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Thurston Elizaview full entry

Reference: see National Museum of Australia Collection for ‘Victoria Pass, Blue Mountains, 1861’. Thurston is described as one of Australia’s first female colonial artists.

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Thurston Eliza

Reference: see National Museum of Australia Collection for ‘Victoria Pass, Blue Mountains, 1861’. Thurston is described as one of Australia’s first female colonial artists.

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Roberts Tomview full entry

Reference: Tom Roberts by Anna Gray. [’This publication accompanies the exhibition Tom Roberts at the National Gallery of Australia, Canberra and discusses Tom Roberts’s life and work and provides details on individual iconic works by Roberts from around Australia. The essays explore among other things Roberts relations with other artists, in particular McCubbin and Streeton who had very different places in his life and art. They also look at the seminal influence of Whistler, Manet and Velasquez on his work – as well as artists such as Bastien Lepage and Courbet. They also look at his preference for pink tones in his early work and pastel blue and green in his later work. Importantly, this publication includes Roberts’s highly popular national narratives such as Shearing the rams 1888-90, A break away! 1891, The golden fleece 1894 and Bailed up 1895. It includes eight of Roberts’s panel portraits, ‘Familiar faces and figures’ from the late 1890s. And shows Roberts’s mastery of the art of pastel portraiture with a group of his pastels from this period. The publication also features Tom Roberts’s large painting, Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York (Later King George V), May 9, 1901, 1903, and shows some of its preparatory paintings. It also includes a group of twelve works from Roberts’s period in London 1903–1923, and a further twelve works produced after his return to Australia. It aims to show that these works are the product not of ‘a disappointed man’ (as often previously argued), but of a new approach and a new aesthetic (emphasising the point that Roberts continually changed his approach and his direction over his life, from earliest times to late). It notes that on his return to Australia Roberts painted works of visual poetry, in response to his delight at being back home where, as he described it, ‘it had the sensation that as a child you thought it would be going to heaven’.’]
Publishing details: NGA, 2015, hc,
320 pages, over 200 images. Size 29 cm x 24 cm

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Roberts Tom

Reference: Tom Roberts by Anna Gray. [’This publication accompanies the exhibition Tom Roberts at the National Gallery of Australia, Canberra and discusses Tom Roberts’s life and work and provides details on individual iconic works by Roberts from around Australia. The essays explore among other things Roberts relations with other artists, in particular McCubbin and Streeton who had very different places in his life and art. They also look at the seminal influence of Whistler, Manet and Velasquez on his work – as well as artists such as Bastien Lepage and Courbet. They also look at his preference for pink tones in his early work and pastel blue and green in his later work. Importantly, this publication includes Roberts’s highly popular national narratives such as Shearing the rams 1888-90, A break away! 1891, The golden fleece 1894 and Bailed up 1895. It includes eight of Roberts’s panel portraits, ‘Familiar faces and figures’ from the late 1890s. And shows Roberts’s mastery of the art of pastel portraiture with a group of his pastels from this period. The publication also features Tom Roberts’s large painting, Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York (Later King George V), May 9, 1901, 1903, and shows some of its preparatory paintings. It also includes a group of twelve works from Roberts’s period in London 1903–1923, and a further twelve works produced after his return to Australia. It aims to show that these works are the product not of ‘a disappointed man’ (as often previously argued), but of a new approach and a new aesthetic (emphasising the point that Roberts continually changed his approach and his direction over his life, from earliest times to late). It notes that on his return to Australia Roberts painted works of visual poetry, in response to his delight at being back home where, as he described it, ‘it had the sensation that as a child you thought it would be going to heaven’.’]

Publishing details: NGA, 2015, hc,
320 pages, over 200 images. Size 29 cm x 24 cm

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horses in Australian artview full entry

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]
Publishing details: NMA, 2015, pb, 40pp

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horses in Australian art

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]

Publishing details: NMA, 2015, pb, 40pp

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Spirited - Australia’s Horse Storyview full entry

Reference: Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]
Publishing details: NMA, 2015, pb, 40pp

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Spirited - Australia’s Horse Story

Reference: Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]

Publishing details: NMA, 2015, pb, 40pp

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King Stephen sketch 1862 of John McDouall Stuart expeditionview full entry

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]
Publishing details: NMA, 2015, pb, 40pp

×

King Stephen sketch 1862 of John McDouall Stuart expedition

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]

Publishing details: NMA, 2015, pb, 40pp

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Stuart R W 1870s oil of kangaroo huntview full entry

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]
Publishing details: NMA, 2015, pb, 40pp

×

Stuart R W 1870s oil of kangaroo hunt

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]

Publishing details: NMA, 2015, pb, 40pp

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Lacy George major wc c1855view full entry

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]
Publishing details: NMA, 2015, pb, 40pp

×

Lacy George major wc c1855

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]

Publishing details: NMA, 2015, pb, 40pp

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Reid Stuart portrait of Phar Lap 1931view full entry

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]
Publishing details: NMA, 2015, pb, 40pp

×

Reid Stuart portrait of Phar Lap 1931

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]

Publishing details: NMA, 2015, pb, 40pp

Location:

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Woodhouse Frederick Jnr portrait of Carbine 1893 view full entry

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]
Publishing details: NMA, 2015, pb, 40pp

×

Woodhouse Frederick Jnr portrait of Carbine 1893

Reference: see Spirited - Australia’s Horse Story - catalogue for exhibition at the National Museum of Australia in Canberra from 11 September 2014 to 9 March 2015. [’Spirited: Australia's Horse Story featured 500 historical artefacts that tell the nation’s horse story, including icons of Australia's thoroughbred racing history, horsedrawn vehicles and riding equipment, and trophies won by leading equestrians and rodeo stars.’]

Publishing details: NMA, 2015, pb, 40pp

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Not Just Nedview full entry

Reference: Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Not Just Ned

Reference: Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location: 0

Close

Irish in Australiaview full entry

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Irish in Australia

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location:

Close

Hunt Charles Henry portrait of Irish boxer Larry Foley c1875view full entry

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Hunt Charles Henry portrait of Irish boxer Larry Foley c1875

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location:

Close

Allen Frank marine painting 1987 in SLNSWview full entry

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Allen Frank marine painting 1987 in SLNSW

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location:

Close

Von Stieglitz Emma 1851 wc in SLV view full entry

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Von Stieglitz Emma 1851 wc in SLV

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location:

Close

Cyclorama Company prints of Eureka Stockade made c1891view full entry

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Cyclorama Company prints of Eureka Stockade made c1891

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location:

Close

Skipper John Michael portrait of Lola Montez 1855 in SLSAview full entry

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Skipper John Michael portrait of Lola Montez 1855 in SLSA

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location:

Close

Chevalier Nicholas Burke and Wills expedition in AGSAview full entry

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]
Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

×

Chevalier Nicholas Burke and Wills expedition in AGSA

Reference: see Not Just Ned: A true history of the Irish in Australia. National Museum of Australia exhibition catalogue [’... revealed the extraordinary influence of the Irish in Australia, from the arrival of the First Fleet in 1788, to the continuing influx of young Irish backpackers today. From politics and religion, to industry, art, music and dance, the Irish have had a far-reaching influence on Australia.

Les Darcy locket. Photo: Jason McCarthy.
Highlights included the complete set of Kelly gang armour — seen together for the first time outside of Victoria; the Rajah quilt, sewn by convict women as they sailed from England to Tasmania in 1841; the pistol which explorer Robert O'Hara Burke had in his hand when he died in 1861; Cardinal Patrick Moran's magnificent replica of the Cross of Cong brought to Australia in the 1890s; and the 1993 Melbourne Cup won by Vintage Crop.
Featuring nearly 500 rare and unique objects from Australian and international collections, this exhibition remembered the Irish immigrants, and their descendants, who made this continent their home, and helped create a uniquely Australian way of life.’]

Publishing details: NMA, 2011, Paperback
305 x 210mm
128 pages, full colour

Location:

Close

Parker Haroldview full entry

Reference: see Brisbane Courier, 5 June 1911, p9: Harold Parker had carved his own way to
fortune. In his earlier days in the old
country he worked as a wood and some-
times as a stone carver, and in his leisure
went to classes at South London Art
School. For six years he pursued his
studies there, and .won £100 scholarship
and several other prizes. It was then
that his sculDtures gained him recogni-
tion. He first exhibited in the Royal
Academy in 1993, and since then his work
had found a place in practically every
other exhibition. The Ariadne was the
first life-size figure that he executed.
It was done in marble, and four or five
years later avas purchased for the nation
out of the Chantrey bequeBt, and placed
in the Tate Gallery. His latest work was
a life-sizo carving, "The Awakening of
Spring " One heard of these later
triumphs of Mr. Parker by hearsay, but
they must be excellent works, indeed, it
tliey surpassed the exquisite ¡beauty, of)
his "Esther," which was now
a cherished possession of the
Queensland National Art Gallery. The
copy executed by Mr. J. A. Watt,' which
Mrs. Parker was asked to accept, had
been inspected and approved by -Mr.
Parker himself, and this was an «sell
the imprimatur of its excellence. lie
thought tibe presentation was singularly
appropriate, for as "Esther" was tlie first
love of the sculptor, he hoped he would
find in his wife all that his soul portrayed.
Mr. Harold Parker accepted the copy
of "Esther" on behalf of his wife, and brief-
ly acknowledged tho compliment. {"Subse-
quently a dainty afternoon tea, straw-
berries, and icea were excellently served
from Eschenhagen's; a band played a pro-
gramme of national airs, and a pleasant
tiino avos spent, those present being'in-
troduced to the. distinguished artist and
his wife.

