Showing all records | The Scheding Index of Australian Art and Artists

Campbell Deniseview full entry

Reference: Denise Campbell - Real & Imagined, New Work fromTasmania and the Orkney Islands 2001 - 2004
Publishing details: QVMAG, 2004, 8 p.
Ref: 1000

October Show Theview full entry

Reference: Queen Victoria Museum and Art Gallery -

The October show / Diane Dunbar
Launceston, Tas. : Queen Victoria Museum and Art Gallery, 1989

The October show / David Burnett, Diane Dunbar
by Burnett, David
Launceston, Tas. : Queen Victoria Museum and Art Gallery, 1987

The October show / [compiled by] Diane Dunbar, Bridget Sullivan
Launceston, Tas. : Queen Victoria Museum & Art Gallery, 1991

Ref: 1000

Done Kenview full entry

Reference: Ken Done: Paintings 1990-1994
Publishing details: Ken Done Art & Design, 1994,
Ref: 1002

Person looks at a work of art Aview full entry

Reference: A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Ref: 1000

Arkley Howardview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Booth Peterview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Clark Tonyview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Davila Juanview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Henson Billview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Moffatt Traceyview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Morton Callumview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Parr Mikeview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Swallow Rickyview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Tyndall Peterview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Zikos Constanzeview full entry

Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb

Piccinini Patriciaview full entry

Reference: Retrospectology: the world according to Patricia Piccinini
Ref: 1000

Jones Timview full entry

Reference: Tim Jones - Artist in Residnece, The University of Melbourne 1989/90
Publishing details: Ian Potter Gallery, 1990
Ref: 1000

Panorama of Australian Painting 1818-1968view full entry

Reference: Panorama of Australian Painting 1818-1968, Xavier College Preparatory School, Burke Hall, at Studley House, Kew.
Publishing details: 20-23 April 1968
Ref: 1000

Exhibition of Australiana, Foundation to Federationview full entry

Reference: Exhibition of Australiana, Foundation to Federation, Old Xaverians’ Association at Studley Hall - Burke Hall, Kew, 3-11 October, 1970
Publishing details: 3-11 October, 1970
Ref: 1000

Jones Charles Lloydview full entry

Reference: No Other Man, No Other Store, the extraordinary life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

Hodgkins Francesview full entry

Reference: Frances Hodgkins - A Private Viewing, by Joanne Drayton
Publishing details: Auckland, [N.Z.] : Godwit, 2005
304 p.: ill., ports.
Notes Includes bibliographical references and index.
Ref: 1006

Australian Artists Booksview full entry

Reference: Australian Artists Books by Alex Selenitsch. Foreword by Ron Radford, introduction to the book, includes the examination of four examples of artists books by the artists Mike Parr, Ian Burn, Robert Jacks and Bea Maddock, illustrates and discusses selected examples of works by Gaynor Cardew, Christopher Croft, Ross Grounds, Alexander Hamilton, Petr Herel, Ruth Johnstone, Maria Kozic, Ruark Lewis, Jennifer Marshall, Ian Miliss, Bruce Searle, Martin Sharp, Paul Uhlmann, Murray Walker and Robin White, illustrated in colour throughout
Publishing details: Canberra : National Gallery of Australia, 2008. Quarto, illustrated wrappers, pp. 122.

Lowen Fredview full entry

Reference: Fred Lowen - Dunera Boy, Furniture Designer, Artist
Publishing details: Prendergast Publishing, Castlemaine, [1990?]Victoria. Soft cover. Book Condition: Very Good. Large Octavo. Square large octavo, 235 pages, illustrated, some plates in colour.
Ref: 1005

Brown Mikeview full entry

Reference: Like Mike, curated by Geoff Newton
Ref: 1000

Cress Fredview full entry

Reference: Fred Cress - Whispers, by Ken McGregor
Publishing details: MacMillan, 2007
255 p. : ill., ports. ; 35 cm.

Appleton George1836-1868 active Australia 1861-1868, died in Englandview full entry

Reference: A painting by Appleton titled ‘Australian Chief foretelling the fate of his race’ 1865 was on exhibit at the NGV in November 2013. On loan from the Garcia Collection, Melbourne. It had been exhibited and was awarded prize for best landscpae in the Ninth Exhibition of the South Australian Society of Arts in December 1865. It had been rediscovered at a UK auction in 2012 when it was offered unattributed.

Emmerichs Bernview full entry

Reference: What’s Your Story by Rose Giannone, Artwork btyBern Emmerichs
Ref: 1000

Grey-Smith Guyview full entry

Reference: Guy Grey-Smith, Landscapes of Western Australia. Essay by Annette Davis, exhibition curator.
Publishing details: Perth: Edith Cowan University, 1996. Oblong folio, folded wrappers, approx 40pp. numerous full page colour plates.

McArthur Kathleenview full entry

Reference: Queensland Wildflowers - A Selection of Work by Kathleen McArthur
Ref: 1000

Russell Philipview full entry

Reference: Sketch Book, Philip Russell, 1990
Publishing details: 1990
Ref: 1000

Russell Philipview full entry

Reference: Coloured Sketches by Philip Russell, 1996
Publishing details: 1996
Ref: 1000

Pericles Leonview full entry

Reference: The Tiggy Puggenheim collection / artwork and concept by Leon Pericles ; text by Julian Leatherdale.
Publishing details: Mt. Lawley, W.A. : Pen & Paint, 1994
146 p. : chiefly ill. (some col.), ports. (some col.)

