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Klippel Robert 14 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Klippel Robert 14 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Lanceley Colin 13 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Lanceley Colin 13 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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McDonald Frank art dealer 15 refs view full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

McDonald Frank art dealer 15 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

Close

McDonald Frank art dealer 15 refs view full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

McDonald Frank art dealer 15 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

Close

McGrath Sandra art critic 9 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

McGrath Sandra art critic 9 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Miller Godfrey 6 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Miller Godfrey 6 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Palmer Maudie 5 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Palmer Maudie 5 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Passmore John 30 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Passmore John 30 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Perceval John 10 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Perceval John 10 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Pugh Clifton 8 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Pugh Clifton 8 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Upward Peter 18 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Upward Peter 18 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Warren Guy 4 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Warren Guy 4 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

Location:

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Whiteley Brett 10 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Whiteley Brett 10 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

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Williams Fred 14 refsview full entry

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.

×

Williams Fred 14 refs

Reference: see Olsen John - John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitionsa and index [’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]

Publishing details: Harper Collins, 2014, 528pp, with index.

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Niland Kilmenyview full entry

Reference: see exhibition at Artarmon Gallery, August 2015. Officially launched by Rafe Champion: ‘Rafe shared Kilmeny’s life from the 1970s to 2009.  During that time they had four multi-talented sons, cherished assorted cats and a dog and, as well, composed newsletters for many clubs and societies including the long-standing  Miniature Art Association.  Rafe will give some insights into Kilmeny’s creativity, her tireless productivity and her amazing versatility.
 
All Kilmeny’s work on view is the original artwork either from her publications
or from her studio including miniatures, watercolours, oil paintings and limited
edition etchings with a few experimental digital prints...’

×

Niland Kilmeny

Reference: see exhibition at Artarmon Gallery, August 2015. Officially launched by Rafe Champion: ‘Rafe shared Kilmeny’s life from the 1970s to 2009.  During that time they had four multi-talented sons, cherished assorted cats and a dog and, as well, composed newsletters for many clubs and societies including the long-standing  Miniature Art Association.  Rafe will give some insights into Kilmeny’s creativity, her tireless productivity and her amazing versatility.
 
All Kilmeny’s work on view is the original artwork either from her publications
or from her studio including miniatures, watercolours, oil paintings and limited
edition etchings with a few experimental digital prints...’

Publishing details:

Location:

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Turbitt Henry or Turbit or Turbettview full entry

Reference: three watercolour drawings by Turbett of Aborigines are in the SLNSW. These were from the collection of Stephen Scheding. A descendent of Henry Turbett, (i.e. Turbit or Turbitt or Turbett ) contacted Stephen Scheding in July 2015 and later posted 10 pages of biographical notes. In short: Turbett born London 1796; became a cabinet maker; charged with larceny 1815; transported to Sydney; 1837 acquired a hotel calling it the Carpenter’s Arms; died 1840.
Ref: 133

×

Turbitt Henry or Turbit or Turbett

Reference: three watercolour drawings by Turbett of Aborigines are in the SLNSW. These were from the collection of Stephen Scheding. A descendent of Henry Turbett, (i.e. Turbit or Turbitt or Turbett ) contacted Stephen Scheding in July 2015 and later posted 10 pages of biographical notes. In short: Turbett born London 1796; became a cabinet maker; charged with larceny 1815; transported to Sydney; 1837 acquired a hotel calling it the Carpenter’s Arms; died 1840.

Publishing details:

Location: 133

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Coventry Chandlerview full entry

Reference: Chandler Coventry - Obsession [Is this same catalogue as the 1993. Exhibition catalogue of selected works from the Chandler Coventry collection. Includes work by Brett Whiteley, Gunter Christmann, Neil Moore, Michael Esson, Gabriela Frutos, George Foxhill, David Hockney, Geoff La Gerche, Joe Brainard, Albert Irvin, Bridget Riley, Karel Appel, Mike Nicholls, Jill Noble, Emanuel Raft, Dick Watkins, Angus Nivison, Donald Friend, Phillip Martin, Pablo Picasso, Loudon Sainthill, Aida Tomescu, Tony Tuckson, Alex Wanders, and Dick Watkins.
Publishing details: Campbelltown: Campbelltown City Art Gallery, 1995.
55 pages, illustrations, some in colour. Illustrated saddle-stapled wrappers.
Ref: 1000

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Coventry Chandler

Reference: Chandler Coventry - Obsession [Is this same catalogue as the 1993. Exhibition catalogue of selected works from the Chandler Coventry collection. Includes work by Brett Whiteley, Gunter Christmann, Neil Moore, Michael Esson, Gabriela Frutos, George Foxhill, David Hockney, Geoff La Gerche, Joe Brainard, Albert Irvin, Bridget Riley, Karel Appel, Mike Nicholls, Jill Noble, Emanuel Raft, Dick Watkins, Angus Nivison, Donald Friend, Phillip Martin, Pablo Picasso, Loudon Sainthill, Aida Tomescu, Tony Tuckson, Alex Wanders, and Dick Watkins.

Publishing details: Campbelltown: Campbelltown City Art Gallery, 1995.
55 pages, illustrations, some in colour. Illustrated saddle-stapled wrappers.

Location: 1000

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Tischbauer Alfredview full entry

Reference: From SLNSW:
Tischbauer, Alfred, fl. 1880-95
George Street, Sydney, 1883 / Alfred Tischbauer
1883
Call Number DG 210
oil Painting
71.5 x 91.5 cm.

Alfred Tischbauer was a teacher of perspective at East Sydney Technical College when he painted this work. Originally from Alsace, Tischbauer trained as a scene painter and designer and worked at the Paris Opera. He was involved in the Paris Communes of 1871, and like his fellow artist and teacher Lucien Henry, was exiled to New Caledonia and came to Sydney after a political amnesty in 1879. Tischbauer stayed only a few years in Sydney, then went to New York and became a successful stage designer.

References:
De Vries, Susanna. Historic Sydney as seen by its early artists. Rev. ed. North Ryde, N.S.W. : Angus & Robertson, 1987, c1983 Moore, William. The story of Australian art. Sydney : Angus & Robertson, 1934
McCulloch, Alan. The encyclopedia of Australian art. 3rd ed. St Leonards, N.S.W. : Allen & Unwin, 1994

Presented by Sir William Dixson, between Oct. 1935 and June 1936

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Tischbauer Alfred

Reference: From SLNSW:
Tischbauer, Alfred, fl. 1880-95
George Street, Sydney, 1883 / Alfred Tischbauer
1883
Call Number DG 210
oil Painting
71.5 x 91.5 cm.

Alfred Tischbauer was a teacher of perspective at East Sydney Technical College when he painted this work. Originally from Alsace, Tischbauer trained as a scene painter and designer and worked at the Paris Opera. He was involved in the Paris Communes of 1871, and like his fellow artist and teacher Lucien Henry, was exiled to New Caledonia and came to Sydney after a political amnesty in 1879. Tischbauer stayed only a few years in Sydney, then went to New York and became a successful stage designer.

References:
De Vries, Susanna. Historic Sydney as seen by its early artists. Rev. ed. North Ryde, N.S.W. : Angus & Robertson, 1987, c1983 Moore, William. The story of Australian art. Sydney : Angus & Robertson, 1934
McCulloch, Alan. The encyclopedia of Australian art. 3rd ed. St Leonards, N.S.W. : Allen & Unwin, 1994

Presented by Sir William Dixson, between Oct. 1935 and June 1936

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Sharp Martin (1942-2013)view full entry

Reference: Pop, by Peter Draffin ; illustrated by Martin Sharp.

Draffin's experimental novella illustrated with Sharp's psychedelic black and white graphics - extremely scarce book.
Publishing details: London ; Melbourne ; Sydney : Scripts, [1967]. First edition. Square octavo, pictorial stiff wrappers with Martin Sharp design, 115 pp,
Ref: 1009

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Sharp Martin (1942-2013)

Reference: Pop, by Peter Draffin ; illustrated by Martin Sharp.

Draffin's experimental novella illustrated with Sharp's psychedelic black and white graphics - extremely scarce book.

Publishing details: London ; Melbourne ; Sydney : Scripts, [1967]. First edition. Square octavo, pictorial stiff wrappers with Martin Sharp design, 115 pp,

Location: 1009

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Barak William view full entry

Reference: from Douglas Stewart Fine Books Aug 2015: William Barak at Coranderrk, circa 1900
[BARAK, William Barak (Beruk) c.1824-1903] Photographer unknown.
# 11410
Photographic glass magic lantern slide, 82 x 82 mm, with original typed label 59. King Billy; in fine condition.
The sobriquet King Billy was commonly used by white people in the nineteenth and early twentieth century as a generic name for Aboriginal leaders. The subject of this portrait is, however, identifiable as William Barak (Beruk), respected Wurundjeri-Willum elder, spokesman and artist. The photograph was taken by an unknown photographer, probably between 1900 and 1903, at Coranderrk Reserve, near Healesville, east of Melbourne, where Barak spent the last half of his life. (For a similar portrait, cf. National Museum of Australia, collection number IR 4533.0320 ).

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Barak William

Reference: from Douglas Stewart Fine Books Aug 2015: William Barak at Coranderrk, circa 1900
[BARAK, William Barak (Beruk) c.1824-1903] Photographer unknown.
# 11410
Photographic glass magic lantern slide, 82 x 82 mm, with original typed label 59. King Billy; in fine condition.
The sobriquet King Billy was commonly used by white people in the nineteenth and early twentieth century as a generic name for Aboriginal leaders. The subject of this portrait is, however, identifiable as William Barak (Beruk), respected Wurundjeri-Willum elder, spokesman and artist. The photograph was taken by an unknown photographer, probably between 1900 and 1903, at Coranderrk Reserve, near Healesville, east of Melbourne, where Barak spent the last half of his life. (For a similar portrait, cf. National Museum of Australia, collection number IR 4533.0320 ).

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Morris Rufus view full entry

Reference: The adventures of Joker Jack
KAY, Timothy; MORRIS, Rufus (illustrator)


Publishing details: Sydney : Dawfox Productions, [1944]. Small oblong quarto, publisher's cloth backed pictorial papered boards (rubbed, corners bumped), title page with 65 mm tear at lower left corner and child's ownership inscription, [32] pp, with full-page colour illustrations and sepia drawings in the text by Rufus Morris; pastedowns, preliminaries and rear endpapers.

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Morris Rufus

Reference: The adventures of Joker Jack
KAY, Timothy; MORRIS, Rufus (illustrator)

Publishing details: Sydney : Dawfox Productions, [1944]. Small oblong quarto, publisher's cloth backed pictorial papered boards (rubbed, corners bumped), title page with 65 mm tear at lower left corner and child's ownership inscription, [32] pp, with full-page colour illustrations and sepia drawings in the text by Rufus Morris; pastedowns, preliminaries and rear endpapers.

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Perceval Johnview full entry

Reference: Aspects of the work of John Perceval 1947 - 1968 (signed copy)


Publishing details: Sydney : Clune Galleries, 1968. Quarto, illustrated wrappers, pp. 4, catalogue of 38 works.
Ref: 1009

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Perceval John

Reference: Aspects of the work of John Perceval 1947 - 1968 (signed copy)

Publishing details: Sydney : Clune Galleries, 1968. Quarto, illustrated wrappers, pp. 4, catalogue of 38 works.