×

Parker Harold

Reference: see Brisbane Courier, 5 June 1911, p9: Harold Parker had carved his own way to
fortune. In his earlier days in the old
country he worked as a wood and some-
times as a stone carver, and in his leisure
went to classes at South London Art
School. For six years he pursued his
studies there, and .won £100 scholarship
and several other prizes. It was then
that his sculDtures gained him recogni-
tion. He first exhibited in the Royal
Academy in 1993, and since then his work
had found a place in practically every
other exhibition. The Ariadne was the
first life-size figure that he executed.
It was done in marble, and four or five
years later avas purchased for the nation
out of the Chantrey bequeBt, and placed
in the Tate Gallery. His latest work was
a life-sizo carving, "The Awakening of
Spring " One heard of these later
triumphs of Mr. Parker by hearsay, but
they must be excellent works, indeed, it
tliey surpassed the exquisite ¡beauty, of)
his "Esther," which was now
a cherished possession of the
Queensland National Art Gallery. The
copy executed by Mr. J. A. Watt,' which
Mrs. Parker was asked to accept, had
been inspected and approved by -Mr.
Parker himself, and this was an «sell
the imprimatur of its excellence. lie
thought tibe presentation was singularly
appropriate, for as "Esther" was tlie first
love of the sculptor, he hoped he would
find in his wife all that his soul portrayed.
Mr. Harold Parker accepted the copy
of "Esther" on behalf of his wife, and brief-
ly acknowledged tho compliment. {"Subse-
quently a dainty afternoon tea, straw-
berries, and icea were excellently served
from Eschenhagen's; a band played a pro-
gramme of national airs, and a pleasant
tiino avos spent, those present being'in-
troduced to the. distinguished artist and
his wife.

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Parker Haroldview full entry

Reference: Exhibition of sculpture and paintings by Harold Parker, R.B.S., 1906 : held at the Fine Art Society's Gallery, 100 Exhibition Street, Melbourne, 18th July to 29th July, 1933.
Publishing details: 4pp
Ref: 1000

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Parker Harold

Reference: Exhibition of sculpture and paintings by Harold Parker, R.B.S., 1906 : held at the Fine Art Society's Gallery, 100 Exhibition Street, Melbourne, 18th July to 29th July, 1933.

Publishing details: 4pp

Location: 1000

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Parker Haroldview full entry

Reference: see John Oxley Library: Parker, Harold, 1873-1962.
Summary: Works of art by Harold Parker.
This collection consists of six watercolour paintings by Harold Parker. Donated at the same time as Acc 5567.
Biography: Harold Parker was born in Buckinghamshire on August 27, 1873 to Daniel Parker, a carpenter, and his wife Jane Hollis. The family emigrated to Brisbane in 1876, and Harold attended the West End Boys' School between 1881 and 1888. He went on to study drawing, design and modelling through night classes at the Brisbane School of Arts Technical College, and initially favoured wood carving as his artistic medium. Parker moved to London in 1896, and it was at this time he turned to sculpture, the medium for which he is best known. Between 1897 and 1902 he was a sculpture student at the City Guilds South London Technical Art School.
In 1901 he came to the attention of sculptor Thomas Brock, who awarded Parker an ‘Honourable Mention’ for his entry in the Travelling Scholarship prize. Based on his entry, Brock offered Parker employment, and it is believed that Parker was one of several assistants to work on Brock’s commission for the Queen Victoria Memorial which stands in front of Buckingham Palace. W Robert Colton, Hamo Thornycroft, Goscombe John and possibly John Tweed were other sculptors Parker assisted at some time or another.
By 1903 Parker had his own space in Stamford Bridge Studios, and was producing his own work, while continuing to work for others. He exhibited with the Royal Academy between 1903 and 1929, and also with the Paris Salon. In 1908 his life size sculpture ‘Ariadne’ was purchased for ₤1000 for the Tate Gallery with money from the Chantrey Bequest. Between 1915 and 1918, Parker worked on his biggest public commission – two sculptures, one either side of the entrance to Australia House in London.
Parker married Janet Robinson, daughter of Agent-General for Queensland Thomas Robinson, on 28 February 1911, and they returned to Brisbane for their honeymoon where they were honoured with a state reception at the Queensland National Art Gallery. Parker visited Australia again in 1921, experimenting with Queensland marble. Parker and his wife finally returned to Australia for good in 1930, where he turned increasingly to painting after being overlooked for sculptural commissions. He eventually dropped out of public life altogether, and died, childless, in Brisbane on 23 April 1962.
Notes
5772, Harold Parker [Works of Art], John Oxley Library, State Library of Queensland, Australia.
Exhibition of sculpture and paintings by Harold Parker, R.B.S., 1906 : held at the Fine Art Society's Gallery, 100 Exhibition Street, Melbourne, 18th July to 29th July, 1933.
Publishing details: 4pp

×

Parker Harold

Reference: see John Oxley Library: Parker, Harold, 1873-1962.
Summary: Works of art by Harold Parker.
This collection consists of six watercolour paintings by Harold Parker. Donated at the same time as Acc 5567.
Biography: Harold Parker was born in Buckinghamshire on August 27, 1873 to Daniel Parker, a carpenter, and his wife Jane Hollis. The family emigrated to Brisbane in 1876, and Harold attended the West End Boys' School between 1881 and 1888. He went on to study drawing, design and modelling through night classes at the Brisbane School of Arts Technical College, and initially favoured wood carving as his artistic medium. Parker moved to London in 1896, and it was at this time he turned to sculpture, the medium for which he is best known. Between 1897 and 1902 he was a sculpture student at the City Guilds South London Technical Art School.
In 1901 he came to the attention of sculptor Thomas Brock, who awarded Parker an ‘Honourable Mention’ for his entry in the Travelling Scholarship prize. Based on his entry, Brock offered Parker employment, and it is believed that Parker was one of several assistants to work on Brock’s commission for the Queen Victoria Memorial which stands in front of Buckingham Palace. W Robert Colton, Hamo Thornycroft, Goscombe John and possibly John Tweed were other sculptors Parker assisted at some time or another.
By 1903 Parker had his own space in Stamford Bridge Studios, and was producing his own work, while continuing to work for others. He exhibited with the Royal Academy between 1903 and 1929, and also with the Paris Salon. In 1908 his life size sculpture ‘Ariadne’ was purchased for ₤1000 for the Tate Gallery with money from the Chantrey Bequest. Between 1915 and 1918, Parker worked on his biggest public commission – two sculptures, one either side of the entrance to Australia House in London.
Parker married Janet Robinson, daughter of Agent-General for Queensland Thomas Robinson, on 28 February 1911, and they returned to Brisbane for their honeymoon where they were honoured with a state reception at the Queensland National Art Gallery. Parker visited Australia again in 1921, experimenting with Queensland marble. Parker and his wife finally returned to Australia for good in 1930, where he turned increasingly to painting after being overlooked for sculptural commissions. He eventually dropped out of public life altogether, and died, childless, in Brisbane on 23 April 1962.
Notes
5772, Harold Parker [Works of Art], John Oxley Library, State Library of Queensland, Australia.
Exhibition of sculpture and paintings by Harold Parker, R.B.S., 1906 : held at the Fine Art Society's Gallery, 100 Exhibition Street, Melbourne, 18th July to 29th July, 1933.

Publishing details: 4pp

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Hennekam Mary view full entry

Reference: a work was offered on eBay 7 Jan 2016 with the information: ‘acrylic painting on board by the much collected and sort after artist Mary Hennekam born of Irish descent she migrated to Australia in 1949. An award winning artist... [a] painting of Pears.’

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Hennekam Mary

Reference: a work was offered on eBay 7 Jan 2016 with the information: ‘acrylic painting on board by the much collected and sort after artist Mary Hennekam born of Irish descent she migrated to Australia in 1949. An award winning artist... [a] painting of Pears.’

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Bards and Artists of the Castlereaghview full entry

Reference: Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Bards and Artists of the Castlereagh

Reference: Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Anderson Scottview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Anderson Scott

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Barclay Marjorieview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Barclay Marjorie

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Borrowman nee Croxon Debra Anneview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Borrowman nee Croxon Debra Anne

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Bull Bettyview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Bull Betty

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Dury Regview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Dury Reg

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Estens Janview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Estens Jan

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Gibson Margaretview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Gibson Margaret

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Graham Sueview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Graham Sue

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Greene Malouview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Greene Malou

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Grey Shirleyview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Grey Shirley

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Greentree Jennyview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Greentree Jenny

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Haylock Kathleen Ruth Poppyview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Haylock Kathleen Ruth Poppy

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Hedditch Noreen May Jillview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Hedditch Noreen May Jill

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Howard nee Rayner Elizabeth Daphneview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Howard nee Rayner Elizabeth Daphne

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Lord Christine Maryview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Lord Christine Mary

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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McMaster Susan Elizabethview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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McMaster Susan Elizabeth

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Maw Chrisview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Maw Chris

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Mann Marilyn Joyview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Mann Marilyn Joy

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Miller Leeview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Miller Lee

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Mudford Romaview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Mudford Roma

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Moseley Claudeview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Moseley Claude

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Pickette nee Blackburn Eveview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Pickette nee Blackburn Eve

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Poole nee Mealy Barbaraview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Poole nee Mealy Barbara

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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O’Shannessey Bronwynview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

O’Shannessey Bronwyn

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Prissis Bettyview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Prissis Betty

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Riley Derekview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Riley Derek

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Rae Barbara Francesview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Rae Barbara Frances

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Semmler Suzanne Terese (Sue)view full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Semmler Suzanne Terese (Sue)

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Sharpe Daleview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Sharpe Dale

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Shalhoub Judith Annview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Shalhoub Judith Ann

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Tassell Fayview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Tassell Fay

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Tibbits Isla Francesview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Tibbits Isla Frances

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Windeyer Margaretview full entry

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.
Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

×

Windeyer Margaret

Reference: see Bards and Artists of the Castlereagh by Betty Bartley. ‘A selection of poetry written about this area... and illustrated by artists residing in the area.’ Includes biographical information on each of the artists mainly working in pen and ink and a number of whom are amateur artists.