Nolan Sidneyview full entry

Reference: An Exhibition of Paintings, The Arts Council of Great Britain, 1957 with 14 pages including 4 pages black and white plates, catalogue of 35 paintings. Foreword by Philip James, essay by Colin MacInnes.
Publishing details: The Arts Council of Great Britain, 1957
Ref: 1000

May Anne-Marieview full entry

Reference: May Anne-Marie 1989-2001
Publishing details: Sydney : the artist, 2001. Quarto, illustrated gatefold wrappers, pp. 64, illustrated.
Ref: 1000

Piccinini Patriciaview full entry

Reference: Evolution
Publishing details: Tasmanian Museum and Art Gallery, 2009. Quarto, illustrated wrappers, approx. 48 pp. illustrated.
Ref: 1000

Smith Sydney Ureview full entry

Reference: The Etchings of Sydney Ure Smith
Publishing details: Art in Australia, Sydney
Ref: 1006

Baines Thomasview full entry

Reference: Thomas Baines: His Life and Explorations in South Africa, Rhodesia and Australia by J. P. R. Wallis.
The text of this new edition has been reproduced from the first edition, published in 1942 by Jonathan Cape Ltd., London. Profusely illustrated with Baines` own pencil sketches, water colours and prints. Introduction and captions by F. R. Bradlow. Includes detailed description of all illustrations and an index. Pages [i-iii]iv-xx 1 - 235. Brown cloth-covered boards with gilt title on spine and Balkema logo on front.
Publishing details: A A Balkema, 1976, Pages [i-iii]iv-xx 1 - 235.
Ref: 1000

Smeaton Jamesview full entry

Reference: James Smeaton (Australian, b. 1964) Abstract signed and numbered lower left "Smeaton 57" oil on canvas h:69 w: 46 cm at Cheffins auction, Cambridge, United Kingdom, October 24, 2013, 11:00 AM GMT, Estimated Price: £400 - £600

Newton Helmutview full entry

Reference: Helmut Newton (German/Australian, 1920-2004) Helmut Newton`s Illustrated catalogue No. 2 `Pictures from an Exhibition’
Publishing details: 38.5cm x 30cm
Ref: 1000

Olds Paul (1922-1976) view full entry

Reference: Paul Olds - Australian. “Portrait of a Young Girl”, Oil on Canvas, 29” x 24”. Provenance; The Redfern Gallery Ltd. At John Nicholson auction 21 Nov 2013

Alsop Edith view full entry

Reference: Edith Alsop 2 works in the style of Thea Proctor offered at Detscher and Hackett Auction 27 November 2013.

Lessore Emileview full entry

Reference: Emile Lessore 1805-1876: His Life and Work / The Sydney Cove Medallion by Buten, David and Pelehach, Patricia / Smith, L. Richard; Emile
Publishing details: Buten Museum of Wedgwood, Merion, PA, 1979. softcover. Book Condition: Very Good+. in softcover. Bookseller Inventory # 110904 (MONOGRAPHS IN WEDGWOOD STUDIES NUMBERS 3 &4:
Ref: 1000

Sydney Cove Medallionview full entry

Reference: see Lessore Emile - Emile Lessore 1805-1876: His Life and Work / The Sydney Cove Medallion by Buten, David and Pelehach, Patricia / Smith, L. Richard; Emile
Publishing details: Buten Museum of Wedgwood, Merion, PA, 1979. softcover. Book Condition: Very Good+. in softcover. Bookseller Inventory # 110904 (MONOGRAPHS IN WEDGWOOD STUDIES NUMBERS 3 &4:

Art salesview full entry

Reference: REDFORD, George. ART SALES. A HISTORY OF SALES OF PICTURES & OTHER WORKS OF ART. 2 VOLS. With notices of the collections sold, names of owners, titles of pictures, prices & purchasers, arranged under the artists of the different schools in order of date... A valuable, rare reference to the art market & auction sales in the late 19th Century.
Publishing details: Lond. 1888. Folio. 468,357pp. b/w plates. 1st ed.
Ref: 1000

Album of Sydney Viewsview full entry

Reference: Album of Sydney Views. Twenty-one views and a panoramic view of Sydney Harbour folding concertina-style into a decorated cover. Loose in binding
Publishing details: Syd. No imprint. n.d. (c.1880’s) 8vo.
Ref: 1000

Aboriginal artview full entry

Reference: ALLEN, Louis. TIME BEFORE MORNING. Art and Myth of the Australian Aborigines.
Publishing details: N.Y. Thomas Crowell Co. 1975. Roy.8vo. Or.cl. Dustjacket. 304pp. Profusely illustrated in colour and black & white. Dj. 1st ed
Ref: 1000

Wherrett D Gview full entry

Reference: Around every corner: the photographs of D. G. Wherrett, Launceston, Tasmania in the 1940s  
Publishing details: QVMAG, 2006 80pp
Ref: 1000

Morrison W Frederickview full entry

Reference: W.Frederic Morrison. THE ALDINE CENTENNIAL HISTORY OF NEW SOUTH WALES. ILLUSTRATED. Embracing sketches & portraits of her noted people; the rise & progress of her boundless wealth, together with maps of latest survey. 2 vols.
Publishing details: Syd. Aldine Publ. 1888. Both 4to. Hf.leather. 424,c400pp. a.e.g. Many Col.& b/w plates. 1st ed
Ref: 1000

VICTORIAN AND EDWARDIAN ADELAIDE view full entry

Reference: VICTORIAN AND EDWARDIAN ADELAIDE FROM OLD PHOTOGRAPHS, by W. B. Pitcher
Publishing details: Syd. John Ferguson. 1977. 4to. Or.bds. Dustjacket. xipp. plus 202 b/w illus
Ref: 1000

AUSTRALIAN SALON OF PHOTOGRAPHYview full entry

Reference: THE AUSTRALIAN SALON OF PHOTOGRAPHY .... EXHIBITION OF CAMERA PICTURES, Exhibition Catalogue, April 22nd to May 3rd 1924,
Publishing details: orig ptd cardboard wraps in mor gilt presentation folder
Ref: 1000

Check Joseph (1856-1936)view full entry

Reference: Check Joseph - Vente Photographies XIXème et XXèmeby Kapandji MorhangePlatinum HouseNovember 14, 2013, 2:00 PM CET Paris, France Live AuctionLot 130: Joseph CHECK (1856-1936).Première vente de chevaux organisée au haras de Turanville (Turanville Stud Farm) par Thomas Cook, Scones, NSW, Australia 1893.Tirage argentique d'époque monté sur carton.Titre et signature dans l'image à l'angle inférieur(9 views)
Joseph CHECK (1856-1936).Première vente de chevaux organisée au haras de Turanville (Turanville Stud Farm) par Thomas Cook, Scones, NSW, Australia 1893.Tirage argentique d'époque monté sur carton.Titre et signature dans l'image à l'angle inférieur
Starting bid: €400(0 bids)

Publishing details: Littérature : « Thomas Cook of Turanville » par Nancy Gray, Scone and Upper Hunter Historical Society, 1977.

