1000
Rafty Tonyview full entry
Reference: see Bay East auction 27.5.12 with biographical information at lots 55 - 57
Hellier Dermontview full entry
Reference: see Bay East auction 27.5.12 with biographical information at lot 83
Schramm Alexanderview full entry
Reference: ‘Native Encampment’, oil at Sotheby’s 8 May 2012 lot 11 with essay
Bock Thomas attributedview full entry
Reference: see William and Margaret Robertson and their family 1847 at Sotheby’s 8 May 2012 lot 13. A ‘conversation piece’ rare in early colonial art.
Wright Thomasview full entry
Reference: see ‘Ellen’s Head, Phillip Island, 1874’ at Sotheby’s 8 May 2012 lot 26 (not sold). With essay
Mundy Henryview full entry
Reference: see ‘portraits of a gentleman and a lady,’ at Sotheby’s 8 May 2012 lot 61 ($30,000)). With essay
Native Police Corps images ofview full entry
Reference: see Australiana Magazine May 2012 vol 34 no 2 article by Andrew Morris
Gilbert George Alexanderview full entry
Reference: see Australiana Magazine May 2012 vol 34 no 2 article on Native Police images by Andrew Morris
Strutt Williamview full entry
Reference: see Australiana Magazine May 2012 vol 34 no 2 article on Native Police images by Andrew Morris
Gill S Tview full entry
Reference: see Australiana Magazine May 2012 vol 34 no 2 article on Native Police images by Andrew Morris
Ham Thomasview full entry
Reference: see Australiana Magazine May 2012 vol 34 no 2 article on Native Police images by Andrew Morris
cermonial maces in Australian universitiesview full entry
Reference: see Australiana Magazine May 2012 vol 34 no 2 article by Christine Erratt
Sydney punchbowlsview full entry
Reference: see Australiana Magazine May 2012 vol 34 no 2 article by Elizabeth Ellis. Two known examples are the Mitchell Library example and the one in the Australian National Mritime Museum.
Lloyd Normanview full entry
Reference: Mossgreen Auctions, catalogue of the Paul Greenwood collection of Norman Lloyd paintings (62 works, essay on the artist)
Publishing details: 6.12.2012
Fitzjames Michaelview full entry
Reference: Michael Fitzjames - ‘Back & Forth, at Australian Galleries June July, 2012. Invitation with biographical details
Publishing details: Australian Galleries, 2012, 11 colour illustrations
Lauraine Diggins catalogue view full entry
Reference: Lauraine Diggins catalogue - Telling the Stories, From the Kimberley to Yirrkala
Publishing details: Lauraine Diggins Fine Art, May July, 2012
Ref: 63
From the Kimberley to Yirrkala view full entry
Reference: see Lauraine Diggins catalogue - Telling the Stories, From the Kimberley to Yirrkala
Publishing details: Lauraine Diggins Fine Art, May July, 2012
Pigeon W Eview full entry
Reference: Artarmon Galleries cinvite with 15 colour reproductions
Publishing details: Artarmon Galleries, 2012
Ref: 8
Teraoka Masamiview full entry
Reference: New Albion Gallery(Sydney) exhibition of this Japanese artist, fully illustrated catalogue, essay by Doug Hall
Publishing details: New Albion Gallery, 2012, pb, 52pp
Hananiah Carlaview full entry
Reference: As Morning Dawns and Evening Fades, exhibition invite with 3 illustrations and brief essay
Publishing details: Arthouse Gallery, 2012
Ref: 219
Everton Samanthaview full entry
Reference: Collected Works, exhibition invite with 3 illustrations and brief essay
Publishing details: Arthouse Gallery, 2012
Ref: 219
Birch Israelview full entry
Reference: Ripple effect - catalogue with price list,
Publishing details: Martin Browne Contemporary, 2012
Ref: 219
Mosby Yessieview full entry
Reference: Masig-giu - exhibition invite
Publishing details: Martin Browne Contemporary, 2012
Ref: 219
Mallyon Gregview full entry
Reference: Northern Exposure - exhibition invite with 3 illustrations and brief essay
Publishing details: Arthouse Gallery, 2012
Ref: 219
McKenzie Alexanderview full entry
Reference: Arboretum - catalogue with price list, fully illustrated
Publishing details: Martin Browne Contemporary, 2012
Ref: 219
Read Richard frontispieceview full entry
Reference: see The Briton’s Voyage to Pitcairn’s Island... Octavo, with a frontispiece and 15 illustrations on 11 etched plates, two of which are folding, all by the author, the view of Juan Fernandez printed in ochre as issued, includes “Names of Officers belonging to the Briton” and errata leaf; a very good copy in handsome period-style blue morocco, gilt, red morocco label. Taunton, printed for the Author by J.W. Marriott, 1817.
The rare first edition; second and third editions which followed shortly afterwards are more often seen, and the obscure provincial imprint of Taunton (in Devon) as well as the fact that the work was privately issued (“Printed for the Author”) help to explain its scarcity.
Shillibeer’s book, as well as being one of the more elusive pieces of Pacificana, manages at the same time to be one of the more delightful. His account of his adventures is full of interest and always idiosyncratic in style, as are the etched plates, which were his own work and which have an appealing naïveté, as well as a certain home-made charm; the view of Juan Fernandez iNSON, James Esq.
An Account of the State of Agriculture & Grazing in New South Wales...
Tall octavo, with a coloured folding frontispiece and four aquatint plates (three in colour), & the rare large folding map by J. Cross, half-title, engraved bookseller’s ticket (G.F. Cruchley) tipped in, some offsetting; an excellent untrimmed copy in the original printed boards a little darkened at spine; in an attractive tan calf book-form box by Sangorski & Sutcliffe. London, J. Cross, 1826.
SHILLIBEER, Lieutenant J.view full entry
Reference: see SHILLIBEER, Lieutenant J.
A Narrative of the Briton’s Voyage to Pitcairn’s Island...
Octavo, with a frontispiece and 15 illustrations on 11 etched plates, two of which are folding, all by the author, the view of Juan Fernandez printed in ochre as issued, includes “Names of Officers belonging to the Briton” and errata leaf; a very good copy in handsome period-style blue morocco, gilt, red morocco label. Taunton, printed for the Author by J.W. Marriott, 1817.
The rare first edition; second and third editions which followed shortly afterwards are more often seen, and the obscure provincial imprint of Taunton (in Devon) as well as the fact that the work was privately issued (“Printed for the Author”) help to explain its scarcity.
Shillibeer’s book, as well as being one of the more elusive pieces of Pacificana, manages at the same time to be one of the more delightful. His account of his adventures is full of interest and always idiosyncratic in style, as are the etched plates, which were his own work and which have an appealing naïveté, as well as a certain home-made charm; the view of Juan Fernandez is printed by him in ochre because it is ‘the native colour of the earth of this Island’.
Pinto Jview full entry
Reference: see painting in State Library of NSW - Shipwreck possibly of the S.S. Ly-Ee-Moon, 1886 / J. Pinto
Creator Pinto, J.
Call Number ML 555
Digital Order No. a3769001

Trimmer Henriettaview full entry
Reference: see The painting of the 1870 shipwreck of the Walter Hood off the Shoalhaven coast, as captured by English woman, Henrietta Trimmer.
Publishing details: in South Coast Register - Album reveals drama of local shipwreck
BY ALAN CLARK
24 May, 2011 02:42 PM
Stubbs William Pierceview full entry
Reference: William Pierce Stubbs
1842-1909 American (but painted ships sailing to Australia)

William Pierce Stubbs was born in 1842 at Orrington, Maine. His father was a shipmaster and William was likely a master of one of his ships during 1863-73. Stubbs' is believed to have produced his first ship portrait in 1871 and just five years later was working as a marine artist in the Boston region, sharing a studio with fellow artist Wesley Webber.
Hocking Jenniferview full entry
Reference: see Dickins Auctioneers
Summer Picture Auction
2012 - United Kingdom
Lot 19 | Jennifer Hocking (1929-2011) Australian Oil on
- Jennifer Hocking (1929-2011) Australian Oil on canvas laid on board Portrait of a woman Ascribed verso 15 3/4 x 11" Comes from Jennifer Hocking Obituary, stating she was a ' Australian Model who became an influential fashion editor for Harper's & Queen '
Neill Rview full entry
Reference: see Anderson-Garland
Fine Art & Antiques Sale
2012 | United Kingdom
Lot 226 - R*** Neill (Australian 19th Century) "MOUNT MORRISTON, MACQUARIE RIVER, VAN DIEMEN'S LAND" with inscription verso "Painted by R. Neill Commissariat Department in 1825 in Hobart Town from a drawing made on the spot. Now, Assistant Commissary General Neill at Berbice in 1850. This is the original house since burnt down, and re-built on a larger scale", also inscribed with the title given above and "Huon Pine Tree". oil on panel 17.5 x 25cms; 6 7/8 x 9 3/4in.
Fontana Giovanni Giuseppe view full entry
Reference: see Neal Auction Company
Summer Estates Auction
June 30, 2012, 10:00 AM CST | New Orleans, LA, USA
- Giovanni Giuseppe Fontana (Italian, active in England and Australia, 1829-1893), "Bust of an Australian Schoolboy", 1870s/1880s, marble bust on attached socle, inscribed en verso, "G. Fontana/ S.c", height 25 in
Please Note: Start Price USD $500
Fontana Giovanni Giuseppe view full entry
Reference: a work with Kollenburg Antiquairs BV in 2012. Period: ca. 1870. Material: carara marble.: Description
The Italian-British sculptor Giovanni Giuseppe Fontana (1821-1893) was born in Carrara. It was also Carrara where he received his education as a sculptor at the Academy. He continued his studies in Rome, where he stayed until 1849. Because of his support of the Republicans he was forced to flee Italy. Through Paris he came to stay in London where he became very renowned as a sculptor. Between 1852 and 1886 he regularly exhibited works at the Royal Academy. Fontana was also very much appreciated in Australia where he exhibited several times. He received the First Degree of Special Merit at the Sydney International Exhibition of 1879. In 1881 he received a Hon. Mention for his artworks exhibited at the Centennial Exhibition in Melbourne. Several of his works are to be found in Australia. He made, amongst others, sculptures for the town hall of Sydney. His work is also to be found in the Walker Art Gallery in Liverpool. The depiction of Venus captured by Cupid very much reflects the 18th century. The way Venus rides a dolphin reminds of the drawings of Boucher. The subject is rare and seldom seen in the visual arts. The moralising signification, however, is obvious: Because Venus has better looks than Cupid, she overcomes him in the realm of beauty, as it were. Therefore this depiction symbolizes the defeat of true love against dazzling beauty, as is often seen in the real world. A picture of the 16th century Italian painter Bronzino, to be seen in the National Gallery in London since 1860, shows and erotic representation of the same theme.
Edgar William (1870-1918)view full entry
Reference: see Subjects - Shipwrecks. Speke (Ship)
Summary
Title inscribed below image. Photograph of original painting by W. Edgar. H99.220/3129 has name of ship inscribed in image l.c. and artist's signature in image l.r. Ship was built in 1891 and ran aground at Kitty Miller Bay, Phillip (in State Library of Victoria)
Publishing details: November, 1994
Ivimey Lindeview full entry
Reference: Martin Browne Gallery invite, price list and postcards
Publishing details: 2012 - bprice list inserted
Ref: 60
Pule Johnview full entry
Reference: Dark Saints
Publishing details: Martin Browne, 2012, price list inserted, 6 illustrations
Ref: 86
Kafka Paul Ernst (furniture designer)view full entry
Reference: see Insites magazine (Historic Houses Trust) article by Megan Martin, Head, Collections and Access
Publishing details: Winter 2012
Kafka Paul Ernst (furniture designer)view full entry
Reference: see ’Kafka and Kalmar’ in ‘The Furniture History Society Australiasia Journal
Publishing details: No 2, 2004, pp10-13
Gould William Buelowview full entry
Reference: William Buelow Gould by Cameron Sparkes, catalogue of Clune Galleries exhibition. 78 works listed.With essay by Cameron Sparks.
Publishing details: Clune Galleries, 1968, 12pp
Ref: 4
Whyte Duncan McGregor view full entry
Reference: Invitation to exhibition titled ‘Duncan McGregor Whyte Scottish 1865 - 1953’ at David Jones Art Gallery. Short essay included, One major work illustrated on cover
Publishing details: David Jones Art Gallery, year not given, September 19 to October 1, 4pp
Ref: 4
Celaya Enrique Martinezview full entry
Reference: ‘The Lovely Season’ - Liverpool Street Gallery exhibition catalogue
Publishing details: 2008, 62pp, biography and fully illustrated
Ref: 139
Fish in Australian Artview full entry
Reference: report of exhibition being temporarily closed due to leaking rainwater
Publishing details: SMH 15 June 2012, p15
Ref: 03
Fish in Australian Artview full entry
Reference: report of exhibition being temporarily closed due to leaking rainwater
Publishing details: Australian Financial Review 15 June 2012, p48
Ref: 03
International and Australian Posters (Lebovic)view full entry
Reference: Josef Lebovic catalogue
Publishing details: Collector’s List no. 157, 2012
Ref: 57
Menpes Mortimerview full entry
Reference: PETER WALKER FINE ART invite yo exhibition
101 Walkerville Terrace
Walkerville SA 5081

Exhibition:
17 May - 2 June, 2012
11.00 - 5.00pm
Thursday - Saturday

Peter Walker Fine Art is proud to present an exhibition of paintings and etchings by Mortimer Menpes (1855 -1938).

Mortimer Menpes, painter, etcher and writer is a name not well recognised in Australia, let alone in his hometown of Adelaide, but in Europe his talents and fame flourish.

Menpes was born at Port Adelaide in 1855. He studied at the Adelaide School of Design and in 1875 moved to London. In 1880 he met the famous American artist James Whistler, prompting him to leave art school to study informally under him. As a result, Menpes's reputation was soon established. He regularly exhibited at the Royal Academy, was elected to the Royal Society of Painters and Etchers and became a member of the Society of British Artists.

Menpes travelled widely in Europe, India and Japan where he found inspiration for many of his works. Menpes also wrote a number of biographies, including ones on Lord Kitchener, Whistler, Gainsborough and Rembrandt. He was a book publisher, establishing the Menpes Press for publishing colour reproductions of the Old Masters.

This exhibition showcases the career, and contribution of this remarkable Australian artist!

A recently completed catalogue raisonne of Menpes's etchings will also be available. See our website for more details.


Publishing details: May 2012
Ref: 4
Lydia Balbal & Jan Billycan - Bidyadangaview full entry
Reference: Arthouse invite to exhibition with brief descriptive essay
Publishing details: 2012
Ref: 219
Fitzjames Michaelview full entry
Reference: Australian Galleries exhibition invitation and price list - 48 works
Publishing details: 2012, 6pp, 11 colour illustrations
Ref: 41
Kruger Fredview full entry
Reference: Fred Kruger : intimate landscapes. Photographs 1860s – 1880s. By Isobel Crombie, [’To celebrate the launch of the publication Fred Kruger, join us as Dr Isobel Crombie, Snr Curator, Photography and Daniel Browning, Producer/Presenter, ABC Radio National, discuss the themes and ideas and processes of the artist Fred Kruger.’]
Publishing details: National Gallery of Victoria, 2012. Oblong quarto, illustrated wrappers, pp. 138, illustrated.
Ref: 1008
Timms Peterview full entry
Reference: see Private Lives - Australians at Home since Federation, by Peter Timms. [’A room-by-room tour of the Australian home since 1900.’] [’The evolution of domestic life’]. [to be indexed]
Publishing details: Melb. Miegunyah Press. 2008. 4to. Col.Ill. wrapps. 259pp. Many col & b/w ills. 1st ed.
domestic interior design in Australiaview full entry
Reference: see Private Lives - Australians at Home since Federation, by Peter Timms. [’A room-by-room tour of the Australian home since 1900.’] [’The evolution of domestic life’]. [to be indexed]
Publishing details: Melb. Miegunyah Press. 2008. 4to. Col.Ill. wrapps. 259pp. Many col & b/w ills. 1st ed.
Australian Latvian Artistsview full entry
Reference: Australian Latvian Artists - a collection of works by Latvian artists in Australia. Features over 200 colour reproductions of artists works, statements and artists’ biographies. Essays by art historian Dr Rex Butler and playwright Janis Balodis. Additional essays on the Latvian Community and its development, Latvian choral tradition, Latvian theatre in Australia, Latvian handcrafts, Latvian Sport, Latvian fraternities and sororities, and Latvian folk dancing. In English and Latvian.