Location: 1009

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Benjamin Jasonview full entry

Reference: Jason Benjamin : post history


Publishing details: Melbourne : Scott Livesey Galleries, 2012. Quarto, gilt-lettered blue cloth, unpaginated, essay by Ashley Crawford, colour plates, invitation to exhibition launch included. 
Ref: 1000

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Benjamin Jason

Reference: Jason Benjamin : post history

Publishing details: Melbourne : Scott Livesey Galleries, 2012. Quarto, gilt-lettered blue cloth, unpaginated, essay by Ashley Crawford, colour plates, invitation to exhibition launch included. 

Location: 1000

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Marsh Daleview full entry

Reference: The art of Dale Marsh


Publishing details: Sydney : Dale Marsh Studio, 1981. Quarto, gold stamped calfskin boards with slipcase, 29pp [75pp of plates]. Features 75 colour plates in addition to biographical essays and a tipped in sketch . Limited to 400 copies, signed by the artist with an original drawing.
Ref: 1009

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Marsh Dale

Reference: The art of Dale Marsh

Publishing details: Sydney : Dale Marsh Studio, 1981. Quarto, gold stamped calfskin boards with slipcase, 29pp [75pp of plates]. Features 75 colour plates in addition to biographical essays and a tipped in sketch . Limited to 400 copies, signed by the artist with an original drawing.

Location: 1009

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Hall Anneview full entry

Reference: Anne Hall [Hall was a constant companion to John Perceval at the time, they were to marry in 1972.].


Publishing details: Adelaide : Bonython Art Gallery, 1969. Octavo, exhibition catalogue, folding card, catalogue of 25 works. Inscribed 'To Joy from Anne Hall 1969'.
Ref: 1000

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Hall Anne

Reference: Anne Hall [Hall was a constant companion to John Perceval at the time, they were to marry in 1972.].

Publishing details: Adelaide : Bonython Art Gallery, 1969. Octavo, exhibition catalogue, folding card, catalogue of 25 works. Inscribed 'To Joy from Anne Hall 1969'.

Location: 1000

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Scott Harriet & Helenaview full entry

Reference: SCOTT, Harriet & Helena. HISTORICAL DRAWINGS OF MOTHS AND BUTTERFLIES. From the collection of The Australian Museum. ‘Superb 19th century drawings by the daughters of the entomologist Alexander Walker Scott.’
Publishing details: Syd. Craftsman House. 1988. Folio. Or.cl. Dustjacket. 147pp. Many col & b/w plates. Near Fine. 1st ed.
Ref: 1009

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Scott Harriet & Helena

Reference: SCOTT, Harriet & Helena. HISTORICAL DRAWINGS OF MOTHS AND BUTTERFLIES. From the collection of The Australian Museum. ‘Superb 19th century drawings by the daughters of the entomologist Alexander Walker Scott.’

Publishing details: Syd. Craftsman House. 1988. Folio. Or.cl. Dustjacket. 147pp. Many col & b/w plates. Near Fine. 1st ed.

Location: 1009

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Hunt John Horburyview full entry

Reference: JOHN HORBURY HUNT. Radical Architect, 1838-1904. By Peter Reynolds, Leslie Muir & Joy Hughes.
Publishing details: Syd. Historic Houses Trust. 2002. 4to. Ill.wrapps. 166pp. Profusely illustrated in colour & b/w. 1st ed.
Ref: 1000

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Hunt John Horbury

Reference: JOHN HORBURY HUNT. Radical Architect, 1838-1904. By Peter Reynolds, Leslie Muir & Joy Hughes.

Publishing details: Syd. Historic Houses Trust. 2002. 4to. Ill.wrapps. 166pp. Profusely illustrated in colour & b/w. 1st ed.

Location: 1000

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Little Bruce view full entry

Reference: LITTLE, Bruce. PAINTING AUSTRALIA. Fine. A study of Australian landscape painting, using examples by the author. Illustrated in colour throughout. Contains 42 colour plates by Bruce Little, who was born in 1929 in the Sydney suburb of Kogarah.
Publishing details: Melb. Self-published. 1990. 4to. Col.ill.bds. 57pp. Profusely ill. in col.
Ref: 1000

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Little Bruce

Reference: LITTLE, Bruce. PAINTING AUSTRALIA. Fine. A study of Australian landscape painting, using examples by the author. Illustrated in colour throughout. Contains 42 colour plates by Bruce Little, who was born in 1929 in the Sydney suburb of Kogarah.

Publishing details: Melb. Self-published. 1990. 4to. Col.ill.bds. 57pp. Profusely ill. in col.

Location: 1000

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Parkinson Sydneyview full entry

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.
Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

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Parkinson Sydney

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.

Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

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Redoute Pierre-Josephview full entry

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.
Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

×

Redoute Pierre-Joseph

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.

Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

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Bauer Ferdinandview full entry

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.
Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

×

Bauer Ferdinand

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.

Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

Location:

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Sweet Robertview full entry

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.
Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

×

Sweet Robert

Reference: see Botanical riches: stories of botanical exploration by Richard Aitken.

A Creative Fellow in 2004, Australian historian Richard Aitken traces the gradual realisation of the potential of plants for medicinal, nutritional, flavouring and decorative purposes across history. Magnificently illustrated with some of the world's most glorious engraved, lithographed and hand-coloured botanical illustrations, Botanical riches is a colourful history filled with enthralling tales of botanical exploration.

Publishing details: Publisher: The Miegunyah Press in association with State Library Victoria, 2006, 244pp with index, select bibliography, list of illustrations and notes on sources..

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Eve Pownall Awardview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Eve Pownall Award

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Bonwick James - a profileview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Bonwick James - a profile

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Alphabet booksview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Alphabet books

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Calvert William and Samuelview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Calvert William and Samuel

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Cawthorne William Aview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Cawthorne William A

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Carter Norman pages 21, 23view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Carter Norman pages 21, 23

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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McCrae Hugh pages 21, 23view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

McCrae Hugh pages 21, 23

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Missingham Hal p24view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Missingham Hal p24

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Cole E W view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Cole E W

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Ferrier Suzanneview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Ferrier Suzanne

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Mills Caroleview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Mills Carole

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Niland Deborahview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Niland Deborah

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

Close

Base Graemeview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Base Graeme

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Russell Elaineview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Russell Elaine

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Rolland W Mview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Rolland W M

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Freedman Harold 1915-1999view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Freedman Harold 1915-1999

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Howden Marjorie 1911-1988view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Howden Marjorie 1911-1988

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Thompson Romaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Thompson Roma

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Derham Frances illus p44view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Derham Frances illus p44

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Mass Celesteview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Mass Celeste

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Angus Donview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Angus Don

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Kilgour Elmaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Kilgour Elma

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Clarke Joseph A 1840-1890view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Clarke Joseph A 1840-1890

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Meredith Louisa Anne 1812-1895view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Meredith Louisa Anne 1812-1895

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Mahony Frank Pview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Mahony Frank P

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Digby Desmondview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Digby Desmond

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Baker Jeannieview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Baker Jeannie

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Spowers Ethelview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Spowers Ethel

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Allen Pamelaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Allen Pamela

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Brooks Ron view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Brooks Ron

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Mullins Patriciaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Mullins Patricia

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Young Noelaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Young Noela

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Zak Drahosview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Zak Drahos

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Outhwaite Ida Rentoul 176-9view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Outhwaite Ida Rentoul 176-9

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Hann Marjorieview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Hann Marjorie

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

Location:

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Graham Bobview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Graham Bob

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Tan Shaunview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Tan Shaun

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Rogers Gregoryview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Rogers Gregory

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Rogers Gregoryview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Rogers Gregory

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Johnson A Jview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Johnson A J

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Macfarlane Jview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Macfarlane J

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Campbell J Fview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Campbell J F

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Lennox Johnview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Lennox John

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Laroche Sandraview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Laroche Sandra

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Lloyd Charlotte Jview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Lloyd Charlotte J

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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O’Harris Pixieview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

O’Harris Pixie

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Cunningham Walterview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Cunningham Walter

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Smith Craigview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Smith Craig

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Denton Terryview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Denton Terry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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McLean Andrewview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

McLean Andrew

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Spudvilas Anneview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Spudvilas Anne

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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McInerney Kunyi June-Anneview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

McInerney Kunyi June-Anne

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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McCrae Tommyview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

McCrae Tommy

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Miller Olgaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Miller Olga

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Schapel Denisview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Schapel Denis

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Hannay Lorraineview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Hannay Lorraine

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Bancroft Bronwynview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Bancroft Bronwyn

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Anning Michael Boiyoolview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Anning Michael Boiyool

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Roughsey Dick Goobalathaldinview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Roughsey Dick Goobalathaldin

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Lindsay Lionel ‘Chunder Loo’view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Lindsay Lionel ‘Chunder Loo’

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Bulgin Yvonneview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Bulgin Yvonne

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Bulgin Yvonneview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Bulgin Yvonne

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Frolich Lview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Frolich L

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Hawkins Sheila 1905-1999 profileview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Hawkins Sheila 1905-1999 profile

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Souter D H profileview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Souter D H profile

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Lindsay Norman p152f 213view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Lindsay Norman p152f 213

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Oldfield Peggy view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Oldfield Peggy

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Hook Jeffview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Hook Jeff

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Tanner Janeview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Tanner Jane

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Tanner Janeview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Tanner Jane

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Riddle Tohbyview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Riddle Tohby

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Boyer Susyview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Boyer Susy

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Corrigan Mabelview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Corrigan Mabel

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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James Annview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

James Ann

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Gamble Kimview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Gamble Kim

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Gamble Kimview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Gamble Kim

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Gibbs Mayview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Gibbs May

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Gibbs May profile p178view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Gibbs May profile p178

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Gibbs May profile p178view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Gibbs May profile p178

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Morris Ethel Jackson 1891-1985 profile p180view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Morris Ethel Jackson 1891-1985 profile p180

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Maltby Peg view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Maltby Peg

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Rowe Minnie I 190ffview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Rowe Minnie I 190ff

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Gaze Harold p195ffview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Gaze Harold p195ff

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Connor Desview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Connor Des

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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MacIntyre Elizabethview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

MacIntyre Elizabeth

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Browne Gordonview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Browne Gordon

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Wall Dorothyview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Wall Dorothy

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Vivas Julieview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Vivas Julie

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Hobbs Leighview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Hobbs Leigh

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Winckler Rubyview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Winckler Ruby

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Macdonald Barbaraview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Macdonald Barbara

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Alsop Edithview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Alsop Edith

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Wright Alanview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Wright Alan

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Waller Christianview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Waller Christian

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Skottowe Elizabethview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Skottowe Elizabeth

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Anderson Anneview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Anderson Anne

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Christie Connieview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Christie Connie

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Druce Kayview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Druce Kay

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Montgomery Anneview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Montgomery Anne

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Stedman Jeanette Cview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Stedman Jeanette C

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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McDonald Babsview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

McDonald Babs

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Durack Elizabethview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Durack Elizabeth

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Chew Sylviaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Chew Sylvia

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Thomas Mayview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Thomas May

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Tate Bernardview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Tate Bernard

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Downing Brownieview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Downing Brownie

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Greenwood Tedview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Greenwood Ted

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Dore L Mview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Dore L M

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Rodd Nellview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Rodd Nell

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Bell Edwinaview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Bell Edwina

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Thompson Colinview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Thompson Colin

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Woolman Stevenview full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Woolman Steven

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Children’s Book Council of Australia award winners list 1946 - 2008view full entry

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

×

Children’s Book Council of Australia award winners list 1946 - 2008

Reference: see Bottersnikes & other lost things - a celebration of Australian Illustrated Children’s books by Juliet O'Conor. Brief biographiocal information is included on many of the artists whose work is illustrated in the book.