AUSTRALIAN PAINTER-ETCHERS’ SOCIETYview full entry

Reference: AUSTRALIAN PAINTER-ETCHERS’ SOCIETY. FIRST
ANNUAL EXHIBITION Education Dept. Gallery … 1921
Publishing details: Sydney
June 7 - June 25, 1921. Octavo, illustrated wrappers. Sydney,
1921. Limited edition of 750 copies. + Plus a good group of
eight Society catalogues or publications.

Ref: 1000

Low Davidview full entry

Reference: The Billy Book - Hughes Abroad,
Cartoons & Drawings by the great NZ cartoonist David Low
Publishing details: NSW Bookstall Sydney 1918, 1st edition pictorial wrappers Near Fine lge. 8vo. (40)pp., illustrations,
Ref: 1006

Glover Johnview full entry

Reference: GLOVER, John. A CATALOGUE OF PICTURES descriptive of the Scenery, and Customs of the Inhabitants of Van Dieman’s Land, together with Views in England, Italy,
&c., painted by John Glover, Esq.
Publishing details: Octavo, sewn in contemporary boards. [Middle Hill], J. Rogers for Sir Thomas Phillipps, reprinted 1868. Rare: a further three
Glover items from the same publisher are loosely inserted in the same boards. Australian Book Auctions sale 67, November, 2013

Ref: 1008

Nankivell Frank Arthurview full entry

Reference: Nankivell Frank Arthur - Political. G.O.P. Elephant begging Theodore Roosevelt to run for president. Signed. dated 1905. 21" X 28"Frank Arthur Nankivell (1869â€"1959) was an Australian artist and political cartoonist. Nankivell was He was a book illustrator in New York circles of the 1910s and 1920s on such publications as Puck, which was America's first successful humor magazine.Nankivell studied art at Wesley College, Melbourne. He later travelled to Japan and earned a living as a cartoonist in Tokyo where he made the acquaintance of Rakuten Kitazawa, who later became father of the Japanese comic art now known as manga. Several examples of his work are held in the collections of The Smithsonian in Washington DC. He was a large influence on the Japanese manga artist Rakuten Kitazawa. At One of a Kind Collectibles Auctions, LLCNovember 14, 2013, 8:00 PM EST Miami, FL, USA Lot 182: Roosevelt as Nero by FRANK ARTHUR NANKIVELL(5 views) Frank Arthur Nankivell (1869-1959)
Roosevelt as Nero by FRANK ARTHUR NANKIVELL; Roosevelt as Nero by FRANK ARTHUR NANKIVELL Estimated Price: $300 - $500

Laffan George Barry (1918-1988)view full entry

Reference: George Barry Laffan, HEAD OF A WOMAN,
limestone
15.75 by 10.5 by 7.5in., 39.375 by 26.25 by 18.75cm.
Provenance: Family of the artist;Thence by descent
Born in Australia to Irish parents George Laffan returned to the family home in Rathmines, Dublin at the age of 15. He attended the National College of Art, Dublin from 1939-1945 at night where he studied under Laurence Campbell RHA (1911-1964). He exhibited with the RHA from 1943 to 1945 and at the Oireachtas in 1948. The human figure was his main focus but he diversified in his choice of materials, experimenting with wax, clay, bronze, stone, wood and plaster. As a painter he concentrated on portraits by commission and of family members, as well as landscapes and still lifes. Examples of woodcuts by Laffan also exist. His work was included in the Institute of the Sculptors of Ireland exhibitions in 1955 and 1956. In the 1960s the female form in various guises and poses dominated. In 1972, The Kenny Gallery in Galway hosted a group show which included Laffan and his son, Justin, John Behan and Stepinac McNamee. The same year he exhibited at the IELA, where the Times commented on his highly competent ballerinas" which had a "flavour of the old-fashioned salon about them". Laffan was treasurer with Independent Artists and exhibited with them in Trinity College, Dublin in 1973 and Project Arts Centre, 1975. Heads - executed in a variety of materials - became the artist`s focus for a ten year period from 1974-1984. He showed at the Oireachtas in 1978 a 2.4m high bog oak piece called Maighdean Dubh. In 1984 he retuned to Australia where he made landscape and portrait sketches. Female torsos in bog oak and walnut feature in his final years. He died in Dublin in 1988 aged 70. " – At Whyte's
Important Irish Art
Lot 120, 25 Nov 2013.

Merrifield Tomview full entry

Reference: Tom Merrifield left his rewarding and successful career as a dancer and took up drawing and sculpting as his full time career. He has sculpted a number of famous dancers including Natalie Makarova, Sir Anthony Dowel, Dame Beryl Grey and Wayne Sleep. Tom Merrifield Australian (b.1933), ‘John Curry’ bronze, the Olympic ice skater in a graceful pose, signed and numbered on base 2/10, sold with original receipt from Liberty & Co, Regent Street dated 1977, height 32cm, width 46cm. At Catherine Southon Auctioneers & Valuers
Antiques and Collectables
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Lot 44 – 20 November 2013

Elischer John W. view full entry

Reference: Elischer John W.  1891 Wien - 1966 Melbourne  "Cleopatra - Temptation". Bronzeskulptur. Dunkle Patina. Signiert, auf rot geäderter Marmorplatte (26cm x 36 cm). Länge 35 cm Breite 18 cm Höhe 21 cm at Auktionshaus Zofingen
50. Auktion, Lot 1815 28 Nov 2013 (there are a few records suggesting this Austrian sculptor did die in Australia.