Publishing details: ALMA, 2008, hc, dw, 256 pp,
Encountering Terra Australisview full entry
Reference: Encountering Terra Australis - the Australian voyages of Nicolas Baudin and Matthew Flinders, by Jean Fornasiero, Peter Monteath and John West-Sooby
Publishing details: Wakefield Press, 2010 (reprint of 2004 edition), hc, dw, 425pp with index
Baudin Nicolasview full entry
Reference: see Fornasiero Jean, Peter Monteath and John West-Sooby - Encountering Terra Australis - the Australian voyages of Nicolas Baudin and Matthew Flinders
Publishing details: Wakefield Press, 2010 (reprint of 2004 edition), hc, dw, 425pp with index
Flinders Matthewview full entry
Reference: see Fornasiero Jean, Peter Monteath and John West-Sooby - Encountering Terra Australis - the Australian voyages of Nicolas Baudin and Matthew Flinders
Publishing details: Wakefield Press, 2010 (reprint of 2004 edition), hc, dw, 425pp with index
Bauer Ferdinandview full entry
Reference: see Fornasiero Jean, Peter Monteath and John West-Sooby - Encountering Terra Australis - the Australian voyages of Nicolas Baudin and Matthew Flinders
Publishing details: Wakefield Press, 2010 (reprint of 2004 edition), hc, dw, 425pp with index
Westall Williamview full entry
Reference: see Fornasiero Jean, Peter Monteath and John West-Sooby - Encountering Terra Australis - the Australian voyages of Nicolas Baudin and Matthew Flinders
Publishing details: Wakefield Press, 2010 (reprint of 2004 edition), hc, dw, 425pp with index
Lesueur Charles Alexandreview full entry
Reference: see Fornasiero Jean, Peter Monteath and John West-Sooby - Encountering Terra Australis - the Australian voyages of Nicolas Baudin and Matthew Flinders
Publishing details: Wakefield Press, 2010 (reprint of 2004 edition), hc, dw, 425pp with index
Petit Nicolas-Martinview full entry
Reference: see Fornasiero Jean, Peter Monteath and John West-Sooby - Encountering Terra Australis - the Australian voyages of Nicolas Baudin and Matthew Flinders
Publishing details: Wakefield Press, 2010 (reprint of 2004 edition), hc, dw, 425pp with index
Gleeson Maxview full entry
Reference: Shipwrecks, Sorms & Seamen of the New South Wales Coast
Publishing details: Max Gleeson, 1996, pb, 168pp
Roxburgh Rachel biographyview full entry
Reference: correspondence from Megan Martin, Historic Houses Trust,, to Stephen Scheding 29.6.2012:

Dear Stephen

Thanks for your response to the Rachel Roxburgh question, which I found most interesting. I have a couple of thoughts on the subject. The first is that the volume of her output as a painter might be quite modest. She trained in Sydney in the 1930s and exhibited in a few group exhibitions in 1940 and then was busy doing war work. She went to London in 1947 where she studied drawing at the Central Art School for a little while, travelled and made a living doing various things, including painting murals in nurseries and bathrooms (including some commissions through Heals) and working as an assistant for Michael O’Connell at various times. She had a couple of pictures in a Macquarie Galleries show in 1949: An Exhibition of paintings and drawings by Sydney Artists working abroad” and showed in a London group exhibition in 1953 as well as in an A.I.A. Gallery (London) show with Michael O’Connell and Phyl Waterhouse in 1951. She had a solo show at the Bissietta Art Gallery in Sydney in July 1956, soon after her return to Australia. After that she seems to have concentrated on pots, at least as far as exhibitions so far as I have found. She had begun potting in London in the early 1950s – trained at Hammersmith.

I also have the impression that some of her work was portraits and that these might still be in family ownership.

Megan
O’Connell Michaelview full entry
Reference: correspondence from Megan Martin, Historic Houses Trust,, to Stephen Scheding 29.6.2012:

Dear Stephen

Thanks for your response to the Rachel Roxburgh question, which I found most interesting. I have a couple of thoughts on the subject. The first is that the volume of her output as a painter might be quite modest. She trained in Sydney in the 1930s and exhibited in a few group exhibitions in 1940 and then was busy doing war work. She went to London in 1947 where she studied drawing at the Central Art School for a little while, travelled and made a living doing various things, including painting murals in nurseries and bathrooms (including some commissions through Heals) and working as an assistant for Michael O’Connell at various times. She had a couple of pictures in a Macquarie Galleries show in 1949: An Exhibition of paintings and drawings by Sydney Artists working abroad” and showed in a London group exhibition in 1953 as well as in an A.I.A. Gallery (London) show with Michael O’Connell and Phyl Waterhouse in 1951. She had a solo show at the Bissietta Art Gallery in Sydney in July 1956, soon after her return to Australia. After that she seems to have concentrated on pots, at least as far as exhibitions so far as I have found. She had begun potting in London in the early 1950s – trained at Hammersmith.

I also have the impression that some of her work was portraits and that these might still be in family ownership.

Megan
Waterhouse Phylview full entry
Reference: correspondence from Megan Martin, Historic Houses Trust,, to Stephen Scheding 29.6.2012:

Dear Stephen

Thanks for your response to the Rachel Roxburgh question, which I found most interesting. I have a couple of thoughts on the subject. The first is that the volume of her output as a painter might be quite modest. She trained in Sydney in the 1930s and exhibited in a few group exhibitions in 1940 and then was busy doing war work. She went to London in 1947 where she studied drawing at the Central Art School for a little while, travelled and made a living doing various things, including painting murals in nurseries and bathrooms (including some commissions through Heals) and working as an assistant for Michael O’Connell at various times. She had a couple of pictures in a Macquarie Galleries show in 1949: An Exhibition of paintings and drawings by Sydney Artists working abroad” and showed in a London group exhibition in 1953 as well as in an A.I.A. Gallery (London) show with Michael O’Connell and Phyl Waterhouse in 1951. She had a solo show at the Bissietta Art Gallery in Sydney in July 1956, soon after her return to Australia. After that she seems to have concentrated on pots, at least as far as exhibitions so far as I have found. She had begun potting in London in the early 1950s – trained at Hammersmith.

I also have the impression that some of her work was portraits and that these might still be in family ownership.

Megan
McEwen W Mview full entry
Reference: A work sold at McKenzie’s Auctions, WA, July, 2012. W.M. McEwen was apparently a well-known sign writer, scene painter and decorator in the Perth area, who taught art at Perth Technical College for 25 years around 1900. He arrived in Western Australia c.1895
Sanders Ethelview full entry
Reference: A work sold at McKenzie’s Auctions, WA, July, 2012. Ethel Sanders
“Stable Yard”, c.1949
Watercolour
Signed lower left
37 x 55cm
$200 - 300

Note: Ethel Sanders is named on the National Gallery of Australia website as being an entrant in the 1949 Claude Hotchin Prize by West Australian Artists.The Hotchin Gallery operated from 1947 – 1951
Fuller Florenceview full entry
Reference: A work sold at McKenzie’s Auctions, WA, July, 2012. lot 115:Lot 115 Florence Ada Fuller 1867 - 1946
Original title, most likely; “A Golden Hour”, c.1905
Oil on canvas
Signed lower right
108.5 x 133.5cm
$25,000 – 35,000

Provenance:
Apparently a retirement gift to
Professor W.D.L. Ride AM, upon his retirement as
director of the Western Australian Museum, from
the Trustees.

Then by descent within his family.

Previously, very likely within the family of
Sir John Winthrop Hackett.

Related Work:
Portrait of Deborah Vernon Hackett, c.1905
Sold 2005 by McKenzies Auctioneers and in the
collection of The National Portrait Gallery, Canberra


Florence Ada Fuller, born South Africa, arrived in
Melbourne as a child. After studying at Julien’s
in Paris 1894 – 1901, she settled in Perth in 1904.

She seemed to be successful both as an artist and
teacher in Perth, two of her best known pupils being
Daisy Rossi and Kathleen O’Connor.

She also had success overseas. Her work being
exhibited at London’s Royal Academy, the Manchester
City Gallery, The Royal Institute of Oil Painters, London
and the Paris Salon.

The Western Australian newspaper often reported on
art events of the time. Fuller’s exhibition history and
comings and goings received good coverage.

A review looking back over the previous 30 years,
appeared on October 23, 1937. In part, it states;
“------- Sir John Winthrop Hackett was a patron of
Miss Fuller and was a constant visitor to her dignified
studio, above his office in the old West Australian
Chambers.” The article goes on to say Hackett
commissioned many paintings from her for his gallery.

The current owners assert that Professor Ride always
understood the figures in the picture were
Sir John Winthrop Hackett, (then owner of The West
Australian newspaper, well known business man and
philanthropist, whose gift allowed the construction of
the impressive University of Western Australia buildings
and St. George’s Residential College) and his new
wife, Deborah Vernon Hackett, (1887 – 1965), nee
Drake-Brockman.

An article on page 3, Tuesday 31 October 1905, within
The West Australian newspaper, gives a review of
Fuller’s studio exhibition.

On show were forty-one of her artworks. After
mentioning various works, it goes on to state;
“----- the piece de resistance of the exhibition is
undoubtedly that catalogued as, A Golden Hour.”

The article goes on to say the picture “is dedicated to
the golden glories of the late afternoon,” and is of large
scale.

The review comments on the light, the balance, the
figures, the native vegetation and, the “blackboys”, as
well as the white gum trees. It concludes by saying of
the picture that it succeeds, “in catching the wonderful
glow of what is known to artists as the most transitory
period of the day.”
________________________


Griffin Walter Burley and Marionview full entry
Reference: see Max H. Enkhardt of "Exhibition of Oil Paintings, Water Colors and Etchings by Gustav MichaPhillips Auction Sydney 31.7.2001 for works by and works owned by the Griffins. Extensive and detailed catalogue notes.


Pillig Gustavview full entry
Reference: "Exhibition of Oil Paintings, Water Colors and Etchings by Gustav Michael Pillig", 125 Lt. Collins St., Melb. (1st Floor) From the 3rd of December, 1931. Foreword by Max H. Enkhardt.


Publishing details: 1931
Ref: 1009
Pillig Gustave Michaelview full entry
Reference: August 14 - 28
Exhibition of Oil Paintings, Water Colors and Etchings by Gustav Pillig, Deutscher Club, Melbourne
Pillig Gustave Michaelview full entry
Reference: December 3
Exhibition of Oil Paintings, Water Colors and Etchings by Gustav Michael Pillig, 125 Lt. Collins St., Melb. (1st Floor)

April 26 to May 10
Exhibition at Everyman's Lending Library, Melbourne

September 13 to 24
Exhibition held at Newman's Art Gallery, 289 Collins Street, Melbourne
Pillig Gustave Michaelview full entry
Reference: Reviews

"...He has lived in Australia for 20 years, yet his techniques and outlook are still German."
-- Clewin Harcourt, "The Star," 30th October, 1933.

###

"...although we know him also capable of far more ambitious masterpieces, for which artists cannot find such ready sales."
-- Stephanie Taylor, "Adam and Eve," October, 1933.

###

"...If the end of civilisation comes, don't say that G.M. Pillig did not warn you. One of his interesting etchings depicts that direful time when, no doubt, even art will be swept away."
-- Norman Lilley, "The Star," 6th June 1934.

###

"...He has certainly a gift for marine painting. His suggestion of the volume and movement of the ocean are impressive. The artist appears to have set aside for this time his philosophic and decorative designs, and to have concentrated upon still life and landscapes."
-- [Sir] Arthur Streeton, "The Argus," 13th August, 1934.

###

"...Mr. Pillig's most valuable asset is his unshakeable belief in himself, and his unwavering faith in the rightness of his methods. There is noticeable in each succeeding exhibition a growing refinement in the thought behind the brush, and this quality may carry him a long way."
-- [William] Blamire Young, "The Herald," 13th August, 1934.

###

"...The best work is in land and seascape. A good rendering of the moving sea is "Evening," the "Pacific" is another example of the artist's power in this genre. A definite mannerism is noticable in "Pastorale" and "Dry Timber," but they show a constructive intention, decisive enough to achieve success in spite of the mannerism."
-- George Bell, "The Sun," 13th August, 1934.

###

"...What he has to say is said emphatically and without reticence, distinguishing features being a provocative technical manner and a tendancy to positivism where colour is concerned."
-- Alexander Colquhoun, "The Age," August, 1934.


Australian shipwrecksview full entry
Reference: Australian Shipwrecks - A Pictorial History by Peter Christopher
Publishing details: Axiom, 2009, pb, 132 pp
Australian shipwrecksview full entry
Reference: Australia’s Worst Shipwrecks - by Chris Halls
Publishing details: Rigby, 1978, hc, dw, 157pp
Australian shipwrecksview full entry
Reference: Amazing Australian Shipwrecks - by Duncan Ball, illustrated by John Gunter
Publishing details: Angus & Robertson’s, 1987, laminated covers, np
Gunter Johnview full entry
Reference: see Amazing Australian Shipwrecks - by Duncan Ball, illustrated by John Gunter
Publishing details: Angus & Robertson’s, 1987, laminated covers, np
Australian shipwrecksview full entry
Reference: Shipwrecks - Australia’s Greatest Maritime Disasters by Evan McHugh
Publishing details: Penguin, Viking, 2003, pb, 336pp, withindex
Australian shipwrecksview full entry
Reference: Shipwrecks Storms and Seamen of the NSW Coast by Max Gleeson
Publishing details: Max Gleeson, 1996, pb, 168pp
Australian shipwrecksview full entry
Reference: Australia’s Shipwrecks and Sea Mysteries - by John and Jennifer Barwick
Publishing details: Pearson, 2008, pb, 32pp
Australian shipwrecksview full entry
Reference: Australia’s Shipwreck Coast and other stories, by Jack Loney
Publishing details: Jack Loney, 1986, pb, 102 pp.
Australian shipwrecksview full entry
Reference: Encyclopedia of Australian Shipwrecks and Other Maritime Incidents by Peter Stone
Publishing details: Oceans Enterprises, 2006, hc, dw, 1183pp, signed by author
Australian Masters Art Collection view full entry
Reference: Australian Masters Art Collection - ‘collector’s catalogue... over 100 paintings for sale’ by Norman Lindsay, Greg Lipman and Pro Hart. Gallery Directors were Tom Mathieson, Trevor Bussell. ERssays on the three artists
Publishing details: Australian Masters Art Collection, Sydney, c1979?, pb, well illustrated
Ref: 30
Hart Proview full entry
Reference: see Australian Masters Art Collection - ‘collector’s catalogue... over 100 paintings for sale’ by Norman Lindsay, Greg Lipman and Pro Hart. Gallery Directors were Tom Mathieson, Trevor Bussell. ERssays on the three artists
Publishing details: Australian Masters Art Collection, Sydney, c1979?, pb, well illustrated
Lindsay Normanview full entry
Reference: see Australian Masters Art Collection - ‘collector’s catalogue... over 100 paintings for sale’ by Norman Lindsay, Greg Lipman and Pro Hart. Gallery Directors were Tom Mathieson, Trevor Bussell. ERssays on the three artists
Publishing details: Australian Masters Art Collection, Sydney, c1979?, pb, well illustrated
Lipman Gregview full entry
Reference: see Australian Masters Art Collection - ‘collector’s catalogue... over 100 paintings for sale’ by Norman Lindsay, Greg Lipman and Pro Hart. Gallery Directors were Tom Mathieson, Trevor Bussell. ERssays on the three artists
Publishing details: Australian Masters Art Collection, Sydney, c1979?, pb, well illustrated
Jolliffe Ericview full entry
Reference: Jolliffe’s Outback - cartoons & Australiana/ Study to Frame. No 111 [a note on back page indicates that back copies can no longer br purchased] Cartoons and some text
Publishing details: Jolliffe Publications, 1981, pb, 66pp,
Ref: 30
Australian Symbolismview full entry
Reference: Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Alston Abyview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Bunny Rupertview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Cazneaux Haroldview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Conder Charlesview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Creed Mildredview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Davies Davidview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Fox E Phillipsview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Gilbert Charles Webview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Hall Bernardview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Hambidge Aliceview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Joyner Frederick Aview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Kauffmann Johnview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Lambert Georgeview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Linton James Walter Robertview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Long Sydneyview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Long Sydneyview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Loureiro Arthurview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Lovett Mildredview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Mackennal Bertramview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Montford Paulview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Muskett Aliceview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Newman Adaview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Parker Haroldview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Rae Isoview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Ramsay Hughview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Richardson Charles Douglasview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Roberts Tomview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Streeton Arthurview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Sturgess R Wview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Teague Violetview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Vale Amyview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Wager Rhodaview full entry
Reference: see Australian Symbolism - The Art of Dreams by Denise Mimmocchi. Art Gallery of NSW exhibition catalogue, 2012
Publishing details: Art Gallery of NSW, 2012, laminated boards, 156pp, with index
Gibbs Mayview full entry
Reference: May Gibbs: More Than a Fairy Tale by Robert Holden, Jane Brummitt

Publishing details: Hardie Grant Books, 2011, Paperback. 248 pages
Ref: 1000
Arthur Spartalis Fine Artview full entry
Reference: Paintings and Decorative Arts catalogue (includes contact details)
Publishing details: 2012
Ref: 128
Calvert Samuelview full entry
Reference: see ‘Saleroom’ column, Australian Financial Review 5.7.2012 (article with mention of stamp of Queen Victoria designed by Calvert.)
Publishing details: AFR 5.7.12
Ref: 30
Australian shipwrecksview full entry
Reference: Murder, Mayhem, Fire and Storm - Australian Shipwrecks by Max Jeffreys
Publishing details: New Holland, 1999, pb, 262pp with index
Balletta Anyonioview full entry
Reference: Terra Misteriosa - exhibition invite
Publishing details: Mossgreen, 2012, 7 illustrations
Ref: 219
Kamholtz Damienview full entry
Reference: Boats Like Feathers - exhibition invite
Publishing details: Arthouse Gallery, 2012
Ref: 219
Phillips Harry photographerview full entry
Reference: Sydney Illustrated - Containing 42 Up-to-date Views. This 32 page book features 42 well-sized black and white pictures of early Sydney.