[’Author Juliet O’Conor curates the Library’s  Children's Literature Collection, which at 100,000 titles is the leading collection of its kind in the world. This beautifully illustrated volume includes works from some of Australia's most-loved writers and illustrators, and provides an expansive exploration of Australian literature from past to present.’]

Publishing details: Publisher: The Miegunyah Press in association with State Library , Victoria, 2009, 262pp, hc, dw, with index,

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Abbott Johnview full entry

Reference: from DAAO: by Patricia R. McDonald,
Date written: 1992
Last updated: 2011

John Abbott, b. 1803 NSW, Artist (Painter)

This sketcher, watercolourist and songwriter became the registrar-general of births, deaths and marriages in Van Diemen's Land in the mid nineteenth century. His watercolours were exhibited in the 1866 Melbourne and 1870 Sydney Intercolonial Exhibitions.

This sketcher, watercolourist and songwriter became the registrar-general of births, deaths and marriages in Van Diemen's Land in the mid nineteenth century. His watercolours were exhibited in the 1866 Melbourne and 1870 Sydney Intercolonial Exhibitions. - Sketcher, songwriter, surveyor, soldier and public servant, was born in New South Wales, son of Major Edward Abbott and his wife Louisa, daughter of Admiral Smith. Between 1789 and 1810 his father served with the NSW Corps and in 1815 was appointed the first Deputy Judge-Advocate of Van Diemen’s Land. By 1824 John was clerk to the Hobart Town bench of magistrates. Four years later, after applying for a position with the VDL Survey Department, John Abbott moved to Sydney and joined the NSW Surveyor-General’s Department under Thomas Mitchell. By 1832 he was assistant surveyor in charge of the approaches to the new Lennox Bridge at Lapstone in the lower Blue Mountains.

Abbott later returned to Van Diemen’s Land where he was registrar-general of births, deaths and marriages in 1840-57. In 1842 he acquired 640 acres at Gordon on the D’Entrecasteaux Channel and built a house that he named Rookwood. Abbott never married. He devoted considerable time to gardening and to his various cultural interests, including painting watercolour sketches and writing the words for the 'Song of the Fair Emigrant’, published as sheet music by the Hobart Town lithographer R.V. Hood in 1854.

Towards the end of his life Abbott sent three entries to the 1866 Melbourne Intercolonial Exhibition: a watercolour view of the locale of the coal on his property; a Book of Tasmanian Scraps, from an Australian Native; and Busts of Tasmanian Natives . He certainly executed the first two, but was probably only the exhibitor of the third (possibly busts of Truganini and Woureddy by the Tasmanian sculptor Benjamin Law). His Book of Tasmanian Scraps was awarded a medal and was subsequently shown at the 1870 Sydney Intercolonial Exhibition where he also showed a watercolour of D’Entrecasteaux Channel (possibly the same 1866 view) and another of his drawings, Dogs, was exhibited by C. Barrer.

Abbott died in Hobart Town on 10 July 1875, aged 71. His only painting held in a public collection is a monochrome watercolour dated 1828, The Boat Harbour of Woollooderra [now Ulladulla, New South Wales], as seen from the S.W., which was transferred from the Lands Department to the Mitchell Library in 1921. Other sketches survive with descendants.

×

Abbott John

Reference: from DAAO: by Patricia R. McDonald,
Date written: 1992
Last updated: 2011

John Abbott, b. 1803 NSW, Artist (Painter)

This sketcher, watercolourist and songwriter became the registrar-general of births, deaths and marriages in Van Diemen's Land in the mid nineteenth century. His watercolours were exhibited in the 1866 Melbourne and 1870 Sydney Intercolonial Exhibitions.

This sketcher, watercolourist and songwriter became the registrar-general of births, deaths and marriages in Van Diemen's Land in the mid nineteenth century. His watercolours were exhibited in the 1866 Melbourne and 1870 Sydney Intercolonial Exhibitions. - Sketcher, songwriter, surveyor, soldier and public servant, was born in New South Wales, son of Major Edward Abbott and his wife Louisa, daughter of Admiral Smith. Between 1789 and 1810 his father served with the NSW Corps and in 1815 was appointed the first Deputy Judge-Advocate of Van Diemen’s Land. By 1824 John was clerk to the Hobart Town bench of magistrates. Four years later, after applying for a position with the VDL Survey Department, John Abbott moved to Sydney and joined the NSW Surveyor-General’s Department under Thomas Mitchell. By 1832 he was assistant surveyor in charge of the approaches to the new Lennox Bridge at Lapstone in the lower Blue Mountains.

Abbott later returned to Van Diemen’s Land where he was registrar-general of births, deaths and marriages in 1840-57. In 1842 he acquired 640 acres at Gordon on the D’Entrecasteaux Channel and built a house that he named Rookwood. Abbott never married. He devoted considerable time to gardening and to his various cultural interests, including painting watercolour sketches and writing the words for the 'Song of the Fair Emigrant’, published as sheet music by the Hobart Town lithographer R.V. Hood in 1854.

Towards the end of his life Abbott sent three entries to the 1866 Melbourne Intercolonial Exhibition: a watercolour view of the locale of the coal on his property; a Book of Tasmanian Scraps, from an Australian Native; and Busts of Tasmanian Natives . He certainly executed the first two, but was probably only the exhibitor of the third (possibly busts of Truganini and Woureddy by the Tasmanian sculptor Benjamin Law). His Book of Tasmanian Scraps was awarded a medal and was subsequently shown at the 1870 Sydney Intercolonial Exhibition where he also showed a watercolour of D’Entrecasteaux Channel (possibly the same 1866 view) and another of his drawings, Dogs, was exhibited by C. Barrer.

Abbott died in Hobart Town on 10 July 1875, aged 71. His only painting held in a public collection is a monochrome watercolour dated 1828, The Boat Harbour of Woollooderra [now Ulladulla, New South Wales], as seen from the S.W., which was transferred from the Lands Department to the Mitchell Library in 1921. Other sketches survive with descendants.

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Hood Robin Vaughanview full entry

Reference: see DAAO: Biography of Robin Vaughan Hood from Design and Art Australia Online
Staff Writer, 1992; Last updated: 2011:

Lithographer, printer, frame-maker and fine arts dealer, arrived at Hobart Town in the Warrior on 27 June 1833. No original artwork by Hood is known, but he was an integral part of Hobart's cultural life. He was accompanied by his wife Sarah née Lloyd, his 14-year-old stepson Richard Lloyd, and his 5-year-old son Robin Lloyd. On his arrival he gave his occupation as carpenter, but he soon abandoned general carpentry for the specialist trades of carver, gilder and frame-maker. His first known address was 1 Murray Street ('near St David’s Church’) in 1836. He moved to 108 Elizabeth Street in March 1838, then to a 'weatherboarded house’ in New Town Road which was destroyed by fire in November 1840. The following year he built a shop and residence at 34 Liverpool Street which he called Somerset House.

Following the success of the art exhibition organised by John Skinner Prout and others at the Legislative Council Chambers on 6 January 1845, Hood built a gallery adjacent to his Liverpool Street premises. In February 1846 he advertised that the gallery was ready, and the committee held its second exhibition there on 24 May. Hood’s gallery became the focus for the exhibition and sale of fine arts in Hobart exhibiting, among others, the works of painters such as John Glover and Thomas Wainewright and, later, Haughton Forrest . When Prout left for London in April 1848 Hood bought his lithographic equipment and began a new career as lithographer and printer. Clifford Craig has noted that all known Hood prints were published after the purchase of Prout’s press. The earliest are probably a series of whaling prints drawn on the stone by William Duke and published by Hood in September 1848.

Hood showed picture frames at London’s Great Exhibition in 1851 and in Paris in 1855. Yet he apparently intended his career to be short for in February 1851 he retired in favour of his son, Robin Lloyd Hood (1828-1916), who became a well-known printer and frame-maker in his own right. Despite this public withdrawal, however, Hood seems to have continued lithographic printing from his residence at Fitzroy Place, publishing lithographs by Frank Dunnet in November 1858 and Henry D’Emden in 1861, as well as exhibiting picture frames. He seems to have retained the ownership of the Somerset House premises as well. In February 1862 he advertised that the property, including the exhibition room, was for sale. The previous August he had turned the 'large and commodious premises’ at 56 Liverpool Street into the 'City Restaurant’, which offered both food and accommodation. The printing business, then trading as R.L. Hood & Brother, was next door.

Robin Vaughan Hood died at Hobart in 1888, his wife having predeceased him in 1857. While no original artwork by Hood is known and drawing onto the stone was apparently always the work of others there are sufficient Hood lithographs, otherwise unacknowledged, to suggest that he may sometimes have performed this task himself. In any event, as lithographic printer and fine arts entrepreneur, he was an integral part of Hobart’s cultural life.

×

Hood Robin Vaughan

Reference: see DAAO: Biography of Robin Vaughan Hood from Design and Art Australia Online
Staff Writer, 1992; Last updated: 2011:

Lithographer, printer, frame-maker and fine arts dealer, arrived at Hobart Town in the Warrior on 27 June 1833. No original artwork by Hood is known, but he was an integral part of Hobart's cultural life. He was accompanied by his wife Sarah née Lloyd, his 14-year-old stepson Richard Lloyd, and his 5-year-old son Robin Lloyd. On his arrival he gave his occupation as carpenter, but he soon abandoned general carpentry for the specialist trades of carver, gilder and frame-maker. His first known address was 1 Murray Street ('near St David’s Church’) in 1836. He moved to 108 Elizabeth Street in March 1838, then to a 'weatherboarded house’ in New Town Road which was destroyed by fire in November 1840. The following year he built a shop and residence at 34 Liverpool Street which he called Somerset House.

Following the success of the art exhibition organised by John Skinner Prout and others at the Legislative Council Chambers on 6 January 1845, Hood built a gallery adjacent to his Liverpool Street premises. In February 1846 he advertised that the gallery was ready, and the committee held its second exhibition there on 24 May. Hood’s gallery became the focus for the exhibition and sale of fine arts in Hobart exhibiting, among others, the works of painters such as John Glover and Thomas Wainewright and, later, Haughton Forrest . When Prout left for London in April 1848 Hood bought his lithographic equipment and began a new career as lithographer and printer. Clifford Craig has noted that all known Hood prints were published after the purchase of Prout’s press. The earliest are probably a series of whaling prints drawn on the stone by William Duke and published by Hood in September 1848.

Hood showed picture frames at London’s Great Exhibition in 1851 and in Paris in 1855. Yet he apparently intended his career to be short for in February 1851 he retired in favour of his son, Robin Lloyd Hood (1828-1916), who became a well-known printer and frame-maker in his own right. Despite this public withdrawal, however, Hood seems to have continued lithographic printing from his residence at Fitzroy Place, publishing lithographs by Frank Dunnet in November 1858 and Henry D’Emden in 1861, as well as exhibiting picture frames. He seems to have retained the ownership of the Somerset House premises as well. In February 1862 he advertised that the property, including the exhibition room, was for sale. The previous August he had turned the 'large and commodious premises’ at 56 Liverpool Street into the 'City Restaurant’, which offered both food and accommodation. The printing business, then trading as R.L. Hood & Brother, was next door.

Robin Vaughan Hood died at Hobart in 1888, his wife having predeceased him in 1857. While no original artwork by Hood is known and drawing onto the stone was apparently always the work of others there are sufficient Hood lithographs, otherwise unacknowledged, to suggest that he may sometimes have performed this task himself. In any event, as lithographic printer and fine arts entrepreneur, he was an integral part of Hobart’s cultural life.