Heffernan Edwardview full entry

Reference: Edward Heffernan - His Life and Art. By J. & K. Paull. Bibliography: p. 181-189.
Publishing details: Sydney, Art Academy, and Gryphon Gallery, Melbourne, 1988, quarto, tipped-in colour plates, black & white plates, 191 pages. Limited edition of 200 copies, this copy numbered ‘A/P’ [artist proof]. With bookplate of Australian artist Felix Tuszynski tipped in on title page. A copy of a catalogue of an Edward Heffernan exhibition held at Balmoral Art Gallery, 1978, inserted.

Perrottet George Dview full entry

Reference: THE BOOKPLATES OF G. D.
PERROTTET.

Publishing details: Octavo, 12 tipped-in bookplates (most in
colour), stiffened printed wrappers. Adelaide, Wakefield
Press, 1942. Edition limited to 275 numbered copies.
Ref: 1000

Feint Adrianview full entry

Reference: ADRIAN FEINT. Bookplate Artists.
Number One.

Publishing details: Octavo, with 19 tipped-in bookplates, original
cord tied wrappers with textured glassine wrapper. Sydney,
Beacon Press, 1934. Extremely scarce: edition limited to 150
numbered and signed copies. Octavo, with 19 tipped-in bookplates, original
cord tied wrappers with textured glassine wrapper. Sydney,
Beacon Press, 1934. Extremely scarce: edition limited to 150
numbered and signed copies. Note that Sydney Hagley’s copy had an inserted two-page typed list
listing Feint bookplates from 1934 to 1938.
an inserted two-page typed list
listing Feint bookplates from 1934 to 1938.

Ref: 1005

Dyson Willview full entry

Reference: DYSON Will - . PRICE, F. Newlin. WILL DYSON, Ferargil Galleries, New York. Octavo, illustrated, stapled in original
wrappers. New York, Jaques & Company, 1930. + Related US catalogue in which Dyson figures.

Ref: 1000

Bugg R Wview full entry

Reference: R.W. Bugg NOTEBOOK of pencil sketches and a couple of watercolours, notes in pen & pencil, with newspaper clippings giving biographical information, first leaf signed and dated 1872. Estimate $100/200 in Australian Book Auctions sale 67, November, 2013

Conder Charlesview full entry

Reference: CONDER, Charles. CATALOGUE OF AN EXHIBITION of Water-colours, Pastels and Paintings by Charles Conder, W. Rothenstein and C.H. Shannon. Octavo, stapled in original printed wrappers.

Publishing details: London, Leicester Galleries, October 1904. catalogue, in Australian Book Auctions sale 67, November, 2013
Ref: 1000

Conder Charlesview full entry

Reference: Note there are at least three variants of the 1927 Sydney catalogue of Charles Conder
Publishing details: ? details required

Australian Arts Clubview full entry

Reference: AUSTRALIAN ARTS CLUB. EXHIBITION held in the Education Dept.’s Art Gallery, Loftus St., Sydney, June 1919.
Catalogue. [wrapper title].

Publishing details: Octavo, stapled in pictorial wrappers. Sydney, Arthur McQuitty & Co., 1919.

Ref: 1000

Fransella Grahamview full entry

Reference: Graham Fransella - Figures & landscapes. Paintings and prints 1984 - 2002. Deluxe edition.
Publishing details: Melbourne : Macmillan, 2002. (deluxe edition)Folio, boards in illustrated dustjacket, pp. 128, extensively illustrated, foreword by Edmund Capon, a mint copy housed in a grand clamshell box, lettered with design on the front panel, containing a similarly designed paper folio housing an original Fransella etching 'Head', signed and limited to 100 copies. The deluxe edition, limited to 50 copies (according to the SLQ catalogue entry), with the original etching and elaborate box.

Ref: 1000

Ashton Willview full entry

Reference: The Art of Will Ashton
Publishing details: Art in Australia De Luxe edition, Third series, Number 28. Octavo, tipped-in colour plates, illustrations, original cloth backed
papered boards. Sydney, Art in Australia, 1929. Limited
edition of 32 numbered copies, with an original signed and
numbered etching.

Ref: 1009

Ashton Julianview full entry

Reference: ASHTON, Julian. THE BROCHURE of Julian Ashton [wrapper title].

Publishing details: Octavo, full-page plates including colour, stapled in original lettered wrappers. Sydney, W.T. Baker &
Co., no date circa 1920.
Ref: 1000

Gill Samuel Thomasview full entry

Reference: Rambles at the Antipodes - A series of sketches of Moreton Bay, New Zealand, the Murray River anf South Australia, and the Overland Route. With two maps; and twelve tinted lithographs, illustrative of Australian Life, by S. T. Gill.
Publishing details: London : W. H. Smith, 1859. Octavo, gilt-decorated cloth (small chips to head and foot of spine), pp. 219; 16 (adverts.), twelve tinted lithographs after Gill, two folding maps
Ref: 1000

Rowan Ellis view full entry

Reference: Flower Paintings of Ellis Rowan
Hazzard, Margaret; Hewson, Helen.
Publishing details: Canberra, National Library of Australia, 1982 [first edition], 1982. Folio, x, 22, [40] pages plus 20 full-page colour plates. Quarter contrasting cloth; slipcase

Ref: 1000

Rowan Ellisview full entry

Reference: exhibition catalogue: 'A Festival of Ellis Rowan Flower Painting', Botanic Gardens of Adelaide, February 26-March 26, 1988