Publishing details: [Gilgandra, N.S.W.] : B. Bartley, 1988, 104 p. : ill. (some col.) ; 25 cm. Available from Mrs B. Bartley, P.O. Box 15, (68 Myrtle Street), Gilgandra, N.S.W. 2827. 

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Fremantle artistsview full entry

Reference: A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Fremantle artists

Reference: A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Valentijn F p2view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Valentijn F p2

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Habgood W 1842 p3view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Habgood W 1842 p3

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Dale Robert p4view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Dale Robert p4

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Dale Robert portrait of Yagan 1833 p10view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Dale Robert portrait of Yagan 1833 p10

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Dashwood G F 1832 p6 p133view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Dashwood G F 1832 p6 p133

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Roe J S Fremantle map p7view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Roe J S Fremantle map p7

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Samson Horace 1840s nephew of Lionel Samson p9 p134view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Samson Horace 1840s nephew of Lionel Samson p9 p134

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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King Jane c1841 Swan River Natives p12view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

×

King Jane c1841 Swan River Natives p12

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Reveley Henry plan drawing 1830view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Reveley Henry plan drawing 1830

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Irwin Elizabeth 1840s view p14 p134view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Irwin Elizabeth 1840s view p14 p134

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Mackie Frederick c1850 view p15view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Mackie Frederick c1850 view p15

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stout S M photographer c1863 p19 p26-37 p46-7 p122 biography p138view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stout S M photographer c1863 p19 p26-37 p46-7 p122 biography p138

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stone William c1867 convicts p20 Cricket p24 Diggers p25 p134view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stone William c1867 convicts p20 Cricket p24 Diggers p25 p134

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Browne T H J streetscape c1860 p23view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Browne T H J streetscape c1860 p23

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Burwell F W architect p124view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Burwell F W architect p124

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Nixon and Merrilees c1896 photographers p53 view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Nixon and Merrilees c1896 photographers p53

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Nixon C M c1900 photographer p77-8 p143 p145view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Nixon C M c1900 photographer p77-8 p143 p145

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Charlton A O 1915 photographer p83view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Charlton A O 1915 photographer p83

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Orloff A 191p
9 photographer p89 p99 p115 biog p151view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Orloff A 191p
9 photographer p89 p99 p115 biog p151

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Gore Stuart c1928 photographer p92 p98 p100 p108 p152-3view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Gore Stuart c1928 photographer p92 p98 p100 p108 p152-3

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Glynn Mercia photographer p127view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Glynn Mercia photographer p127

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Walter’s Photographic Studio p128view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Walter’s Photographic Studio p128

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Garwood Roger photographer p129view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Garwood Roger photographer p129

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Friend Mary Ann 1830 view Swan River p132view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Friend Mary Ann 1830 view Swan River p132

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Currie Jane panorama c1830 p132view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Currie Jane panorama c1830 p132

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Morrell Richard p133view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Morrell Richard p133

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Bickley Wallace p133view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Bickley Wallace p133

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Wittenoom Charles c1838 p133view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Wittenoom Charles c1838 p133

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Absolon John de Mansfield c1870 oils p 134 referenceview full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Absolon John de Mansfield c1870 oils p 134 reference

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Hall Robert daguerreotypes c1846 p135view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Hall Robert daguerreotypes c1846 p135

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Manning C A daguerreotype c1858 p135 p137 biography 139view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Manning C A daguerreotype c1858 p135 p137 biography 139

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Evans S S photographer p137 view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Evans S S photographer p137

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Greenham and Evans photographers p139view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Greenham and Evans photographers p139

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stone A H photographer 1860-70s p140view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stone A H photographer 1860-70s p140

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Pearson J C photographer 1880s p140-1view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Pearson J C photographer 1880s p140-1

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Branson Norman photographer p141view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Branson Norman photographer p141

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Manning Lucius Alexander photographer p141view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Manning Lucius Alexander photographer p141

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Rome E G photographer p141 p144view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Rome E G photographer p141 p144

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Webb and Webb photographers p143view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Webb and Webb photographers p143

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Merrilees Henry photographer p145view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Merrilees Henry photographer p145

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Webb Thomas and brother photographers p146view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Webb Thomas and brother photographers p146

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Lang G H photographer Melba Studios p146view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Lang G H photographer Melba Studios p146

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Fielding Arthur photographer p147view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Fielding Arthur photographer p147

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stein Maurice photographer p147view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Stein Maurice photographer p147

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Ruskin Studio photographers Perth p148view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Ruskin Studio photographers Perth p148

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Harrison Reg photographer p148view full entry

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.
Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Harrison Reg photographer p148

Reference: see A Place of Consequence - A Pictorial History of Fremantle by R. Reece And R. Pascoe. Includes a chapter titled: ‘The Artists and Photographers’ with some biographical information. Some works by lesser-known artists are illustrated. Not indexed.

Publishing details: Fremantle Arts Centre Press, 1983, pb, 159 p. : ill., facsims., ports. ; 27 cm. Bibliography: p. 159.

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Voyage to the Great South Landview full entry

Reference: Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.
Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Voyage to the Great South Land

Reference: Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.

Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Dutch artists and Australiaview full entry

Reference: see Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.
Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Dutch artists and Australia

Reference: see Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.

Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Victorszoon Victor ship’s artist p13 etc
view full entry

Reference: see Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.
Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Victorszoon Victor ship’s artist p13 etc

Reference: see Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.

Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Colaert Gerrit journal includes drawings view full entry

Reference: see Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.
Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Colaert Gerrit journal includes drawings

Reference: see Voyage to the Great South Land, Willem de Vlamingh, 1696-1697, edited by Günter Schilder ; translated by C. de Heer.

Publishing details: Royal Australian Historical Society in association with the Australian Bank, 1985, hc, dw, 259 p., [29] p. of plates (1 fold.) : ill. (some col.), facsims., maps, ports. ; 25 cm

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Australia Unveiledview full entry

Reference: Australia Unveiled the share of the Dutch navigators in the discovery of Australia, by Gunter Schilder. Translated by Olaf Richter. Includes 87 maps relating to Dutch voyages and Australia.
Publishing details: Amsterdam Theatrvm Orbis Terrarvm 1976, hc, 424pp, well illustrated in b&w, including 88 maps. Original cloth, no dustwrapper. Edition limited to 250 copies of which this is number 39. Signed by the author. Ex library copy but with minimal stamps.

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Australia Unveiled

Reference: Australia Unveiled the share of the Dutch navigators in the discovery of Australia, by Gunter Schilder. Translated by Olaf Richter. Includes 87 maps relating to Dutch voyages and Australia.

Publishing details: Amsterdam Theatrvm Orbis Terrarvm 1976, hc, 424pp, well illustrated in b&w, including 88 maps. Original cloth, no dustwrapper. Edition limited to 250 copies of which this is number 39. Signed by the author. Ex library copy but with minimal stamps.

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maps relating to Australiaview full entry

Reference: see Australia Unveiled the share of the Dutch navigators in the discovery of Australia, by Gunter Schilder. Translated by Olaf Richter. Includes 87 maps relating to Dutch voyages and Australia.
Publishing details: Amsterdam Theatrvm Orbis Terrarvm 1976, hc, 424pp, well illustrated in b&w, including 88 maps. Original cloth, no dustwrapper. Edition limited to 250 copies of which this is number 39. Signed by the author. Ex library copy but with minimal stamps.

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maps relating to Australia

Reference: see Australia Unveiled the share of the Dutch navigators in the discovery of Australia, by Gunter Schilder. Translated by Olaf Richter. Includes 87 maps relating to Dutch voyages and Australia.

Publishing details: Amsterdam Theatrvm Orbis Terrarvm 1976, hc, 424pp, well illustrated in b&w, including 88 maps. Original cloth, no dustwrapper. Edition limited to 250 copies of which this is number 39. Signed by the author. Ex library copy but with minimal stamps.

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Gallop Herbertview full entry

Reference: see Day Fine Art, Jan 2016:
HERBERT REGINALD GALLOP
Herbert Reginald Gallop (Born:1890-Died:1958, Ryde, NSW):
A talented painter and etcher, Gallop was born in Gunning NSW. He was initially apprenticed to a signwriter and display artist.
He went on to study at the Sydney art school under Julian Ashton. His work was good enough to exhibit at the Royal Art Society by the age of 19.
He served during the WW1  along side other artists, Adrian Feint, Norman lloyd, and H.G. Gibbons. This quartette founded the ‘The Younger Group of Australian Artists’ in 1924.
The H R Gallop Gallery in Wagga Wagga presented a retrospective exhibition of his work in 1990.
Gallop’s work is held in the NSW Art Gallery, Queensland Art Gallery, National Gallery of Australia, National Gallery of Victoria, National Library of Australia and many distinguished private collections.