Photos include the following subjects:

Town Hall, GPO, Treasury, Government House,Elizabeth St, The Art Gallery,Cnr George & Moore Sts, Central Square & Railway, H.M.A.S. Australia, Farm Cove, Kurraba Point,Education Dept, Bridge St, St. Mary's Cathedral, St. Andrews Cathedral, Lands Dept, Sydney Hospital,Registrar Generals Dept, Chief Secretary's Office, Moore St, Pitt St,Queen Victoria Markets, Cnr George & King Sts, Hyde Park & City, Shell Cove, City View from Nth Sydney, Entrance to Government House, Milsons Point, The Corso Manly, The Spit, Surf Bathing at Manly, Surf Bathing at Coogee, Bondi Beach, Mosman Bay, Coastal Scenes, Circular Quay, Customs House.



Publishing details: c1915, self published by Sydney (Willougby & Katoomba) resident Harry Phillips (1873-1944), Size: 19 cms by 26 cms.
Ref: 1000
Tuckson Tonyview full entry
Reference: Tony Tuckson - Woman & Flowers -
Publishing details: Sydney: Annandale Printing. 1995. Softcover. 18 pages. Colour illus. 21cm x 20cm.


Ref: 1002
Mombassa Regview full entry
Reference: The Mind and Times of Reg Mombassa By Murray Waldren

Publishing details: Harper Collins, 2009, hc, dw, 432 pages
Fleischmann Arthurview full entry
Reference: Arthur Fleischmann sculpted the ‘Explorers’ doors, the Mitchell and Dixson bas relief medallions and in due course Ifould’s head. But for the rampant xenophobia of the time, Fleischmann would also have created a major terracotta decoration for the tympanum of the new building. For a fuller description of the controversy surrounding the Bronze Doors, see David J. Jones, A source of inspiration and delight: the buildings of the State Library of New South Wales since 1826, Sydney: Library Council of New South Wales, 1988, pp. 87-92.
Mitchell Libraryview full entry
Reference: see Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
State Library of New South Walesview full entry
Reference: see Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Source of Inspiration & Delight Aview full entry
Reference: see Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Baker Norman Henryview full entry
Reference: see Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones. Normand Baker painting of library users on cover.
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Lynch Frankview full entry
Reference: sculptor involved in creating doors of Mitchell Library. See Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones.
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Lenegan Eview full entry
Reference: sculptor involved in creating doors of Mitchell Library. See Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones.
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Mayo Daphneview full entry
Reference: sculptor involved in creating doors of Mitchell Library. See Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones.
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Walker Ralphview full entry
Reference: sculptor involved in creating doors of Mitchell Library. See Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones.
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Harradence A Eview full entry
Reference: artist involved in creating doors of Mitchell Library. See Jones J. David - A Source of Inspiration & Delight - The Buildings of the State Library of New South Wales since 1826 by David J. Jones.
Publishing details: Library Council of NSW, 1988, pb, 176pp with index
Print Room Theview full entry
Reference: see L. Roy Davies 1897 – 1979. Woodengravings & Linocuts. The Print Room catalogue.
Publishing details: The Print Room, Sydney, 1984. Folio, folding card catalogue, 66 works listed with prices. Information sheet about gallery and the exhibition inserted,
Australian war artistsview full entry
Reference: see Australia at War - National Exhibition of Art. Sponsored by Artists Advisory Panel, Victorian Section CEMA and War Art Council, New South Wales Section. Australian CEMA. Organising Secretaries: For NSW, Qld: Bill Courcier; for Vic., SA., WA., Tas, Frank Andrew. Includes Patrons [23 leading art world identities], acknowledgements, Prizes and sections, and catalogue. Includes 25 Official War Artists. and numerous others (about 200 artists). Introduction by Hal Missingham
Publishing details: nd [1946?] np [16pp], illustrations by Counihan, W. E. Pigeon, Rod. Shaw, S/Sgt J. C. Hanna, Sgt Frank McNamara and L/Sgt. C. Dubois
Maughan Karlview full entry
Reference: Twenty-Seven Hundred Miles, illustrated invite
Publishing details: Martin Browne Contemporary, 2012
Ref: 219
Pailthorpe Badenview full entry
Reference: Formations, illustrated invite
Publishing details: Martin Browne Contemporary, 2012, with price list
Ref: 219
Hopkins Tedview full entry
Reference: The Book of Slab - Artist producer: Ted Hopkins

Publishing details: Champion Books 1983
Ref: 1000
Smyth Dacreview full entry
Reference: Immigrant Ships to Australia [the ninth Dacre Smyrh illustrated book]
Publishing details: 1992
Ref: 1000
Lindsay Lionelview full entry
Reference: Aboriginalities from the Bulletin, by Charles H Bertie, illustrated by Lionel Lindsay (39 illustrations)
Publishing details: NSW Bookstall, 1913, 152,8pp
Ref: 1000
Walling Ednaview full entry
Reference: The Vision of Edna Walling by Trisha Dixon & Jennie Churchillƒ
Publishing details: Bloomings Books, 1998, hc, dw, 150pp
Ref: 1000
Black J Mview full entry
Reference: The Flora of South Australia, 5 vols
Publishing details: 1960-65, 1008pp + 385pp
Ref: 1000
Bloomsma C Dview full entry
Reference: Native Trees of South Australia
Publishing details: 1981
Ref: 1000
Boyd David.view full entry
Reference: David Boyd - Sfumato. Paintings & Drawings, foreword by James Burr. A background by Sheldon Williams, photography by Tony Barter.
Publishing details: Zwemmer Gallery, 1967, 25pp
Ref: 1000
Coleman Nevilleview full entry
Reference: What Shell is That?
Publishing details: Hamlyn, 1975
Ref: 1000
Australian Shellsview full entry
Reference: see Coleman Neville - What Shell is That?
Publishing details: Hamlyn, 1975
Pile Stephen (illustrator)view full entry
Reference: Grenfell Sketchbook by Lindsay Hilarie
Publishing details: Rigby 1977
Ref: 1000
McLeod Jeanetteview full entry
Reference: Adelaide Sketchbook
Publishing details: Rigby 1968
Ref: 1000
Cole Turnleyview full entry
Reference: Cole of the Book Arcade - A Pictorial Biography of E. W. Cole
Publishing details: Cole, 1974, 192pp
Ref: 1000
Cole E Wview full entry
Reference: see Cole Turnley, Cole of the Book Arcade - A Pictorial Biography of E. W. Cole
Publishing details: Cole, 1974, 192pp
Slater, Peter
view full entry
Reference: Rare and Vanishing Australian Birds. Photographs
Publishing details: Rigby 1978, 96pp
Ref: 1000
Preston Margaretview full entry
Reference: Margaret Preston - containing the following elements:
1. A black card folio, inside which is a copy of the publication ‘Margaret Preston Recent Paintings 1929’ quarto, illustrated wrappers, pp. [42], printed in red and black, nine black and white plates numbered 1 to 9, foreword by Leon Gellert and Sydney Ure Smith, text titled 92 aphorisms by Margaret Preston and others limited to 250 numbered copies, printed by Percy Green at the Green Press, Sydney, very fine.
2. An original colour woodcut ‘Mosman Bridge 1927’ measuring 250 x 185 mm, signed in pencil lower right, tipped on the upper margin to a backing card, very fine.
3. Thirteen folded cards numbered plates 10 to 23, each with a colour reproduction of Margaret Preston paintings
4. An additional folding card portfolio titled ‘Margaret Preston Recent Paintings Duplicate set of Colour Plates’ housing fourteen colour reproductions.
The printer’s copy, with the business card of Perce Green of the Green Press pasted to the inside of the black card folio, and a typed note also included which states ‘This Margaret Preston Book was designed in 1929 in the blackest face procurable at that time, and one that harmonised with the contrasty [sic] wood-cuts. As this is part of the only set I possess, will you kindly return’.
This rare and exquisite deluxe folio, produced at the height of Preston’s popularity, was issued with one of two woodcuts, ‘Mosman Bridge’ as here (Butler 113), or ‘Flowers in Jug’ (Butler 137). It is assumed that each were printed in an edition of 125, but ‘it is not known if the full edition was completed’ (Butler, p. 137). Of the copies which were completed, many have now been split for the original woodcut and colour plates. The present copy is complete, and is a superb association copy with an interesting note from the printer.
Publishing details: Sydney : Art in Australia, 1929. Quarto, folding white buckram clamshell box with gilt-lettered title label
Ref: 1000
Jones Henry Gilbertview full entry
Reference: see Douglas Stewart catalogue July 2012 - [EARLY AND IMPORTANT SKETCHES OF BUNURONG PEOPLE (WESTERN PORT TRIBE), PORT PHILLIP] - Henry Gilbert Jones arrived in the fledgling colony of Port Phillip in 1840 from England via the United States. In 1842 he was appointed by George Augustus Robinson as medical dispenser to Aborigines at Narre Narre Warren Protectorate Station, to the southeast of Melbourne. The Aborigines whose traditional lands occupy this area are the Bunurong people, but they were known to the early colonists as the Western Port Tribe. Jones held the position, which bore the title Deputy Protector of Natives, until September 1843. It is likely that the set of drawings we offer here date from this period (although the slightly wider date range of 1842-1845 is inscribed on each). Although only an amateur artist during his time at Narre Narre Warren, Jones made his first foray into professional art a short time later, when in 1846 some of his etchings of Melbourne views were printed as decorative notepaper headings by John Green. (The original etching plates were discovered in the 1920s and some were reprinted in a limited edition by the Fine Art Society of Melbourne). Directory records show that Jones continued to work as an artist and engraver until 1859, after which time he ventured into photography, operating a studio at 107 Elizabeth Street from 1859-1866.
These sketches, drawn from life by a person who was familiar with his subject matter through contact with Aboriginal people on a daily basis, add significantly to the extant pictorial record of Australian Aborigines in the Port Phillip area within the first decade of settlement by Europeans.
Greenham and Evansview full entry
Reference: see Douglas Stewart catalogue July 2012 - 83 gelatin silver print photographs, approximately 150 x 200 mm each (39 of these with blind stamp or wet stamp of Greenham and Evans, Perth), plus 6 smaller prints with format 150 x 100 mm,
Nicholson, J. Nicholson; F. Nicholson; several drawings are signed W.C. Nicholson or simply W.C.N.view full entry
Reference: see Douglas Stewart catalogue July 2012 - THIS HIGHLY SIGNIFICANT ALBUM CONTAINS TWO SERIES OF IMAGES WHICH ARE CENTRAL TO THE HISTORY OF EARLY PHOTOGRAPHY IN QUEENSLAND. MORE THAN THIS, IT SHOWS US A RARELY- GLIMPSED CONTINUUM, GIVING PROPER CONTEXT TO THE STORY OF A PIONEER QUEENSLAND IMMIGRANT FAMILY. IT ILLUMINATES IN A MOST BEAUTIFUL WAY THE ARTISTIC AND VIBRANT SOCIETY THE NICHOLSONS LEFT BEHIND IN ENGLAND, WHICH THEY COULD BRING WITH THEM TO A NEW LAND ONLY AS A CULTURAL MEMORY
Burn Henryview full entry
Reference: see Douglas Stewart catalogue July 2012 - - Watercolour on paper, 250 x 395 mm, signed and dated lower left. Framed. Henry Burn was born in Birmingham, England in about 1807, and in the early part of his career exhibited at the Birmingham Society of Artists and at the Royal Academy. Burn sailed for Australia in late 1852, arriving in Melbourne on 30th January 1853. From the mid 1850s to the 1870s Burn painted across Melbourne, documenting the growth of the city and its rural surrounds which now form the inner suburbs. He often painted plein-air along the Yarra River, particularly the areas which today form the suburbs of South Yarra, Collingwood and Richmond. This tranquil scene shows two small rowboats of fishermen, one in the act of landing a catch, while two other men bearing rods approach along the left bank. The river curls around a bend with a calm determination, with the occasional leaning eucalyptus lining the shore: Burns depicts the Yarra River, life force of Melbourne, as providing nourishment to both man and nature.
CLIFFORD, Samuel (1827-1890)
view full entry
Reference: see Douglas Stewart catalogue July 2012 - A SCARCE PHOTOGRAPHIC RECORD OF TASMANIA IN THE EARLY 1870s.
Gilfillan J Aview full entry
Reference: see Douglas Stewart catalogue July 2012 - pen and ink, ‘Exhibition of a 42lb Nugget of Gold at Melbourne’. The artist, J.A. Gilfillan, was Scottish-born and arrived in Australia in 1847 after spending six years in New Zealand. Residing first in Sydney, he later moved to Adelaide before working on the goldfields in 1853 and finally settling in Melbourne in 1856. The National Library of Australia holds several of his pencil drawings depicting life on the Victorian goldfields, some of which appeared as engravings in the Illustrated London News in 1853.
ROBINSON, Francis Whitfield (attributed), fl. Sydney 1867-1882view full entry
Reference: see Douglas Stewart catalogue July 2012 - Photographic panorama of Sydney Harbour from North Sydney, circa 1880
Greig Jview full entry
Reference: see Grovesnor Prints - A View Of Sydney In Austral-Asia. Cat. no. 583. Engraved by J. Greig. [n.d., c.1825.] Steel engraving, image c.60 x 110mm. 21⁄4 x 41⁄4". Trimmed close to image. £65 Panorama of Sydney, Australia, with ships on the water and lush vegetation in the foreground. Stock: 10787
Schenck Frederickview full entry
Reference: see views in Australia by lithographer and printer Frederick Schenck [Edinburgh, n.d., c.1855.]
Kingston Peterview full entry
Reference: Kingston. Peter. Wheel of Fortune.


Publishing details: North Sydney. Whaling Road Press. 1987. oblong quarto. no. 8 of 20 numbered copies. twelve original hand coloured etchings depicting the signs of the Chinese zodiac. each titled, signed and dated, with edition number inscribed lower left. etched title page. signed by the printers, Diana Davidson and James Whittington. ocb. gilt.
Ref: 1000
Kingston Peterview full entry
Reference: Kingston. Peter. The Blue Mountains Circa 1950.

Publishing details: North Sydney. Whaling Road Press. 1987., oblong quarto. no. 3 of 20 numbered copies. 12 original hand coloured etchings with tissue guards. each titled, signed and dated, with edition number inscribed lower left. collage title page. ocb slightly rubbed. signed by the printers, Diana Davidson and James Whittington. ocb. gilt.
Ref: 1000
Friend Donaldview full entry
Reference: Friend. Donald. Tides of Sensuality. Working Drawings and Studies for a Major Work to be Titled Bumbooziana.
Publishing details: Melbourne. Macmillan. 1984, octavo. first edition. no. 64 of 100 numbered copies containing an original drawing. signed by the artist. foreword by Elizabeth Summons. b/w ills. tipped in col plates. minor foxing to preliminaries and original drawing. Melbourne. Gryphon Books. 1978. ocb. gilt. some shelf wear to illus d/w. with Herbert. X. Dream Road. square quarto. no. 102 of 180 numbered copies (of which 150 were for sale). col plates by Ray Crooke. with an original signed and numbered etching as frontispiece. minor marks to blue quarter leather. ocb. gilt. in like slip case with inset plates on front and back. Sydney. Collins. 1977. with Lynn. Elwyn. Judy Cassab. folio. no. 34 of 100 copies. signed, dated and inscribed 'No 34 of 100 De luxe editions / Judy Cassab / 5/3/84' on title page. col & b/w plates. faux leather with silver gilt.

Ref: 1000
Minchen E Wview full entry
Reference: see Lawson Menzies auction - E. W. MINCHEN (working 1880s)
Looking Down the Harbour, Sydney 1880
oil on canvas
46.0 x 69.0 cm
signed and dated lower right: E. W. Minchen 3/80
label attached verso with artist's name and artwork details

Estimate: $1,000 - 2,000
Auction Title: Sydney - 16 August 2012
McGregor Kenview full entry
Reference: Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Benjamin Jasonview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Chen Zhongview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Cress Fredview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Green Sharonview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Hoddinott Tanyaview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Home Deanview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Landridge Emmaview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Lister Anthonyview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Olsen Johnview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
StorrierTimview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Swan Yvetteview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Tjungurrayi George Wardview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Young Minaview full entry
Reference: see McGregor Ken - Unfinished Journey by Ken McGregor. ‘As a sequel to William Creek and Beyond, Unfinished Journey features thirteen artists travelling to destinations of their choice, to create new works based on their experiences. Including a diverse group of artists and interesting destinations, the results are startling.