Publishing details: Botanic Gardens of Adelaide, 1988
Ref: 1000

Rock Paintings of Aboriginal Australiaview full entry

Reference: Rock Paintings of Aboriginal Australia by Godden, Elaine with photography by Jutta Malnic.
Publishing details: Reed Books: 1988) New Edition. Boards (that is, hard covers) pp. 128 (290 x 220 mm). Photography Recommended Reading and Bibliography. Index

Bartholomew F Wview full entry

Reference: Bartholomew F W – a series of paintings by this artist were offrred at Lawsons. 26 Sept 2013 including Lot 628 F W Bartholomew (XIX) Traveller on a Mountain Road
oil on canvas
61 x 51cm
signed lower right
Estimate $400-600

Lot 629
F. W. Bartholomew (XIX)
St Clair Lake Tasmania
oil on canvas (AF)
50 x 60cm
signed lower right
Estimate $300-500

+ Moss Falls 61 x 50cm
Cow Pasture River 50 x 60cm

Printmakers in colonial Sydney, 1800-1850view full entry

Reference: Printmakers in colonial Sydney, 1800-1850 / by Richard Neville. Thesis (M.A.)--University of Sydney, 1989. 2 vols. Vol. 1 includes Appendix - Biographies.
Bibliography: leaves 203-211.

Publishing details: 1988 thesis.
2 v. (xii, 211; xii, [110] leaves) : ill.
includes Subjects,
Contents, v. 1. Text
v. 2. Illustrations. [Printed from online version]

Mackaness George and Alice Collectionview full entry

Reference: (MACKANESS, George & Alice.) THE GEORGE AND ALICE MACKANESS COLLECTION OF AUSTRALIANA.
Publishing details:
Catalogues 1 to 3. (All issued) Syd. A & R. 1967-1969. Nicely bound
in quarter blue leather. (sl.fading) 127,120,131pp. b/w plates.

Ref: 1000

Australianaview full entry

Reference: see Mackaness George and Alice Collection - (MACKANESS, George & Alice.) THE GEORGE AND ALICE MACKANESS COLLECTION OF AUSTRALIANA.
Publishing details:
Catalogues 1 to 3. (All issued) Syd. A & R. 1967-1969. Nicely bound
in quarter blue leather. (sl.fading) 127,120,131pp. b/w plates.

Henson Billview full entry

Reference: BILL HENSON PHOTOGRAPHS, Introduction by David Malouf
Publishing details: Syd. Picador. 1988. Folio. Or.bds. Dustjacket.
119pp. Numerous b/w photographic plates by Bill Henson.1st ed

Ref: 1000

Collingridge Georgeview full entry

Reference: THE FIRST DISCOVERY OF AUSTRALIA AND NEW GUINEA. Being the Narrative of Portuguese and Spanish Discoveries in the Australasian Regions between the years
1492-1606, with Descriptions of their Old Charts by George Collingridge.
Publishing details: Syd. Pan. 1982.
Col.Ill.wrapps. 126pp. Col.maps & b/w ills. First published in
1906.

Spalding D Aview full entry

Reference: SPALDING, D.A. AUSTRALIANA BOOKSELLERS’ CATALOGUES. Desiderata & Background. The only monograph on the subject of Australiana catalogues, that valuable resource for the collector.
Publishing details: Mawson (ACT) The
Author. 1994. Or.cl. 55pp. Colour frontispiece. 1st ed. Edition of 200 copies signed by the author.

Ref: 1000

Australianaview full entry

Reference: see SPALDING, D.A. AUSTRALIANA BOOKSELLERS’ CATALOGUES. Desiderata & Background. The only monograph on the subject of Australiana catalogues, that valuable resource for the collector.
Publishing details: Mawson (ACT) The
Author. 1994. Or.cl. 55pp. Colour frontispiece. 1st ed. Edition of 200 copies signed by the author.

Taylor Georgeview full entry

Reference: George A. Taylor. The Ways of the World. (The author was a prominent journalist, married to Florence M. Taylor. George Taylor drowned in the bath of his Sydney home in 1928).

Publishing details: Syd. Building Limited. n.d. (c.1925) 342pp. b/w ills. col.plates.
free endpaper, 1st ed. Roy.8vo. Or.cloth.
Ref: 1000

Jenner Isaac Walterview full entry

Reference: Painting at auction in USA with biographical details: Jenner Isaac Walter - Estimated Price: $1,000 - $2,000 at Fine American European Asian Art and Hollywood Memorabilia
by Hampton Estate Auction, Inc.
November 9, 2013, 9:00 AM PST
Lambertville, NJ, USA
Live Auction
Lot 207: Isaac Walter Jenner (1837-1902) Brighton England Boat Beach Scene Oil Painting
Description: Jenner, Isaac Walter (1837-1902), painting depicting a boats on the beach at dawn. Oil on board,framed. measurements - 5" x 8 3/4", with frame - 11 1/2" x 15". signed - lower left A self-taught marine and landscape painter, Jenner painted much local scenery in Australia but continued all his life to paint English scenes from memory. His most popular subjects were the Sussex and Cornish coasts and large historical seascapes.He was born on March 18, 1837 at Brighton, Sussex, England, son of Thomas Jenner, blacksmith, and his wife Harriet, née Walter. Without known formal education, he worked on oyster and crab smacks and signed on for a voyage in Arctic waters. In March 1855 he joined the Royal Navy, serving during the Crimean War in the Black Sea and in H.M.S. Retribution at the Dardanelles. In 1864 he was present at the bombardment of Shimonoseki, Japan. Discharged in 1865, he learned to paint and worked as a landscape and marine painter in 1873-79 at Brighton and at Hove in 1880-83; he exhibited at Brighton, Lewes and once at the Royal Academy. He emigrated to Australia and landed in Brisbane on September 19, 1883. He taught at Miss O'Connor's School, Oxley, and at the Brisbane Technical College in 1887-89, otherwise making a living by selling paintings and holding art unions.Although he traveled in New South Wales and New Zealand in 1889, he exhibited only in Brisbane and at the Centennial International Exhibition of 1888-89 in Melbourne. He had helped to found the Queensland Art Society in 1887. He moved his studio in 1890 to Montrose Road, Taringa, where he lived and worked for the rest of his life.In 1895 he gave one of his large seascapes, 'Cape Chudleigh, Labrador' (1890) to the Queensland National Gallery soon after its opening.He died at Taringa on 1 March 1902. He was survived by his wife Mary, née Jenkins, whom he had married on May 23, 1860 at Anthony, Cornwall, and by three sons and three daughters.Sources include:Australian Dictionary of Biography, Volume 9, (MUP), 1983toowong.cemetery.org.au/images/Trails/artists