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Atkinson Robert 1863-96view full entry

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.
Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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Atkinson Robert 1863-96

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.

Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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Lovett Mildred 1880-1955view full entry

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.
Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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Lovett Mildred 1880-1955

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.

Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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Nimmo Norma 1920-90view full entry

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.
Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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Nimmo Norma 1920-90

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.

Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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Mourtzakis Nick b1950view full entry

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.
Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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Mourtzakis Nick b1950

Reference: see Australian Watercolours 1880s to1990s from the Art Gallery of New South Wales. Works by about 70 Australian watercolourists. With details of works and references.

Publishing details: AGNSW, 1995, card covers, 128pp, with index.

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19th century Australian watercolours drawings & pastelsview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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19th century Australian watercolours drawings & pastels

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Alston Abbeyview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Alston Abbey

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Ashton Julianview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Ashton Julian

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Atkinson Robertview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Atkinson Robert

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Brierly Oswaldview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Brierly Oswald

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Bunny Rupertview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Bunny Rupert

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Buvelot Louisview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Buvelot Louis

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Chevalier Nicholasview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Chevalier Nicholas

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Coates Georgeview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Coates George

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Cusack Edithview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Cusack Edith

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Finlay Hughview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Finlay Hugh

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Fullwood Albert Henryview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Fullwood Albert Henry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Gill S T view full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Gill S T

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Glover Johnview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Glover John

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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von Guerard Eugeneview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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von Guerard Eugene

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Heaphy Thomas Jnrview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Heaphy Thomas Jnr

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Hopkins Livingstoneview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Hopkins Livingstone

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lambert Georgeview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lambert George

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lewin John Williamview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lewin John William

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lister Lister Wview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lister Lister W

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lycett Josephview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lycett Joseph

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Mahony Frankview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Mahony Frank

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lycett Josephview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Lycett Joseph

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Martens Conradview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Martens Conrad

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Mather Johnview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Mather John

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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May Philview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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May Phil

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Mcrae Tommyview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Mcrae Tommy

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Minns B Eview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Minns B E

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Montifiore E Lview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Montifiore E L

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Piguenit W Cview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Piguenit W C

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Prout John Skinnerview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Prout John Skinner

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Ramsay Hughview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Ramsay Hugh

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Roberts Tomview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Roberts Tom

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Russell John Peterview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Russell John Peter

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Salvana Johnview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Salvana John

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Smedley William Thomasview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Smedley William Thomas

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Souter D Hview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Souter D H

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Streeton Arthurview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Streeton Arthur

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Strutt Williamview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Strutt William

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Terry Frederickview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Terry Frederick

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Withers Walterview full entry

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography
Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Withers Walter

Reference: 19th century Australian watercolours drawings & pastels from the Gallery’s collection, by Hendrik Kolenberg, Anne Ryan and Patricia James [AGNSW]. 39 artists with notes on them and the works reproduced. Bibliography

Publishing details: Art Gallery of New South Wales, 2005, hc, dw, 144pp, with index

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Watercoloursview full entry

Reference: Australian 19th Century watercolours in the AGNSW
Publishing details: AGNSW, 1991, 6pp folding card

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Watercolours

Reference: Australian 19th Century watercolours in the AGNSW

Publishing details: AGNSW, 1991, 6pp folding card

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Rosser Celiaview full entry

Reference: Banksia Lady: Celia Rosser, Botanical Artist
by Carolyn Landon [’This is the story of Celia Rosser, internationally acclaimed botanical illustrator, who dedicated her life to painting the entire genus of Banksia, the only artist to have done so. Her dedication to the task put her at the centre of the Monash Banksia Project for twenty-five years, and culminated in the production of an extraordinary three-volume florilegium that became one of the great books published in the twentieth century.
Banksia Lady reveals the emergence of an artist who grew up in difficult circumstances during the Great Depression and who pursued her art as a way of protecting herself from the harsher side of life. The story follows Celia’s struggle to pursue her artistic passion while fulfilling the expectations that women of the 1950s would subordinate themselves as wives and mothers. As her children became more independent, she recognised opportunities and, eventually, found a place at Monash University to fully express herself through her art.
In telling this story of Celia Rosser’s unparalleled talent and extraordinary achievement, this book explores the history of botanical illustration, botany, academia, gardens and their herbarium, and Australia’s place in changing the shape of the world’]
Publishing details: Monash University, 2015, Paperback

Ref: 1000

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Rosser Celia

Reference: Banksia Lady: Celia Rosser, Botanical Artist
by Carolyn Landon [’This is the story of Celia Rosser, internationally acclaimed botanical illustrator, who dedicated her life to painting the entire genus of Banksia, the only artist to have done so. Her dedication to the task put her at the centre of the Monash Banksia Project for twenty-five years, and culminated in the production of an extraordinary three-volume florilegium that became one of the great books published in the twentieth century.
Banksia Lady reveals the emergence of an artist who grew up in difficult circumstances during the Great Depression and who pursued her art as a way of protecting herself from the harsher side of life. The story follows Celia’s struggle to pursue her artistic passion while fulfilling the expectations that women of the 1950s would subordinate themselves as wives and mothers. As her children became more independent, she recognised opportunities and, eventually, found a place at Monash University to fully express herself through her art.
In telling this story of Celia Rosser’s unparalleled talent and extraordinary achievement, this book explores the history of botanical illustration, botany, academia, gardens and their herbarium, and Australia’s place in changing the shape of the world’]

Publishing details: Monash University, 2015, Paperback

Location: 1000

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Thinking the Antipodesview full entry

Reference: Thinking the Antipodes by Peter Beilharz -[’In 1956 Bernard Smith wrote that we in Australia were migratory birds. This was to become a leading motif of his own thinking, and a significant inspiration for Peter Beilharz. Beilharz came to argue that the idea of the antipodes made sense less in its geographical than its cultural form, viewed as a relation rather than a place. Australians had one foot here and one there, whichever ‘there’ this was. This way of thinking with and after Bernard Smith makes up one current of Beilharz’s best Australian essays.
Two other streams contribute to the collection. The second recovers and publicises antipodean intellectuals, from Childe to Evatt to Stretton to Jean Martin, who have often been overshadowed here by the reception given to metropolitan celebrity thinkers; and examines others, like Hughes and Carey, who have been celebrated as writers more than as interpreters of the antipodean condition.
The third stream engages with mainstream views of Australian writing, and with the limits of these views. If we think in terms of cultural traffic, then the stories we tell about Australia will also be global and regional in a broader sense. Australia is the result of cultural traffic, local and global.’]
Publishing details: Monash University, 2015
Ref: 1000

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Thinking the Antipodes

Reference: Thinking the Antipodes by Peter Beilharz -[’In 1956 Bernard Smith wrote that we in Australia were migratory birds. This was to become a leading motif of his own thinking, and a significant inspiration for Peter Beilharz. Beilharz came to argue that the idea of the antipodes made sense less in its geographical than its cultural form, viewed as a relation rather than a place. Australians had one foot here and one there, whichever ‘there’ this was. This way of thinking with and after Bernard Smith makes up one current of Beilharz’s best Australian essays.
Two other streams contribute to the collection. The second recovers and publicises antipodean intellectuals, from Childe to Evatt to Stretton to Jean Martin, who have often been overshadowed here by the reception given to metropolitan celebrity thinkers; and examines others, like Hughes and Carey, who have been celebrated as writers more than as interpreters of the antipodean condition.
The third stream engages with mainstream views of Australian writing, and with the limits of these views. If we think in terms of cultural traffic, then the stories we tell about Australia will also be global and regional in a broader sense. Australia is the result of cultural traffic, local and global.’]

Publishing details: Monash University, 2015

Location: 1000

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Smith Bernardview full entry

Reference: see Thinking the Antipodes by Peter Beilharz -[’In 1956 Bernard Smith wrote that we in Australia were migratory birds. This was to become a leading motif of his own thinking, and a significant inspiration for Peter Beilharz. Beilharz came to argue that the idea of the antipodes made sense less in its geographical than its cultural form, viewed as a relation rather than a place. Australians had one foot here and one there, whichever ‘there’ this was. This way of thinking with and after Bernard Smith makes up one current of Beilharz’s best Australian essays.
Two other streams contribute to the collection. The second recovers and publicises antipodean intellectuals, from Childe to Evatt to Stretton to Jean Martin, who have often been overshadowed here by the reception given to metropolitan celebrity thinkers; and examines others, like Hughes and Carey, who have been celebrated as writers more than as interpreters of the antipodean condition.
The third stream engages with mainstream views of Australian writing, and with the limits of these views. If we think in terms of cultural traffic, then the stories we tell about Australia will also be global and regional in a broader sense. Australia is the result of cultural traffic, local and global.’]
Publishing details: Monash University, 2015

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Smith Bernard

Reference: see Thinking the Antipodes by Peter Beilharz -[’In 1956 Bernard Smith wrote that we in Australia were migratory birds. This was to become a leading motif of his own thinking, and a significant inspiration for Peter Beilharz. Beilharz came to argue that the idea of the antipodes made sense less in its geographical than its cultural form, viewed as a relation rather than a place. Australians had one foot here and one there, whichever ‘there’ this was. This way of thinking with and after Bernard Smith makes up one current of Beilharz’s best Australian essays.
Two other streams contribute to the collection. The second recovers and publicises antipodean intellectuals, from Childe to Evatt to Stretton to Jean Martin, who have often been overshadowed here by the reception given to metropolitan celebrity thinkers; and examines others, like Hughes and Carey, who have been celebrated as writers more than as interpreters of the antipodean condition.
The third stream engages with mainstream views of Australian writing, and with the limits of these views. If we think in terms of cultural traffic, then the stories we tell about Australia will also be global and regional in a broader sense. Australia is the result of cultural traffic, local and global.’]

Publishing details: Monash University, 2015

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Sculpture by the Seaview full entry

Reference: Sculpture by the Sea - The First Fifteen Years 1997-2011 - a brief retrospective by John McDonald and Michael Hill. ‘A celebration of Sydney's annual Sculpture by the Sea coastal walk.’ Lists all sculptors selected 1997 - 2011. [To be indexed urgently] [’As part of our celebrations for the tenth anniversary exhibition in Cottesloe we have released this essay written by John McDonald from our Sculpture by the Sea book. If you would like a copy of the book with hundreds of unforgettable photographs from the first 15 years of exhibitions (1997 – 2011), why not consider supporting our not-for-profit organisation by purchasing our Sculpture by the Sea book? Click here to buy it online or come visit us during the last weekend at our Cottesloe exhibition to get your copy.

Written by John McDonald

How long does it take for an annual art exhibition to have a history? Two years? 10 years? It is an achievement for any large-scale exhibition to last a decade. Very few shows display the staying power of the Archibald Prize for portraiture at the Art Gallery of NSW, which began in 1921 and seems as popular as ever - even if the quality of the entries often suggests a good argument for euthanasia.
 
By the end of 2011 David Handley’s good idea will have been seen for the fifteenth time at Bondi; for the seventh time at Cottelsoe Beach, Western Australia; and for the second time in Aarhus, Denmark. Along the way there have been shows in Tasmania, Noosa, Albany and Darwin for the 1998 Olympic Arts Festival, and Martin Place in the City of Sydney. Another satellite was ‘Ephemeral Art at the Invisible Lodge’, in which a small number of artists created sculptures solely out of materials found on Tasmania’s Freycinet Peninsula around Friendly Beaches Lodge run by Freycinet Experience.
 