The following is an article about H R Gallop’s Landscape paintings: 
H. R. Gallop’s Landscapes | Sydney Mail, Wednesday 18th July 1928
It is some few years since H. R. Gallop, then a scarcely-known beginner, caught the attention of picture-lovers with an exhibition in Sydney, though he has had during that interval successful shows both in Adelaide and Melbourne. His present exhibition of oil paintings at the Grosvenor Galleries is the fruit mainly of excursions within the last year in the Kangaroo Valley district and round about the Cambewarra Mountain, down the South Coast, besides some landscapes and scenes near Sydney.
All of this work, done on the spot in the open, is instinct with life and colour. To be sure, the colour is often- exuberant. The artist in his enthusiastic acceptance of Nature’s marvels tends to apply his pigments with too lavish a hand. Consequently there is sometimes an effect of rawness. Still, this excess indicates a phase of the artists’ development, which is by no means unhealthy. Timidity in the use of colour is not to be commended. Rather one may say that the realistic painter who has learnt the full range of his palette can then be expected to use it temperately, to suggest instead of attempting to expound his meaning, and to refrain from the impossible, though alluring, task of out rivalling Nature’s bravery.
Mr.Gallop comes honestly to grips with the variety of problems he sets himself, and the results in not a few instances are both striking and attractive. ‘The Sunbaked Ridge’ of the Kangaroo Valley district, showing a felled tree in the foreground against a stretch of red soil reaching to a purple line of hills in the distance, and a green-lighted sky, is a bold success. So also is the vigorous painting ‘The Jinker,’ a roadside scene round Pennant Hills of a man and timber wagon under a full spreading green tree. ‘Re-flections’ is an interesting composition of pinky-grey clouds mirrored in the expanse of water between the belching chimneystacks on the further shore and the picnickers grouped in the foreground. ‘The Ferry’ has a pleasantly Whistlerish touch in its sandy strand dotted with small, brightly-clad figures. And ‘Cremorne Point,’ a study in grey and blue, has among the more robust paintings around it, a quiet charm of its own.
On the other hand, the harbour views shown — ‘Middle Harbour,’ ‘Harbour Foreshore,’ ‘The Spit,’ and ‘The Bridge from McMahon’s Point’ — affect one as excessively ultramarine. This painter has been attracted, like many others, by the building of the bridge. He gives two satisfactory views of it, ‘Near Milson’s Point’ and ‘New Miller’s Point,’ besides the one already mentioned. The bold masses rising from the water, with the contrasting dark slenderness of the metal girders overhead, make an understandable appeal to an artist. One wonders what their effect on the generality will be when presently the huge pylons and the completed arch appear to fill the sky. ‘A Nor’-Easter,’ in which deep waves whipped to whiteness are dashing over brown and purple-grey rock, is strong; and ‘Flame Trees,’ though somewhat sensational in colour, has much interest. But in ‘Sunlit Farm,’ apparently under an evening glow, the colour is almost a riot, nor does the more subdued ‘Harmony in Grey’ convince the spectator of its truth. Several of the views down the South Coast remind one, purely because of a certain similarity of subject and composition in a wide vista of rolling country seen from a height, of Gruner’s Valley of the Tweed.’ These canvases will perhaps be found by the majority the most successful of all.
In the two pictures ‘From Cambewarra’ and ‘Nowra from Cambewarra,’ an almost identical view, there is an interesting contrast in the colours, due to the fact that the first was painted before and the second after rain. ‘Kangaroo Valley,’ the second picture of that title, is a pastoral scene of prosperous peace. In it there are trees following the course of the winding stream along the valley bottom, and cattle dotted about on the sward amidst patches of shade— BEATRICE TILDESLEY.

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Gallop Herbert

Reference: see Day Fine Art, Jan 2016:
HERBERT REGINALD GALLOP
Herbert Reginald Gallop (Born:1890-Died:1958, Ryde, NSW):
A talented painter and etcher, Gallop was born in Gunning NSW. He was initially apprenticed to a signwriter and display artist.
He went on to study at the Sydney art school under Julian Ashton. His work was good enough to exhibit at the Royal Art Society by the age of 19.
He served during the WW1  along side other artists, Adrian Feint, Norman lloyd, and H.G. Gibbons. This quartette founded the ‘The Younger Group of Australian Artists’ in 1924.
The H R Gallop Gallery in Wagga Wagga presented a retrospective exhibition of his work in 1990.
Gallop’s work is held in the NSW Art Gallery, Queensland Art Gallery, National Gallery of Australia, National Gallery of Victoria, National Library of Australia and many distinguished private collections.


The following is an article about H R Gallop’s Landscape paintings: 
H. R. Gallop’s Landscapes | Sydney Mail, Wednesday 18th July 1928
It is some few years since H. R. Gallop, then a scarcely-known beginner, caught the attention of picture-lovers with an exhibition in Sydney, though he has had during that interval successful shows both in Adelaide and Melbourne. His present exhibition of oil paintings at the Grosvenor Galleries is the fruit mainly of excursions within the last year in the Kangaroo Valley district and round about the Cambewarra Mountain, down the South Coast, besides some landscapes and scenes near Sydney.
All of this work, done on the spot in the open, is instinct with life and colour. To be sure, the colour is often- exuberant. The artist in his enthusiastic acceptance of Nature’s marvels tends to apply his pigments with too lavish a hand. Consequently there is sometimes an effect of rawness. Still, this excess indicates a phase of the artists’ development, which is by no means unhealthy. Timidity in the use of colour is not to be commended. Rather one may say that the realistic painter who has learnt the full range of his palette can then be expected to use it temperately, to suggest instead of attempting to expound his meaning, and to refrain from the impossible, though alluring, task of out rivalling Nature’s bravery.
Mr.Gallop comes honestly to grips with the variety of problems he sets himself, and the results in not a few instances are both striking and attractive. ‘The Sunbaked Ridge’ of the Kangaroo Valley district, showing a felled tree in the foreground against a stretch of red soil reaching to a purple line of hills in the distance, and a green-lighted sky, is a bold success. So also is the vigorous painting ‘The Jinker,’ a roadside scene round Pennant Hills of a man and timber wagon under a full spreading green tree. ‘Re-flections’ is an interesting composition of pinky-grey clouds mirrored in the expanse of water between the belching chimneystacks on the further shore and the picnickers grouped in the foreground. ‘The Ferry’ has a pleasantly Whistlerish touch in its sandy strand dotted with small, brightly-clad figures. And ‘Cremorne Point,’ a study in grey and blue, has among the more robust paintings around it, a quiet charm of its own.
On the other hand, the harbour views shown — ‘Middle Harbour,’ ‘Harbour Foreshore,’ ‘The Spit,’ and ‘The Bridge from McMahon’s Point’ — affect one as excessively ultramarine. This painter has been attracted, like many others, by the building of the bridge. He gives two satisfactory views of it, ‘Near Milson’s Point’ and ‘New Miller’s Point,’ besides the one already mentioned. The bold masses rising from the water, with the contrasting dark slenderness of the metal girders overhead, make an understandable appeal to an artist. One wonders what their effect on the generality will be when presently the huge pylons and the completed arch appear to fill the sky. ‘A Nor’-Easter,’ in which deep waves whipped to whiteness are dashing over brown and purple-grey rock, is strong; and ‘Flame Trees,’ though somewhat sensational in colour, has much interest. But in ‘Sunlit Farm,’ apparently under an evening glow, the colour is almost a riot, nor does the more subdued ‘Harmony in Grey’ convince the spectator of its truth. Several of the views down the South Coast remind one, purely because of a certain similarity of subject and composition in a wide vista of rolling country seen from a height, of Gruner’s Valley of the Tweed.’ These canvases will perhaps be found by the majority the most successful of all.
In the two pictures ‘From Cambewarra’ and ‘Nowra from Cambewarra,’ an almost identical view, there is an interesting contrast in the colours, due to the fact that the first was painted before and the second after rain. ‘Kangaroo Valley,’ the second picture of that title, is a pastoral scene of prosperous peace. In it there are trees following the course of the winding stream along the valley bottom, and cattle dotted about on the sward amidst patches of shade— BEATRICE TILDESLEY.

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Hilling Georgeview full entry

Reference: see Simpson Antiques, Jan 2016: COASTAL VIEW - DATED 1843
16.5 x 34.0 cm
George Hilling (1825-58) A watercolour of a New South Wales coastal view with aboriginals dancing, in an Australian cedar frame, signed & dated l.r.

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Hilling George

Reference: see Simpson Antiques, Jan 2016: COASTAL VIEW - DATED 1843
16.5 x 34.0 cm
George Hilling (1825-58) A watercolour of a New South Wales coastal view with aboriginals dancing, in an Australian cedar frame, signed & dated l.r.

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Crooke Rayview full entry

Reference: Obituary, Sydney Morning Herald, 15 January, 2016, p31.
Publishing details: SMH 2015
Ref: 135

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Crooke Ray

Reference: Obituary, Sydney Morning Herald, 15 January, 2016, p31.

Publishing details: SMH 2015

Location: 135

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Lesueur Charles Alexander view full entry

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: After Charles Alexander Lesueur French 1778-1846, Nouvelle Hollande: Nouvelle Galles Du Sud [Sydney Cove], 1802/1807. Hand-coloured engraving, artist and title in plate below image, 14.8 x 21cm (image). Repaired tear to image centre and lower
portion, slight rubbing and soiling to margins. Framed.
Text includes "C.A. Lesueur del. J. Milbert direx. Gravé à l'eau-forte par Pillement et terminé par Née. Vue d'une Partie de la Ville de Sydney capitale des Colonies Anglaises aux Terres Australes, et de l'entrée du Port Jackson dans lequel cette ville est située. De l'Imprimerie de Langlois." Lesueur made 1,500 drawings while on the Peron and de Freycinet Voyage. Illustrated in McCormick, First Views of Australia: 1788-1825, pl. 69.

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Lesueur Charles Alexander

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: After Charles Alexander Lesueur French 1778-1846, Nouvelle Hollande: Nouvelle Galles Du Sud [Sydney Cove], 1802/1807. Hand-coloured engraving, artist and title in plate below image, 14.8 x 21cm (image). Repaired tear to image centre and lower
portion, slight rubbing and soiling to margins. Framed.
Text includes "C.A. Lesueur del. J. Milbert direx. Gravé à l'eau-forte par Pillement et terminé par Née. Vue d'une Partie de la Ville de Sydney capitale des Colonies Anglaises aux Terres Australes, et de l'entrée du Port Jackson dans lequel cette ville est située. De l'Imprimerie de Langlois." Lesueur made 1,500 drawings while on the Peron and de Freycinet Voyage. Illustrated in McCormick, First Views of Australia: 1788-1825, pl. 69.