Tim Storrier travels to Kenya and Tanzania, Fred Cress to France, and Anthony Lister goes to Berlin. Each chapter details newly-created work and is accompanied by an informative essay on the artists’ experiences.’
Publishing details: Macmillan Art Publishing 2006, Hardcover, dw, 224 pages
Corrigan Patview full entry
Reference: see Look Magazine - article re his benefaction
Publishing details: August 2012
Laurence Janetview full entry
Reference: see Look Magazine - article re AGNSW acquisition of ‘The memory of nature’ 2010
Publishing details: August 2012
Bogart Bramview full entry
Reference: see Look Magazine -
Publishing details: August 2012
Water - 1788 - 21st Centuryview full entry
Reference: a portfiloio of artists on the subject of water
Publishing details: large format
Ref: 1000
Australian Potteryview full entry
Reference: AUSTRALIAN POTTERY by Geoff Ford: The First 100 Years. [to be indexed]

Publishing details: Salt Glaze Press, 1995, papered boards in dustwrapper. Folio, black & white and coloured illustrations,
Ref: 1009
Pottery in Australiaview full entry
Reference: see Ford Geoff. - AUSTRALIAN POTTERY by Geoff Ford: The First 100 Years.

Publishing details: Salt
Glaze Press, 1995, papered boards in dustwrapper. Folio, black & white and coloured illustrations,
Byard Mardi & Davidview full entry
Reference: BYARD, Mardi and David. THE KIDMAN CENTENARY ART EXHIBITION.
Publishing details: Folio, illustrated in colour, publisher’s
leather, without strap tie (and with no sign of its having been
attached), enclosed in lined timber box. Adelaide, Endeavour
Publishing, 1999. Deluxe issue of 400 numbered copies,
signed, and with original pencil sketch.
Ref: 1000
Kidman Centennary Art Exhibitionview full entry
Reference: see Byard Mardi & David - BYARD, Mardi and David. THE KIDMAN CENTENARY ART EXHIBITION.
Publishing details: Folio, illustrated in colour, publisher’s
leather, without strap tie (and with no sign of its having been
attached), enclosed in lined timber box. Adelaide, Endeavour
Publishing, 1999. Deluxe issue of 400 numbered copies,
signed, and with original pencil sketch.
Mamboview full entry
Reference: see Mombassa Reg - The Mind and Times of Reg Mombassa By Murray Waldren

Publishing details: Harper Collins, 2009, hc, dw, 432 pages
Fish in Australian Artview full entry
Reference: exhibition curated by Stephen Scheding and Penny Cuthbert at the Australian National Maritime Museum. Folder included room brochure of 12 pages and ‘Signals’ Magazine which has article on the exhibition
Publishing details: ‘Signals’ Magazine 2012
Beadle Paulview full entry
Reference: Paul Beadle by Andrew Greenhough

Publishing details: Thesis : 1986
Ref: 1000
Vasa Museumview full entry
Reference: information brochure filed with shipwreck material for planned ANMM exhibition
Ref: 05
Halpern Deborah view full entry
Reference: 5 large glossy postcards of her work (5 examples
Publishing details: Mossgreen 2012
Ref: 117
Bergin Kateview full entry
Reference: 5 large glossy postcards of her work (5 examples
Publishing details: Mossgreen 2012
Ref: 219
Frazer Neilview full entry
Reference: Neil Frazer - Floating World
Publishing details: Martin Browne Contemporary, 2012,with price list
Ref: 219
Kovacs Ildikoview full entry
Reference: New Work - invite to Melbourne Art Fair. 7 illustrations
Publishing details: Martin Browne Contemporary, 2012, 8pp
Ref: 219
Meldrum Maxview full entry
Reference: A Retrospective Exhibition of the Paintings of Max Meldrum. [An national exhibition of 50 paintings by Meldrum].
Publishing details: National Gallery of Victoria. 1954
Ref: 1000
Crooke Rayview full entry
Reference: Ray Crooke - the Early Years -
Publishing details: Savill Galleries Australian Art Exhibition Catalogue, 5 Sep to 8 Oct 2009, Sydney
Ref: 1000
Billich Charlesview full entry
Reference: Detailed exhibition catalogiue for works of Australian artist Charles Billich. Held in Rome
Publishing details: 1991, Illust.color plates.Detailed desc. in English&Italian.Large soft cvr.
Ref: 1000
Aspects of Australian Artview full entry
Reference: Aspects of Australian Art - An Education Kit For the Australian Collection. With a paper folder, 16 Colour art works by 16 Famous Australian Artists. [to be indexed]

Each work in individual booklet with introduction of the artist

Including John Glover, Tom Roberts, Margaret Preston, Russell Drysdale, Signey Nolan, Arthur Boyd, John Olsen, Fred Williams, Brett Whiteley, etc.
Publishing details: Art Gallery NSW 2000
Ref: 1000
Crooke Rayview full entry
Reference: RAY CROOKE - The People & The Land, 4 May - 2 June 2011 Savill Galleries Sydney
Publishing details: Savill Gallery, 2011
Laurence Le Guay (ed)view full entry
Reference: see Portfolio of Australian Photography - 70 halftone full-page black + white plates - edited by Laurence le Guay, essays and 70 illustrations including Athol Shmith - Max Dupain - Harold Cazneaux - Frank Hurley -
Laurence Le Guay


Publishing details: H. J. Edwards, c1949, hc
Elder Fine Art catalogueview full entry
Reference: Australian & International Paintings
Publishing details: 8 July 2012
Ref: 79
Phillips Harry photographerview full entry
Reference: Sydney Panoramic Views
Publishing details: H. Phillips, c1910
Ref: 1000
Shipley Liuetenant Conwayview full entry
Reference: see Christie’s Australia catalogue 31 July, 2001, lot 98, for 6 original watercolours (5 sepia) of Pitcairn Island 1848. All described, all illustrated. Used on Pitcairn Island stamps
Moffitt William Heath view full entry
Reference: see Christie’s Australia catalogue 31 July, 2001 for Moffitt William Heath 1888-1948 photographer, lot 106, archive of 26 photographs with biographical details
Browning George 1918-2000view full entry
Reference: see Christie’s Australia catalogue 31 July, 2001, lot 122, oil on canvas of Eureka Stockade, 1985-9
Ned Kelly artifactsview full entry
Reference: see Christie’s Australia catalogue 31 July, 2001, lots 128- 135 including helmet

Miles Hview full entry
Reference: see Christie’s Australia catalogue 31 July, 2001, lots 128- 135 including oil of Kelly c1880 by H Miles of Towitta property

Teague Violet Helen Evangelineview full entry
Reference: Violet Helen Evangeline Teague (21 February 1872 – 30 September 1951) was an Australian portrait painter and designer of murals, born in Melbourne and educated at the Presbyterian Ladies College, Melbourne.She studied under E Phillips Fox and Tudor St George Tucker in the Charterisville group, and the National Gallery School under L Bernard Hall then overseas to Ernest Blanc Garin's school in Brussels and Hubert von Herkomer's school in London. From 1905 to 1914 she produced many woodcut prints after the Japanese style, and taught the techniques at the Victorian Arts and Crafts Society. Her painting Boy with a Palette won a silver prize from the Old Salon, Paris when exhibited in 1920, and was later hung at the Royal Academy of Arts, London. She has been reckoned among the best portraitists Australia has produced. Her 1909 full length portrait of Una Falkiner (titled Dian Dreams) can be seen in the Art Gallery of New South Wales - from http://www.webmii.es/Result.aspx?f=Violet&l=Teague&r=us
Preece Glenview full entry
Reference: invite to Artarmon Galleries exhibition - 10 works illustrated
Publishing details: 2012, 4pp
Ref: 219
Preece Glenview full entry
Reference: catalogue of Artarmon Galleries exhibition -
Publishing details: 2012,
Ref: 1000
Whisson Kenview full entry
Reference: see Art & Australia - article on Whisson by Nicholas Croggon
Publishing details: vol 50 no. 1, 2012
Parr Mikeview full entry
Reference: see Art & Australia - article
Publishing details: vol 50 no. 1, 2012
Boyd David Fielding Goughview full entry
Reference: see Art & Australia - obituary
Publishing details: vol 50 no. 1, 2012
North Ianview full entry
Reference: see Art & Australia - article ‘The Art of Ian North’ by Maria Zagala
Publishing details: vol 50 no. 1, 2012
Rothwell Carolineview full entry
Reference: see Art & Australia - article
Publishing details: vol 50 no. 1, 2012
Mellor Danieview full entry
Reference: see Art & Australia - article
Publishing details: vol 50 no. 1, 2012
Bot G Wview full entry
Reference: see Art & Australia - article
Publishing details: vol 50 no. 1, 2012
Jones Jonathonview full entry
Reference: see Art & Australia - article
Publishing details: vol 50 no. 1, 2012
Sages Jennyview full entry
Reference: see Art & Australia - article by Sarah Engledow
Publishing details: vol 50 no. 1, 2012
Frakes and Forgeries in the Fine Artsview full entry
Reference: A Bibliography by Robert George Reisner
Publishing details: New York, Special Libraries Association, 1950, pb, 58pp with index
Edgar Edmundview full entry
Reference: see Heritage Collection - Nelson Meers Foundation for 1842 miniature portrait and article
Publishing details: SLNSW 2004
Stone Sarahview full entry
Reference: see Heritage Collection - Nelson Meers Foundation for emu wc
Publishing details: SLNSW 2004
L Vaillant Francoisview full entry
Reference: see Heritage Collection - Nelson Meers Foundation for bird book
Publishing details: SLNSW 2004
Nerli Girolamoview full entry
Reference: see Heritage Collection - Nelson Meers Foundation for article by Warwick Hurst on R L Stevenson portrait
Publishing details: SLNSW 2004
Illingworth Nelsonview full entry
Reference: see Heritage Collection - Nelson Meers Foundation for article by Warwick Hurst on death mask of Henry Lawson by Illingworth
Publishing details: SLNSW 2004
Hore Leslie Fraser Standishview full entry
Reference: see Heritage Collection - Nelson Meers Foundation for article by Warwick Hurst on Galliopoli watercolour by Hore
Publishing details: SLNSW 2004
Little W Aview full entry
Reference: Sydney punch bowl - China trade (donated by Little to SLNSW) see Heritage Collection - Nelson Meers Foundation, 2004, for article by Elizabeth Ellis This copy includes a photocopy of details of the auction catalogue of the W A Little Collection.
Publishing details: SLNSW 2004
Evatt Mary Aliceview full entry
Reference: Scheding notes re finding Mary Alice Evatt paintings at auction in 2001
Publishing details: 2001
Ref: 41
Fullagar Colview full entry
Reference: correspondence with Stephen Scheding re Col’s Last Resting Place of Australian Artists project. With particular reference to W J Wadham and Arthur Sinclair
Publishing details: c2003
Ref: 13
Wadham William Josephview full entry
Reference: see Fullagar Col - correspondence with Stephen Scheding re Col’s Last Resting Place of Australian Artists project in box 13. With particular reference to W J Wadham and Arthur Sinclair
Publishing details: c2003
Sinclair Arthurview full entry
Reference: see Fullagar Col - correspondence with Stephen Scheding re Col’s Last Resting Place of Australian Artists project in box 13. With particular reference to W J Wadham and Arthur Sinclair
Publishing details: c2003
Sinclair Arthurview full entry
Reference: List of exhibits from SAART database vol 2. 17 works listed with titles and prices. 1908 - 1912 in Adelaide
Ref: 13
Duterrau Benjaminview full entry
Reference: Filing box of research by Stephen Scheding on Benjamin Duterrau is located on open shelves.
Publishing details: Scheding research notes, complted for ‘The National Picture’ published 2002
Australian Architectureview full entry
Reference: Australian Architecture by Robert Haddon
Publishing details: George Robertson melbourne [nd]. first edition 538pp+ads.ills.[b/w]
Ref: 1000
Haddon Robertview full entry
Reference: see Australian Architecture by Robert Haddon
Publishing details: George Robertson melbourne [nd]. first edition 538pp+ ads.ills.[b/w]
Clark Marcview full entry
Reference: Marc Clark Sculptures 1968 - 1978 (introduction by Lenton Parr)
Publishing details: Victorian College of the Arts (and touring) c1978 (photocopy of part of cataloguue with biographical details)
Ref: 34
Kovacs Ildakoview full entry
Reference: Martin Browne Contemporary exhibition catalogue
Publishing details: Martin Browne, 2012, with price list, and invite, 20pp
Ref: 219
Wedd Montyview full entry
Reference: Sydney Morning Herald obituary
Publishing details: August 11-12, 2012
Ref: 13
Morley Lewisview full entry
Reference: Art Gallery of New South Wales exhibition catalogue. Introduction and interview with Moprley by Judy Annear, Essay by Barry Humphries
Publishing details: AGNSW, 2006, card covers, 124pp
White patrickview full entry
Reference: The Life of Patrick White - Sate Library of New South Wales exhibition catalogue. Lists exhibits including artworks owned by and of White.
Publishing details: SLNSW, 2012, pb, 28pp
Warwick Benjaminview full entry
Reference: see Christie’s ‘Australian Paintings’ sale no. 14, October 22, 1975 for 3 Sydney works c1870 not illustrated
Russell Robertview full entry
Reference: see Christie’s ‘Australian Paintings’ sale no. 14, October 22, 1975 for 20+ works not illustrated but titled
Nisbet Herkis Humeview full entry
Reference: see Christie’s ‘Australian Paintings’ sale no. 14, October 22, 1975 for 1874 oil of Sydney Harbour at sunset, illustrated in b & w.
Drysdale Russellview full entry
Reference: see Christie’s ‘Australian Paintings’ sale no. 14, October 22, 1975 for study for Cricketers
Strangers in Paradiseview full entry
Reference: Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Ref: 219
Bennett Gordonview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Callas Peterview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Carchesio Eugeneview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Gillies John and the Sydney Frontview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Henson Billview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Hill Michaelview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Laing Rosemaryview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Lee Lindyview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Nixon Johnview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Norrie Susanview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Onus Linview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Rapp Julieview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Scott Jillview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Stacey Robynview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Unsworth Kenview full entry
Reference: see Strangers in Paradise - Contemporary Australian Art to Korea, curated by Victoria Lynn, AGNSW, and Soyen Ahn, National Museum of Contemporary Art, Korea. 15 artists with essays on each.
Publishing details: Korea Foundation, 1992, card covers, 104pp
Australian and New Zealand Journal of Artview full entry
Reference: Australasian and New Zealand Journal of Art. Journal of the Art Association of Australia and New Zealand
Publishing details: Vol. 1, no. 1, 2000
Ref: 117
Australian and New Zealand Journal of Artview full entry
Reference: Australasian and New Zealand Journal of Art. Journal of the Art Association of Australia and New Zealand
Publishing details: Vol 1, 2000 - Vol 9 at 2008/9
Hester Joyview full entry
Reference: see article by Belinda MacGill in Australasian and New Zealand Journal of Art. Journal of the Art Association of Australia and New Zealand
Publishing details: Vol. 1, no. 1, 2000
Dupain Maxview full entry
Reference: see article by Kenneth Wach in Australasian and New Zealand Journal of Art. Journal of the Art Association of Australia and New Zealand
Publishing details: Vol. 1, no. 1, 2000
Women in the Artsview full entry
Reference: Women in the Arts - a study by the Research Advisory Group of the Women and Arts Project, Sydney, December, 1982
Publishing details: Women and Arts Project,, 1982, pb, 122pp
Ref: 220
Australian Indigenous Art Commission: Commande Publique d'art Aborigene Musee du Quai Branly.view full entry
Reference: Australian Indigenous Art Commission: Commande Publique d'art Aborigene Musee du Quai Branly, exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist. [to be indexed] [’Catalogue to commemorate the opening of the Musee du Quai Branly. The Aboriginal artists are: Paddy Nyunkuny Bedford; John Mawurndjul; Ningura Napurrula; Lena Nyadbi; Michael Riley; Judy Watson: Tommy Watson; Gulumbu Yunupingu]. Text in English and French. With color and b&w illustrations’]
Publishing details: Australian Council for the Arts, Art & Australia Ltd, 2006, laminated boards, 56pp
Bedford Paddy Nyunkunyview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Mawurngjul Johnview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Ningura Napurrulaview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Nyadbi Lenaview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Riley Michaelview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Watson Judyview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Watson Tommyview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Yunupingu Gulumbaview full entry
Reference: see Australian Indigenous Art Commission exhibition in Paris, curated by Belinda Croft and Hetti Perkins. 8 Aboriginal artists. Essays on each artist
Publishing details: Australian Council for the Arts, 2006, laminated boards, 56pp
Sages Jennyview full entry
Reference: Paths to Portraiture. Catalogue of an exhibition held at the National Portrait Gallery, Canberra, 24 September 2010-16 January 2011 and elsewhere.
Publishing details: NPG, 2011, 12pp
Ref: 1000
Green Deniseview full entry
Reference: An Artist’s Odyssey. Chapters:
1.The 1970s: Redrawing the Boundaries / Richard Kalina
2.Resonating in Australia / Frances Lindsay
3.Ontology is at the Heart of It / Anthony Bond
4.A Brisbane Beginning / Denise Green
5.A Pause in Paris / Denise Green
6.My Career in New York and Europe / Denise Green
7.The Australian and New York Art Worlds / Kerry Stokes
8.Images and Words: Bridging the Gap / Peter Timms
9.Substances of Transformation: Denise Green and Joseph Beuys / Roland Monig
10.Metonymic Colour in Denise Green's Work / Christof Trepesch
11.Fast Forward: 1989 to 2009 / Lilly Wei.