We tend to think of sculpture as something large, ponderous and immovable, but over the past 15 years – the time span that constitutes a generation, according to the philosopher, Ortega y Gasset - the SXS concept has shown itself to be remarkably versatile. From the very beginning, when the inaugural one-day event in 1997 attracted 25,000 people, it has enjoyed an astonishing popularity. Indeed, the popular appeal of SXS has occasionally worked against it. In the days of Courbet and Manet, Zola and Baudelaire, artists and writers were concious of the need to be popular. The patronage of noblemen and prelates had waned, with the general public being the new arbiters of success or failure.
 
In our day, when government agencies and museums are willing to support the most unlovable or controversial art, popularity has taken on a different meaning. That which is adored by the masses must necessarily be no good. To be truly important, art must be unpopular, and preferably incomprehensible.
 
For much of its lifespan SXS has sought to convince that a show may be both popular and of the highest quality. It has also had to argue that massive popularity does not translate into a financial windfall.
 
David Handley recalls that the entire budget of the first SXS was $11,000, of which $8,500 was spent on artists’ awards. The show itself was put together by volunteers, happy to get behind an initiative that gave sculpture some much-needed exposure. I was asked to make the initial selection along with Ron Robertson-Swann, and we were astonished by the quantity and variety of entries for an exhibition that would run for only one day, from morning till dusk. It seemed there was a previously unsuspected subculture of sculptors in Australia, occupying different level of amateurism and professionalism. For every established sculptor such as Michael Le Grand, the co-recipient of the major prize in the first SXS, there were others working away on weekends and evenings in backyard studios.
 
That first SXS had an infectious energy, and was bouyed up by the kind of good will that is increasingly rare nowadays. There was a general determination that this celebration of sculpture should not be an isolated occurence, but an annual event. What followed was a decade and a half of hard work, good and bad luck, fund raising, fact finding, network builiding, publicity blitzes, and all the logistical nightmares associated with a show that needs to move massive sculptures around the world and install them in unconventional locations.
 
Over 15 years, SXS went from being a one day wonder, staffed by friends and well-wishers, to a highly professional organisation with its own corporate structure; a crack installation team under the leadership of Axel Arnott and subsequently Noah Birch; a vigorous program of sales and commissions; and a web of contacts among sculptors and arts professionals that extends around the world. SXS has continued to channel a very large percentage of the money it raises back to exhibiting artists in terms of set-up costs, travel assistance, awards and fellowships, though they are the first to acknowledge more support for the artists is required.
 
One of the most important aspects of SXS has been the participation of so many international sculptors, and laterly the oportunity it provides for Australian artists to show their work in Europe. Some international sculptors, such as Keizo Ushio and Koichi Ishino of Japan and Keld Moseholm of Denmark, have becomes SXS regulars and favourites. Occasional exhibitors, such as the celebrated British sculptors, Anthony Caro and Philip King, have thrown their support behind the exhibition, lending it credibility and gravitas. The overseas artists have also proved highly successful, with Czech artist, Vaclav Fiala, receiving the major prize in 2004 and 2005.
 
The other most significant development has been the establishment of SXS as a not for profit incorporated association in 2003, opening the door to donations and bequests from corporate and private patrons. In 2011 the NSW State government also became a major supporter, having been impressed by an economic impact study of 2009 which showed that SXS generated almost $24 million worth of benefits for the State each year.
 
It hasn’t been a tale of smooth, inexorable progress, but a succession of stops and starts. SXS has had its hard times, often having to fight for its financial survival. Over the years the statistics reveal that the Bondi show has been extended from one day to three weeks, and attendances have grown from 25,000 to 500,000. This figure makes it easily Australia’s most successful art exhibition in terms of numbers. To take just one point of comparison: the National Gallery of Australia recently boasted record-breaking visitor numbers of 476,000 for the exhibition, Masterpieces from Paris. The show ran for 20 weeks to achieve this figure.
 
Extrapolate the SXS numbers over 20 weeks and one arrives at a figure of 3.3 million. This is, of course, only a statistical fantasy, but it serves to underline that fact that SXS exerts a phenomenal hold on the public imagination. True to David Handley’s original ambition, it has become one of the most eagerly anticipated events in Sydney’s cultural calendar.
 
Within 7 years, the Cottelsoe edition of the show, has experienced the same booming success. Although the population of Perth does not allow for huge attendances, SXS easily outdraws any other art event in Western Australia with over 200,00 visitors. In terms of sales and commissions, Cottelsoe has proven to be the most successful venue of all for the artists.
 
The last frontier for the SXS team was to take the show overseas – an idea that required major international support in order to overcome the financial and logistical problems. Every month or two for 12 years an offer for an overseas show has arrived but none were suitable or were declared too difficult. The opportunity ultimately arose because of the romance of Crown Prince Frederik of Denmark and Mary Donaldson of Tasmania. The couple had visted SXS at Bondi in 2000, and expressed a desire to see such a show in Denmark. In 2009, after an exhaustive preparation process, that exhibition was realised in Denmark’s second city, Aarhus.
 
The scepticism that some in Aarhus felt for the idea was blown away by the visitor numbers: over 500,000 over 4 weeks. Denmark had never seen anything like it, and the show now seems destined to be a regular feature of life on the Jutland peninsula.
 
From one day at Bondi to a month in Denmark, SXS has taken on an unstoppable momentum. It has brought Australian artists into close contact with their overseas peers, and has given the world a demonstration of Australian initiative and ingenuity. It has raised the profile of sculpture and provided a new model of a quality art exhibition that appeals to the broadest possible audience. As the juggernaut rolls on, these achievements should not be perceived as the pinnacle of success, but as a platform from which to shoot for the stars.’]

[’"To celebrate the first fifteen years of Sculpture by the Sea we have produced a book featuring hundreds of images from each of the Australian and Danish exhibitions, together with essays by John McDonald, Dr. Michael Hill and David Handley".’] [To be indexed]
Publishing details: Sculpture by the Sea Inc., 2011,
Paperback – 232 pages, Profusely ill. in col.

×

Sculpture by the Sea

Reference: Sculpture by the Sea - The First Fifteen Years 1997-2011 - a brief retrospective by John McDonald and Michael Hill. ‘A celebration of Sydney's annual Sculpture by the Sea coastal walk.’ Lists all sculptors selected 1997 - 2011. [To be indexed urgently] [’As part of our celebrations for the tenth anniversary exhibition in Cottesloe we have released this essay written by John McDonald from our Sculpture by the Sea book. If you would like a copy of the book with hundreds of unforgettable photographs from the first 15 years of exhibitions (1997 – 2011), why not consider supporting our not-for-profit organisation by purchasing our Sculpture by the Sea book? Click here to buy it online or come visit us during the last weekend at our Cottesloe exhibition to get your copy.

Written by John McDonald

How long does it take for an annual art exhibition to have a history? Two years? 10 years? It is an achievement for any large-scale exhibition to last a decade. Very few shows display the staying power of the Archibald Prize for portraiture at the Art Gallery of NSW, which began in 1921 and seems as popular as ever - even if the quality of the entries often suggests a good argument for euthanasia.
 
By the end of 2011 David Handley’s good idea will have been seen for the fifteenth time at Bondi; for the seventh time at Cottelsoe Beach, Western Australia; and for the second time in Aarhus, Denmark. Along the way there have been shows in Tasmania, Noosa, Albany and Darwin for the 1998 Olympic Arts Festival, and Martin Place in the City of Sydney. Another satellite was ‘Ephemeral Art at the Invisible Lodge’, in which a small number of artists created sculptures solely out of materials found on Tasmania’s Freycinet Peninsula around Friendly Beaches Lodge run by Freycinet Experience.
 
We tend to think of sculpture as something large, ponderous and immovable, but over the past 15 years – the time span that constitutes a generation, according to the philosopher, Ortega y Gasset - the SXS concept has shown itself to be remarkably versatile. From the very beginning, when the inaugural one-day event in 1997 attracted 25,000 people, it has enjoyed an astonishing popularity. Indeed, the popular appeal of SXS has occasionally worked against it. In the days of Courbet and Manet, Zola and Baudelaire, artists and writers were concious of the need to be popular. The patronage of noblemen and prelates had waned, with the general public being the new arbiters of success or failure.
 
In our day, when government agencies and museums are willing to support the most unlovable or controversial art, popularity has taken on a different meaning. That which is adored by the masses must necessarily be no good. To be truly important, art must be unpopular, and preferably incomprehensible.
 
For much of its lifespan SXS has sought to convince that a show may be both popular and of the highest quality. It has also had to argue that massive popularity does not translate into a financial windfall.
 
David Handley recalls that the entire budget of the first SXS was $11,000, of which $8,500 was spent on artists’ awards. The show itself was put together by volunteers, happy to get behind an initiative that gave sculpture some much-needed exposure. I was asked to make the initial selection along with Ron Robertson-Swann, and we were astonished by the quantity and variety of entries for an exhibition that would run for only one day, from morning till dusk. It seemed there was a previously unsuspected subculture of sculptors in Australia, occupying different level of amateurism and professionalism. For every established sculptor such as Michael Le Grand, the co-recipient of the major prize in the first SXS, there were others working away on weekends and evenings in backyard studios.
 
That first SXS had an infectious energy, and was bouyed up by the kind of good will that is increasingly rare nowadays. There was a general determination that this celebration of sculpture should not be an isolated occurence, but an annual event. What followed was a decade and a half of hard work, good and bad luck, fund raising, fact finding, network builiding, publicity blitzes, and all the logistical nightmares associated with a show that needs to move massive sculptures around the world and install them in unconventional locations.
 
Over 15 years, SXS went from being a one day wonder, staffed by friends and well-wishers, to a highly professional organisation with its own corporate structure; a crack installation team under the leadership of Axel Arnott and subsequently Noah Birch; a vigorous program of sales and commissions; and a web of contacts among sculptors and arts professionals that extends around the world. SXS has continued to channel a very large percentage of the money it raises back to exhibiting artists in terms of set-up costs, travel assistance, awards and fellowships, though they are the first to acknowledge more support for the artists is required.
 
One of the most important aspects of SXS has been the participation of so many international sculptors, and laterly the oportunity it provides for Australian artists to show their work in Europe. Some international sculptors, such as Keizo Ushio and Koichi Ishino of Japan and Keld Moseholm of Denmark, have becomes SXS regulars and favourites. Occasional exhibitors, such as the celebrated British sculptors, Anthony Caro and Philip King, have thrown their support behind the exhibition, lending it credibility and gravitas. The overseas artists have also proved highly successful, with Czech artist, Vaclav Fiala, receiving the major prize in 2004 and 2005.
 
The other most significant development has been the establishment of SXS as a not for profit incorporated association in 2003, opening the door to donations and bequests from corporate and private patrons. In 2011 the NSW State government also became a major supporter, having been impressed by an economic impact study of 2009 which showed that SXS generated almost $24 million worth of benefits for the State each year.
 
It hasn’t been a tale of smooth, inexorable progress, but a succession of stops and starts. SXS has had its hard times, often having to fight for its financial survival. Over the years the statistics reveal that the Bondi show has been extended from one day to three weeks, and attendances have grown from 25,000 to 500,000. This figure makes it easily Australia’s most successful art exhibition in terms of numbers. To take just one point of comparison: the National Gallery of Australia recently boasted record-breaking visitor numbers of 476,000 for the exhibition, Masterpieces from Paris. The show ran for 20 weeks to achieve this figure.
 
Extrapolate the SXS numbers over 20 weeks and one arrives at a figure of 3.3 million. This is, of course, only a statistical fantasy, but it serves to underline that fact that SXS exerts a phenomenal hold on the public imagination. True to David Handley’s original ambition, it has become one of the most eagerly anticipated events in Sydney’s cultural calendar.
 
