Showing all records | The Scheding Index of Australian Art and Artists

Grace Helenview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Debenham Pamview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Tuck Ruth self portrait 1976view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Moore Mary self portrait 1990view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Cruz Maria self portrait 1996view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

TextaQueen Arlene self portrait 2002view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Varvaressos Vickiview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Watson Jenny ‘Drink me’ 1988view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Norrie Susan ‘Model one/Chardin study’ 1993view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Norrie Susan ‘Fete III’ 1987view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Jubelin Narelle 2 worksview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Moore Mary 2005 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

MacPherson Sine 2007 oilview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Dawes Debra Abstract 1988view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Wolfgramm Lisa ‘Painting’ 2009view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Dwyer Mikala c1995 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Brennan Angelaview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Labumore Elsie Roughsey c1972 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Winsley Joyce 1999 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Napaltjarri Linda Syddick 1996 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Watson Judy 1992-3 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Dowling Julie 2 major worksview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Moffatt Tracy ‘Nativity Scene’ 1974-1998view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Foley Fiona ‘Native blood’ 1994view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Zabenah Rima 2005 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Sandrasegar Sangeeta 2002 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Norrie Susan 2006 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Sellar Ocea 2007 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Waters Sera 2009 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Freakley Danielle 2008 workview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Alder Alison 2008 screenprintsview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Nikou Michelle 5 cast bronzesview full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

Gascoigne Rosalie ‘Parrot lady’ c1974view full entry

Reference: See Cruthers Collection of Women’s Art The - Into the Light - The Cruthers Collection of Women’s Art, edited by John Cruthers & Lee Kinsella with contributions by Ted Snell, Juliette Peers and Sally Quin
Publishing details: University of Western Australia Press, nd [2012], card covers, 125pp

O’Connell Michaelview full entry

Reference: Lyon & Turnbull auction Scotland, 8 May, 2013: Estimated Price: £600 - £800
Description: § MICHAEL O'CONNELL (1898-1976)
BATIK PANEL, CIRCA 1960
paste-resist wool and rayon, depicting abstract panels and totemic figures on a black ground, signed MICHAEL O'CONNELL
303cm x 53cm
Notes: Michael O'Connell, was a British textile artist who worked in Australia in the 1920s and 30s and in Britain from the 1940s until his death in 1976. O'Connell's fabric designs were printed by the Edinburgh Weavers and London department stores, Heal & Sons and Harrods. He also made large fabric hangings, such as the backcloth for St Martin's Church, Manchester, and textile panels for the Festival of Britain in 1951, which were widely exhibited. He developed a unique combination of batik and resist dyeing techniques. Specially formulated resists and dyes were painted and piped onto mordanted fabric, and then the whole work, once dry, was dyed. Only after washing and scrubbing were the colours revealed.

a Beckett Celia Margaret (1915-2004).view full entry

Reference: Melbourne artist. Born in Melbourne in 1915 studied at George Bell School. Known for her portrait paintings she exhibited in Melbourne but she apparently preferred not to sell her best works. Father was a scientist and antarctic specialist Grisha (Grigorij) Sklovsky (?) born in Russia and Jewish - his own rather extraordinary story has recently been written up in a book called something like The Long Road Home.

Williams Fredview full entry

Reference: FRED WILLIAMS The Later Landscapes, 1975 -1981. Essay by Patrick McCaughey, 17 paintings listed, illustrated in colour. . Bibliography, biography.
Publishing details: L. A. Louver, Venice, CA, 2005,
60 page, paperback measures approx. 8x10 inches. Pages clean & tight. Replete with color images of art work. with colour illustrations of artist's work.

Nerli Girolamoview full entry

Reference: Nerli - An Italian Painter in the South Pacific by Michel Dunn
Publishing details: Auckland University Press, 2005. hc, dw, 154pp with index

Frames of Reference - aspects of feminism and artview full entry

Reference: frames of reference aspects of feminism and art - curated by Sally Couacaud
Publishing details: Artspace, Sydney, 1991 4to, 1st ed, 120pp Illustrated in black and white. Soft Cover
Ref: 1000

Australian Dream Theview full entry

Reference: The Australian Dream - Design of the Fifties [This book has essays on Australian advertising, photography, fashion, interior design, architecture, gardens, crafts, government housing (for Aborigines and working-class people) and fashionability in the 1950s.]
Publishing details: Powerhouse Publishing Sydney 1993, pb, 120pp 48 Colour Illusts, With index.

James-McEgan Helenview full entry

Reference: Landscapes of my Australia
Publishing details: hc
Ref: 1000

Borrack Johnview full entry

Reference: John Borrack - In Praise of Landscape: The Art of John Borrack, by Lucy Ellem
Publishing details: MacMillan Art Publishing, 2013, 288pp,
Ref: 1000

Laurence Janetview full entry

Reference: Janet Laurence: After Eden, Modjeska, Drusilla; Rachel Kent & Dolla Merrilees (essays) [Laurence photographed animal sanctuaries in Aceh and Szechuan to explore the interrelationship between all living matter: environmental fragility; the plight of animals;.]
Publishing details: Sherman Contemporary Art Foundation, Sydney 2012 25.0 x 19.0cms, 112pp, coloured illusts, fine hardback with decorated boards (no dustwrapper as issued)
Ref: 1000

Hughes-d’Aeth Tonyview full entry

Reference: Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Picturesque Atlas of Australasia, 1886-1888 view full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Ashton Julianview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Booth E Cview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Chevalier Nicholasview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Caire Nicholasview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Fullwood Albert Henryview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Fitler W Cview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Garran Andrewview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Lindt J Wview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