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Pellion J Alphonse view full entry

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 14 After J. Alphonse Pellion French fl. c1817-c1820
Nouvelle Hollande; Port Jackson: Passage De Cox, Dans Les Montagnes Bleues [Cox's Pass, Blue Mountains, Australia], c1822. Engraving, title in plate below image, 23.9 x 32.2cm. Slight crinkles,
minor foxing, discolouration, pin holes and creases, repaired tears to margins.
Text reads "Dessiné par Marchais d'après A. Pellion. Gravé par Schroeder. 97." Plate 97 is from Voyage autour du monde: atlas historique by Louis de Freycinet, published in 1822. Held in NLA.
Pellion was a topographical painter, naval draughtsman and midshipman aboard l'Uranie under the command of Louis de Freycinet during the voyages of 1817-1820. Pellion made many sketches in
NSW, including views of Cox's Pass and Cox's River and portraits of the local aborigines. Ref: DAAO.

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Pellion J Alphonse

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 14 After J. Alphonse Pellion French fl. c1817-c1820
Nouvelle Hollande; Port Jackson: Passage De Cox, Dans Les Montagnes Bleues [Cox's Pass, Blue Mountains, Australia], c1822. Engraving, title in plate below image, 23.9 x 32.2cm. Slight crinkles,
minor foxing, discolouration, pin holes and creases, repaired tears to margins.
Text reads "Dessiné par Marchais d'après A. Pellion. Gravé par Schroeder. 97." Plate 97 is from Voyage autour du monde: atlas historique by Louis de Freycinet, published in 1822. Held in NLA.
Pellion was a topographical painter, naval draughtsman and midshipman aboard l'Uranie under the command of Louis de Freycinet during the voyages of 1817-1820. Pellion made many sketches in
NSW, including views of Cox's Pass and Cox's River and portraits of the local aborigines. Ref: DAAO.

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Hext Charles Staniforth view full entry

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 38 After Charles Staniforth Hext British 1815-1855
Military Barracks, Sydney [Cricket Match], c1845. Tinted lithograph with hand-colouring, title and artist in lower margin, 13.2 x 24.6cm (image). Original Tasmanian muskwood frame, chips to frame,
crack to corner of glass upper left.
Text reads "C. Hutchins, Lithographer, Liverpool. From a sketch by Capt. Hext, 4th, the King's Own Regiment." This image is from Views in Australia and Tasmania, a series of four lithographs produced
from drawings by Hext. Ref: NLA. This is the first depiction of a cricket match in Australia. The Military Barracks were situated at Wynyard Square before moving to Paddington later in the 1840s.

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Hext Charles Staniforth

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 38 After Charles Staniforth Hext British 1815-1855
Military Barracks, Sydney [Cricket Match], c1845. Tinted lithograph with hand-colouring, title and artist in lower margin, 13.2 x 24.6cm (image). Original Tasmanian muskwood frame, chips to frame,
crack to corner of glass upper left.
Text reads "C. Hutchins, Lithographer, Liverpool. From a sketch by Capt. Hext, 4th, the King's Own Regiment." This image is from Views in Australia and Tasmania, a series of four lithographs produced
from drawings by Hext. Ref: NLA. This is the first depiction of a cricket match in Australia. The Military Barracks were situated at Wynyard Square before moving to Paddington later in the 1840s.

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Hulme Frederick William view full entry

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 41 Frederick William Hulme British 1816-1884
Ophir Diggings, Summer Hill Creeks [Gold Fields, Bathurst, NSW], c1851. Hand-coloured tinted lithograph, titled and signed in image lower left to right, 24.7 x 32.6cm. Slight foxing, surface loss to lower margin.
Text reads "Hullmandel & Walton's Proeess [sic]."

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Hulme Frederick William

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 41 Frederick William Hulme British 1816-1884
Ophir Diggings, Summer Hill Creeks [Gold Fields, Bathurst, NSW], c1851. Hand-coloured tinted lithograph, titled and signed in image lower left to right, 24.7 x 32.6cm. Slight foxing, surface loss to lower margin.
Text reads "Hullmandel & Walton's Proeess [sic]."

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Fullarton Nan view full entry

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 129 Nan Fullarton Australian 1913-2000
[Floating Nymph With Cherubs], c1920s. Watercolour with gouache, signed lower right, 20.7 x 11.7cm. Slight soiling to margins, laid down on original backing.
Born in Temora, NSW, Nancy Edith Fullarton worked in London and Sydney as an artist, writer and illustrator of children's books, cartoonist and ballet costume designer. Ref: DAAO.

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Fullarton Nan

Reference: See Josef Lebovic Collectors’ List No. 181, 2015: 129 Nan Fullarton Australian 1913-2000
[Floating Nymph With Cherubs], c1920s. Watercolour with gouache, signed lower right, 20.7 x 11.7cm. Slight soiling to margins, laid down on original backing.
Born in Temora, NSW, Nancy Edith Fullarton worked in London and Sydney as an artist, writer and illustrator of children's books, cartoonist and ballet costume designer. Ref: DAAO.

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Kahan Louisview full entry

Reference: catalogue of exhibition held at Newspaper House, 26 July to 6 August 1949 (referred to on the reverse of ‘Reclining Nude, Paris, 1945,’ a drawing purchased from this exhibition and resold 20.1.2016 at Crows Auction, Surry, UK, lot 625W.
Publishing details: 1949
Ref: 1000

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Kahan Louis

Reference: catalogue of exhibition held at Newspaper House, 26 July to 6 August 1949 (referred to on the reverse of ‘Reclining Nude, Paris, 1945,’ a drawing purchased from this exhibition and resold 20.1.2016 at Crows Auction, Surry, UK, lot 625W.

Publishing details: 1949

Location: 1000

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Phipps Jenniferview full entry

Reference: The Estate of Jennifer Phipps, Mossgreen Auctions, Melbourne Sunday 28 February, 2016. Australian contemporary artists.
Publishing details: Mossgreen, 2016

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Phipps Jennifer

Reference: The Estate of Jennifer Phipps, Mossgreen Auctions, Melbourne Sunday 28 February, 2016. Australian contemporary artists.

Publishing details: Mossgreen, 2016

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Menpes Mortimer view full entry

Reference: Beautiful women: catalogue of paintings, drawings, colour etchings and engraved ivories, by Mortimer Menpes.
Publishing details: Dowdeswell Galleries.
Dowdeswell Galleries, London, 1899.

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Menpes Mortimer

Reference: Beautiful women: catalogue of paintings, drawings, colour etchings and engraved ivories, by Mortimer Menpes.

Publishing details: Dowdeswell Galleries.
Dowdeswell Galleries, London, 1899.

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Tebbitt Henriview full entry

Reference: see THE STUDIO, 15 November, 1910
Vol 50. N° 212 includes: Sir Edward Burne Jones designs for painted glass,
Japanese Art in wood and ivory carving,
Bruno Liljefors a sWedish painter of animals
Etchings of Frank Milton Armington,
An Austalian painter : Henry Tebbitt

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Tebbitt Henri

Reference: see THE STUDIO, 15 November, 1910
Vol 50. N° 212 includes: Sir Edward Burne Jones designs for painted glass,
Japanese Art in wood and ivory carving,
Bruno Liljefors a sWedish painter of animals
Etchings of Frank Milton Armington,
An Austalian painter : Henry Tebbitt

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Murray Alexander Henry Hallam view full entry

Reference: see Wotton Auction Rooms, 26 Jan, 2016, lot 835: An early 20th century watercolour of a garden scene with male figure sweeping, with distant estuary and the top of a sailing ships mast, signed bottom left A H Hallam Murray and dated 1905 (probably Alexander Henry Hallam Murray), further inscribed Artarman Row (possibly relating to the town in New South Wales, Australia), 17 x 25 cm approx

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Murray Alexander Henry Hallam

Reference: see Wotton Auction Rooms, 26 Jan, 2016, lot 835: An early 20th century watercolour of a garden scene with male figure sweeping, with distant estuary and the top of a sailing ships mast, signed bottom left A H Hallam Murray and dated 1905 (probably Alexander Henry Hallam Murray), further inscribed Artarman Row (possibly relating to the town in New South Wales, Australia), 17 x 25 cm approx

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Jones Frederic Wood view full entry

Reference: A List of the works of Frederic Wood Jones, 1879-1954, including his drawings (published and unpublished), his published letters and his unpublished manuscripts, with notes / [compiled by] Barry E. Christophers
Publishing details: Melbourne : B. Christophers, 1985 
xl, 124 p. : port. ; 23 cm. [Previous ed.: Melbourne : Greensborough Press, 1974.
Available from Dr B. Christophers, 377 Church Street, Richmond, Vic. 3121.]
Ref: 1000

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Jones Frederic Wood

Reference: A List of the works of Frederic Wood Jones, 1879-1954, including his drawings (published and unpublished), his published letters and his unpublished manuscripts, with notes / [compiled by] Barry E. Christophers

Publishing details: Melbourne : B. Christophers, 1985 
xl, 124 p. : port. ; 23 cm. [Previous ed.: Melbourne : Greensborough Press, 1974.
Available from Dr B. Christophers, 377 Church Street, Richmond, Vic. 3121.]