‘In a career that has spanned four decades and three continents, Denise Green has bridged the tricky distance between artist and critic, an accomplishment captured in Denise Green: An Artist’s Odyssey. Combining her life story with observations of leading figures in the art world, the book is at once a window on artistic theory and practice and a virtual how-to for aspiring artists.
Green’s own story begins in Brisbane and moves through her subsequent years of training in Paris during the revolutionary events of 1968. She goes on to describe her apprenticeship as a painter in New York’s Soho, where she became embroiled in the debates dominating the art world.
Complementing Green’s account are the contributions of noted artists, art historians, critics, and curators like Ingrid Periz, Richard Kalina, Frances Lindsay, Anthony Bond, Peter Timms, Roland Mönig, Christof Trepesch, and Lilly Wei, as well as one of the most prominent collectors in Australia, Kerry Stokes. From the interplay of these perspectives, a rare picture emerges of art as it is made, understood, and lived.’
Publishing details: University of Minnesota Press, 2012. Paperback. 224 pages.
Boyd David.view full entry
Reference: An Open House - recollections of my early life, by David Boyd. [’Merric and Doris Boyd, Boyd's parents, were potters and devout Christian Scientists. They lived at Murrumbeena and their sons wandered the fields until they were reluctanntly consripted to the army during World War II’]
Publishing details: Hardie Grant, Melbourne, 2012. Hardcover, dw, 356 pages.
McFarlane Robertview full entry
Reference: Concerning the Spiritual
Publishing details: ?
Ref: 1000
Wombarra Sculpture Gardenview full entry
Reference: Wombarra Sculpture Garden
Publishing details: ?
Ref: 1000
Storrier Timview full entry
Reference: Tim Storrier: Elemental Reckoning The Art of Tim Storrier 1981 - 2011. By Gavin Wilson.

Publishing details: Eleven Mile
Drive 2011. Cloth in dustwrapper. Some editions had tipped in original etching edition of 100.
Ref: 1000
Parr Mikeview full entry
Reference: The Infinity Machine: Mike Parr's Performance Art 1971-2005
AUTHOR: SCHEER EDWARD [’Mike Parr is Australia's most significant performance artist. His contribution to the development and establishment of performance art in Australia remains continuous and resolute. Parr's dedication and research into the boundaries of performance art within the parameters of art history and theory are unprecedented.
At the forefront of performance art in Australia in 1970, Parr explored areas far removed from mainstream visual culture at the time. Despite the contempt, he persevered, remaining true to his practice. This long awaited book pays homage to Parr's achievements and is an essential admission into Australia's cultural memory. Compiled by the artist, this first hand account includes an extraordinary array of photographic documentation together with performance scripts and the artist's writings on his work, encapsulating the qualities that have made Mike Parr one of Australia's greatest cultural assets on the world stage.
Parr has performed in Switzerland, France, Austria, Italy, USA, Japan, The Philippines, Sweden and throughout Australia since 1973.’]
Publishing details: Black Inc, 2010, 200pp
Ref: 1000
Williams Fredview full entry
Reference: Fred Williams - Infinite Horizons, by Deborah Hart [Fred Williams revolutionised the way we see the Australian environment. This publication coincides with the exhibition Fred Williams: infinite horizons, the first major retrospective of his work in over two decades. The book highlights Williams' strength as a painter and includes a wide range of oil paintings and luminous gouaches, along with new material from the artist's diaries and his remarkable China sketchbook. Readers will experience a special opportunity to travel with Williams from the 1940s to his last works in 1981, from the figure studies of his student days in Melbourne and London to the groundbreaking landscapes, beachscapes and waterfalls of regional Victoria, and to subjects further afield in Bass Strait, the Cape York Peninsula and the magnificent Pilbara region in Western Australia. Also included are intimate portraits of family and friends. This engaging publication is a fitting tribute to an outstanding Australian artist. The clarity and richness of Williams' distinctive artistic vision that is his legacy will continue to inspire generations to come. ]


Publishing details: National Gallery of Australia, Canberra, 2011. Pictorial Cover. 231 pp Illustrated
McLeod Ryanview full entry
Reference: Painter in the painting
Publishing details: ?
Ref: 1000
Drysdale Russellview full entry
Reference: Russell Drysdale - the drawings, by Lou Klepac
Publishing details: 2012
Ref: 1009
George Alexview full entry
Reference: A Banksia Album : 200 Years of Botanical Illustration by Alex George [’With their bold flowering and fruiting spikes, banksias remain a favourite among artists and gardeners alike. A Banksia Album features over 90 stunning full-colour reproductions of watercolours, pencil and sepia-wash drawings, colour prints and early hand-coloured engravings and lithographs of banksias from the National Library of Australia’s collections. A Banksia Album covers over two centuries of botanical illustration, from 1770 when the Endeavour’s artist, Sydney Parkinson, was the first European to make drawings of banksias at Botany Bay, to 2007 with two prints of Banksia rosserae by Celia Rosser.’] [to be indexed]


Publishing details: Paperback | May 2012
Ref: 1006
Banksia Album Aview full entry
Reference: A Banksia Album : 200 Years of Botanical Illustration by Alex George


Publishing details: Paperback | May 2012
botanical illustrationview full entry
Reference: A Banksia Album : 200 Years of Botanical Illustration by Alex George


Publishing details: Paperback | May 2012
Heysen Hans and Nora view full entry
Reference: Heysen to Heysen - Selected Letters of Hans Heysen and Nora Heysen, by Catherine Speck. With chronology. Numerous illustrations. [Heysen to Heysen is a showcase of letters between Nora and Hans Heysen from the collection of the National Library of Australia. Accompanied by carefully selected images and text by leading art historian Catherine Speck, the publication lifts the lid on a vista of Australian art. In 1934, when Nora first travelled to London to study art, she experienced her first time away from home and the first of many, often exotic places from where she would write home to Hahndorf, South Australia. The correspondence between Nora and Hans continued until his death in 1968. Theirs was a close and affectionate relationship, in which father and daughter shared a lifetime of thoughts about art and life, and a mutual admiration and respect for each other's work. This is the first time their letters have been published to this extent.]


Publishing details: NLA, 2011, pb, 360pp, with index
Broadsheet of the Contemporary Art Society of Australia NSW branchview full entry
Reference: Broadsheet of the Contemporary Art Society of Australia NSW branch. 4 copies held. These list office bearers and members, etc.
Publishing details: September, 1965, February 1966, August 1966, October 1966
Ref: 3
Brown Montagueview full entry
Reference: see Fellows antiqiues and Fine Art auction lot 580 Birmingham UK 3.9.2012: Montague Brown (Australian, 1870-1942), Harbour scene, oil on canvas suppled by "W & G DEAN ARTIST COLOURMEN ENGRAVERS EQUITABLE PLACE MELBOURNE", signed lower right, 11.5" x 15.5", (29cm x 39cm); a pair of Impressionist harbour scenes, oil on plywood panel, unsigned, with framer`s label of Joseph Cooke, Aston verso and newspaper lining dated 1926, 12.5" x 17.25", (32cm x 44cm), in gilt frames; and a fourth harbour scene, oil on canvas, inscribed in pencil verso "MAR 27/[19]26", 11.75" x 19.75", (30cm x 50cm), (4) 1. Small patch repair to upper left of sky (patched verso, overpainted to front). Superficial scratch from water up to boat hull. 1960s/70s frame needs replacing.. 2. and 3. One has cracking to paint surface and has cracked glass; both have brown staining to sky. 4. Quite thin paint but overall sound.
Impressions of Colour - Lauraine Diggins catalogueview full entry
Reference: Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
Ref: 63
Roberts Tomview full entry
Reference: see Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue. Roberts’s ‘La Favourita’ exh 9 x 5 exhibition
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
Chevalier Nicholasview full entry
Reference: see Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue. Mt Abrupt and the Grampians 1863
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
Gilbert George Alexanderview full entry
Reference: see Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue. Mt Alexander Goldfields watercolour and colour lithograph (see also Australiana Magazine)
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
McCubbin Frederickview full entry
Reference: see Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue. ‘Shelling Peas’
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
Black Dorritview full entry
Reference: see Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue. 3 works
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
Sauerbier Kathleenview full entry
Reference: see Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue. ‘Jetty ramp and Howe’s Fishing Lookout’, oil
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
Withers Walterview full entry
Reference: see Impressions of Colour - colour in Australian Art. Lauraine Diggins Fine Art catalogue. ‘Panning for gold’ 1893
Publishing details: Lauraine Diggins Fine Art, 2012, 14pp with checklist of 30 artworks
Nobby’s Collection Theview full entry
Reference: see The Nobby’s Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Lewin John Williamview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Browne Richardview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Wallis James Captview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Preston Walterview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Dangar Henry 1796 - 1861view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Terry Frederickview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Calvert Samuel 1828 - 1913view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Schell Frederick 1838 -1905
view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Cooke Alfred Charles 1836 - 1902view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Daniel George view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Tebbitt Henri 1852 - 1926view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Robertson Bruce 1872 - 1940view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Henry Victorview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Raglass Max 1901 - 1981view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Raglass Max 1901 - 1981view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Gallop Herbert 1890 - 1958, Newcastle muralsview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Solomon Lance 1913 - 1989view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Olley Margaret view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Docking Shayview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Rooney Elizabethview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Cox Grahamview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
van Nunan Davidview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Pomroy Phillipview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Bathgate Rodview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Perks David (1934 - )view full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Taylor Neilview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Baily Johnview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Willebrant Jamesview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Whiteley Brettview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Perceval Matthewview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Wolfenden Brianview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Gosford Charlesview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Ermer Marioview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Earle Johnview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Storrier Timview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Lanceley Colinview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Middlebrook Davidview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Roberts Brianview full entry
Reference: see The Nobbys Collection, Kevin Brown, Mark Juisich. A collection of artworks spanning 200 years and which focus on Nobbys Head in Newcastle. Numerous illustrations of prints, drawings and paintings. With biographical details on artists.
Publishing details: Kevin Brown, Mark Juisich, 1993, pb, 64pp. signed by both authors
Historic Interiors - a collection of papersview full entry
Reference: Historic Interiors - a collection of papers, edited by Maisie Stapleton
Publishing details: Sydney College of the Arts Press, 1983, hc, 99pp
wallpaper in Australiaview full entry
Reference: see Historic Interiors - a collection of papers, edited by Maisie Stapleton
Publishing details: Sydney College of the Arts Press, 1983, hc, 99pp
colonial interiorsview full entry
Reference: see Historic Interiors - a collection of papers, edited by Maisie Stapleton
Publishing details: Sydney College of the Arts Press, 1983, hc, 99pp
ceiling ornamentation in Australiaview full entry
Reference: see Historic Interiors - a collection of papers, edited by Maisie Stapleton
Publishing details: Sydney College of the Arts Press, 1983, hc, 99pp
Schmeisser Jorgview full entry
Reference: Jorg Schmeisser - a survey of works 1964 1995
Publishing details: Drill Hall Gallery, Canberra, 1996 second printing, pb, 32pp, 3 colour reproductions inserted.
Cuppaidge Judyview full entry
Reference: The Flower Seeker - a painter’s travels
Publishing details: Citrus Press, 2004, hc, 112pp, signed by artist
Seidler Harryview full entry
Reference: Almost a Full Circle - Harry Seidler, a biography by Alice Spigelman
Publishing details: Brandl & Schlesinger, 2001, pb, 389pp with index, signed by author
Ian McKayview full entry
Reference: Ian McKay - Career Survey of Sculpture, with black and white illustrations
Publishing details: AGNSW, 1984, pb, 29pp
Ref: 7
Gould Johnview full entry
Reference: Australian Marsupials and Monotremes - John Gould. With large colour plates and detailed descriptions.
Publishing details: Doubleday, 1975, hc, large format, 143pp
Lambert George (frontispiece)view full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Leo Brendon ‘confessions of a student’ Sydney Art Schoolview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Pier Clif poemview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Passmore Johnview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Freeman Arthurview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Greiser Theodore ‘A Parisian Tragedy’view full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Lees Nview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Mallinson Berylview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Huntley Haroldview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Richardson Margaretview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Walker E Nview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Barry Dorisview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Arthur Freeman commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Pier Clif commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Passmore John commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Bellette Jean commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Lazarus V commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Grey Ellen commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Ashton Dick commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Harvey E A commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Smith Johua commendationview full entry
Reference: see Art Student The: Sydney Art School Magazine - The Art Student, edited by Clif Pier, assistant editors Arthur Freeman and Larry Bowler. Aproximately 20 articles by N. Lees, Brendon Leo, John Passmore, etc. See last page for ‘The School congratulates’ [this artist]

Publishing details: Sydney Art School, Q.V. Buildings, George Street, Sydney, 1932,
Art Student Theview full entry
Reference: The Art Student - An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Ref: 28
Gardner John A cover designview full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Keeling Dorothy nude studyview full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Noonan Frank (painting nudes)view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Gardener John A (article)view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Northfield James (poster design)view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Northfield James (an appreciation by Leyshon White)view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
pictorial bookplatesview full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Wade Christopher (article)view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Ryder Andrew article and illustrationview full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Horder Margaret (poster)view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Sinclair John, article and illustrationsview full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Gardner Aview full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Flett James article, and see p17view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
White C Leyshonview full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Battarbee R E (article)view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Redwood Pascal see p16view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Shaw Gayfield see p17view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
Wager Rhoda and Dorothy see p41view full entry
Reference: see Art Student The - The Art Student, An Illustrated Magazine for Students and Lovers of Art, managing editor C. Leyshon White. Over 20 articles and numerous illustrations.