MacLeod Williamview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Mahony Frankview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Schell Frederick Bview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Smedley Williamview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Traill Williamview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Smith Jamesview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Smith Jamesview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Australian illustrated newspapersview full entry

Reference: see Hughes-d’Aeth Tony - Paper Nation: The Story of the Picturesque Atlas of Australasia, 1886-1888
Publishing details: MUP, 2001, hc, dw, 262pp with index

Tiwiview full entry

Reference: Tiwi: Art History Culture by Jennifer Isaacs
Publishing details: Miengunyah Press, 2012
Ref: 1009

Ivimey Lindeview full entry

Reference: Ivimey Linde by Louise Martin-Chew [’Linde Ivimey is one of Australia’s most admired contemporary artists. This book, the first monograph to be published on Ivimey’s work and practice, explores the relationship between her often challenging and confronting personal biography and her art. It traces the chronology of Ivimey’s practice and is accompanied by a short film documenting the processes of the artist in her studio. The film, made in 2013, provides an insight into Ivimey’s working methods and the extraordinary body of sculptures that she has created.

Author: Louise Martin-Chew
Design: Sylvia Weimer, Spacelab Design
Editors: Claire Armstrong and Martin Browne
Other Authors/Contributors: Dr Campbell Gray, The University of Queensland Art Museum
Photography: Bruce Armstrong, John Brash, Jenni Carter, Earl Carter, Linde Ivimey, Stephen Oxenbury, Daniel Sala

Publishing details: The University of Queensland Art Museum 2012,
Includes Index and DVD
Video Production: Louise Turley
Film Preparation: Splitting Image’]
Ref: 1000

Marti Daniview full entry

Reference: Marti Dani edited by Matt Price
Publishing details: Hatje Cantz Verlag
Ref: 1000

Cullen Adamview full entry

Reference: Adam Cullen a retrospective
Publishing details: Muk Muk Fine Art, Brisbane, May 2013
Ref: 1000

Brown Mikeview full entry

Reference: The Sometimes Chaotic World of Mike Brown
Publishing details: Heide, May, 2013
Ref: 1007

Simple Pleasure the art of garden making in Australia Aview full entry

Reference: A, Simple Pleasure the art of garden making in Australia Written by Frances Kelly. With paintings by Margaret Keller.
Publishing details: Methuen, Sydney, 1982, hardcover, dw, with many illustrations. 96pp.

Keller Margaret view full entry

Reference: see Methuen, Sydney, 1982. Large format hardcover with many illustrations. Dustwrapper, 96pp. A, Simple Pleasure the art of garden making in Australia Written by Frances Kelly. With paintings by Margaret Keller.
Publishing details: Methuen, Sydney, 1982, hardcover, dw, with many illustrations. 96pp.

Australian and International Postersview full entry

Reference: Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp
Ref: 57

Grey Frederick Millward 1899-1957, a posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Goodchild John 1898-1980, a posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

McClean, a poster ‘Lights of Adelaide’view full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Kelly Harry 1896-1967 a posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Northfield James 1887-1973, postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Sellheim Gert 1901-1970 postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Vickery John 1906-1983, posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Trompf Percy 1902-1964 postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Jardine Walter 1884-1970view full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Purvis Tom 1888-1959 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Dobell William 1899-1970 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Annand Douglas 1903-1976 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Gray John Telfer 1911-1972 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Ashton Tichard 1913-2001 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Berkeley Xenia b1915 poster view full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Mayo Eileen 1906-1994 postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Warner Ralph M 1902-1966 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Rogers Harry 1929-2012 postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Thompson Arthur posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Mitchell L C 1901-1971 NZ posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Souter D H 1862-1935 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Hinder Frank 1906-1992 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Mackinolty Chips b1954 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Earthworks Poster Collectiveview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Robertson Toni b1953 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

McMahon Marie b1953 postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Dickson John postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Little Colin 1952-1982 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Reidy Chris b1954 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Callaghan Michael 1952-2012 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Taylor J posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Riley M posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Debenham Pam b1955 postersview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Chinnery Tony b1951 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Worsted Paul b1950 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Askin Selcuk posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Meere Charles 1890-1961 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Leist Fred 1873-1954 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Smith & Julius, est 1906, posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Kossatz Les 1943-2011 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Rowell Kenneth 1920-1999 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Burgess W 1972 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Coburn John 1925-2006 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Yeates T poster 1978view full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Adshead Soosieview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Millstead Diane b1948 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Woods Pamela posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Bartz Axel b1950, posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Long Peter posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Pentland Tony G posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Littler Frank b1947 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Hunt C H 1857-1938 poster of Hydro Majesticview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Curtis Robert Emerson 1898-1996 posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Zwart Hank posterview full entry

Reference: see Australian and International Posters, Josef Lebovic Gallery, Collectors’ List 163
Publishing details: Josef Lebovic Gallery, 2013, 32pp

Gazzard Mariaview full entry

Reference: Maria Gazzard - Looking forward, looking back - a recent suvey, essay by David Malouf, 22 works listed with illustrations
Publishing details: Utopia Art, Sydney, 2007, 24pp

Gazzard Mariaview full entry

Reference: Maria Gazzard - Edge, 20 works listed, essay by Christine France
Publishing details: Utopia Art, Sydney, 2002, 12pp

Burgess Ruthview full entry

Reference: Ruth Burgess - From the Forest, 30 years of woodcuts and wood engravings, foreword by John Cheeseman, Director, Mosman Art Gallery, essay by Hendrick Kolenberg, artist’s statement, biographical details
Publishing details: Mosman Art Gallery, 2013, pb, 32pp, well-ilustrated on colour and b & w.