Within 7 years, the Cottelsoe edition of the show, has experienced the same booming success. Although the population of Perth does not allow for huge attendances, SXS easily outdraws any other art event in Western Australia with over 200,00 visitors. In terms of sales and commissions, Cottelsoe has proven to be the most successful venue of all for the artists.
 
The last frontier for the SXS team was to take the show overseas – an idea that required major international support in order to overcome the financial and logistical problems. Every month or two for 12 years an offer for an overseas show has arrived but none were suitable or were declared too difficult. The opportunity ultimately arose because of the romance of Crown Prince Frederik of Denmark and Mary Donaldson of Tasmania. The couple had visted SXS at Bondi in 2000, and expressed a desire to see such a show in Denmark. In 2009, after an exhaustive preparation process, that exhibition was realised in Denmark’s second city, Aarhus.
 
The scepticism that some in Aarhus felt for the idea was blown away by the visitor numbers: over 500,000 over 4 weeks. Denmark had never seen anything like it, and the show now seems destined to be a regular feature of life on the Jutland peninsula.
 
From one day at Bondi to a month in Denmark, SXS has taken on an unstoppable momentum. It has brought Australian artists into close contact with their overseas peers, and has given the world a demonstration of Australian initiative and ingenuity. It has raised the profile of sculpture and provided a new model of a quality art exhibition that appeals to the broadest possible audience. As the juggernaut rolls on, these achievements should not be perceived as the pinnacle of success, but as a platform from which to shoot for the stars.’]

[’"To celebrate the first fifteen years of Sculpture by the Sea we have produced a book featuring hundreds of images from each of the Australian and Danish exhibitions, together with essays by John McDonald, Dr. Michael Hill and David Handley".’] [To be indexed]

Publishing details: Sculpture by the Sea Inc., 2011,
Paperback – 232 pages, Profusely ill. in col.

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Amazing Australian Artistsview full entry

Reference: Amazing Australian Artists by Alyssa Constable and Danielle Gilbert. Includes work by:

Kathy Blakemore
Meg Brown
Trevor Ierino
Stephanie Jakovac
Lizabeth Souness
Heather Sparks
Katharine Rattray
etc

Publishing details: Artme Gallery, 2015
Ref: 1000

×

Amazing Australian Artists

Reference: Amazing Australian Artists by Alyssa Constable and Danielle Gilbert. Includes work by:

Kathy Blakemore
Meg Brown
Trevor Ierino
Stephanie Jakovac
Lizabeth Souness
Heather Sparks
Katharine Rattray
etc

Publishing details: Artme Gallery, 2015

Location: 1000

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Australian Watercolour Insituteview full entry

Reference: see Brushes with History : Masters of Watercolour by Linda and David van Nunen. Includes artists’ biographies and bibliographies. [’The world's oldest painting medium, watercolour has remained a significant source of inspiration and expression for many artists, as it was for J.M.W. Turner, Thomas Girtin, Alexander Cozens, John Constable, Eugene Delacroix, Paul Cezanne and Picasso, among other luminaries in the history of art. The freshness of a diluted pigment diffused over a responsive paper can create magnificent myriad effects of luminosity and translucence not possible in any other medium.
'Brushes with History: Masters of Watercolour Ninety Years of the Australian Watercolour Institute', by Linda van Nunen and David van Nunen, with a foreword by Dr. Michael Brand, Director, Art Gallery of New South Wales, is a lavishly illustrated, deluxe edition produced by Australia's premier art publisher, in celebration of the 90th anniversary of the Australian Watercolour Institute, the country's first and foremost national society of professional watercolourists.
Throughout its history, the AWI has promoted the practice of watercolour through national and international exhibitions of the finest paintings produced in the medium, numbering among its members and exhibitors many of Australia's celebrated artists -- from Arthur Streeton, Hans Heysen, Rupert Bunny, Blamire Young, Margaret Preston and Thea Proctor to some of the most important contemporary painters working today in Australia, England, Scotland, China and America.
This 220-page publication both chronicles the history of Australia's pre-eminent watercolour society and surveys the diversity of techniques, styles and subject matter in the evolution of watercolour over the past nine decades.
Linda and David van Nunen have produced not just a volume of the work of current members but have documented in depth the activities of artists who have been major figures both in the history of the Australian Watercolour Institute and this country’s visual arts culture. It is through their efforts that the achievements of these past members will now not be forgotten. It is a must-have book for anyone with an interest in watercolour.’] [to be indexed] *

Publishing details: Australian Watercolour Institute, 2015,
Hardback – 220 pages, colour illustrations, colour portraits.

×

Australian Watercolour Insitute

Reference: see Brushes with History : Masters of Watercolour by Linda and David van Nunen. Includes artists’ biographies and bibliographies. [’The world's oldest painting medium, watercolour has remained a significant source of inspiration and expression for many artists, as it was for J.M.W. Turner, Thomas Girtin, Alexander Cozens, John Constable, Eugene Delacroix, Paul Cezanne and Picasso, among other luminaries in the history of art. The freshness of a diluted pigment diffused over a responsive paper can create magnificent myriad effects of luminosity and translucence not possible in any other medium.
'Brushes with History: Masters of Watercolour Ninety Years of the Australian Watercolour Institute', by Linda van Nunen and David van Nunen, with a foreword by Dr. Michael Brand, Director, Art Gallery of New South Wales, is a lavishly illustrated, deluxe edition produced by Australia's premier art publisher, in celebration of the 90th anniversary of the Australian Watercolour Institute, the country's first and foremost national society of professional watercolourists.
Throughout its history, the AWI has promoted the practice of watercolour through national and international exhibitions of the finest paintings produced in the medium, numbering among its members and exhibitors many of Australia's celebrated artists -- from Arthur Streeton, Hans Heysen, Rupert Bunny, Blamire Young, Margaret Preston and Thea Proctor to some of the most important contemporary painters working today in Australia, England, Scotland, China and America.
This 220-page publication both chronicles the history of Australia's pre-eminent watercolour society and surveys the diversity of techniques, styles and subject matter in the evolution of watercolour over the past nine decades.
Linda and David van Nunen have produced not just a volume of the work of current members but have documented in depth the activities of artists who have been major figures both in the history of the Australian Watercolour Institute and this country’s visual arts culture. It is through their efforts that the achievements of these past members will now not be forgotten. It is a must-have book for anyone with an interest in watercolour.’] [to be indexed] *

Publishing details: Australian Watercolour Institute, 2015,
Hardback – 220 pages, colour illustrations, colour portraits.

Location:

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Wolseley Johnview full entry

Reference: John Wolseley Land Marks III by Sasha Grishin. [’For more than half a century John Wolseley has been widely acclaimed for the way his art practice engages with the environment and broader ecology. Working across several art mediums, but mostly known for his experimental techniques in printmaking and watercolour, Wolseley’s work crosses over a number of disciplines including the natural sciences and philosophy.

Although he draws on empirical investigation frequently immersing himself in the Australian environment, his deeply moving and profoundly beautiful works are full of great passion and consummate skill. Land Marks III is a collaboration between artist and art historian, John Wolseley and Sasha Grishin, which has developed over more than twenty years. It builds on two earlier editions to advance a timely and well-informed assessment of an artist who has been increasingly seen amongst artists as the environmental conscience of our time.
‘


Publishing details: Thames & Hudson, 2015, 272 pages hardcover colour illustrations
Ref: 1000

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Wolseley John

Reference: John Wolseley Land Marks III by Sasha Grishin. [’For more than half a century John Wolseley has been widely acclaimed for the way his art practice engages with the environment and broader ecology. Working across several art mediums, but mostly known for his experimental techniques in printmaking and watercolour, Wolseley’s work crosses over a number of disciplines including the natural sciences and philosophy.

Although he draws on empirical investigation frequently immersing himself in the Australian environment, his deeply moving and profoundly beautiful works are full of great passion and consummate skill. Land Marks III is a collaboration between artist and art historian, John Wolseley and Sasha Grishin, which has developed over more than twenty years. It builds on two earlier editions to advance a timely and well-informed assessment of an artist who has been increasingly seen amongst artists as the environmental conscience of our time.
‘

Publishing details: Thames & Hudson, 2015, 272 pages hardcover colour illustrations

Location: 1000

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Gladwell Shaunview full entry

Reference: DOUBLE WAR: SHAUN GLADWELL by
DR KIT MESSHAM-MUIR (VISUAL CULTURE AND THE WARS IN AFGHANISTAN AND IRAQ. [’HE FIRST PUBLISHED SUSTAINED CRITICAL INVESTIGATION INTO THE ARTWORK OF SHAUN GLADWELL, ‘] [’An art theorist and Museologist, Messham-Muir's research focuses on the psychological and emotional dimensions of visualising war. He is also a member of Newcastle's Centre for the History of Violence. 
Messham-Muir was given privileged access to Gladwell's studio throughout the development of Gladwell's work. Double War's six chapters explore Gladwell's war artist works, as well as the broader political and cultural contexts of the War on Terror.
Gladwell is known for his video installation works, has represented Australia at the 2009 Venice Biennale and was appointed as an Australian Official War Artist in late 2009. He spent a month in Afghanistan and the Middle East with the Australian Defence Force, and drew upon this experience to produce a large body of paintings, video and photographic works.
Kit Messham-Muir's collaboration with artist, Shaun Gladwell, has produced one of the most significant and original interpretations of the space and time of war. With Gladwell's lens focused on the war in Afghanistan, and in particular the Australian troops deployed there, the book manages to capture the war as lived experience in all its moments of crisis as well as its most routine aspects. Messham-Muir and Gladwell must also be congratulated for illustrating the profound sense in which a collaboration between art practice and the study of war can produce an invaluable source for research and teaching.
- Vivienne Jabri, Professor of International Politics, Department of War Studies, King's College London.’]

Publishing details: THAMES & HUDSON 2015)
Ref: 1000

×

Gladwell Shaun

Reference: DOUBLE WAR: SHAUN GLADWELL by
DR KIT MESSHAM-MUIR (VISUAL CULTURE AND THE WARS IN AFGHANISTAN AND IRAQ. [’HE FIRST PUBLISHED SUSTAINED CRITICAL INVESTIGATION INTO THE ARTWORK OF SHAUN GLADWELL, ‘] [’An art theorist and Museologist, Messham-Muir's research focuses on the psychological and emotional dimensions of visualising war. He is also a member of Newcastle's Centre for the History of Violence. 
Messham-Muir was given privileged access to Gladwell's studio throughout the development of Gladwell's work. Double War's six chapters explore Gladwell's war artist works, as well as the broader political and cultural contexts of the War on Terror.
Gladwell is known for his video installation works, has represented Australia at the 2009 Venice Biennale and was appointed as an Australian Official War Artist in late 2009. He spent a month in Afghanistan and the Middle East with the Australian Defence Force, and drew upon this experience to produce a large body of paintings, video and photographic works.
Kit Messham-Muir's collaboration with artist, Shaun Gladwell, has produced one of the most significant and original interpretations of the space and time of war. With Gladwell's lens focused on the war in Afghanistan, and in particular the Australian troops deployed there, the book manages to capture the war as lived experience in all its moments of crisis as well as its most routine aspects. Messham-Muir and Gladwell must also be congratulated for illustrating the profound sense in which a collaboration between art practice and the study of war can produce an invaluable source for research and teaching.
- Vivienne Jabri, Professor of International Politics, Department of War Studies, King's College London.’]