Location: 1000

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Marris Mary Pview full entry

Reference: See SASS number L1087 [8 signed cards by Mary P. Harris. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Marris Mary P

Reference: See SASS number L1087 [8 signed cards by Mary P. Harris. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Cornish Elsieview full entry

Reference: See SASS number           J1419 20th Century Landscape Design in Adelaide: three significant designers [Elsie Cornish, R.S. Hill, A. Correy]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Cornish Elsie

Reference: See SASS number           J1419 20th Century Landscape Design in Adelaide: three significant designers [Elsie Cornish, R.S. Hill, A. Correy]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Hill Sview full entry

Reference: See SASS number           J1419 20th Century Landscape Design in Adelaide: three significant designers [Elsie Cornish, R.S. Hill, A. Correy]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Hill S

Reference: See SASS number           J1419 20th Century Landscape Design in Adelaide: three significant designers [Elsie Cornish, R.S. Hill, A. Correy]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Correy Aview full entry

Reference: See SASS number           J1419 20th Century Landscape Design in Adelaide: three significant designers [Elsie Cornish, R.S. Hill, A. Correy]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Correy A

Reference: See SASS number           J1419 20th Century Landscape Design in Adelaide: three significant designers [Elsie Cornish, R.S. Hill, A. Correy]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Gill S Tview full entry

Reference: See SASS number                    C0775 A biographical sketch of S.T. Gill. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Gill S T

Reference: See SASS number                    C0775 A biographical sketch of S.T. Gill. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Cawthorne William Anderson view full entry

Reference: See SASS number           L0025 Additional papers of William Anderson Cawthorne, comprising nine watercolour landscapes and seascapes including Port Pirie, Stansbury, Mount Breckan and Seal Rock, together with pencil sketch of Mutton Cove Creek, Port River [SL:M PRG 489] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Cawthorne William Anderson

Reference: See SASS number           L0025 Additional papers of William Anderson Cawthorne, comprising nine watercolour landscapes and seascapes including Port Pirie, Stansbury, Mount Breckan and Seal Rock, together with pencil sketch of Mutton Cove Creek, Port River [SL:M PRG 489] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Australian women architectsview full entry

Reference: See SASS number L5979 A Statistical Survey of Registered Women Architects in Australia. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Australian women architects

Reference: See SASS number L5979 A Statistical Survey of Registered Women Architects in Australia. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Kingston George Strickland view full entry

Reference: See SASS number           L0605 Accidental Architect: the life and times of George Strickland Kingston. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Kingston George Strickland

Reference: See SASS number           L0605 Accidental Architect: the life and times of George Strickland Kingston. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Ancher Mortlock Murray Woolleyview full entry

Reference: See SASS number B0082 Ancher, Mortlock, Murray, Woolley: Sydney Architects, 1946-1976 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Ancher Mortlock Murray Woolley

Reference: See SASS number B0082 Ancher, Mortlock, Murray, Woolley: Sydney Architects, 1946-1976 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Gill Harry Pellingview full entry

Reference: See SASS number J1289 Another light on Curator Gill at the Gallery [Harry Pelling] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Gill Harry Pelling

Reference: See SASS number J1289 Another light on Curator Gill at the Gallery [Harry Pelling] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Thompson Royview full entry

Reference: See SASS number J0745 Article written by Ivor Francis about artist Francis Roy Thompson, apparently in relation to an exhibition of Thompson's work. Also included is a photograph of Thompson. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Thompson Roy

Reference: See SASS number J0745 Article written by Ivor Francis about artist Francis Roy Thompson, apparently in relation to an exhibition of Thompson's work. Also included is a photograph of Thompson. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Ashton Jamesview full entry

Reference: See SASS number A0465 Ashton, J. Artist, 1859-1935. ADB7. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Ashton James

Reference: See SASS number A0465 Ashton, J. Artist, 1859-1935. ADB7. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Bagot W H view full entry

Reference: See SASS number           A0467 Bagot, W. H. Architect, 1880-1963. ADB7 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Bagot W H

Reference: See SASS number           A0467 Bagot, W. H. Architect, 1880-1963. ADB7 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Barnes G A view full entry

Reference: See SASS number           A0473 Barnes, G. A. Artist, 1877-1921. ADB7 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Barnes G A

Reference: See SASS number           A0473 Barnes, G. A. Artist, 1877-1921. ADB7 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Carleton Carolineview full entry

Reference: See SASS number   Q1870 Caroline Carleton - a lady of no education? Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Carleton Caroline

Reference: See SASS number   Q1870 Caroline Carleton - a lady of no education? Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Angas G Fview full entry

Reference: See SASS number   N7280 Conchologists of the past, part 2: G. French Angas [1822-1886] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Angas G F

Reference: See SASS number   N7280 Conchologists of the past, part 2: G. French Angas [1822-1886] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Goldfinch Duncanview full entry

Reference: See SASS number  L2109 Duncan Goldfinch. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Goldfinch Duncan

Reference: See SASS number  L2109 Duncan Goldfinch. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Marek Dusanview full entry

Reference: See SASS number  N4497 Dusan Marek. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Marek Dusan

Reference: See SASS number  N4497 Dusan Marek. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Wright Eview full entry

Reference: See SASS number  F0368 E. Wright 1788?-1859. ADB2. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Wright E

Reference: See SASS number  F0368 E. Wright 1788?-1859. ADB2. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Milne F Kennethview full entry

Reference: See SASS number           P0452 F. Kenneth Milne, portrait of an architect; an exhibition of recent acquisitions of the Flinders University Architecture Archives held at the Flinders University Art Museum 18th July to 9th August 1984. Guest Curator: Donald Leslie Johnson. Guest Assistant Curator: Elizabeth T. Beck. Biographical notes: Susan Woodburn. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Milne F Kenneth

Reference: See SASS number           P0452 F. Kenneth Milne, portrait of an architect; an exhibition of recent acquisitions of the Flinders University Architecture Archives held at the Flinders University Art Museum 18th July to 9th August 1984. Guest Curator: Donald Leslie Johnson. Guest Assistant Curator: Elizabeth T. Beck. Biographical notes: Susan Woodburn. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Fiveash Rosaview full entry

Reference: See SASS number         F0418 Fiveash, Rosa Catherine 1854-1938, Botanical Artist. ADB8. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Fiveash Rosa

Reference: See SASS number         F0418 Fiveash, Rosa Catherine 1854-1938, Botanical Artist. ADB8. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Kempf Franzview full entry

Reference: See SASS numbers  D2063 Franz KempfP0809 Franz Kempf. Graphic works, 1962-1984Q1821 Franz Kempf: graphic works 1962-1984. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Kempf Franz

Reference: See SASS numbers  D2063 Franz KempfP0809 Franz Kempf. Graphic works, 1962-1984Q1821 Franz Kempf: graphic works 1962-1984. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Garlick Dview full entry

Reference: See SASS number   A0328 Garlick, D. Architect, 1818-1902. ADB4 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Garlick D

Reference: See SASS number   A0328 Garlick, D. Architect, 1818-1902. ADB4 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

Close

Gill H Pview full entry

Reference: See SASS number             F0428 Gill, H.P. 1855-1916, Art Curator and Teacher. ADB9. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

×

Gill H P

Reference: See SASS number             F0428 Gill, H.P. 1855-1916, Art Curator and Teacher. ADB9. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

Close

Howie L Hview full entry

Reference: See SASS number      F0492 Howie, L. H. 1876-1963, Artist and Teacher. ADB9. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

×

Howie L H

Reference: See SASS number      F0492 Howie, L. H. 1876-1963, Artist and Teacher. ADB9. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

Close

Chinner J Hview full entry

Reference: See SASS number    P0465 J. H. Chinner: drawing the line. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

×

Chinner J H

Reference: See SASS number    P0465 J. H. Chinner: drawing the line. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Shaw Jamesview full entry

Reference: See SASS number     A0177 James Shaw, 1815-1881: topographical artist and early colonist of South Australia [includes a list of paintings]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

×

Shaw James

Reference: See SASS number     A0177 James Shaw, 1815-1881: topographical artist and early colonist of South Australia [includes a list of paintings]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Skipper J Mview full entry

Reference: See SASS number   C1936 John Michael Skipper: bibliographical notes. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Skipper J M

Reference: See SASS number   C1936 John Michael Skipper: bibliographical notes. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Ashton Julianview full entry

Reference: See SASS number            T0082 Julian Rossi Ashton [1851-1942] as art politician. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Ashton Julian

Reference: See SASS number            T0082 Julian Rossi Ashton [1851-1942] as art politician. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

Close

Moon Miltonview full entry

Reference: See SASS number   Q5370 Milton Moon retrospective. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Moon Milton

Reference: See SASS number   Q5370 Milton Moon retrospective. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Montefiore E Lview full entry

Reference: See SASS number   F0245 Montefiore, E. L. 1802-1893, Businessman, Elder and Gallery Director. ADB Vol 5.. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Montefiore E L

Reference: See SASS number   F0245 Montefiore, E. L. 1802-1893, Businessman, Elder and Gallery Director. ADB Vol 5.. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Lloyd Geoffview full entry

Reference: See SASS number  B1364 Navigator: Geoff Lloyd, artist 1952-1981. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Lloyd Geoff

Reference: See SASS number  B1364 Navigator: Geoff Lloyd, artist 1952-1981. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Gilbert S Hview full entry

Reference: See SASS number J0750 Papers of S.H. Gilbert, architect, comprising papers relating to publishing projects on colonial heritage architecture and gardens in South Australia, photographs of domestic and institutional structures and slides to illustrate lectures on Port Adelaide and other localities of historical interest. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Gilbert S H

Reference: See SASS number J0750 Papers of S.H. Gilbert, architect, comprising papers relating to publishing projects on colonial heritage architecture and gardens in South Australia, photographs of domestic and institutional structures and slides to illustrate lectures on Port Adelaide and other localities of historical interest. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Tregenza Alanview full entry

Reference: See SASS number J0312 Portrait of an artist: Alan Tregenza [videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Tregenza Alan

Reference: See SASS number J0312 Portrait of an artist: Alan Tregenza [videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Powell-Weise Barbaraview full entry

Reference: See SASS number           J0313 Portrait of an artist: Barbara Powell-Weise [videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Powell-Weise Barbara

Reference: See SASS number           J0313 Portrait of an artist: Barbara Powell-Weise [videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Powell-Weise Barbaraview full entry