Made in Australia - a sourcebook of all things Australianview full entry

Reference: Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP. (This pictorial catalogue has chapters on Australian design; clothing; food & drink; architecture; medicine; science & technology; literature; visual arts; music; performing arts; film, television & radio; sport; society & human achievement.)

Publishing details: William Heinemann, 1986, hc, dw, 224pp , Colour Illusts , with index

Design in Australia p11-18 written by Brian Nelsonview full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Australian Clothing written by Julian Robertson p19-30view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Visual Arts in Australia p118-134 written by Nadine Amadio introduced by Elwyn Lynnview full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Aboriginal Art p119
view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Earle John - ‘Young Australian Artists’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Martin Mandy - ‘Young Australian Artists’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Taylor Neil - ‘Young Australian Artists’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Norrie Susan- ‘Young Australian Artists’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Nelson Michael Jagamara - ‘Young Australian Artists’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Unsworth Ken - ‘Australian Sculptors’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Vassilieff Danila - ‘Australian Sculptors’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

King Inge - ‘Australian Sculptors’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Perceval John - ‘Australian Sculptors’view full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP.
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

Australian artistsview full entry

Reference: see Made in Australia - a sourcebook of all things Australian, introduction by The Hon. Barry Jones, MP. The works of the following artists are included with notes: Wati Karawadi, Bert Flugelman, Charles Conder, Tom Roberts, Arthur Streeton, David Davies, Frederick McCubbin, John Perceval, Albert Tucker, John Coburn, Charles Blackman, Arthur Boyd, Sidney Nolan, John Olsen, Elwyn Lynn, John Brack, Joy Hester, Colin Lanceley, Albert Namatjira, Hans Heysen, Robert Juniper, Fred Williams, Lloyd Rees, Russell DrysdaleAlbert Tucker, Judy Cassab, John Molvig, Brett Whiteley
Publishing details: William Heinemann, 1986, hc, dw, 224pp with index

O’Connell Michael view full entry

Reference: Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Cook James p92-3view full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37. Refers to relationship between O’Connell and James Cook c 1940s
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

O’Connell Ella nee Moodyview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Moody Ellaview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Pulleine Robert p59view full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Ward Fred and Elinor p59view full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Reed Sunday and John p59view full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Atyeo Samview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Best Marion Hallview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Black Dorritview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Black Dorritview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Derham Francesview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Derham Francesview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Syme Evelynview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Spowers Ethelview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Traill Jessieview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Travers Hildaview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Waller Napier and Christianview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Zander Alleyneview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Young Blamireview full entry

Reference: see O’Connell Michael - Michael O'Connell: The Lost Modernist by Harriet Edquist. Includes chapters on the Melbourne period 1922 - 37.
Publishing details: Melbourne Books, Melbourne 2011, 2011. 212 pp, with index, b/w & colour illusts, paperback

Alston Abyview full entry

Reference: See Sotheby’s Australia 14 May, 2013. lot 36 ‘Children’s Children, 1889’ with catalogue essay by David Hansen

Stone Sarahview full entry

Reference: See Sotheby’s Australia 14 May, 2013. lot 63 ‘Lyrebird’ c1800-5, with catalogue essay by David Hansen

Bale A M Eview full entry

Reference: See Sotheby’s Australia 14 May, 2013. lot 64 ‘’Gladioli’ 1925, with catalogue essay by David Hansen

Young Blamireview full entry

Reference: The Art of Blamire Young - William Blamire Young 1862-1935, Artist, Scholar & Writer. A Database of over 2000 entries has been compiled on this artist's work,

with Provenance and Images where available. The Database has been compiled by the artist's grand-daughter, and is available on CD-ROM
Publishing details: Mrs Jennifer McConnell
17 Edward St
Charleville
Queensland
Australia 4470
Email:wjmcconnell@bigpond.com
Ref: 1000

Young Blamireview full entry

Reference: The Watercolours of Blamire Young - by Stephen Marshall. ‘The definitive volume on the master of Australian watercolour painting. Blamire Young (1862-1935) is represented in the collections of every major public gallery in Australia. Measuring 30 x 23 cm this beautiful hardback, complete with slipcase, contains 650 pages depicting the artist's body of work in watercolour. Approximately two thousand known paintings are listed with 500 reproduced in large format colour and another 300 with smaller identification images. This book is for the scholar, the collector and all art lovers.’

Publishing details: Meridian, 2013,
648 pages, hc, Slipcase, –

Halpern Frederick H Austrian/Australian b.1909- view full entry

Reference: works listed on Artprice website

Menpes Mortimerview full entry

Reference: The etched works of Mortimer Menpes (1855 - 1938), by Gary Morgan [’Three volumes quarto, boards in dustjackets. A limited edition, of 500, catalogue raisonne of the etched works of the Australian / British artist Mortimer Menpes (1855-1938). Fully illustrated catalogue, in 3 volumes. The first volume covers the years 1855-1900 with an extensive biography of the artist, Volumes 2 covers the etchings 1901-1913 and Volume 3 the etchings 1914-1938. And with Supplement April 2018.

Mortimer Menpes, painter, etcher and writer, was considered one of the greatest artists working in London in the late 19th century...’]

Description of volume 1: ‘First volume of a 3 volume, limited edition catalogue raisonne of the etched works of the Australian/British artist Mortimer Menpes. The volume covers the years 1855 to 1900 with an extensive biography of the artist. Mortimer Menpes, painter, etcher and writer, was considered one of the greatest artists working in London in the late 19th century and was a leader, with Whistler of the Painter-Etcher movement and a founding member of the Royal Society of Painter-Etchers and Engravers. Provides full details of 209 of his early etchings, one to a page from 1855 to 1900 including his time with Whistler in the 1880s, his travels to Japan and elsewhere and society portraiture activities. The volume also provides details of his method of working and influences and provides a full documentation of the exhibition history of his works and his unique inventory numbering system. Printed on 130gsm Lumi matt high quality paper, with hardcover stitched binding and illustrated dust jacket and with a silk ribbon marker. Each copy is numbered and hand signed by the author.’]
Publishing details: Stuart Galleries, 2012, 3 vols, hb, dw, 3 vols, 302, 367 & 269 pages. No 348 of 500 copies, signed by the author, inscribed by the author. Supplement April 2018 inserted.