Publishing details: THAMES & HUDSON 2015)

Location: 1000

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MacPherson Robertview full entry

Reference: Robert MacPherson: The Painter’s Reach [’... accompanies the artist’s first major exhibition at QAGOMA and the first major exhibition of his work since 2001. This beautiful and substantial publication explores MacPherson’s distinct and multifaceted career, and conceptualises his recent practice in broader philosophical, political and art historical terms. Contributors include the exhibition’s curator, US-based writer and curator, Ingrid Periz, Angela Goddard and Trevor Smith as well as an interview with the artist and Ewen McDonald. An illustrated chronology, selected bibliography and exhibition history also feature.

Publishing details: QAGOMA, 2015, 216 pages hardcover colour illustrations
Ref: 1000

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MacPherson Robert

Reference: Robert MacPherson: The Painter’s Reach [’... accompanies the artist’s first major exhibition at QAGOMA and the first major exhibition of his work since 2001. This beautiful and substantial publication explores MacPherson’s distinct and multifaceted career, and conceptualises his recent practice in broader philosophical, political and art historical terms. Contributors include the exhibition’s curator, US-based writer and curator, Ingrid Periz, Angela Goddard and Trevor Smith as well as an interview with the artist and Ewen McDonald. An illustrated chronology, selected bibliography and exhibition history also feature.

Publishing details: QAGOMA, 2015, 216 pages hardcover colour illustrations

Location: 1000

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Boyd Merricview full entry

Reference: Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.

×

Boyd Merric

Reference: Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]

Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.

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Bowers Stephen`view full entry

Reference: Stephen Bowers, Beyond bravura by
Damon Moon, John Neylon, Stephen Bowers. [’Stephen Bowers makes pottery that fires the imagination. He combines rich, modern life experiences with skills and traditions that stretch back thousands of years to create complex works full of wonder. From familiar, everyday items, to the transformative alchemy of deluxe and super deluxe bravura museum pieces, his art is acclaimed and collected across Australia and overseas.

This is the first major publication devoted to Stephen Bowers' craft. It shows how the history of his working life as an educator, studio manager and arts administrator melded with his artistic career to produce an original and outstanding contribution to contemporary Australian ceramics. Mapping the artist's inspirations, influences and ideas, detailing the formation and development of his practice, this book discusses his creative techniques and methods, and explains the importance of his collaborative approach to making work. Stephen Bowers: Beyond Bravura celebrates the intellect, imagination and inventiveness of an original Australian artist whose career extends already over 35 years.

'A long-term, in-depth account of the life and work of an artist...a beautiful book. It is excellent value. Another quality work from Wakefield Press.' - Jill, M/C’]
Publishing details: Wakefield Press, 2013, hc, dw, 160pp

×

Bowers Stephen`

Reference: Stephen Bowers, Beyond bravura by
Damon Moon, John Neylon, Stephen Bowers. [’Stephen Bowers makes pottery that fires the imagination. He combines rich, modern life experiences with skills and traditions that stretch back thousands of years to create complex works full of wonder. From familiar, everyday items, to the transformative alchemy of deluxe and super deluxe bravura museum pieces, his art is acclaimed and collected across Australia and overseas.

This is the first major publication devoted to Stephen Bowers' craft. It shows how the history of his working life as an educator, studio manager and arts administrator melded with his artistic career to produce an original and outstanding contribution to contemporary Australian ceramics. Mapping the artist's inspirations, influences and ideas, detailing the formation and development of his practice, this book discusses his creative techniques and methods, and explains the importance of his collaborative approach to making work. Stephen Bowers: Beyond Bravura celebrates the intellect, imagination and inventiveness of an original Australian artist whose career extends already over 35 years.

'A long-term, in-depth account of the life and work of an artist...a beautiful book. It is excellent value. Another quality work from Wakefield Press.' - Jill, M/C’]

Publishing details: Wakefield Press, 2013, hc, dw, 160pp

Location: 0

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Bertini Joview full entry

Reference: A man and his camel / written and illustrated by Jo Bertini. [’Follows the adventures of an old man as he travels through various countries on the ancient Silk Road in search of his lost Bactrian camel.
Notes For children.’]

Publishing details: University of Queensland Press, 1996 
©1996 
32 unnubered pages : colour illustrations
Ref: 1000

×

Bertini Jo

Reference: A man and his camel / written and illustrated by Jo Bertini. [’Follows the adventures of an old man as he travels through various countries on the ancient Silk Road in search of his lost Bactrian camel.
Notes For children.’]

Publishing details: University of Queensland Press, 1996 
©1996 
32 unnubered pages : colour illustrations

Location: 1000

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Backen Robynview full entry

Reference: Robyn Backen - Backspace. [’This book examines two decades of work by the Australian artist Robyn Backen. Her practice ranges from small- and large-scale installations through to site-specific public works. Most of these works are temporary. Only a very small number are permanent, or semi-permanent–that is, created for a specific life span. This inbuilt mortality that characterises most of Backen’s work is not something that can be redressed or undone; it is deliberate. Like many artists in Australia in the 1990s who were attracted to the methods and meanings of installation art, Backen’s intention was (and remains) to create ephemeral works. This presents many challenges for understanding her work as a whole. Indeed, writing the history of installation art in Australia raises many of the same questions that have already been posed and debated in relation to performance art, such as: Can you study performance art if you didn’t actually see it yourself? What kind of history can be written on the basis of documentation? And so forth.’]
Publishing details: Boccalatte, 2013?
Ref: 1000

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Backen Robyn

Reference: Robyn Backen - Backspace. [’This book examines two decades of work by the Australian artist Robyn Backen. Her practice ranges from small- and large-scale installations through to site-specific public works. Most of these works are temporary. Only a very small number are permanent, or semi-permanent–that is, created for a specific life span. This inbuilt mortality that characterises most of Backen’s work is not something that can be redressed or undone; it is deliberate. Like many artists in Australia in the 1990s who were attracted to the methods and meanings of installation art, Backen’s intention was (and remains) to create ephemeral works. This presents many challenges for understanding her work as a whole. Indeed, writing the history of installation art in Australia raises many of the same questions that have already been posed and debated in relation to performance art, such as: Can you study performance art if you didn’t actually see it yourself? What kind of history can be written on the basis of documentation? And so forth.’]

Publishing details: Boccalatte, 2013?

Location: 1000

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Culliton Lucyview full entry

Reference: The Eye of the Beholder - The art of Lucy Culliton. Includes biographival information. [’Eye of the Beholder presents a survey exhibition of the art of Australian artist Lucy Culliton who is one of the most talented and important of Australia’s contemporary painters. Winning the Mosman Art Prize in 2000 was an important career milestone for Culliton, who has since enjoyed a meteoric career ascendancy exhibiting regularly to much critical and public acclaim.
Culliton graduated from the National Art School with a Diploma in Painting in 1996. Since, her creative output has been extraordinary. With an inexorable passion for her work, she is renowned for her intense scrutiny of a single subject rendered with a great sense of intimacy. Her gaze has ranged from much loved horses, farm animals and farm machinery; to domestic still life subjects of food, plants and curios; to Australian as well as international landscape subjects. Like many artists she draws direct inspiration from her immediate environment and circumstances, approaching her diverse subjects with an intensity that can only come through a strong connection with them.
Culliton is a regular finalist in the Archibald, Wynne and Sulman Prizes and her work is represented in several important public and private art collections. Culliton is represented by The Hughes Gallery, Sydney.
Eye of the Beholder features over 100 works including paintings which will be drawn from public and private collections, showcasing all aspects of the artist’s career.’]
Publishing details: Mosman Art Gallery, 2014, pb, 88pp

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Culliton Lucy

Reference: The Eye of the Beholder - The art of Lucy Culliton. Includes biographival information. [’Eye of the Beholder presents a survey exhibition of the art of Australian artist Lucy Culliton who is one of the most talented and important of Australia’s contemporary painters. Winning the Mosman Art Prize in 2000 was an important career milestone for Culliton, who has since enjoyed a meteoric career ascendancy exhibiting regularly to much critical and public acclaim.
Culliton graduated from the National Art School with a Diploma in Painting in 1996. Since, her creative output has been extraordinary. With an inexorable passion for her work, she is renowned for her intense scrutiny of a single subject rendered with a great sense of intimacy. Her gaze has ranged from much loved horses, farm animals and farm machinery; to domestic still life subjects of food, plants and curios; to Australian as well as international landscape subjects. Like many artists she draws direct inspiration from her immediate environment and circumstances, approaching her diverse subjects with an intensity that can only come through a strong connection with them.
Culliton is a regular finalist in the Archibald, Wynne and Sulman Prizes and her work is represented in several important public and private art collections. Culliton is represented by The Hughes Gallery, Sydney.
Eye of the Beholder features over 100 works including paintings which will be drawn from public and private collections, showcasing all aspects of the artist’s career.’]

Publishing details: Mosman Art Gallery, 2014, pb, 88pp

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Feddersen Juttaview full entry

Reference: Substance of Shadows by Jutta Feddersen [’Jutta Feddersen is an internationally renowned sculptor and installation artist. Born in Germany, she moved to Australia as a young woman. Jutta began her career as a weaver and developed into an installation artist, producing work of haunting simplicity, elegance and beauty. Now in her seventies, Jutta is still an exciting working artist, exhibiting her latest works in a Sydney gallery in 2010. She lectured at the Department of Fine Art at the University of Newcastle for 18 years and retired as Adjunct Professor.’]
Publishing details: Murdoch Books, 2010, 260 pages

Ref: 1000

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Feddersen Jutta

Reference: Substance of Shadows by Jutta Feddersen [’Jutta Feddersen is an internationally renowned sculptor and installation artist. Born in Germany, she moved to Australia as a young woman. Jutta began her career as a weaver and developed into an installation artist, producing work of haunting simplicity, elegance and beauty. Now in her seventies, Jutta is still an exciting working artist, exhibiting her latest works in a Sydney gallery in 2010. She lectured at the Department of Fine Art at the University of Newcastle for 18 years and retired as Adjunct Professor.’]

Publishing details: Murdoch Books, 2010, 260 pages

Location: 1000

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Gill Simrynview full entry

Reference: Simryn Gill : Pearls [edited by Sharmini Pereira].


Publishing details: London : Raking Leaves, 2008. 201 p. : col. ill. ; 25 cm.

Ref: 1000

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Gill Simryn

Reference: Simryn Gill : Pearls [edited by Sharmini Pereira].

Publishing details: London : Raking Leaves, 2008. 201 p. : col. ill. ; 25 cm.

Location: 1000

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Wilson Johnview full entry

Reference: John Wilson - The Journey Continues [’John Wilson is one of Australia’s leading landscape oil painters.  He grew up in the beautiful Blue Mountains of New South Wales.  Now John is a Multi-Award winning artist, whose elegant paintings capture the more elusive qualities unique to the Australian landscape.  His works, considered highly collectable are represented in private, corporate and public collections throughout Australia and internationally.  His paintings have been reproduced extensively, on cards, art reproductions. books including ‘Visual Artists of the Blue Mountains’, ‘ArtFiles’, several feature articles in Australian Artist and other International Artist magazines.
John's first book, “John Wilson Blue Mountains Artist” was edited and published by Ian Brownlee in 1989.  Now 25 years later, we present to you the fine art book, “John Wilson The Journey Continues”, also edited and published by Ian Brownlee.
Measuring 32.5cm x 23.5cm, the book is comprised of 192pp with 81 beautifully reproduced colour plates of John’s work. Throughout these pages John expresses once again his enduring passion for the Australian landscape.’]
Publishing details: Auspress, 192pp with 81 colour plates
Ref: 1000

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Wilson John

Reference: John Wilson - The Journey Continues [’John Wilson is one of Australia’s leading landscape oil painters.  He grew up in the beautiful Blue Mountains of New South Wales.  Now John is a Multi-Award winning artist, whose elegant paintings capture the more elusive qualities unique to the Australian landscape.  His works, considered highly collectable are represented in private, corporate and public collections throughout Australia and internationally.  His paintings have been reproduced extensively, on cards, art reproductions. books including ‘Visual Artists of the Blue Mountains’, ‘ArtFiles’, several feature articles in Australian Artist and other International Artist magazines.
John's first book, “John Wilson Blue Mountains Artist” was edited and published by Ian Brownlee in 1989.  Now 25 years later, we present to you the fine art book, “John Wilson The Journey Continues”, also edited and published by Ian Brownlee.
Measuring 32.5cm x 23.5cm, the book is comprised of 192pp with 81 beautifully reproduced colour plates of John’s work. Throughout these pages John expresses once again his enduring passion for the Australian landscape.’]