Reference: See SASS number  J0314 Portrait of an artist: Connie Offler [videorecording]. ]Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Powell-Weise Barbara

Reference: See SASS number  J0314 Portrait of an artist: Connie Offler [videorecording]. ]Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Rayner Durham view full entry

Reference: See SASS number L3527 Portrait of an artist: Durham Rayner [videorecording]. ]Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Rayner Durham

Reference: See SASS number L3527 Portrait of an artist: Durham Rayner [videorecording]. ]Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Mainwaring Geoffview full entry

Reference: See SASS number L3528 Portrait of an artist: Geoff Mainwaring [videorecording]]Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Mainwaring Geoff

Reference: See SASS number L3528 Portrait of an artist: Geoff Mainwaring [videorecording]]Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Goodchild ohn & Doreen view full entry

Reference: See SASS number         L5222 Portrait of an artist: John & Doreen Goodchild [Videorecording], Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Goodchild ohn & Doreen

Reference: See SASS number         L5222 Portrait of an artist: John & Doreen Goodchild [Videorecording], Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Groblicka Lidiaview full entry

Reference: See SASS number L3529 Portrait of an artist: Lidia Groblicka [videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Groblicka Lidia

Reference: See SASS number L3529 Portrait of an artist: Lidia Groblicka [videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Moore Lornaview full entry

Reference: See SASS number J0315 Portrait of an artist: Lorna Moore [videorecording], Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Moore Lorna

Reference: See SASS number J0315 Portrait of an artist: Lorna Moore [videorecording], Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Hann Marjorieview full entry

Reference: See SASS number J0316 and L5223 Portrait of an artist: Marjorie Hann [Videorecording] Portrait of an artist: Marjorie Hann [videorecording]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Hann Marjorie

Reference: See SASS number J0316 and L5223 Portrait of an artist: Marjorie Hann [Videorecording] Portrait of an artist: Marjorie Hann [videorecording]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Hannaford Robertview full entry

Reference: See SASS number        L5923 Portrait of an artist: Robert Hannaford [Videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Hannaford Robert

Reference: See SASS number        L5923 Portrait of an artist: Robert Hannaford [Videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Dowie Johnview full entry

Reference: See SASS number L5530 Reminiscences of John Dowie relating particularly to Sir Ross Smith and to Dowie's sculpture at the Ross and Keith Smith Memorial at Adelaide OvalListed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Dowie John

Reference: See SASS number L5530 Reminiscences of John Dowie relating particularly to Sir Ross Smith and to Dowie's sculpture at the Ross and Keith Smith Memorial at Adelaide OvalListed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Hawkins Sheilaview full entry

Reference: See SASS number              L6616 Sheila Hawkins: Profile of an Illustrator. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Hawkins Sheila

Reference: See SASS number              L6616 Sheila Hawkins: Profile of an Illustrator. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Hele Ivorview full entry

Reference: See SASS number          L5944 Sir Ivor Hele [Videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Hele Ivor

Reference: See SASS number          L5944 Sir Ivor Hele [Videorecording] Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Skipper J Mview full entry

Reference: See SASS number              A0419 Skipper, J. M. Artist, Public Servant, Lawyer, 1815-1883. ADB6 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Skipper J M

Reference: See SASS number              A0419 Skipper, J. M. Artist, Public Servant, Lawyer, 1815-1883. ADB6 Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Stelarcview full entry

Reference: See SASS number    N3906 Stelarc. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Stelarc

Reference: See SASS number    N3906 Stelarc. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Lyon T Hview full entry

Reference: See SASS number  J1102 &   J1102 T.H. Lyon and his Adelaide architectural work  and T.H. Lyon and his Adelaide architectural work. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Lyon T H

Reference: See SASS number  J1102 &   J1102 T.H. Lyon and his Adelaide architectural work  and T.H. Lyon and his Adelaide architectural work. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Hanrahan Barbaraview full entry

Reference: See SASS number  L1093 The Barbara Hanrahan Memorial Exhibition: a celebration of the life and work of a writer and artist who loved Adelaide ... Catalogue. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Hanrahan Barbara

Reference: See SASS number  L1093 The Barbara Hanrahan Memorial Exhibition: a celebration of the life and work of a writer and artist who loved Adelaide ... Catalogue. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Gerstaecker Exhibitionview full entry

Reference: See SASS number  A0183 The Friedrich Gerstaecker Exhibition, State Library of South Australia. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Gerstaecker Exhibition

Reference: See SASS number  A0183 The Friedrich Gerstaecker Exhibition, State Library of South Australia. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Hambidge Sistersview full entry

Reference: See SASS number            L3037 The Hambidge sisters. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Hambidge Sisters

Reference: See SASS number            L3037 The Hambidge sisters. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Skipper J Mview full entry

Reference: See SASS number             C1167 The late J. M. Skipper. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Skipper J M

Reference: See SASS number             C1167 The late J. M. Skipper. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Frost Thomasview full entry

Reference: See SASS number     Q1551 The memoirs of Thomas Frost, 1825-1910. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Frost Thomas

Reference: See SASS number     Q1551 The memoirs of Thomas Frost, 1825-1910. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Cawthorn W Aview full entry

Reference: See SASS number   L0728 W.A. Cawthorne and early Adelaide: an artist's impressions [manuscript]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Cawthorn W A

Reference: See SASS number   L0728 W.A. Cawthorne and early Adelaide: an artist's impressions [manuscript]. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Light Williamview full entry

Reference: See SASS number  S0377 'William Light as an artist'. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.
Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS
Ref: 1000

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Light William

Reference: See SASS number  S0377 'William Light as an artist'. Listed on the University of South Australia website page: South Australian Sources for History and Social Science (SASS) - Biography - Artists and Architects.

Publishing details: http://www.library.unisa.edu.au/condon/sass/sass-list.asp?Subject=1794&SubjName=BIOGRAPHY+-+ARTISTS+AND+ARCHITECTS

Location: 1000

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Carse James Howeview full entry

Reference: see Scheding, S. (1979), 'James Howe Carse’, Art and Australia, vol. 17, no. 1, p.9.

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Carse James Howe

Reference: see Scheding, S. (1979), 'James Howe Carse’, Art and Australia, vol. 17, no. 1, p.9.

Publishing details:

Location:

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Docking Gilview full entry

Reference: obituary, Sydney Morning Herald, Jan 23-2, 2016, p38
Ref: 135

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Docking Gil

Reference: obituary, Sydney Morning Herald, Jan 23-2, 2016, p38

Publishing details:

Location: 135

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Docking Shayview full entry

Reference: see Docking Gil, obituary, Sydney Morning Herald, Jan 23-2, 2016, p38

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Docking Shay

Reference: see Docking Gil, obituary, Sydney Morning Herald, Jan 23-2, 2016, p38

Publishing details:

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Underhill Tonyview full entry

Reference: see Ebay 29.1.2016: This lot comprises 3 paintings:  a Landscape with figures;  a full-length Portrait; and a Cafe scene.

Tony Underhill lived in Australia for the first 25 years of his life, and though he moved to the UK in 1948, his work continued to use a typically Australian palette. (see  https://en.m.wikipedia.org/wiki/Tony_Underhill, and http://www.artgallery.nsw.gov.au/collection/works/24.2007/).   Shortly after his arrival in the UK, he made contact with publisher and fellow Australian Walter J Turner - and through him with Turner's assistant Sheila Dickinson, and her husband, poet Patric Dickinson.

Underhill's friendship with Sheila and Patric grew, and in the early 1950's he gave them three of his paintings.  One of those three, the landscape, is inscribed in the lower left corner "For Patric and Sheila Dickinson. There are only two such....(some undecipherable text)...and Tony Underhill".   The portrait is of Sheila Dickinson, aged about 37 - 39. After Sheila Dickinson's death a little while ago, the paintings passed into the vendor's family.

Paintings are all oil on canvas, with wooden stretchers:  no frames

Canvas sizes: 

Landscape:  770 x 510 mm 
Portrait:   710 x 1020 mm
Cafe scene:   1070 x760 mm

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Underhill Tony

Reference: see Ebay 29.1.2016: This lot comprises 3 paintings:  a Landscape with figures;  a full-length Portrait; and a Cafe scene.

Tony Underhill lived in Australia for the first 25 years of his life, and though he moved to the UK in 1948, his work continued to use a typically Australian palette. (see  https://en.m.wikipedia.org/wiki/Tony_Underhill, and http://www.artgallery.nsw.gov.au/collection/works/24.2007/).   Shortly after his arrival in the UK, he made contact with publisher and fellow Australian Walter J Turner - and through him with Turner's assistant Sheila Dickinson, and her husband, poet Patric Dickinson.

Underhill's friendship with Sheila and Patric grew, and in the early 1950's he gave them three of his paintings.  One of those three, the landscape, is inscribed in the lower left corner "For Patric and Sheila Dickinson. There are only two such....(some undecipherable text)...and Tony Underhill".   The portrait is of Sheila Dickinson, aged about 37 - 39. After Sheila Dickinson's death a little while ago, the paintings passed into the vendor's family.

Paintings are all oil on canvas, with wooden stretchers:  no frames

Canvas sizes: 

Landscape:  770 x 510 mm 
Portrait:   710 x 1020 mm
Cafe scene:   1070 x760 mm

Publishing details:

Location:

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Hart Proview full entry

Reference: Twenty-one Etchings: Pro Hart, by Derham Groves

Publishing details: Lytlewode Press, 2005
Ref: 1000

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Hart Pro

Reference: Twenty-one Etchings: Pro Hart, by Derham Groves

Publishing details: Lytlewode Press, 2005

Location: 1000

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Dunlop Brianview full entry

Reference: Stone Music - A New Zealand Sequence - poems by Lynne Strahan. [’Stone is the common metaphor of Strahan's poems, which reflect her journey around New Zealand's south island (and her redemption from the past). Dunlop, her husband, paints the solitary wilderness of the New Zealand landscape.’]
Publishing details: Craftsman House, Sydney, 2001, 2001
Used. 27.0 x 23.0cms, 112pp, colour illusts, fine hardback & dustwrapper
Ref: 1000

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Dunlop Brian

Reference: Stone Music - A New Zealand Sequence - poems by Lynne Strahan. [’Stone is the common metaphor of Strahan's poems, which reflect her journey around New Zealand's south island (and her redemption from the past). Dunlop, her husband, paints the solitary wilderness of the New Zealand landscape.’]