Gould Johnview full entry

Reference: John Gould - A SYNOPSIS OF THE BIRDS OF A. UNPUBLISHED PAINTINGS 1940-2007. Melb. Australian Galleries. 2008. Folio. Or.limp bds.285pp. Profusely illustrated in colour. Fine. 1st ed. Over 100 works that have not been published in previous monographs.
$85
40 ANDREWS, Graeme. VETERAN SHIPS OF AUSTRALIA AND NEW ZEALAND. Syd. 1976. Oblong 4to. Or.bds. d.w. 136pp. Profusely illustrated with b/w photographic ills. Fine. 1st ed. The efforts to preserve and restore veteran ships. $33USTRALIA & THE ADJACENT ISLANDS. [Profusely illustrated with Gould’s stunning bird illustrations in full colour.]
Publishing details: Melb. Queensberry Hill Press. 1979. 4to. Bound in hf.gilt-decorated green leather with raised bands on spine. unpag. t.e.g. slip-case
Ref: 1000

Sanders Tom and Arthur Boydview full entry

Reference: SANDERS, Tom & BOYD, Arthur. SPARE THE FACE, GENTLEMEN, PLEASE. “A whirlwind tour of the sordid & sorry catacombs of the local art world with all its
32 WITTON, George. SCAPEGOATS OF THE EMPIRE. The Story of the Bushveldt Carbineers. With an Afterword by Geoffrey Embleton. A & R. 1983. (rep) Or.bds. Dustjacket (spine sl.faded) 247pp. Very Good copy. Scarce. A facsimile edition of Witton’s classic tale of the court martial of three Australian officers during the Boer War. The book also inspired the award-winning film
2 8
34 WYATT, Horace. JERSEY IN JAIL. Pictures by Edmund Blampied. Jersey. Ernest Huelin. 1945. 4to. Or.cl. 93pp. b/w ills. & endpaper decorations by Edmund Blampied. Insc. on dedication page else Near Fine. 1st ed. Scarce. Jersey during the German occupation in WWII. $85
AUSTRALIA & THE PACIFIC 3 5 100 STORIES FROM THE AUSTRALIAN NATIONAL
MARITIME MUSEUM. Syd. Aust Maritime Museum. 2012. 4to. Col.Ill.wrapps. 258pp. Many Col.& b/w ills. Fine. 1st ed. The museum’s curators reveal the fascinating stories behind many amazing objects. $ 3 0
36 ADAMS, Simon. THE UNFORGIVING ROPE. Murder & Hanging on Australia’s Western Frontier. Perth. UWA. 2009. Col.Ill.wrapps. 285pp. Fine. 1st ed. The stories behind the 150 hangings carried out in Western Australia between 1840 & 1964. Places the circumstances of the victims & perpetrators against the backdrop of their era. $24
37 ADAMSON, Judith. AUSTRALIAN FILM POSTERS, 1906-1960. Syd. Currency Press. 1978. Folio. Col.Ill.wrapps. 56pp. Profusely illustrated in colour & b/w. Sl.foxing to edges, else a Good copy. 1st ed. Reproductions of the posters of classic Australian films.
$30
38 ALLEN, Christopher. (Ed.) ARI PURHONEN. Syd. Oliver Freeman Eds. 1992. 4to. Col.Ill.wrapps. 93pp. Many Col.& b/w ills. Fine. 1st ed. The work of the Australian sculptor. $30
39 ALLEN, Christopher. JEFFREY SMART. UNPUBLISHED PAINTINGS 1940-2007. Melb. Australian Galleries. 2008. Folio. Or.limp bds.285pp. Profusely illustrated in colour. Fine. 1st ed. Over 100 works that have not been published in previous monographs.
$85
40 ANDREWS, Graeme. VETERAN SHIPS OF AUSTRALIA AND NEW ZEALAND. Syd. 1976. Oblong 4to. Or.bds. d.w. 136pp. Profusely illustrated with b/w photographic ills. Fine. 1st ed. The efforts to preserve and restore veteran ships. $33
meanness, deceits, pretensions & betrayals.
Publishing details: Melb. Phoebe Publ. 1993. 4to. Or.cl. Dustjacket. 192pp. Many Col.& b/w ills. Fine. 1st ed. Limited to 1000 numbered copies,
Ref: 1000

art world anecdotesview full entry

Reference: see SANDERS, Tom & BOYD, Arthur. SPARE THE FACE, GENTLEMEN, PLEASE. “A whirlwind tour of the sordid & sorry catacombs of the local art world with all its meanness, deceits, pretensions & betrayals.
Publishing details: Melb. Phoebe Publ. 1993. 4to. Or.cl. Dustjacket. 192pp. Many Col.& b/w ills. Fine. 1st ed. Limited to 1000 numbered copies,

Sawrey Hughview full entry

Reference: SAWREY, Hugh. THE ART OF HUGH SAWREY. Paintings of the Australian bush and its people
Publishing details: Published by John Hooper. Brisbane? 1981. Collectors ed. Oblong Folio. Col.Ill.wrapps. 104pp. col. plates & b/w ills. Fine. 1st ed.
Ref: 1000