Publishing details: Auspress, 192pp with 81 colour plates

Location: 1000

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Vozzo Vinceview full entry

Reference: The Life and Work of Vince Vozzo. [’World-acclaimed sculptor Vince Vozzo talks about his book, The Life and Work of Vince Vozzo, which charts the journey of a second-generation Italian kid from the western suburbs of Sydney from dyslexic, cartoon-obsessed school boy to sand sculptor on Bondi beach and art student, and then to prolific and acclaimed artist.’] [’Showcasing the work of Australian sculptor, Vince Vozzo, this beautiful book charts the journey of a second-generation Italian kid from the Western suburbs of Sydney — from dyslexic, cartoon-obsessed school boy to sand sculptor on Bondi beach, to art student, and, finally, prolific and acclaimed artist. In a career spanning three decades, Vozzo has exhibited in 32 solo exhibitions and produced thousands of artworks in different mediums. He has featured in numerous group exhibitions, most notably Sydney’s Sculpture by the Sea, where his magnificent sculpture has loomed large over the coastal horizon more 13 times to date. His work has been included in 36 prize exhibitions and with eight selections in the prestigious Wynne Prize, Vozzo holds the record for a sculptor in that competition. Vozzo’s giant slabs of imported Italian marble form the basis for his most spectacular work, including The Last Desire, which is the largest piece of single-handedly carved marble in Australia. Vozzo is a unique Australian artist, whose work is majestic in its sheer size and physicality and poetic in its execution.’]
Publishing details: Paperback – 192 pages
Ref: 1000

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Vozzo Vince

Reference: The Life and Work of Vince Vozzo. [’World-acclaimed sculptor Vince Vozzo talks about his book, The Life and Work of Vince Vozzo, which charts the journey of a second-generation Italian kid from the western suburbs of Sydney from dyslexic, cartoon-obsessed school boy to sand sculptor on Bondi beach and art student, and then to prolific and acclaimed artist.’] [’Showcasing the work of Australian sculptor, Vince Vozzo, this beautiful book charts the journey of a second-generation Italian kid from the Western suburbs of Sydney — from dyslexic, cartoon-obsessed school boy to sand sculptor on Bondi beach, to art student, and, finally, prolific and acclaimed artist. In a career spanning three decades, Vozzo has exhibited in 32 solo exhibitions and produced thousands of artworks in different mediums. He has featured in numerous group exhibitions, most notably Sydney’s Sculpture by the Sea, where his magnificent sculpture has loomed large over the coastal horizon more 13 times to date. His work has been included in 36 prize exhibitions and with eight selections in the prestigious Wynne Prize, Vozzo holds the record for a sculptor in that competition. Vozzo’s giant slabs of imported Italian marble form the basis for his most spectacular work, including The Last Desire, which is the largest piece of single-handedly carved marble in Australia. Vozzo is a unique Australian artist, whose work is majestic in its sheer size and physicality and poetic in its execution.’]

Publishing details: Paperback – 192 pages

Location: 1000

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Waddell Craigview full entry

Reference: Craig Waddell - Heart Land, [’This high quality coffee table book documents the exhibition of contemporary Australian artist Craig Waddell held at Muk Muk Fine Art in Alice Springs in 2012.’]
Publishing details: Muk Muk Fine Art, 2012, Hardback, 65 pages

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Waddell Craig

Reference: Craig Waddell - Heart Land, [’This high quality coffee table book documents the exhibition of contemporary Australian artist Craig Waddell held at Muk Muk Fine Art in Alice Springs in 2012.’]

Publishing details: Muk Muk Fine Art, 2012, Hardback, 65 pages

Location: 0

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Burn Ianview full entry

Reference: Ian Burn - Minimal-Conceptual Work 1965 - 1970. Art Gallery of Western Australia, 6 February-29 March 1992. Essays by Paula Latos-Valier, John Stringer, Michael Dolk.
Publishing details: Art Gallery of Western Australia, 1992, pb, 104pp

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Burn Ian

Reference: Ian Burn - Minimal-Conceptual Work 1965 - 1970. Art Gallery of Western Australia, 6 February-29 March 1992. Essays by Paula Latos-Valier, John Stringer, Michael Dolk.

Publishing details: Art Gallery of Western Australia, 1992, pb, 104pp

Location: 0

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Hood Cherryview full entry

Reference: Harold’s End - Print Folio by Chery Hood. with 9 colour illustrations
Publishing details: Australian Print Workshop, nd, 6-page folding card.
Ref: 133

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Hood Cherry

Reference: Harold’s End - Print Folio by Chery Hood. with 9 colour illustrations

Publishing details: Australian Print Workshop, nd, 6-page folding card.

Location: 133

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Niagara Galleryview full entry

Reference: Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists.
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.
Ref: 73

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Niagara Gallery

Reference: Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists.

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

Location: 73

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Abdulla Ian Wview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Abdulla Ian W

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Abdulla Ian Wview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Abdulla Ian W

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Baldessin Georgeview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Baldessin George

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Balson Ralphview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Balson Ralph

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Beckett Clariceview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Beckett Clarice

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Benwell Stephenview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Benwell Stephen

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Booth Peterview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Booth Peter

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Boston Paulview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Boston Paul

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Brack Johnview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Brack John

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Brennan Angelaview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Brennan Angela

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Christmann Gunterview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Christmann Gunter

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Ciccarone Juliaview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Ciccarone Julia

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Fairweather Ianview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Fairweather Ian

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Gabori Mirdidingkingathi Juwarnda Sallyview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Gabori Mirdidingkingathi Juwarnda Sally

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Gladwell Shaunview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Gladwell Shaun

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Gossage Starview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Gossage Star

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Hearman Louiseview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Hearman Louise

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Heng Euanview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Heng Euan

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Hester Joyview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Hester Joy

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Hinder Frankview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Hinder Frank

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Kellaway Michaelview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Kellaway Michael

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Larter Richardview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Larter Richard

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Macleod Euanview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Macleod Euan

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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McKenna Noelview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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McKenna Noel

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Mununggurr Rerrkirrwangaview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Mununggurr Rerrkirrwanga

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Nickolls Trevorview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Nickolls Trevor

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Purves Smith Peterview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Purves Smith Peter

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Pwerle Minnieview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Pwerle Minnie

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Sansom Garethview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Sansom Gareth

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Shore Arnoldview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Shore Arnold

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Tjapaltjarri Bill Whiskeyview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Tjapaltjarri Bill Whiskey

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Tjungurrayi Patrickview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Tjungurrayi Patrick

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Tucker Albertview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Tucker Albert

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Varvaressos Vickiview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Varvaressos Vicki

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Whisson Kenview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

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Whisson Ken

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

Location:

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Williams Fredview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

×

Williams Fred

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

Location:

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Williams Fredview full entry

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)
Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

×

Williams Fred

Reference: see Niagara Gallery - Blue Chip XVII- The Collectors Exhibition. Includes biographical information on artists (eg ’literature and further reading’)

Publishing details: Niagara Gallery, March 2015, 80 pp, with price list.

Location:

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Witnessing to Silenceview full entry

Reference: Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp
Ref: 133

×

Witnessing to Silence

Reference: Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location: 133

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Boltanski Christianview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Boltanski Christian

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Davila Juanview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Davila Juan

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

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Foley Fionaview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Foley Fiona

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

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Hoffie Patview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Hoffie Pat

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Jaar Alfredoview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Jaar Alfredo

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Kentridge Williamview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Kentridge William

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Malani Naliniview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Malani Nalini

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Tuymans Lucview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Tuymans Luc

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Wei Guanview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Wei Guan

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Christanto Dadangview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Christanto Dadang

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

Close

Tuffery Michelview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Tuffery Michel

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Adipurnomo Nindtyoview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Adipurnomo Nindtyo

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Bose Santiagoview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Bose Santiago

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Jaarsma Mellaview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Jaarsma Mella

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

Location:

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Mel Michaelview full entry

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]
Publishing details: Humanities Research Centre, 2003, pb, 80pp

×

Mel Michael

Reference: see Witnessing to Silence: Art and Human Rights, by Caroline Turner. Includes artists’ biographies. [’'This exhibition Witnessing to Silence and the international conference on "Art and Human Rights" with which it coincides are part of a research project at the Humanities Research Centre, Australian National University, that began in 2000 to bring together scholars in many disciplines but especially law, the humanities and the arts.' - Caroline Turner.

15 artists from around the world have been chosen for the exhibitions which were held at four different venues in Canberra, Australia. The present catalogue brings together the exhibits as well as articles written on the artists. Biographies of artists are provided. With a foreword by Nancy Sever.

Artists from outside of Asia include: Christian Boltanski, Juan Davilla, Fiona Foley, Pat Hoffie, Alfredo Jaar, William Kentridge, Mella Jaarsma, Luc Tuymans, Michel Tuffery and Michel Mel.’]

Publishing details: Humanities Research Centre, 2003, pb, 80pp

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Blackman Charles (born 1928) view full entry

Reference: Charles Blackman - Drawing Dreams

Publishing details: published by Paul Elliot and Paul Alessi, 1995, limited edition book of 88, signed inside cover
38 x 28cm (page size)
Ref: 1003

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Blackman Charles (born 1928)

Reference: Charles Blackman - Drawing Dreams

Publishing details: published by Paul Elliot and Paul Alessi, 1995, limited edition book of 88, signed inside cover
38 x 28cm (page size)

Location: 1003

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Pearson Alanview full entry

Reference: A Painter’s Poems by Alan Pearson 1961-2014 [NZ artist, biography on back page]
Publishing details: Alexandra Stewart Press, NZ, 2014, 115 pp
Ref: 1000

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Pearson Alan

Reference: A Painter’s Poems by Alan Pearson 1961-2014 [NZ artist, biography on back page]

Publishing details: Alexandra Stewart Press, NZ, 2014, 115 pp

Location: 1000

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Norton Charlesview full entry

Reference: painting with Scheding Berry Fine Art: Charles Norton (1826 -1872)
(Monumental bush grave) c1860s
watercolour
20.4 x 29.5 cm

For a similar example see McCulloch’s Encyclopedia of Australian Art, p737

References: Squatter Artist: Charles Norton, State Library of Victoria, 1989; Lost Images of Geelong, Geelong Gallery, 1986.

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Norton Charles

Reference: painting with Scheding Berry Fine Art: Charles Norton (1826 -1872)
(Monumental bush grave) c1860s
watercolour
20.4 x 29.5 cm

For a similar example see McCulloch’s Encyclopedia of Australian Art, p737

References: Squatter Artist: Charles Norton, State Library of Victoria, 1989; Lost Images of Geelong, Geelong Gallery, 1986.

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