Hamilton George H 1812-1883view full entry

Reference: Treatment of the horse in Australia
G.H. [HAMILTON, George 1812-1883]; Photographer unknown. Treatment of the horse in Australia. G.H. (note the album title is a variant of the final published work's), containing 11 albumen print photographs, each 85 x 135 mm, mounted recto only of 11 leaves of thick card.

[Probably early 1864]. Unpublished album containing eleven mounted albumen photographs of George Hamilton's drawings used as illustrations in his published work The horse : its treatment in Australia
Publishing details: (Adelaide : Printed by J.T. Shaw, 1864). Oblong octavo, full original calf with gilt ruled borders and gilt stamped lettering to front.
Ref: 1000

McLaughlin Henryview full entry

Reference: a painting by this artist listed on eBay 20.11.13 as ‘A FINE IRISH OIL PAINTING BY THE DERRY ARTIST HENRY MC LAUGHLIN. THE ARTIST MOVED TO AUSTRALIA IN THE LATE 1960s AND IS NOW A WELL KNOWN AUSTRALIAN ARTIST’.

colonial portraitsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp

Read Richard Snr biographical information and illustrationsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp

Wainewright Thomas Griffiths essay p153view full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp

Rodius Charles biographical information and illustrationsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp

Bock Thomas biographical information and illustrationsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp

Dobell Williamview full entry

Reference: William Dobell by Elizabeth Donaldson [The chapters are: the early years; the London years, the war years, the Archibald Prize court case, recovery at Wangi, New Guinea & a new beginning, life at Wnagi. index of Dobell's paintings & drawings.]
Publishing details: Exisle Publishing Limited, Wollombi, NSW, Australia, 2010. Hard Cover. Dust Jacket. First Edition. 208 pp. Illustrated in colour and b&w throughout.

Taylor Georgeview full entry

Reference: Caricature : its humorous story in 15 doses by George Taylor, Illustrated by the World’s Greatest Comic Artists &c. Includes the work of Australian artists George Taylor, Phil May, Hy Mayer, Livingstone Hopkins, S T Gill, Norman Lindsay, Frank Mahoney, , Harry Julius, Will Dyson, Frank Nankivell, with references to Alek Sass, Alf Vincent, Ward (?), Preston(?), Charles Lascelles (1860s), Montague Scott, Alfred Clint, William MacLeod, Gustavus Wangenheim, Thomas Carrington, Nicholas Chevalier, Bradley (?), Ambrose Dyson, G. H. Dancey, D. H. Souter, E. M. Grosse, Hugh McRae, H McLean, J. McDonald, (Pasquin). Examples of international caricaturists and cartoonists are provided. Examples of Taylor’s ‘mechanical caricatures’ (using collage, etc) [to be indexed]
Publishing details: Building Ltd., 1913. soft cover, stapled binding. 76 p. : illus.

Dogs in Australian artview full entry

Reference: Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Napier Waller Mervyn - Christian Waller with Baldur, Undine and Siren at Fairy Hills 1932view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Batt Terry - Double Happiness: The Year of the Dog 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Dobell William - Dobell Self portrait 1968view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Hood Cherry - Daisy 2005view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Nicholas Hilda Rix - The fair musterer 1935view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Pugh Clifton - Rounding sheep 1968view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Hearman Louise 2001view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Henry Lucien - Australian Terrier on a packing crate in garden 1890view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Fairfax Rachel - Basset pups 2007view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Welch David - The artist’s dog 2010view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Doig Adrienne - Hamish and Max 2005view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Martin Gabrielle - Celeste and Lenny 1999view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Murch Arthur - Suzanne Crookston 1935view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Dexter William - Lady’s pet 1855view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Thake Eric - The weekly train departs, the dog goes back to sleep 1971view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Braithwaite Joanna - Diggers 2005view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Teague Violet - Cynthia and Count Brusiloff c. 1917view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Booth Peter - Bull Terrier c. 1977view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Egan Melissa - The wife of Bath in her new hat 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Leisner Anne - Brutus 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Spiers Justin and Yvonne Doherty - Andrea, Tristan, Valentino & Tatiana 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Sokolowska Basia - Manchuride and Manchuhill 2008view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Headlam Kristin - Burns family portrait 2007view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Rew Hanks - King Billy Waiting for the Missing Monarch and
King Billy Fetch Me My … 2003urns family portrait 2007view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Monteith Stephanie - Young Sausage Dog 2005view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Casey William - Devil dog 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Onus Lin - Michael and I are just slipping down to the pub for a minute 1992view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Smith Grace Cossington- Krinkley Konks sleeping 1927–28view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Septimus Power Harold - Cocker Spaniels c. 1935view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Perrottet George - Bookplate for Carlyle S. Baer 1934view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Bunny Rupert - Mrs Bunny and her terrier 1902–05view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Dobell William - Conversation piece 1941view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Preston Margaret - Nude with dog 1925view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Bruce Chris - Rex 2003view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Drendel Graeme - The temptation and The players 2008view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Kelso Matt - Flying dogs over the Murrumbidgee River, NSW 1978view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Streeton Arthur - Brace of Gordon Setters 1892view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Hele Ivor - Woodley 1955view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Dominello Viola - Dog 2007view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