MAPPING OF TERRA AUSTRALIS view full entry

Reference: CLANCY, Robert & RICHARDSON, Alan. THE MAPPING OF TERRA AUSTRALIS. A Guide to Early Printed Maps of Australia, Antarctica and the South Pacific. An important book on the discovery and subsequent mapping by Europeans of the Australian continent.
Publishing details: Syd. Universal Press. 1995. Folio. Or.bds. Dustjacket. 192pp. Profusely illustrated in colour. Name on ffe, else Near Fine. 1st ed.
Ref: 1000

DENTON, Kit. view full entry

Reference: GALLIPOLI ILLUSTRATED by Kit Denton
Publishing details: Syd. Rigby. 1981. Roy.8vo. Or.bds. Dustjacket. 152pp. Many b/w ills. 1st ed.
Ref: 1000

Gould Johnview full entry

Reference: (GOULD John - GOULD’S BIRDS.
Publishing details: Syd., Bay Books. 2006. 4to. Dec. cloth bound folder containing two-loose plates with 4 6x4 illustrations per plate with perforated edges to separate. 1st ed. thus.
Ref: 1000

Carmichael Johnview full entry

Reference: MACLEHOSE, James. PICTURE OF SYDNEY. And strangers guide in New South Wales for 1839. With Illustrations by John Carmicahel
Publishing details: Reprint edition. Syd. John Ferguson. 1977 Or.cl. Dustjacket. 188pp. b/w plates & fold-out map. Very Good copy. First published 1839.

Hodges Williamview full entry

Reference: Tuhituhi - Willam Hodges, Cook’s artist in the South Pacific by Harriet McAtee
Publishing details: Otago University Press, 2012, 346pp
Ref: 1009

Smith Sydney Ure view full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013. Biographical information.

Smith Sam Ure view full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013. Interviewed by Leon Paroissien

Art & Australia timelineview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Horton Mervynview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Lynn Elwynview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Danko Aleksview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013. ‘Four golden oldies... still going strong’

MacPherson Robertview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013. ‘Four golden oldies... still going strong’

Dawson Janetview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013. ‘Four golden oldies... still going strong’

Rooney Robertview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013. ‘Four golden oldies... still going strong’

Christmann Gunterview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Wedge H Jview full entry

Reference: obituary in Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Nickolls Trevorview full entry

Reference: obituary in Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Laverty Colinview full entry

Reference: obituary in Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Benn Billyview full entry

Reference: obituary in Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Rae Judeview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

May Anne-Marieview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Folland Nicholasview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Boyd Danielview full entry

Reference: see Art & Australia vol. 50, no. 1 ‘Celebrating 50 Years May 1963 - May 2013.

Parr Mikeview full entry

Reference: Identities: A Critical Study of the Work of Mike Parr 1970-1990 by David Bromfield
Publishing details: University of Western Australia Press, 1991
Nedlands, Western Australia: University of Western Australia Press, 1991. pb, 339pp, inscribed to Edmund Capon and signed by Mike Parr and David Bromfield

King Henryview full entry

Reference: Sydney at a glance
Exchange Studios; KING, Henry
arly folder of photographic views of Sydney published for tourists. Includes a five panel panorama of Sydney Harbour (in the sky area an advertising wet stamp for W. H. Soul & Co.) and (confusingly) a portrait of an Australian Aborigine holding a Far North Queensland woomera, by Henry King. Some of the photographs are imprinted in the negative Exchange Studios. The photographs are captioned: Circular Quay; Coogee; General Post Office; Government House; Manly, the Brighton of Australia; Mosman's Bay; Naval depot; panorama from Neutral Bay to Long Cove; Queen Victoria markets; Redfern Railway Station; St Andrew's Cathedral; St Mary's Cathedral; Sydney Hospital; Town Hall; the Treasury; a type of the original inhabitants.
Copies are recorded in three Australian collections (Royal Australian Historical Society Library; City of Sydney Archives; NSW Dept. of Finance and Services). The State Library of New South Wales holds a copy of the edition reprinted by W. C. Penfold.
Publishing details: Sydney : C.B. & Co., [circa 1900]. Series title: H.B. Graphic Series. Publisher's green card folder with gilt lettering (170 x 140 mm), containing a fold-out of half-tone sepia photographs (diameter 910 mm opened) with 8 panels on each side,
Ref: 1008

Bromley Davidview full entry

Reference: A Picture Book First and Foremost
BROMLEY, David

‘Artist David Bromley was born in Sheffield, England in 1960 and immigrated to Australia with his family in 1964. Bromley emerged as a painter in the mid 1980s. In the early stages of his career, he held solo exhibitions in Sydney and Adelaide and represented works in state and regional galleries. Bromley was also a finalist in the Archibald Prize, AGNSW, in 1999, 2001 and 2004. In his practice, David Bromley has developed themes for two distinct and unique styles of painting; the female portrait and the children's series. In the works based on children, impressions of the joy and innocence of childhood are ever-present. Listed among Australian Art Collector's 50 most collectable artists, Bromley has exhibited in London, Paris, Tokyo, New York and Singapore.’
Publishing details: Melbourne : Story Road, 2009. Volume one : Children's; Volume Two : Nudes; Volume Three : Worlds. Three volumes, quarto, mint copies in slipcase and original mailing box, unpaginated (each volume 80 pp.), illustrated throughout on glossy art paper.
A Picture Book First and Foremost captures the two distinct and unique languages of Bromley's work; the female portrait and the children's series. Supporting these narratives is a rare glimpse into the worlds that Bromley occupies. Designed by 3 Deep Design, images by Earl Carter and words by Matthew Sturgis and Ashley Crawford, A Picture Book First and Foremost is a stunning example of Australian Cultural publishing.
Ref: 1000

Hingerty John Francisview full entry

Reference: see Germaine, Max. Artists and Galleries of Australia, Volumes 1 & 2, Third Edition. Craftsman Press, Sydney, 1990. Page 316. Traditional landscape painter.