Publishing details: Printed in Melbourne, February 1932, Vol 1, no. 1.
William Creek and Beyondview full entry
Reference: see McGregor Ken - William Creek and Beyond - Jason Benjamin, Hazel Dooney, Robert Jacks, David Larwill, Jeff Makin, John Olsen, Rodney Pople, Mark Schaller, Andrew Sibley, Tim Storrier (illustrator). By Ken McGregor, artist profiles by Ashley Crawford, photographs by Hari Ho.
Publishing details: Craftsman House, 2002
Sievers Wolfgangview full entry
Reference: The Life and Work of Wolfgang Sievers - travelling exhibition
Publishing details: Australian National Gallery, 12p. ill. [1991?]
Ref: 1004
Colour and Transparencyview full entry
Reference: Colour and Transparency - The watercolours of Leslie Dumbrell, Robert Jacks, Victor Majzner by Irena Zdanowicz and Patrick McCaughey.
Publishing details: National Gallery of Victoria. 1986. Paperback. 64 pages with B&W Illustrations and Colour
Ref: 1000
Robley Horation Gordon 1864view full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 - lots 1 & 2
Swainson George Fview full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 lot 3 -4
Ford William ‘Waiting for the ferry’ 1875view full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 lot 7
van den Houten Henricus Leonardusview full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 lot 10 ‘Yarra Flats’ a major work.
Garling Frederick view full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 lot 23, P & O liner Chusan anchored beside Campbell’s Store c1852
Browne Richardview full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 lots 32- 40 - all illustrated, with information about each of the nine watercolours.
Schramm Alexanderview full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 lot 42 - 4 lithographs after Schramm 1859, illustrated
Power John Wardellview full entry
Reference: see Sotheby’s Australia catalogue 15th April 1985 lot 49 ‘The Bathers’ - a beach scene with ‘classical’ figures
Friend Donaldview full entry
Reference: see Australiana August 2012, vol. 34, no 3 for article on his letters and diaries by Timothy Roberts
Cayley Neville Henry 1854 - 1903view full entry
Reference: see Australiana August 2012, vol. 34, no 3 for lengthy article on the artist with early and other illustrations. By Mark Cabouret
Cohen Joel John 1799 - 1853view full entry
Reference: see Australiana August 2012, vol. 34, no 3 for lengthy article on the Ipswich Odd Fellows medal of 1850
Oatley Jamesview full entry
Reference: see Australiana August 2012, vol. 34, no 3 for larticle titled ‘Move over John Oatley’ by John Houston (article on John Austin)
Austin Johnview full entry
Reference: see Australiana August 2012, vol. 34, no 3 for larticle titled ‘Move over John Oatley’ by John Houston (article on John Austin)
Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogueview full entry
Reference: Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Ref: 02
Edgar E 1833 portraitview full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Becker Ludwig Melbourne 1854 tempera and wcview full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Swainson W 4 drawings c1850view full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Gregory H 2 ink drawings 19th centuryview full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Chevalier Nicholas Woolongong [Wollongong] shipwreckview full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Gibbs F B ‘near Dromana’view full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Hainsselin Henri ‘Red Bluff St Kilda’view full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Flintoff Thomas ‘Man with Bull’ 1887view full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Fox Carrick - 4 worksview full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
May Phil ‘self portrait’ plaster castview full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Longstaff John 4 works (Istanbul?)view full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Hoff Rayner ‘Renascence’ [Renaissance]view full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Elischer John W ‘dancing figure’ bronzeview full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Milne B E ‘Australian Art & Literature’ exhibition poster view full entry
Reference: see Hogan Tim and Chris Deutsher [later spelt Deutscher] catalogue, Nineteenth and Twentieth Century Australian Art - 12 July - 18 August 1979, A Joint Exhibition by Tim Hogan and Christ Deutsher [later changed to Deutscher]
Publishing details: 1979
Masterpiece Fine Art Galleryview full entry
Reference: Australian Paintings - Modern and Contemporary
Publishing details: November, 1987, 62 exhibits, illustrated in b & w
Ref: 73
Chapman David 3 worksview full entry
Reference: see Masterpiece Fine Art Gallery - Australian Paintings - Modern and Contemporary
Publishing details: November, 1987, 62 exhibits, illustrated in b & w
Crawford Leonard Gordon oilview full entry
Reference: see Masterpiece Fine Art Gallery - Australian Paintings - Modern and Contemporary
Publishing details: November, 1987, 62 exhibits, illustrated in b & w
ANU Art Collection - Fifth Anniversary Touring Exhibitionview full entry
Reference: ANU Art Collection - Fifth Anniversary Touring Exhibition, curated by Emma Cheshire [to be indexed fully]
Publishing details: 1996
Gittoes Georgeview full entry
Reference: see ANU Art Collection - Fifth Anniversary Touring Exhibition, curated by Emma Cheshire
Publishing details: 1996
Foxhill Georgeview full entry
Reference: see ANU Art Collection - Fifth Anniversary Touring Exhibition, curated by Emma Cheshire
Publishing details: 1996
Artists Under Saturnview full entry
Reference: Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Ref: 12
Blackman Charlesview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Ramsay Hughview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Hall Bernard ‘Despair’ [suicide]view full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Macfarlane Stewartview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Beckett Clariceview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Boyd Lynneview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Henson Billview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Boyd Arthurview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Tucker Albert ‘Assassin’view full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Persson Stiegview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Vassilieff Danilaview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Bunnt Rupertview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Jones Timview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Ellis Peterview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Amor Rickview full entry
Reference: see Artists Under Saturn - Melancholy and the Macabre in Melbourne Art, introduced by Frances Lindsay. With notes on the artists.
Publishing details: University of Melbourne, 1989, pb, 32pp
Nuclear (R)Age - The Bomb in Australian Artview full entry
Reference: Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. Illustrated
Publishing details: Monash University Gallery, 1995, pb, 32pp. Illustrated
Ref: 12
Hawkins Weaverview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Wilson William Hardyview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Counihan Noelview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Akamatsu Toshikoview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Maruki Iriview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Coleing Tonyview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Mizzi Denisview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Howard Ianview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Cant Jamesview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Cant Jamesview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Vassilieff Danilaview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Boyd Arthurview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Rubin Victorview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Lobbecke Ericview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Perceval Johnview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Eberlain Ralphview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
McGilchrist Ericaview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Kamantjara-Brown Jonathanview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Onus Linview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Booth Peterview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Tucker Albertview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Parks Tiview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Robertson Peterview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Anderson Charlesview full entry
Reference: see Nuclear (R)Age - The Bomb in Australian Art, Monash University Gallery 14 July - 21 August 1995. 85 works. Timeline 1945 - 1995. This artist’s work is illustrated.
Publishing details: Monash University Gallery, 1995, pb, 32pp
Ryan Leoneview full entry
Reference: Australian Bush Life, Leone Ryan of Pyalong [illsustrated in colour with examples of the artist’s folk art]
Publishing details: Leone Ryan of Pyalong, 1985, pb, np, signed by the author
Ref: 12
Adam Leonardview full entry
Reference: Leonard Adam - From the Spree to the Yarra - auarelles: 1911 - 1955, by Dan Eban and Mary-Clare Adam (includes lengthy biography)
Publishing details: Tatura Historical Society, 1996, 30pp, illustrated in colour
Ref: 12
Sauerbier Kathleenview full entry
Reference: Kathleen Sauerbier - A Modern Pursuit by Gloria Strzelecki. Foreword by Luise Andrewartha, preface by Jane Hylton. ‘Modern in her attitude, Kathleen Sauerbier painted outstanding landscape and also portraits, streetscapes and still lifes. She became one of the first artists to respond to the beautiful Fleurieu Peninsula with a truly modernist approach.’
Publishing details: Wakefield Press, 2011, 80pp
Rees Lloydview full entry
Reference: Early Brisbane Drawings. Extensively illustrated in b & w.
Publishing details: QAG, 2011, card covers, 92pp
Mayo Daphneview full entry
Reference: Daphne Mayo - Let There Be Sculpture, text by Judith McKay, Michael Hawker
Publishing details: QAG, 2011, card covers, 96pp
Duterrau Benjaminview full entry
Reference: The National Picture by Stephen Scheding. [This is in effect a biography of Duterrau] [’Duterrau's "National Picture", now lost, was intended to record a fictional reconciliation between the Aboriginal people and the interlopers. It was 4.25m long by 3m high, and hinged in the middle for ease of transport. A surviving painting, The Conciliation is now in the Tasmanian Museum and Art Gallery in Hobart.’]
Publishing details: Random House Australia, 2002 
278 p., [4] p. of plates : ill., map, ports. Includes index.
Stephen Schedingview full entry
Reference: see Duterrau Benjamin - The National Picture by Stephen Scheding [This is in effect a biography of Duterrau]
Publishing details: Random House, 2002, pb
Rees Lloydview full entry
Reference: A Small Unsigned Painting by Stephen Scheding [The author’s quest to authenticate a small unsigned painting, possibly by Lloyd Rees. Covers the art and time of Rees]
Publishing details: Random House, 1998, pb
Scheding Stephenview full entry
Reference: see Rees Lloyd - A Small Unsigned Painting by Stephen Scheding [The author’s quest to authenticate a small unsigned painting, possibly by Lloyd Rees. Covers the art and time of Rees]
Publishing details: Random House, 1998, pb
Tempsky G F vonview full entry
Reference: G F von Tempsky Artist and Adventurer, by Rose Young, (limited edition book)

Publishing details: Martinborough, New Zealand, Alister Taylor Publishers, 1981, 1st edition, ornate half-leather binding over cloth with silver and green decorations, contained in a custom design clam shell box. Limited edition 320/1250.
Ref: 1000
Scarlett Kenview full entry
Reference: Limited Recall - A Fictional Autobiography
Publishing details: 2005
Ref: 1003
McFadyen Kenview full entry
Reference: Ken McFadyen: Vietnam on Canvas, an Artist at war, by Sandra Finger Lee.
[Ken McFadyen was appointed Australia's official war artist in 1967 and served with the Australian forces in Vietnam from July 1967 until May 1968, attached to 2RAR. ]
Publishing details: Barrallier Books, Melbourne, VIC, Australia, 2010. Hard Cover. 144 pages
Ref: 1000
Laing Rosemaryview full entry
Reference: Rosemary Laing by Abigail Solomon-Godeau [Considers the work of Australian photo-based artist Rosemary Laing (b. 1959). "With an incisive critical essay by art historian Abigail Solomon-Godeau on Laing's engagement with the politics of place and contemporary Australian culture, this volume comprehensively surveys the artist's career-long exploration of a new form of landscape photography." (back cover).] NB another edition (?) by Prestel Verlag, Munich, Germany, 2012.
Publishing details: Brisbane City Gallery, Brisbane 2003, 2003.(landscape), 60pp, colour illusts, fine paperback
Ref: 1000
Morphy Howardview full entry
Reference: Becoming Art: Exploring Cross-Cultural Categories by Howard Morphy. [’This book provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument. ‘]
Publishing details: UNSW Press, Sydney 2008, 234pp, b/w illusts, paperback
Aboriginal artview full entry
Reference: see Morphy Howard - Becoming Art: Exploring Cross-Cultural Categories by Howard Morphy. [’This book provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument. ‘]
Publishing details: UNSW Press, Sydney 2008, 234pp, b/w illusts, paperback
Becoming Artview full entry
Reference: see Morphy Howard - Becoming Art: Exploring Cross-Cultural Categories by Howard Morphy. [’This book provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument. ‘]
Publishing details: UNSW Press, Sydney 2008, 234pp, b/w illusts, paperback
Porter Hobieview full entry
Reference: Continuum. Gallery invite with essay
Publishing details: Arthouse Gallery, 2012, 6pp
Ref: 219
Garling Frederick, view of Sydney Cove c1840view full entry
Reference: see Menzies auction 13 September, 2012. There is a lithograph based on this watercolour. With essay.
von Guerard Eugeneview full entry
Reference: see Menzies auction 13 September, 2012. For Aborigines outside Melbourne previously in Cowlishaw sale. With essay.
Becker Ludwigview full entry
Reference: see Menzies auction 13 September, 2012. For ‘Port Arthur’ 1851 wc. With essay.
Prout John Skinnerview full entry
Reference: see Menzies auction 13 September, 2012. For ‘Willoughby Falls, c1842. With essay.
Moyle T Cview full entry
Reference: see Menzies auction 13 September, 2012. For mining scene 1897
Rae Johnview full entry
Reference: see Menzies auction 13 September, 2012. For Panorama of Hyde Park, 1842. With essay.
Schoukhaeff Basilview full entry
Reference: see Menzies auction 13 September, 2012. For ‘Cassis’ 1928. The artist exhibited at Macquarie Galleries, Sydney, 1928. With essay.
Oakley A E (Agnes Elizabeth?)view full entry
Reference: Impressionist oil painting in collection of Stephen Scheding, Sydney.
Henson Billview full entry
Reference: The Henson Case by David Marr
Publishing details: Text Publishing, 2008, 149pp, paperback
Coutts Gordon Harrowerview full entry
Reference: see lot 60, Aspire Auctions, USA, 08 Sep 2012 8pm - Gordon Harrower Coutts (American, 1868-1937) The Lookout. Oil on canvas, signed at the lower right, framed in a wide gilt frame with leaf decoration overall 36" x 46". Conservator`s label from 1992 treatment affixed to the backing board, stating that it had been previously glue relined. Born in Glasgow, Scotland on Oct. 3, 1868, Gordon Coutts studied art in Glasgow, London, and in Paris at Académie Julian under Lefebvre, Fleury, and Rossi. After his stay in Paris, he moved to Melbourne, Australia where he was an instructor at the Art Society of New South Wales for several years during the late 1890s. Upon returning to London in 1899, he exhibited at the Royal Academy. In 1902 he and his wife, Alice, moved to San Francisco where he became an active member and exhibitor of the Bohemian Club while maintaining a home across the bay in Piedmont. An itinerant globe trotter, he traveled to remote places in search of subject matter. During his early period his work embraced Tonalism; whereas, his style later changed to the brighter, colorful palette of Impressionism. Ill health necessitated his move to a drier climate, and about 1925 he settled in Palm Springs, CA. There he built a French-Moroccan style castle where he remained until his death of tuberculosis on Feb. 21, 1937.
Sharp Martinview full entry
Reference: see Sworders Fine Art Auctioneers, UK, lot 239, 4 Sept, 2012, Martin Sharp (b.1942), `LEGALISE CANNABIS, THE PUTTING TOGETHER OF HEADS`, 1967 Colour offset lithograph poster, printed in red and black ink on gold metallic foiled paper 50 x 75cm. Martin Sharp was born in Australia in 1942 and is considered to be one of the foremost underground artists working in the 1960s. He designed album covers for Bob Dylan and Cream. This poster advertises a Legalise Cannabis Rally held in Speakers’ Corner, Hyde Park, London in July 1967. It features a collage of figures appropriated by Sharp from 19th century ethnographic engravings.
Reynolds Georgeview full entry
Reference: see Stroud Auction Rooms, UK, lot 938, 12-13 Sept., 2012, George Reynolds Collection A souvenir luncheon menu in honour of Miss Amy Johnson CBE including her England to Australia flight in May 1930, the menu dated August 1930 with George Reynolds signature and date to front velum cover, glued into the front is the invitation from the Daily Mail for the event, the toasts page has been signed in pencil by Amy Johnson, the autographs page signed by further guests to include Anthony Vickers, D.C. Handley, Waghorn, S. Frank Markham, Nigel C Coleman, E. Marjoribanks, Robert A. O`Brian and others This lot forms part of the George Reynolds Collection, 179 lots relating to his competing in and timing of cycling, motor cycling, motor and aviation events from 1880 - 1930`s including Henry Segrave, Schneider Trophy, Amy Johnson, Brooklands, TT Races and many others.
Gibson Bessieview full entry
Reference: see Mitchell’s Auctions, UK, lot 58. 13-14 Sept., 2012 - Description:
Bessie Gibson (1868-1961) Australian, a Pre-Raphaelite period painted porcelain plaque, "The Maiden". 20 ins x 12 ins, framed, signed and dated 1888 (see illustration).
Estimate:
£2,500 - £3,500
Patterson Shuggview full entry
Reference: see Oakley A E - An Australian Flower Painter: A E Oakley by E A Vidler. CONTAINS 9 TRI-COLOUR PLATES AND 5 PEN DRAWINGS BY THE ARTIST, WITH DECORATIVE ENGRAVINGS IN THE TITLE PAGE ETC BY PATTERSON SHUGG PTY. LTD. MELBOURNE. [As well as painting watercoloues of Australian native plants Oakley painted impressionist oils, particularly of Melbourne coastal scenes. She held several exhibitions]. Unfortunately there is no biographical information on the artist apart from the fact that she was ‘a native of Melbourne’.
Publishing details: Edward A. Vidler, Melbourne ,1923, first impression, 28pp, hc, dw, hinges repaired
Dangar Anneview full entry
Reference: see Albert Gleizes: For and Against the Twentieth Century By Dr. Peter Brooke (also references Grace Crowley, etc
Publishing details: Yale, 2001
Ref: 1000
Crowley Graceview full entry
Reference: see Dangar Anne [- Albert Gleizes: For and Against the Twentieth Century By Dr. Peter Brooke (also references Grace Crowley, etc
Publishing details: Yale, 2001
Gleizes Albertview full entry
Reference: see Dangar Anne - Albert Gleizes: For and Against the Twentieth Century By Dr. Peter Brooke (also references Grace Crowley, etc
Publishing details: Yale, 2001
Seehusen Walterview full entry
Reference: see Lot No. 115 - WALTER SEEHUSEN (1842-1907) A Ford on the Graceburn, Healesville 1885 oil on canvas signed and dated 'W. Seehusen 85' lower left titled on original exhibition label verso housed in an Isaac Whitehead frame 59.5 x 49cm OTHER NOTES Frame is illustrated in John Payne, Framing in the 19th Century: Picture Frames 1837-1935, National Gallery of Victoria 2007, pp. 266-267

Estimate $3,000-$5,000
Auction:
Sunday Fine Art Auction
Held:
Sunday 23 September 2012 2pm

333 Malvern Road, SOUTH YARRA, Melbourne, VIC

Brown Montagueview full entry
Reference: see Lot No. 174

MONTAGUE BROWN (1870-1942) Path Through the Bush (Dandenong, Victoria) oil on canvas signed 'Montague Brown' lower left 82 x 56.5cm

Estimate $1,000-$1,500
Auction:
Sunday Fine Art Auction
Held:
Sunday 23 September 2012 2pm