McMonagle Tim - Cheese and Pickles 2005view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Tavener Janet - Hungarian Puli 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Hicks Petrina - Lambswool 2008view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Harvey Geoff - Boris 1999view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Strutt William - Dogs with flowers and game 1850sview full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

McBurnie Ron - Tobias and the angel 2009view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Roberts Tom - Blue eyes and brown c. 1887view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Piggott Rosslynd - Dark sun, Tuscany 1993view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

McKenna Noel - Jack Russel 2001view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Lindsay Norman - Dogs for comfort 1937view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Cress Fred - Debate 2008view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Heng Euan - Oskar welcomed 2005view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

McBurnie Ron - Professional dog show 1983view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Chevalier Nicholas - Waiting for the ferry, Manila 1881view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Guppy James - Between us 1991view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Claxton Marshall - The Dickinson family 1851view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Kelly W.E. - Nelson 1901view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Fox Emmanuel Phillips - The green parasol 1912view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Fry Douglas - My best friend 1910view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Stewart Helen - Portrait of Treania Smithview full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Tanner Edwin Russell - Dog c. 1958view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Martin Gabrielle - Kate and Harry 1998view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Read Richard Snr - Julia Johnston 1824view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Lindsay Norman - Rose on ‘Bobs’ c. 1912view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Dowling Robert - Mrs Adolphus Sceales with Black Jimmie
on Merrang Station 1855–56view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Cress Fred - Too few lovers 1989view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Birkett Jim - Max and the Boys 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Gibbs May - Scotty 1941view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Minns Benjamin Edwin - The blue hat 1918view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Crossland J.M. - Staffordshire Bull Terrier belonging to
Rev. John Gower 1851view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Edwards Mclean - Martin Browne 2007view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Doig Adrienne - Finbar with Vi King and Steven 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Varvaressos Vicki - Portrait of Frank Watters 1994view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Evans Neil - Wilkie (Romantic Fool) Collins 2004view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Spread Henry Fentonview full entry

Reference: see catalogue for Anderson & Garland Ltd. Newcastle, Fine Art and Antique Sale, Lot 234 - 3 December, 2013, Henry Fenton Spread (Irish/American 1844-1890) A VENETIAN NOCTURNE signed and indistinctly dated (1879?) oil on canvas 30.5 x 52cms; 11 3/4 x 20 1/2in. Born in Kinsale, Ireland, Spread studied in South Kensington under Riviere and then with Slingeneyer in Brussels in 1863. He undertook painting tours in Melbourne, Australia, New Zealand and Tasmania before moving to New York in 1870, then to Chicago circa 1872. He was a member of the Chicago Academy of Design and the Pennsylvania Academy of Fine Arts.

Birch John Lamornaview full entry

Reference: according to the catalogue of Canterbury Auction Galleries, UK, 3 Dec, 2013, lot 417, Birch painted in Australia: ‘Samuel John Lamorna Birch (1869-1955) - Watercolour - Landscape in Australia - 10.25ins x 14.5ins, signed, framed and glazed’.

Wolowski leonview full entry

Reference: LEON WOLOWSKI - IMAGES OF PIONEERS (CLAY SCULPTURE)
numbered 436 out of 700 copies and signed by Leon Wolowski

SETTLEMENT OR INVASION
GOLD
THE BUSH
NATIONHOOD

34 clay sculpture images with information

Introduction and text by Geraldine Carrodus

A newspaper clipping taped into book on Leon Wolowski with Zelman Cowen at the launch of this book,THE AUSTRALIAN Jewish News 2/21996.
Publishing details: 1995, 75 glossy page hardcover book
Ref: 1000

Walsh Gwenview full entry

Reference: AUSTRALIAN TREE PORTRAITS
BY CHARLES P MOUNTFORD
WITH DRAWINGS BY GWEN WALSH

Publishing details: MELBOURNE UNIVERSITY PRESS PUBLISHED 1956
Ref: 1000

Corbett J Gview full entry

Reference: see Tulloch’s Auctions 27.11.2013 - Lot 900 - J.G CORBETT – OIL ON BOARD – CAPE LIPTRAP COAST VICTORIA 1887 – 19CM X 35CM. An attractive beachscape.

Woodman Rupert ‘Tom’view full entry

Reference: see Lawson’s auction 28 Nov 2013 - 4 lots. Professionally painted portraits and interiors in the style of Henry Hanke and other RAS exhibitors.

Weight Gregview full entry

Reference: Australian Artists: Portraits by Greg Weight,
[’Photographer Greg Weight visits more than 80 significant Australian artists in their studios. Each artist portrait is accompanied by a personal response to the shoot. Brief biographies help to place them in context. Artists featured include Brett Whiteley, John Olsen, Tim Storrier, Robert Klippel, Lloyd Rees, Donald Friend and many more’.] [to be indexed fully]
Publishing details: Chapter & Verse, 2004, hc, dw, 204 pp, this copy inscribed to Stephen Schediing

Menpes Mortimerview full entry

Reference: Whistler to Freud - Etching in Great Britain. AGNSW catalogue. A Menpes portrait of Whistler is illustrated on the cover and listed with exhibits. Curated by Peter Raissis. British artists are Whistler, Sickert, Francis Seymour Haden, F. L. Griggs, Lucian Freud and Graham Sutherland.
Publishing details: AGNSW, 2001, 4 page large format folding sheets.