Dixson Sir Williamview full entry

Reference: Sir William Dixson - A Passion for Collecting, introduced by Alex Byrne, NSW State Librarian
Publishing details: SLNSW, 2013, card covers, 48pp

Holtermann Collectionview full entry

Reference: The Greatest Wonder of the World - cataloguer of an exhibition at the State Library of New South Wales, May, 2013. Curated by Alan Davies. [In 1872, the newly rich Bernhardt Otto Holtermann used some of his wealth to employ Henry Beaufoy Merlin and Charles Bayliss, of the American and Australasian (A&A) Photographic Company, to photograph gold producing areas and cities in NSW and Victoria for exhibition overseas. These images provide the most comprehensive and detailed record of nineteenth century goldfields life and, with the commissioned photographs, now form the Library’s Holtermann archive of 3500 wet plate negatives.

The Greatest Wonder of the World features this extraordinary collection of nineteenth century documentary images. Through enlargements, digital images and a selection of vintage prints and wet plate negatives, the exhibition tells the remarkable story of the A&A Photographic Company and the philanthropy and vision of Bernhardt Holtermann.]
Publishing details: SLNSW, 2013, pb, 32pp
Ref: 60

Holtermann Bernhardtview full entry

Reference: The Greatest Wonder of the World - cataloguer of an exhibition at the State Library of New South Wales, May, 2013. Curated by Alan Davies. [In 1872, the newly rich Bernhardt Otto Holtermann used some of his wealth to employ Henry Beaufoy Merlin and Charles Bayliss, of the American and Australasian (A&A) Photographic Company, to photograph gold producing areas and cities in NSW and Victoria for exhibition overseas. These images provide the most comprehensive and detailed record of nineteenth century goldfields life and, with the commissioned photographs, now form the Library’s Holtermann archive of 3500 wet plate negatives.

The Greatest Wonder of the World features this extraordinary collection of nineteenth century documentary images. Through enlargements, digital images and a selection of vintage prints and wet plate negatives, the exhibition tells the remarkable story of the A&A Photographic Company and the philanthropy and vision of Bernhardt Holtermann.]
Publishing details: SLNSW, 2013, pb, 32pp

Bayliss Charlesview full entry

Reference: The Greatest Wonder of the World - cataloguer of an exhibition at the State Library of New South Wales, May, 2013. Curated by Alan Davies. [In 1872, the newly rich Bernhardt Otto Holtermann used some of his wealth to employ Henry Beaufoy Merlin and Charles Bayliss, of the American and Australasian (A&A) Photographic Company, to photograph gold producing areas and cities in NSW and Victoria for exhibition overseas. These images provide the most comprehensive and detailed record of nineteenth century goldfields life and, with the commissioned photographs, now form the Library’s Holtermann archive of 3500 wet plate negatives.

The Greatest Wonder of the World features this extraordinary collection of nineteenth century documentary images. Through enlargements, digital images and a selection of vintage prints and wet plate negatives, the exhibition tells the remarkable story of the A&A Photographic Company and the philanthropy and vision of Bernhardt Holtermann.]
Publishing details: SLNSW, 2013, pb, 32pp

Merlin Beaufoyview full entry

Reference: The Greatest Wonder of the World - cataloguer of an exhibition at the State Library of New South Wales, May, 2013. Curated by Alan Davies. [In 1872, the newly rich Bernhardt Otto Holtermann used some of his wealth to employ Henry Beaufoy Merlin and Charles Bayliss, of the American and Australasian (A&A) Photographic Company, to photograph gold producing areas and cities in NSW and Victoria for exhibition overseas. These images provide the most comprehensive and detailed record of nineteenth century goldfields life and, with the commissioned photographs, now form the Library’s Holtermann archive of 3500 wet plate negatives.

The Greatest Wonder of the World features this extraordinary collection of nineteenth century documentary images. Through enlargements, digital images and a selection of vintage prints and wet plate negatives, the exhibition tells the remarkable story of the A&A Photographic Company and the philanthropy and vision of Bernhardt Holtermann.]
Publishing details: SLNSW, 2013, pb, 32pp

Martorell Dylanview full entry

Reference: Soundtracks - catalogue for Asialink. biographical information, fully illustrated
Publishing details: Asialink. 2011. pb, limited edition of 2000, np
Ref: 219

Tomescu Aidaview full entry

Reference: Paintings and Drawings,
Publishing details: ANU, Drill Hall Gallery, 2009, pb, 44pp, this copy inscribed to Edmund Capon from the artist

Venice Biennale (Australian artists) 2007view full entry

Reference: Susan Norrie, Daniel von Sturmer, Callum Morton - Venice Biennale (Australian artists) 2007
Publishing details: Australia Council for the Arts, 2007, card covers, 167pp
Ref: 8

Norrie Susanview full entry

Reference: see Venice Biennale (Australian artists) 2007 - Susan Norrie, Daniel von Sturmer, Callum Morton - Venice Biennale (Australian artists) 2007
Publishing details: Australia Council for the Arts, 2007, card covers, 167pp

von Sturmer Danielview full entry

Reference: see Venice Biennale (Australian artists) 2007 - Susan Norrie, Daniel von Sturmer, Callum Morton - Venice Biennale (Australian artists) 2007
Publishing details: Australia Council for the Arts, 2007, card covers, 167pp

Morton Callumview full entry

Reference: see Venice Biennale (Australian artists) 2007 - Susan Norrie, Daniel von Sturmer, Callum Morton - Venice Biennale (Australian artists) 2007
Publishing details: Australia Council for the Arts, 2007, card covers, 167pp