333 Malvern Road, SOUTH YARRA, Melbourne, VIC
Works from the factory no. 2 & 4view full entry
Reference: Works from the factory no. 2 & 4 by ARNAOUTOPOULOS, Andrew [Catalogue of an exhibition of works by
Australian contemporary artists, including Nick Allen, Bronwyn Clark-
Coolee, Thomas Vale-Slattery, Francine O'Dea, Judith Wright, Brenda
Lewis, Malcolm Enright, Gertrude Freitag, Edward Riggs and June
Tupicoff.
Publishing details: [Brisbane] : Institute of Modern Art, 1983. Octavo, pictorial wrappers,
36 pp, mainly illustrations.
Ref: 1000
Barnett P Nevilleview full entry
Reference: Hiroshige
Publishing details: Beacon Press, 1938. Small folio,
quarter-vellum over gilt-lettered boards, glassine wrapper, original card
slipcase
Ref: 1000
Blackman Charlesview full entry
Reference: Orpheus: the song of forever by Nadine Amado illustrated with numerous tipped-in plates by Charles Blackman (32 tipped in plates, 2 black & white illustrations,)
Publishing details: The Craftsman’s Press, 1983. Quarto, signed by artist & author to title page, white cloth boards blue embossed design.
Ref: 1000
Bolton Kenview full entry
Reference: Blazing Shoes
Publishing details: Adelaide, Open Dammit, 1984. Oblong duodecimo, illustrated
wrappers. pp. [99]. A scarce first edition of 200 copies only, printed at
the Experimental Art Foundation.
Ref: 1000
Boyd Davidview full entry
Reference: David Boyd’s Reconciliation : An Australian Odyssey and Reconciliation : An Australian Fallacy [In 2002 the publisher Robert C. Littlewood released a deluxe edition
folio containing original etchings by David Boyd titled 'Reconciliation
: An Australian Odyssey'. In the years following, a deep and bitter
falling out occurred between artist and publisher, the edition was sold
in various grangerised formats, and in 2008 Littlewood re-issued the
work as 'Reconciliation : An Australian Fallacy'. This publication included
a lengthy tirade written by Littlewood, which in essence outlined
the failings of Boyd to fulfil his agreement with the publisher. This
vast boxed set - consisting of seven folios and weighing in at thirtytwo
kilograms - represents the publisher's own copies of the books
produced as a result of the Reconciliation undertaking, along with
additional documentary material, and is thus unique. It's production
was finished in 2012, one decade after Reconciliation was first
published, and includes the final material from the publisher's archives
which will be issued in the Reconciliation saga, including several dozen
original Boyd etchings.]
Publishing details: Robert C. Littlewood, 2002
Ref: 1000
Bryant Charlesview full entry
Reference: catalogue,
Publishing details: Melbourne : Athenaeum Gallery, n.d. [c. 1930]. Direction : The Sedon
Galleries. Octavo, lettered wrappers, yapp edges, photographic portrait,
foreword, catalogue of 24 works, the sold items marked in pencil.
Ref: 1000
Cobb Victorview full entry
Reference: The Woodcuts of Victor E Cobb 1876 – 1945 by LITTLEWOOD, Robert C
Publishing details: Being a catalogue raisonne of Victor Cobb’s Woodcuts, a brief essay
outlining his philosophy of art and a critical appreciation of the
woodcuts and the circumstances under which they were created.
Melbourne: The Jester Press Pty Ltd, 1981. Octavo, full morocco,
marbled endpapers, portrait frontispiece, illustrated. The deluxe edition,
limited to 65 copies (from a total edition of only 130), signed and
numbered by the author, with an original wood engraving tipped-in.
A charming study on the important Melbourne printmaker, under the
Jester Press imprint, forerunner to the Lytlewode Press.
Ref: 1000
Clinch Robertview full entry
Reference: d’Art: the art of Robert Clinch by David Thomas [includes
essay on the artist of approximately 5000 words by noted arts writer
David Thomas. The standard edition, limited to 300 copies, which is
bound in full buckram, and includes an original Clinch crayon lithograph
sewn into the book, signed and numbered by the artist, the colophon
further signed and numbered by artist, author and publisher. There
were an additional 60 copies produced in a deluxe edition, bound
in goatskin and with a four signed lithographs. All lithographs were
produced specifically by Clinch for this book. The binding is by Paul
Schubert of Melbourne. Robert Clinch is regarded as one of Australia’s
finest contemporary realist artists, and actively collected internationally.
This is the only book on the artist, and is a finely produced private
press work with a high level of the artist’s involvement.]
Publishing details: Stoke-on-Trent: The Lytlewode Press, 2007. Imperial quarto, teal
buckram with gilt illustration in matching slipcase, 146pp, illustrated
throughout with colour reproductions tipped-in by hand,
Ref: 1000
COUNIHAN, Noel et aliaview full entry
Reference: Eureka 1854 – 1954 : a folio
of lino-cuts by COUNIHAN, Noel et alia [fourteen original linocuts of
the Eureka Rebellion by Ray Wenban, Noel Counihan, Pat O’Connor,
Peter Miller, Alisa O’Connor, Len Gale, Ernie McFarlane, Maurice
Carter, Naomi Shipp and Mary Zuvella. An important and complete
portfolio of artworks, produced by the left-wing Melbourne collective
sympathetic to the unionist sentiments of the Ballarat miners. This copy
- like most - is missing the delicately placed cover image, and priced
accordingly. See: Robert Smith, Noel Counihan Prints 1931 - 1981,
Sydney, Hale & Ironmonger, 1981, pp. 68 - 70 (illustrated).]
Publishing details: Melbourne: Popular Print Art Group, 1954. Quarto, lettered paper
portfolio
Ref: 1000
Crooke Rayview full entry
Reference: An epistle from Oberea by Ray Crooke, illustrated with seven original silk screens by Ray Crooke.
Publishing details: Ferntree Gully (Melbourne): The
Rams Skull Press, 1955. Quarto, hessian bound boards, 24pp. illustrated
with seven original silk screens by Ray Crooke. Limited to 250 copies
signed by the artist.
Ref: 1000
Dent Aileenview full entry
Reference: Exhibition of paintings by Aileen Dent
Publishing details: Melbourne : The Athenaeum, 1945. Octavo, folding sheet, pp. 4,
catalogue of 41 works.
Ref: 1000
Dickinson Sidneyview full entry
Reference: Art Lectures of Mr. Sidney Dickinson in College Hall, Amherst, Mass.
[SIDNEY DICKINSON; AMHERST COLLEGE] [The American art critic and journalist Sidney Dickinson (1851-1919)
first visited Australia in 1888, delivering lectures on art in Sydney at
the National Art Gallery of New South Wales and in Melbourne.
After spending time in Paris and London he returned to Melbourne
with his wife, Marion (née Miller), in 1890. Dickinson was immediately
made honorary secretary of the Victorian Artists' Society, and his
wife became executive vice-president of the Austral Salon of Music,
Literature and the Arts, a club for Melbourne women writers. He was
a key figure in the Australian art scene of the early 1890s, enthusiastic in his admiration and encouragement of the Heidelberg School artists Tom Roberts and Frederick McCubbin, in particular.]
Publishing details: ticket, 1885
Ref: 1000
In focus : Australia’s heritage in stamps : 150 years of
Australian photographyview full entry
Reference: In focus : Australia’s heritage in stamps : 150 years of Australian photography
COLLIGAN, Mimi / Australia Post Philatelic Group
Publishing details: Melbourne : Australia Post, 1991. Octavo, illustrated boards, 32 pp,
illustrated; ex Richard King collection, with 4 tipped-in First Day
of Issue philatelic cards
Ref: 1000
Brown Gordon Furlee view full entry
Reference: see Photographic portrait
of Will Dyson by Gordon Furlee Brown in Douglas Stewart book catalogue Sept 2012
Earles Chesterview full entry
Reference: see Douglas Stewart book catalogue Sept 2012 [4 letters, 7 pp (each 178 x 110 mm), tipped onto one old album page.
Fine condition. A series of four letters, written when Earles was still
resident in London (2 Gower Street), to Henry Mogford, organiser of
exhibitions at the Crystal Palace. Earles refers to his paintings 'At the
Foot of the Cross', 'Adam and Eve', and 'May', and complains in one
letter that he found his picture lying on the floor of the exhibition. He
also enquires whether Mogford would like some miniature paintings
(probably on ivory) for a forthcoming exhibition. Earles emigrated to Victoria in 1864. In 1866 he exhibited 'At the
Foot of the Cross' at the Melbourne Intercolonial Exhibition. The jury
noted that it was "one of the few figure pictures in the Exhibition" and
considered it remarkable "for its feeling and careful execution". In 1869 Earles contributed fifteen paintings to the Melbourne Public Library Exhibition. Most were Biblical subjects or portraits, among them 'Adam and Eve', a miniature on ivory. Six of these works were exhibited later that year at the Ballarat Mechanics Institute. Earles was treasurer, and
later president of the Victorian Academy of Arts.]
Frazer Davidview full entry
Reference: The Ballad of Count von Jack by
FRAZER, David.
Publishing details: Castlemaine : Unstable Press, 2011. Quarto, maroon buckram with lettered insert bound by the artist, [30] pp. letterpress, 9 original wood
engravings, each initialled by the artist. A wry comment on the life of the artist, illustrated with Frazer's trademark wit.
Ref: 1000
Frazer Davidview full entry
Reference: Howard & Ken
were a double act.
Publishing details: Hand printed by the artist at Monash Caulfield Printmaking Studio on
Arch Aquarelle acid free paper. Letterpress by John Ryrie, bookbinding
by Peter Wegner. Limited to only 12 copies, signed by the artist. This
copy is unique in that unlike other copies in the edition, the artist
has initialled each of his original engravings. ‘David Frazer is nationally
recognised as one of Australia’s leading contemporary artists in the
medium of wood-engraving.’
Ref: 1000
Frazer Davidview full entry
Reference: Six bookplates engraved by David Frazer
Littlewood, Robert C.
Publishing details: The Lytlewode Press, 2006
Ref: 1000
Gleeson Jamesview full entry
Reference: James Gleeson - Along the fault line. Late slippages and abrasions.

Publishing details: The Northwood Press (a division of The Beagle Press), 2005.Octavo, gilt-lettered blue cloth, 50 pp of James Gleeson’s poems.Limited to 350 copies. Produced for private distribution. A rare literarywork by the artist. This copy signed by Gleeson.
Gibbs May view full entry
Reference: Gumnuts [A short anthology of the Bib and Bub comic strips created by Gibbs from 1927 onwards. These strips originally appeared in both Australian and
New Zealand newspapers, and continued to be published in this format up until 1967.]
Publishing details: Angus and Robertson, [194-]. Oblong quarto, illustrated colour wrappers, 48 pp, monochrome illustrations in green, sepia or
black.
Ref: 1006
Harper Melindaview full entry
Reference: Melinda Harper
Publishing details: Brisbane : David Pestorious Gallery, 2nd June - 1st July 1995. Octavo,
printed wrappers, 12 pp., illustrated in colour, essay by Sue Cramer,
biography. Limited to 250 copies. Scarce early exhibition catalogue by
Melinda Harper, now one of Australia’s leading contemporary abstract
painters.
Ref: 1000
Hart Proview full entry
Reference: Waltzing Matilda [A poem by Andrew Barton ‘Banjo’ Paterson, etchings by Kevin
Charles ‘Pro’ Hart. Stoke-on-Trent [U.K.]: The Lytlewode Press, 2007.
Large folio bound in goatskin, gilt-lettering to spine, in a gilt-lettered
and felt-lined clamshell box, 42pp. text, plus seven tipped-in original
hand-coloured Pro Hart etchings, each signed by Pro Hart. This is
the publisher’s special edition of ‘Waltzing Matilda’. It is limited to 25
copies plus hors d’commerce, and signed and numbered by Robert
Littlewood. Robert Littlewood first published ‘Waltzing Matilda in
1995 while Pro Hart was still alive. The 1995 edition was limited to
100 copies, and contained a copy of the poem, plus seven signed
Pro Hart etchings printed in the chine colle method. There was no
additional text. This 2007 edition is a different and superior publication.
The etchings are intaglio impressions on the rag paper, and then
hand-coloured according to Pro Hart’s direction. It contains 20 pages
of original research by Littlewood on the story of ‘Waltzing Matilda’
and the social and political context of the story. The essay researches
the powerful union movement, the shearers’ strikes and the social
circumstance of the squatters in regional New South Wales, examining
how these influenced Lawson’s writings and also the naive artworks of
Pro Hart.]
Publishing details: LITTLEWOOD, Robert C, 2007
Ref: 1000
Hart Proview full entry
Reference: Outback Christmas
Publishing details: Rigby, 1981, 47pp
Ref: 1000
Hart Proview full entry
Reference: Broken Hill & Beyond
[HART]. LITTLEWOOD, Robert C. and GROVES, Derham
# 205
Stoke-on-Trent [U.K.]: The Lytlewode Press, 2008.
Three volumes quarto bound in full ostrich, in gilt-lettered
black buckram slipcase (measuring 400 x 310 x 170mm),
concertina photographic endpapers to volumes 1 and 2, each
extending to 1850mm, depicting 360 degree panoramas of
Pro Hart’s studio and gallery, illustrated with twenty-eight
original hand coloured etchings by Pro Hart, thirteen of
which are signed by the artist in pencil, numerous original
photographs documenting the township of Broken Hill by
Melbourne photographer James Calder tipped-in, additional
loose original photographs by Calder housed in volume 3,
which is presented as a portfolio.
Limited to ten signed copies.
Broken Hill & Beyond’ is an ambitious publication by Robert
Littlewood, the Australian publisher based in England, to
document the settlement and development of far western
New South Wales and the character of its unique residents.
Central to our picture of today’s Broken Hill is iconic folk
artist Pro Hart (1928 – 2006), who features in this work as a
study of the culture and values of outback Australia.
A mammoth work extensively illustrated with original
artworks. Rare, the only copy recorded in Australian
collections held in the State Library of New South Wales.
Publishing details: LITTLEWOOD, Robert C. and GROVES, Derham, 2008
Ref: 1000
Hart Proview full entry
Reference: Mask. Pro Hart’s Frankenstein Monsters
[HART] . by Derham Groves

Being a Monograph dealing with Pro Hart and his Mask Images.

Publishing details: Standard edition. Stoke-on-Trent [U.K.], The Lytlewode Press,
2006. Large folio (measuring 46 x 31cm), inlaid designer buckram
binding with ‘Mask’ design in matching slipcase, 46 pages plus 26
original unsigned Pro Hart hand coloured etchings, plus one original
signed etching tipped-in at front, numerous other photographs and
reproductions tipped-in. The label ‘standard edition’ stands at odds
with the size and luxury of the production, his images of the miners
challenge what many have thought to be the limits of Pro Hart’s
oeuvre.
Ref: 1000
Pollock E Fview full entry
Reference: The Great Barrier Reef
BEDFORD, Randolph / E.F. Pollock and Frank Hurley (photographs)
# 997

A short photographic essay using the wonderful images of Pollock and
Hurley accompanied by informative text.
Publishing details: Sydney : Art in Australia Ltd, 1928. Octavo, pink card wrappers with paste-down pictorial title label,
unpaginated [13] pp, 7 tipped-in sepia photographic plates.
Ref: 1000
Irving Tonyview full entry
Reference: The Laneways of Melbourne (Standard)
[IRVING]. ARNOLD, John.
# 114
Researched & written by John Arnold with etchings by Tony Irving
with photographs by Caitlin Littlewood. Melbourne:
Publishing details: The Lytlewode
Press, 25 July 2001. Large folio, gilt-decorated polished calf in matching
slipcase by master Queensland binder Fred Pohlmann. The de luxe
edition. Published in an edition of 25 copies, each numbered and
signed by the artist, photographer and publisher. Numbers 1 – 10
were the deluxe edition, and numbers 11 – 25 the standard edition.
Each book features ten original full page etchings by Tony Irving,
individually signed by him; the de luxe also contains an original large
signed Tony Irving drawing of a Melbourne laneway.
Ref: 1000
Jacks Robertview full entry
Reference: Robert Jacks. Paris Sketchbook 1989
Robert Jacks

Eight etchings and one frontispiece in edition of nine. A rare early folio by the artist.
Publishing details: Printed at the Sydney Print Studio by Diane Davidson and Peter Stevens on Arches 280 GSM. Cloth bound portfolio with
title label measuring 780 x 580mm housing eight etchings and one etched frontispiece,
each signed and numbered by the artist.