Spooner Johnview full entry

Reference: Spooner - Caricatures, Drawings and Prints, foreward by Michael Leunig
Publishing details: Nelson, nd [1981], hc, dw, 128pp with index

Gazzard Mareaview full entry

Reference: Obituary in Sydney Morning Herald 30 December 2013, p23
Publishing details: SMH
Ref: 131

Vickery Johnview full entry

Reference: John Vickery - Between the Lines. Essay by John Cattapan, timeline, list of works
Publishing details: Founders Gallery, Feb 2013, 30pp, (signed by John Cattapan)
Ref: 37

Olsen Johnview full entry

Reference: John Olsen - Gold. Introduction by Edmund Capon. Essay by John Olsen, About 30 paintings illustrated in colour and 33 drawings illustrtated in black and white.
Publishing details: Pancontinental Mining, 1986, pb, np [approx 60]

Critics Choiceview full entry

Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]
Publishing details: AGNSW, 1994, 12pp 6 illustrations
Ref: 131

McFarlane Robertview full entry

Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]
Publishing details: AGNSW, 1994, 12pp 6 illustrations

America - Painting a Nationview full entry

Reference: America - Painting a Nation, room brochure for exhibition at Art Gallery of New South Wales
Publishing details: AGNSW, 2013, 12pp
Ref: 131

Davila Juanview full entry

Reference: Verdeja - Juan Davila. A ‘decorative ensemble’.12 illustrations
Publishing details: Greenaway Art Gallery, Adelaide, nd (1996), large 6-page folding card
Ref: 47

Shurrock Francisview full entry

Reference: Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

Allen Jim NZ sculptorview full entry

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

Duff Alison NZ sculptorview full entry

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

Macalister Molly NZ sculptorview full entry

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

Elegance in Exile - portrait drawings from Colonial Australiaview full entry

Reference: Elegance in Exile - portrait drawings from Colonial Australia by Joanna Gilmour [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia.’]
Publishing details: NPG, 2012, hc, dw, 181pp

Read Richard Snr biographical information and illustrationsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp

Rodius Charles biographical information and illustrationsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp

Wainewright Thomas Griffiths biographical information and illustrations view full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp

Brack Johnview full entry

Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by John Tunnicliffe on two new acquisitions foy Art Gallery of NSW. ‘The Breakfast Table’ and ‘The New House’

Hawkesbury - a subject for artists view full entry

Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by Bronwyn Watson re exhibition at Hawkesbury Regional Gallery

Johnson Chrisview full entry

Reference: Chris Johnson - Sketches 1996-2010 - 65
Publishing details: The Author, Sydney, 2010
5 pages of introductory text then unpaginated colour illustrations.

Potter’s Art Theview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Pepper Chris view full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Barnes Errolview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Rushforth Peterview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Alexander Dougview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Startin Suzanneview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Mansfield Janetview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Pigott Gwynview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Grealy Kevinview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Greenaway Victorview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Collins Patrickview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Nelson Jimview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

McConnell Carlview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Maldon Potteryview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Moon Miltonview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Levy Colview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Howlett Victoriaview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Jones Ianview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Rosser Carolview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Hanby Trevorview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Edye Johnview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Dermer Johnview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Carr Penelopeview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Hely Patsyview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Halford Andrewview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Blakebrough Lesview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Smith Derekview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Bamford Roderickview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

Art Cards - Australian War Memorialview full entry

Reference: Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Adams Denisview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Beattie Rayview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Benson Georgeview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Bowles Leslieview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Boyd Davidview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Colahan Colinview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Collingridge Arthurview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Crozier Frankview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Dadswell Lyndonview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Dargie Williamview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Dobell Williamview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Dyson Willview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Friend Donaldview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Hele Ivorview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Herbert Haroldview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Herman Saliview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Honisett Rayview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Lambert Georgeview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Leist Fredview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

McFadyen Kenview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Nolan Sidneyview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Norton Frankview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Power H Septimusview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Roberts Tomview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Streeton Arthurview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Thake Erikview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Vassilieff Danilaview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Reid David Gview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Silas Clifford-Smith with 10 illustrations, 6pp

Mackennal Bertram - Queen Victoriaview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

Harvey L Jview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

Merten John cabinetmakerview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

Hicks Johnview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

Greenham & Evansview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

Macquarie & Dixson chestsview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the chests

Wallis James albumview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the Macquarie and Dixson chests and album

Bridekirk Joseph cabinetmakerview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by David St L. Kelly

Wood John wood turnerview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Hawkins

Wager Rhoda and Dorothyview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Wade - with 15 illustrations of their jewellery

Cayley & Sonview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for review of book

von Mueller Ferdinand and women botanical artistsview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for review of book

Newman Adaview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for advertisement by J B Hawkins Antiques with biographical information

Wager Rhodaview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for advertisement by J B Hawkins Antiques with biographical information

Sharp Martinview full entry

Reference: Funeral Service 10 December 2013 at Christ Church St Lawrence, Sydney together with Sydney Morning Herald report of funeral 11 December, 2013 p2.
Ref: 132

Macartney Frederick Tview full entry

Reference: Hard light and other verses by Frederick T. Macartney(1887 - 1980) featuring an original linocut design by the author, illustrated with a further 6 tipped-in linocuts by Macartney. The poetry relates to the author’s time in the Northern Territory in the 1920s.
Publishing details: Melbourne : Galleon Press, [1934]. Small quarto,
hand-bound by Macartney in half-cloth over
papered boards . pp. 43, six original linocuts (all with
hard art deco angular compositions) tipped-in.
Ref: 1000

Quintessential Sydneyview full entry

Reference: Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Ireland Chrisview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Wajon Scottview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

North Gerryview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Bell Malcolmview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Candusso Erosview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Mazz Imagesview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Bok Marcoview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Maguire Garrieview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Siewert Stevenview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Christo Steveview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Moir Nickview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Taylor Andrewview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Yang Williamview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Moore Davidview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Nield Peterview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Hassall Craigview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

Adams Bruce photographerview full entry

Reference: Macquarie’s Five Towns, text by Olaf Ruhen photographs by Bruce Adams
Publishing details: Horwitz, 1970, hc, dw, 119pp
Ref: 1000

Bergner Marcusview full entry