Woolley Kenview full entry

Reference: Art Works - Drawings by Ken Woolley
Publishing details: Images Publishing Group, 2002, pb, 71pp, this copy inscribed to Edmund Capon from the artist

Wilson Gregview full entry

Reference: MY BRUSH WITH DEPRESSION by AARON COOTES & GREG WILSON contains 282 interest packed pages with a great sKatrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, natielection of art work. [ BOOK ABOUT AUSTRALIAN ARTIST GREG WILSON AND HIS BATTLE WITH DEPRESSION.]
Publishing details: Pennon, 2005, pb
Ref: 1000

Strickland Katrinaview full entry

Reference: Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Baldessin Georgeview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Whiteley Brettview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Arkley Howardview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Australian art marketview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Australian art worldview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Bedford Paddyview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Blackman Charlesview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Boyd Arthurview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Boyd familyview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Brack Johnview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Brack Helen - Helen Maudsleyview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Burton Alisonview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Dobell Williamview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Gascoigne Rosalieview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Klippel Robertview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Nolan Sidneyview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Oliver Bronwynview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Tucker Albertview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

artists’ wivesview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Whiteley Wendyview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

widows of artistsview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Williams Fredview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Baldessin Tessview full entry

Reference: see Strickland Katrina, Affairs of the Art - love, loss and power in the art world, by Katrina Strickland.

‘The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role their benefactors play in burnishing an artist’s reputation after he or she dies.

Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.

Katrina Strickland has been writing about the arts for fifteen years, for the past six as arts editor of the Australian Financial Review. Prior to that she worked at The Australian for eleven years, filling various roles including arts editor, deputy arts editor, national arts writer and marketing writer. She holds arts and law (honours) degrees from Melbourne University, is a former World Press Institute fellow and joint winner of the 2010 Trawalla Foundation Arts Journalism Scholarship.’
Publishing details: MUP. 2013, pb, 242pp wit index

Baldessin Georgeview full entry

Reference: Maitland Regional Art Gallery touring exhibition
Publishing details: 2012-5
Ref: 1009

Milsom Nigel Thomasview full entry

Reference: news report of Nigel Thomas Milsom robbing convenience sore armed with an axe after winning Sulman prize in 2012. Had previously been runner up in Archibald Prize in 2010.
Publishing details: unidentified Newspaper (The Australia? Telegraph?) May 2013
Ref: 129

Australia: land and landscape - London exhibition 2013view full entry

Reference: ‘Collection frames ancient landscape’ - Article in The Australian 3.5.13 (Arts 13) extracted from Artonview article by Anna Gray, NGA.
Publishing details: 2013
Ref: 129

Oliver Bronwynview full entry

Reference: Bronwyn Oliver - Mnemonic Chords by Felicity Fenner. Exhibition catalogue from Moët et Chandon touring exhibition, in English and French, with all works displayed shown in full colour. Introduction by Felicity Fenner.
Publishing details: Moet et Chandon, Epernay, France / Domaine Chandon, Coldstream, Victoria, Australia, nd (1995), 1995
32 pp. Exhibition catalogue. Text in French and English. Esay by Felicity Fenner. 34 illustrations, most in colour. Publishers colour illustrated wrappers.
Ref: 1000

Solly Benjamin Traversview full entry

Reference: see Michael Treloar Auction catalogue, 12 May, 2013, Adelaide, lot 25 - ‘SOLLY, Benjamin Travers (1820-1902)

An original pen-and-wash sketch on paper

(175 x 260 mm)
Captioned in ink at the foot of the image, 'Looking West from Encounter Bay Sth Australia 1852' (with a similar caption in two different hands on the verso); unsigned, but from the family of the artist, by descent. Slight residue of glue and paper on the verso (where removed from an early mount); in fine condition.

The invaluable Dictionary of Australian Artists. Painters, Sketchers, Photographers and Engravers to 1870 edited by Joan Kerr contains half a page on Solly. The following note incorporates and expands on that information. The artist arrived in South Australia on the Brightman on 13 December 1840. In March 1856 he married Jane Isabella Watts, the youngest daughter of the postmaster-general of South Australia (not to be confused with her namesake, the author of an anonymous memoir in 1882). He then relocated to Tasmania, where he was assistant colonial secretary from 1857 to 1894. 'No information survives about Solly's training as an artist, but in his 1856 account of his family he refers to the artistic talent of his three sisters. As he was the youngest child, it is possible that his sisters influenced his artistic development.... His earliest drawings date from the late 1830s, when he was aged about nineteen, and continue until about 1894, when he was seventy-four. They are mainly landscapes, in pen, pencil or watercolour'. Benjamin Solly's South Australian paintings are rarely seen; this is a well-composed topographical work featuring Rosetta Head prominently in the middle background, with a post-and-rail fence linking a windmill and stone hut in the foreground.

Estimate:
[$1000-1500]’

Winter in Australian artview full entry

Reference: see White mantle: the winter landscape in Australian art, exhibition curated by Geoffrey Edwards and Lisa Sullivan.
Geelong Art Gallery.

Publishing details: Geelong Gallery,c2006, accordeon-folded booklet :|bchiefly ill. ;|c14 cm.
Geelong Art Gallery Catalogue of an exhibition held 10 June -6 August 2006.