Ref: 1000
Jacks Robertview full entry
Reference: Various Texas Sketch Book Etchings 1978. 30 Relief
etchings.
Robert Jacks
# 194
[Sydney : the artist, 1979]. Oblong buckram solander box 278 x
388mm containing thirty loose original relief etchings interlined with
glassine tissue. A unique copy, signed and inscribed ‘No Edition’ by the
artist. A variant edition of this book with 38 etchings is catalogued by
Anderson as Texas Sketchbook 2, again unique.
Anderson: p. 35
Ref: 1000
Jacks Robertview full entry
Reference: A Family of Forms - Robert Jacks
A book of original serigraphs by Robert Jacks.
Publishing details: Melbourne and
Townsville: Lyre Bird Press & Zimmer Editions, 1999. Large folio (520
x 410mm), embossed canvas covered boards with plain black paper
jacket, vivid yellow endpapers, 16pp of text and striking full page original screenprints by Jacks. Limited to 30 copies signed by the artist.
[Collections: SLQ, SLV, Monash Uni., Bibliotheca Librorum]
Ref: 1000
Jacks Robertview full entry
Reference: Cornish Etchings 1989
Robert Jacks
# 199
Eight etchings and one frontispiece printed by Diane
Davidson and Peter Stevens at Sydney Print Studio in
an edition of twelve with two artist’s proofs and two
printer’s proofs 200 GSM BFK Arches. Cloth bound
portfolio with title label measuring 570 x 460 mm
housing eight etchings and one etched frontispiece,
each signed and numbered by the artist. A rare early
folio by the artist based on his travels in the region.
Anderson: p 39.
Ref: 1000
Jacks Robertview full entry
Reference: Red Diagonals
Robert Jacks
# 191
New York, 1976. Oblong octavo (140 x 215mm), staple bound with
red tape, 16 leaves of hand-stamped designs in red ink. Edition of 250.
One of Jacks’ iconic hand-stamped books. Catalano writes in 1983 ‘This
book strikes me as his most significant publication’ (p. 35).
Selenitsch: 29, Anderson: p 29, Catalono: pp 35-37.
Collections: NGA, SLV, SLQ, Sydney Uni., BM, MOMA, NGC.
Ref: 1000
Jacks Robertview full entry
Reference: Red Diagonals
Robert Jacks
# 191
New York, 1976. Oblong octavo (140 x 215mm), staple bound with
red tape, 16 leaves of hand-stamped designs in red ink. Edition of 250.
One of Jacks’ iconic hand-stamped books. Catalano writes in 1983 ‘This
book strikes me as his most significant publication’ (p. 35).
Selenitsch: 29, Anderson: p 29, Catalono: pp 35-37.
Collections: NGA, SLV, SLQ, Sydney Uni., BM, MOMA, NGC.
Ref: 1000
Jacks Robertview full entry
Reference: Robert Jacks. An unfinished
work 1966 - 1971
Robert Jacks
# 189
New York: the artist, 1966-1971 [Melbourne: the artist, 2008]. Folio,
stamp-titled wrappers, thirteen leaves offset printed of geometric
statements which articulate the design of an object. Produced in an
edition of five copies signed and numbered by the artist.
The first section of the above work, separately issued as a stand-alone
book. An experimental piece where the artist mathematically describes
a physical object. An unfinished work 1966 - 1971 was originally
exhibited at the Whitney Museum Artists Resource Centre, New York,
and A Space Gallery, Toronto, as part of an installation. It was intended
as an edition of 100 copies, although far fewer were produced, they
were given away to visitors to allow them to own a piece of the
installation, if they so chose. This is one of five copies Jacks has made
recently recreating the original in a very low edition.
Selenitsch: 11, Anderson: p. 25
Collections: NGA
Ref: 1000
Jacks Robertview full entry
Reference: Robert Jacks Hand Printed Boxed Set
Robert Jacks
# 192
Various locations, various dates, 1973 – 1982. The twelve
hand-stamped books presented in a black buckram box. A
complete set.
Selenitsch: Illustrated p. 28, Anderson: p. 9
Collections: NGA, MOMA, NGC, SLV, SLQ, Melbourne Uni.,
Sydney Uni., Bibliotheca Librorum
Features:
Right .. Left
Green Lines
Black Lines
Red Dots
Vertical & Horizontal
Dots
Lines Dots Number Two
Lines Dots
1975 - 1976
Color Book
Twelve drawings
Twelve red grids
An important compilation by Jacks.
Exhibitions: Out of Australia : prints and drawings from Sidney
Nolan to Rover Thomas. The British Museum, London, 26 May
- 11 September 2011. Curator: Stephen Coppel. Catalogue
number 77.
Ref: 1000
Jacks Robertview full entry
Reference: Robert Jacks. Twelve
drawings 1970
Robert Jacks
# 190
[Melbourne: , 2008]. Folio, stamp-titled wrappers, thirteen leaves offset
printed of photographs and designs. Produced in an edition of five
copies, signed and numbered by the artist.
Twelve drawings is another stand-alone work created as part of
the full version of An Unfinished Work 1966 – 1971 and originally
exhibited at the New York Cultural Centre in 1970. It was intended
as an edition of 100 copies, although far fewer were produced, again
for free distribution. This is one of five copies Jacks has made recently
recreating the original in a very low edition of five.
Selenitsch: 15, Anderson: p. 24
Collections: NGA, MOMA, NGC
Ref: 1000
Jacks Robertview full entry
Reference: The Three Stamps Box Sets
Robert Jacks
# 196
Jacks has pursued collaborations with artists to produce sets and
series, particularly in relation to rubber-stamping, throughout his career.
These early sets were produced in very low numbers.
Stamps 1976 Number 1.
Austin: R. Jacks, October 1976. Black card box 290 x 226mm with
title label, containing nineteen sheets hand-stamped with designs by a
series of artists.
The artists are Stan Nishimura, Arthur Gibbons, Ray di Palma, Peter
Robbins, Peggy Lewis, Jim Zver, Robert Jacks, Peter Fleishman and
Robert McNealy.
Stamps 1977 Number 2.
New York: R. Jacks, November 1977. Black card box 290 x 226mm
with title label, containing twenty sheets hand-stamped with designs by
a series of artists, interleaved with card.
The artists are Peter Burgess, Ray di Palma , John Doyle, Letita
Eldredge, Gail Flanery, William Hellermann, Robert Jacks, Elizabeth
Leszcynski, Gordon Meyer, Melissa Meyer, Stan Nishimura, Susan Tunick.
Stamps 1977 Number 3.
New York: R. Jacks, August 1977. Black card box 290 x 226mm with
title label, containing twenty-two sheets hand-stamped with designs by
a series of artists, interleaved with card.
The artists are Carol Bruns, Ray di Palma, Ric Evans, Peter Fleishman,
Vincent Hum, Robert Jacks, Robert McNealy, Robert McPherson,
Gordon Meyer, Paul Stratigos.
Collections: NGA
Ref: 1000
Jacks Robertview full entry
Reference: 1-12
Robert Jacks
# 187
New York: 96 Greene Street., N.Y. 10012, 1969. Booklet measuring 93
x 55mm, letterpress buff wrappers, single staple, [24pp], printed on
rectos only, an ascending sequence of twelve vertical lines. Edition of
fifty copies.
A miniature artist’s book created by Jacks in his twenties whilst living in
New York and exhibited at 112 Greene Street Gallery, given away at
the Installations exhibition. A work of controlled minimalism, this early
piece established Jacks’ tone for future works.
Selenitsch: 14, Anderson: p. 23
Collections: NGA, BM, MOMA, NGC
Ref: 1000
Jardine Walter (1884-1970)view full entry
Reference: The Art of Walter Jardine

Jardine was one of the most significant Australian commercial artists of
the early twentieth century. Commencing his career as a newspaper
illustrator, he then moved into advertising and spent several years
in New York in the 1920s, working with great success for major
magazines. Based in Sydney from 1928, he worked as a freelance artist
for such companies as Toohey Ltd and Tooth & Co. Ltd, Burns Philp,
Orient Steam Navigation Co., William Arnott Ltd and Stephen Keir
(manufacturer of Akubra hats), as well as producing commissioned
artwork for various government departments.
This self-published book showcases in particular Jardine’s magnificent
poster designs, many of them for quintessentially Australian products.
The style and flavour of his commercial imagery is instantly
recognisable and has become inextricably linked with an Australian
aesthetic of this era.
Publishing details: Sydney : W. T. Baker & Co. [for Walter Jardine], [1933]. Quarto, cloth over printed boards (lightly marked),
[unpaginated], illustrated (chiefly in colour).
Ref: 1006
JEWELL, Edwin W.view full entry
Reference: Australian Bookplates as Ephemera

with 15 bookplates tipped-in,
many of which are original etchings or linocuts by Australian artists
including Pixie O’Harris, Lionel Lindsay, Jean Elder, Andrew and Irena
Sibley. Published to mark the announcement of the formation of the
Australian Bookplate Society on 10 September 1997 at the meeting
of the Ephemera Society of Australia at Melbourne. Limited to 35
copies, signed by author and publisher, printed for private circulation to
foundation members of the Society. Rare.
Publishing details: Melbourne: The Lytlewode Press, 10 September, 1997. Folio, red
card wrappers with title label, 20pp.
Ref: 1000
Leti Brunoview full entry
Reference: Bruno Leti : the market drawings 1986 - 1988
LETI, Bruno

pen and ink sketches of the Queen Victoria Market. Introduction by
Bob Garlick. Limited to 15 copies signed by the artist. These selected
pen, ink and wash sketches were made in the late 80’s after many
years and journeys to the Queen Victoria Market in Melbourne.
Held in the State Library of Victoria.
Publishing details: Melbourne : the artist, 1998. Octavo, lettered cloth with pictorial onlay,
38 leaves folded in the Japanese manner illustrated with reproductions
of
Ref: 1000
Leti Brunoview full entry
Reference: True trunk
LETI, Bruno

with original oil
painting of a tree trunk on front board, signed and dated by the artist,
containing photographs of original paintings Leti made of Australian
trees ‘part of an installation and investigation into colour and structure
of the Australian landscape’ (from the colophon). Limited to 30 copies
signed and numbered by the artist.
Publishing details: Melbourne : the artist, 2012. Octavo, flush cut boards
Ref: 1000
Leti Brunoview full entry
Reference: The alignments (two)
WALLACE-CRABBE, Chris and LETI, Bruno
# 2386
Canberra : Edition and Artist Studio, Canberra School of
Art in collaboration with Dianne Fogwell, 1999. Quarto,
papered boards sculptured in relief, in a clamshell box with
linocut design, nine etchings and embossing by Bruno Leti
accompanying fifteen poems by Chris Wallace-Crabbe, set
in letterpress. Limited to 30 copies signed by poet and artist.
Foreword by Sasha Grishin. A superbly elegant and minimal
contemporary Australian artists’ book.
Six copies recorded in Australian collections.
Ref: 1000
Lindsay Lionelview full entry
Reference: Lionel Lindsay - A Printmakers’ Printmaker
by Robert C. Littlewood, catalogue, featuring a collection of over 100 original
artworks, finely bound in cloth, and with extra features including an
original etching.
Publishing details: Melbourne: Douglas Stewart
Fine Books, 2011. Small folio (310 x 220 mm), gilt-lettered black cloth
with decoration of a Lionel Lindsay bookplate on front board, in
matching slipcase, illustrated endpapers, 64 pp, over 100 illustrations of
Lindsay etchings, woodblocks and publications. Includes an additional
16 page deluxe supplement not present in the standard edition. The
deluxe edition, hand-bound in England, limited to 150 copies signed
and numbered by the author, with an original Lionel Lindsay etching
loosely enclosed, signed in the plate, being a posthumous impression of
his ex libris bookplate for Robert Croll.
Ref: 1000
Lyssiotis Peterview full entry
Reference: for books by Peter Lyssiotis see Doug Stewart art book catalogue Sept 2012
The first Australian sculpture triennial (one of 10
copies)view full entry
Reference: The first Australian sculpture triennial (one of 10
copies)
McCULLOUGH, Thomas
# 2425
at Preston Institute of Technology and La Trobe University Melbourne,
Australia. profusely illustrated, with much detail on artist biographies and
commentary on the exhibits. One of 10 copies specially bound in
hardcover, no doubt for presentation, signed by editor and Director of
the Triennial Tom McCullough and numbered 2/10. Rare edition.
Publishing details: Melbourne : The first Australian Sculpture Triennial
Committee, 1981. Quarto, stiff illustrated boards, cloth spine, 278
pp,
Ref: 1000
Childhood in Bud and Blossom. A souvenir book of the children’s hospital bazaarview full entry
Reference: Childhood in Bud and Blossom. A souvenir book of the
children’s hospital bazaar
LAKE, Joshua
# 2410
unpaginated, extensively illustrated. Includes literary
contributions from A. B. Paterson, Ada Cambridge, Alexander
Sutherland et al., and illustrations after Arthur M. Boyd, Emma Minnie
Boyd, Walter Withers, Frederick McCubbin, E. Phillips Fox, inter alia.
Edition-de-deluxe, numbered 421 from an unstated edition (probably
500).
Publishing details: Melbourne : The Atlas Press, 1900. Quarto, decorated cloth,
Ref: 1000
Meldrum Jamesview full entry
Reference: Red and Green by McIntyre, Alan
# 1643
Decorated by James Meldrum.
illustrated with original
relief prints be Meldrum. Limited to 250 signed copies. James Meldrum
(born 1931) first exhibited in London and then Kozminsky’s galleries
in Melbourne in 1953. In 1971 he won the Sulman Prize and is
represented in many regional Australian collections
Publishing details: Melbourne : Rams Skull Press, 1954.Quarto, decorated card wrappers, [20] pp.,
Ref: 1000
Morris Georgeview full entry
Reference: European Images 1936
MORRIS, George J.
# 830
clamshell portfolio housing 20
photographs by Morris printed from the negatives, of images taken
in Europe just prior to the Second World War. Printed with the
authorisation of the artist’s widow. Edition limited to 20 sets, this one
of 5 artist’s proofs.
George Morris was born in Sydney and studied at East Sydney
Technical College. He operated an engraving business and in 1920
travelled overseas to further his knowledge of engraving and photoreproduction
processes, visiting England, Germany and America where
he spent time at the Eastman Kodak head office. In 1925 he became a
member of the Sydney Camera Circle and began exhibiting regularly
with the circle, as well as with the Photographic Society of New South
Wales. He established a commercial studio in the late 1920s and later
became a partner in Ramsay Photo Works. He again visited Europe in
1936. (AGNSW website).
Morris’s works are held by the National Gallery of Australia, Monash
Gallery of Art and the AGNSW. His works in this set present an
accomplished insight into 1930s Europe through the eyes of a Sydney
photographer.
Publishing details: Sydney: Print Room Press, 1983. Folio,
Ref: 1000
Shead Garryview full entry
Reference: Garry Shead - Desire: a portfolio of drawings from 1976-1985

Publishing details: 2001, Limited edition of 100 copies numbered and signed by the artist
(number 17). [Bundeena, N.S.W.] [Another copy? G. Shead, 1992. Quarto, illustrated
card covers, [unpaginated], all illustrated.]
Ref: 1002
Shirlow Johnview full entry
Reference: John Shirlow. Ten Etchings

The portfolio is created by master Brisbane binder Fred Pohlmann in the style of John
Shirlow’s 1904 folio Five Etchings. Each etching titled in pencil and
bearing facsimile signature stamp. Published to contribute Shirlow’s
contribution to Scotch College, Melbourne, where he served as Art
Master from 1927 until 1936. The etchings consist of eight views of
Melbourne, one of Sydney Harbour, and one of Hobart. Limited to
100 copies signed by the publisher.
Publishing details: Melbourne: The Lytlewode Press, 2005. Elephant folio (570mm tall)
lettered buckram portfolio backed in kangaroo, containing ten etchings
printed directly from Shirlow’s plates, section of letterpress with essay
by Robert C. Littlewood, photograph frontispiece.
Ref: 1000
Streeton Arthur - Australian pictures including the Mrs. Lorna Moffatt-Pender collection view full entry
Reference: Australian pictures including the Mrs. Lorna Moffatt-
Pender collection of Sir Arthur Streeton
[STREETON, Arthur].
# 2222
Melbourne : Leonard Joel, n.d. [1950s]. Octavo, self-wrappers, 12 pp.,
illustrated, some light pen annotations. Moffatt-Pender were one of
Streeton’s most ardent supporters, and this important sale catalogue
features many significant works as well as those by Lindsay, Heysen,
McCubbin, Penleigh Boyd inter alia.
Ref: 1000
Tucker Albertview full entry
Reference: Paintings by Albert Tucker (catalogue)

Publishing details: Imperial Institute South Kensington [London]. 11th April - 7th May,
1957. Large broadsheet poster measuring 380 x 250mm on yellow
paper with red and black lettering and a reproduction of a figurative
painting.
Ref: 1001
Goode Nancy Elmhurstview full entry
Reference: see Tom Roberts catalogue Raisonne by Helen Topliss. Studied at Nat Gallery School, invited to exhibit in 9 x 5 exhibition - see p 165 of text. She is mentioned in Croll p155
Douglas Stewart Fine Booksview full entry
Reference: Books & Art
Publishing details: Sept 2012, pb, 155pp
Ref: 142
Rogers Andrewview full entry
Reference: Andrew Rogers - Molten Concepts
Publishing details: Mossgreen catalogue, 2012,
Ref: 219
Moyal Annview full entry
Reference: Clear Across Australia - a history of telecommunications by Ann Moyal
Publishing details: Nelson, 1984, hc, dw, 437pp with index
telecommunications in Australia view full entry
Reference: see Moyal Ann Clear Across Australia - a history of telecommunications by Ann Moyal
Publishing details: Nelson, 1984, hc, dw, 437pp with index
Blakesborough Lesview full entry
Reference: Les Blakebrough by Patsy Hely and Grace Cochrane [Les Blakebrough has given a lifetime to the development, research and promotion of Australian ceramics since starting to work at the Sturt workshops at Mittagong, New South Wales in 1959 and, from 1972, through his long association with the Tasmanian School of Art at the University of Tasmania.

In 2005, as a mark of his achievement, he was the first artist to be represented in the exhibition series Living Treasures mounted by Object, Australian Centre for Craft and Design - an exhibition which toured nationally. The hallmark of that exhibition was the breadth and authority of the beautiful porcelain works created with the Southern Ice Porcelain clay, a clay he had researched and perfected over the previous decades. Now manufactured for world-wide distribution by Clayworks, Victoria, this internationally acclaimed clay body is noted for its purity, fineness, whiteness and translucency.

In his 80th year, Les Blakebrough continues to explore those qualities with unflagging vigour and inventiveness in works that embody a deep engagement with the natural environment and an understanding of form that reflects more than 60 years of imaginative endeavour at the cutting edge of ceramics.

]

Publishing details: published by Bett Gallery Hobart, a 2010 (First Edition), 64pp
Ref: 1000


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