Friend Donaldview full entry

Reference: Songs of the Vagabond Scholars [’With 14 lithographs by Donald Friend. (Donald Friend’s copy) FRIEND, Donald
With the original Latin and German text
and literal translations by Randolph Stow. Introduction by Professor John Scott.
Publishing details: Sydney :The Beagle Press, 1982. Folio, 60 pp, teal calf in slipcase (a few small marks), limited edition of 100 copies, signed and numbered by the artist. Contains fourteen original lithographs printed by Fred Genis, each measuring 460
x 330 mm, on Arches Velin Blanc paper.
Ref: 1000

Oldfield Alanview full entry

Reference: see Art Monthly, obit, Summer 2004: Death of Alan Oldfield

Painter Alan Oldfield died of cancer in Sydney in October, aged sixty. He was born in Sydney in 1943 and studied at the National Art School. After his graduation, he quickly developed a flat, colourful abstract style influenced by pop art, using acrylic paints; and he began exhibiting at Central Street Gallery. In 1968, he was one of the artists chosen for The field exhibition, which opened the new National Gallery of Victoria building in St Kilda Road. In the 1970s, Oldfield increasingly turned to figurative painting, strongly influenced by artists such as David Hockney. He made several long trips to Italy to study the Mannerist artists and Caravaggio, and was artist-in-residence at Linacre College, Oxford University in the late 1980s. Always a committed Christian, Oldfield was a suitable winner of the Blake Prize for Religious Art in both 1987 and 1991. A lifetime of teaching culminated in his appointment as Associate Professor of Fine Art at the University of New South Wales. He is represented in most state galleries, the National Gallery of Australia, and many other public collections.

Hananiah Carlaview full entry

Reference: Late have I loved you... Invite with artist’s statement
Publishing details: Arthouse Gallery, 2013, 4pp, 3 illustrations
Ref: 220

Barid Susanview full entry

Reference: Being in landscape.. Invite with paragraph by Gavin Wilson
Publishing details: Arthouse Gallery, 2013, 4pp, 5 illustrations and price list
Ref: 220

Walker Murrayview full entry

Reference: Ebb and Flow, Geelong Art Gallery catalogue, essay by Robert Lindsay, 46 exhibits listed, biography
Publishing details: Geelong Art Gallery , 1992, 4pp, 1 illustration and photographic portrait
Ref: 131

Wadelton Davidview full entry

Reference: Pictorial Knowledge, Geelong Art Gallery catalogue, essay by Charles Green ‘The artist as canibal’, 39 exhibits listed and biography
Publishing details: Geelong Art Gallery , 1999, 8-page folding card, 6 illustrations
Ref: 131

Ingpen Robertview full entry

Reference: The art of Robert Ingpen, Geelong Art Gallery catalogue, essay by Susie Shears (?) ‘The artist as canibal’, 98 exhibits listed and biography
Publishing details: Geelong Art Gallery , 1988, 6-page folding card, 1 illustration
Ref: 131

Kaiser Peterview full entry

Reference: Peter Kaiser 1918 - 1995, Geelong Art Gallery catalogue, essay, biography, 22 exhibits listed
Publishing details: Geelong Art Gallery , 2007, 6-page folding card, 5 illustrations
Ref: 131

True Crime - murder and misdemeanour in Australian artview full entry

Reference: True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations
Ref: 131

Tucker Albertview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Nolan Sidneyview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Blackman Charlesview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Gleghorn Tomview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Whiteley Brettview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Shead Garryview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Cox Steveview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Cullen Adamview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Devlin Nickview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Timms Freddieview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Timms Timmyview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Bedford Paddyview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Catherine Bellview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Bertoli Damianoview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Hilton Markview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Lewer Richardview full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Grosse Frederick engraving ‘Robbery’1862view full entry

Reference: see True Crime - murder and misdemeanour in Australian art, Geelong Art Gallery catalogue, essay by Lisa Sullivan,
Publishing details: Geelong Art Gallery , 2008, pb, 40pp, illustrations

Carmichael Rodickview full entry

Reference: Rodick Carmichael - the Australian years, Geelong Art Gallery catalogue, essay, biography, 28 exhibits listed
Publishing details: Geelong Art Gallery , 2005, 28pp, numerous illustrations illustrations
Ref: 131

Drawing on Natureview full entry

Reference: Drawing on Nature - images and specimens of natural history from the collection of the Museum of Victoria, with four essays on nature by Paul Fox, Martina R. Norelli, Naomi Cass, David Wade Chambers.
Publishing details: Geelong Art Gallery , 1992, 27pp, numerous illustrations illustrations
Ref: 131

Cayley Nevilleview full entry

Reference: see Drawing on Nature - images and specimens of natural history from the collection of the Museum of Victoria, with four essays on nature by Paul Fox, Martina R. Norelli, Naomi Cass, David Wade Chambers.
Publishing details: Geelong Art Gallery , 1992, 27pp, numerous illustrations illustrations

Thompson Donaldview full entry

Reference: see Drawing on Nature - images and specimens of natural history from the collection of the Museum of Victoria, with four essays on nature by Paul Fox, Martina R. Norelli, Naomi Cass, David Wade Chambers.
Publishing details: Geelong Art Gallery , 1992, 27pp, numerous illustrations illustrations

Becker Ludwigview full entry

Reference: see Drawing on Nature - images and specimens of natural history from the collection of the Museum of Victoria, with four essays on nature by Paul Fox, Martina R. Norelli, Naomi Cass, David Wade Chambers.
Publishing details: Geelong Art Gallery , 1992, 27pp, numerous illustrations illustrations

Silent Wilderness Theview full entry

Reference: The Silent Wilderness - 19th Century Australian Landscapes, Geelong Art Gallery exhibition catalogue. 32 exhibits by von Geurard, Nicholas Caire, James Howe Carse, Nicholas Chevalier, Thomas Clark, James Waltham Curtis, Conrad Martens, Piguenit, Skinner Prout, Edward Roper,
Publishing details: Geelong Art Gallery , 2010, 8-page folding card, large folio, 7 illustrations illustrations

Sellheim Gert pages 12-25view full entry