Publishing details: Craftsman House, Sydney, 2001, 2001
Used. 27.0 x 23.0cms, 112pp, colour illusts, fine hardback & dustwrapper

Location: 1000

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Cuthbert Neilview full entry

Reference: Cuthbert: The Painter's Progress: A Survey Of The Paintings Of Neil Cuthbert by Flatau, Andrew (text) & Neil Cuthbert (paintings) [from http://manninggreatlakes.focusmag.com.au/neil-cuthbert/ - The Painter’s Progress has been labelled as the most important travelling exhibition of the year. Dubbo artist Neil Cuthbert sat down to discuss the works on show and his life as an artist.
When did your interest in painting start?
I have always drawn and painted. My grandfather was pretty good with pen and ink, and my father continues to draw in pencil a lot. I suppose the longest break I had from the practice was during the longer overseas voyages when I was in the British Merchant Navy from 1975 to 1980. However, the interest was rekindled after I joined the Commonwealth Lighthouse Service in 1980.
The ship I sailed on was the MV Cape Moreton, and we used to service the navigational aids through the Barrier Reef, up to the Torres Strait and round into the Gulf of Carpentaria.
With many days at anchor at various locations, it seemed a good time to take up drawing and painting again … and so continuing after I left the sea in 1990, I took up full time study at university.
> How would you describe the exhibition on show at the Manning Regional Gallery?
The exhibition of works at the Manning Regional Gallery can be considered as a ‘Survey’ show; that is, they represent my arts practice over a period of years, from about 1990. Some of the earlier pieces were produced while I was at TAFE and university and as my output has been pretty constant over the years, they represent the evolution of a practice as a painter.
This exhibition thus demonstrates the manner in which my painting style has changed over the years – the changing and maturing use of colour, texture and pictorial space. Also, the way in which the subjected matter changes from an early autobiographical base to a wider examination and appreciation of who we are and the way we live … I suppose, the ’human condition’, although that term seems a little over used today.
These works have both simple and complex narrative structures that are derived from personal experience – particularly from those of travel and relocation. They have also been fuelled from great stories of the past, both the Old and New Testaments, a continuing interest in ornithology,  and from the greatest traditions of western art,  (including literature) from the early renaissance up to the twentieth century British Moderns.
> Do you have a favourite piece in the collection?
With regard to a favourite, that is difficult to answer. I’ve been asked, “Do you think the earlier paintings are not as good as the later or recent ones?”
All the paintings are equally important, as it is through the trials and struggles of the earlier pieces that I am able to arrive at where I am today. So each work has its role to play. I suppose if I had to pick one, then it would be ‘A Murder of Crows’. This large piece was a finalist in the 2006 Kilgour prize, organised by the Newcastle Regional Gallery and a favourite because it is a ‘springboard’ to the next evolutionary period in my work.
I often describe my progress as one of a series of ‘plateaus and cliffs’. In the early days you learn a lot in a very short time, so you spend a short while on the ‘plateau’ before you jump up the next ‘cliff’ to a new learning level.
These days I spend about 2-3 years on a plateau before gaining the next level, due to the much higher levels that I work at. So the Murder of Crows is there at the top of one of those ‘cliffs’ and thus setting me up for that next level.

Neil Cuthbers art
> Your exhibition has been very well received. Did you expect this success?
Did I expect the success of the exhibition? I have been working hard for many years now, fitting my painting practice alongside my teaching work at Orange TAFE, so recognition from a wider public is always well received. I am indebted to a few ‘hard core’ collectors who have major collections of my work and who have followed me when I have exhibited through Artarmon Galleries in Sydney.
The success of the exhibition here in Orange at the Regional Gallery was extremely pleasing. The Director Alan Sisley and the gallery staff have been extremely supportive and were able to extend the exhibition period by a couple of weeks, due to the kind gesture of Salvatore Zofre, who postponed the opening date of his show at the gallery so that I was able to get that extension.
The success of the show was also made all the more possible by the excellent curatorship of Dr Andrew Flateau, author of the accompanying book to the show: ‘Cuthbert – A Painter’s Progress’.
A ‘successful’ exhibition is not to be taken for granted; however, I was aware of a ‘rising tide’ of interest in the show prior to its opening.
> The subjects of your works varies between each piece. Where does your inspiration come from?
Where do the ideas come from? I suppose fundamentally from human nature – who we are as individuals and our relationships with others. The early works were quite autobiographical, dealing with my migration from the United Kingdom to Australia. However, having worked through that process, I now look at ‘Everyman’ – so to speak.
This is where an interest in Old and New Testament stories developed and their reflections on human behaviour, actual or suggested.
For example, the painting titled ‘Captain Brillo sees the Light’ is based upon a ‘road to Damascus conversion’. This was a follow up painting from the previous work ‘The Shooting Party’.
The name Brillo is my reference for light, derived from ‘brilliance’. His rank, from the early comic book characters i.e. ‘Captain Africa.’ It’s all a play on words, just as many of the other titles are.
Other subjects are derived from word lists that I put together that represent geographical places, both here and in England.
For example, ‘In the land where birds nest in trees of coral and where the red emperor navigates through pools where depth is left to chance’, so we have in the land (Australia), … where birds (the Wattle bird) … trees of coral (the Coral Tree) … the Red Emperor (A Barrier Reef fish) … where depth is left to chance … (a reference to the tidal swimming pool at Gerringong on the NSW South Coast).
This is all explained more fully in Dr Flateau’s book. I suppose I am also a struggling ‘closet’ cryptic crossword solver!
> Which painters have influenced you throughout your career?
I am quite eclectic in regards to being influenced by or being interested in other artists. From Giotto and Cimabue through the early compositional style of Titian to the major players of the early British modernist painters such as Spencer, Bomberg, Wadsworth, Wyndham-Lewis, Nevinson and the South Australian painter Henry Lamb, another war artist and close friend of Spencer.
> Do you have a favourite medium to work with?
I mainly paint in oils, as I prefer their flexibility through slowness of drying and depth of colour.
I also work in gouache and soft pastels.
> What advice would you give to upcoming artists?
For upcoming artists I would suggest that they be prepared for a lot of work; developing a work ethic is the number one priority, putting the hours in to develop their technical facility as well as their conceptual base, and don’t be pressured into exhibiting too early if you are not prepared for it.
In the early days concentration should be made on learning your trade, not building up a facile exhibition resumé. [’Cuthbert makes large narrative pictures that tell socially incisive stories whose manifold meanings encourage thought and discussion. ‘]
Publishing details: Orange Regional Gallery, Orange 2009 26.0 x 23.5cms, 112pp, colour illusts., paperback with French flaps
Ref: 1009

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Cuthbert Neil

Reference: Cuthbert: The Painter's Progress: A Survey Of The Paintings Of Neil Cuthbert by Flatau, Andrew (text) & Neil Cuthbert (paintings) [from http://manninggreatlakes.focusmag.com.au/neil-cuthbert/ - The Painter’s Progress has been labelled as the most important travelling exhibition of the year. Dubbo artist Neil Cuthbert sat down to discuss the works on show and his life as an artist.
When did your interest in painting start?
I have always drawn and painted. My grandfather was pretty good with pen and ink, and my father continues to draw in pencil a lot. I suppose the longest break I had from the practice was during the longer overseas voyages when I was in the British Merchant Navy from 1975 to 1980. However, the interest was rekindled after I joined the Commonwealth Lighthouse Service in 1980.
The ship I sailed on was the MV Cape Moreton, and we used to service the navigational aids through the Barrier Reef, up to the Torres Strait and round into the Gulf of Carpentaria.
With many days at anchor at various locations, it seemed a good time to take up drawing and painting again … and so continuing after I left the sea in 1990, I took up full time study at university.
> How would you describe the exhibition on show at the Manning Regional Gallery?
The exhibition of works at the Manning Regional Gallery can be considered as a ‘Survey’ show; that is, they represent my arts practice over a period of years, from about 1990. Some of the earlier pieces were produced while I was at TAFE and university and as my output has been pretty constant over the years, they represent the evolution of a practice as a painter.
This exhibition thus demonstrates the manner in which my painting style has changed over the years – the changing and maturing use of colour, texture and pictorial space. Also, the way in which the subjected matter changes from an early autobiographical base to a wider examination and appreciation of who we are and the way we live … I suppose, the ’human condition’, although that term seems a little over used today.
These works have both simple and complex narrative structures that are derived from personal experience – particularly from those of travel and relocation. They have also been fuelled from great stories of the past, both the Old and New Testaments, a continuing interest in ornithology,  and from the greatest traditions of western art,  (including literature) from the early renaissance up to the twentieth century British Moderns.
> Do you have a favourite piece in the collection?
With regard to a favourite, that is difficult to answer. I’ve been asked, “Do you think the earlier paintings are not as good as the later or recent ones?”
All the paintings are equally important, as it is through the trials and struggles of the earlier pieces that I am able to arrive at where I am today. So each work has its role to play. I suppose if I had to pick one, then it would be ‘A Murder of Crows’. This large piece was a finalist in the 2006 Kilgour prize, organised by the Newcastle Regional Gallery and a favourite because it is a ‘springboard’ to the next evolutionary period in my work.
I often describe my progress as one of a series of ‘plateaus and cliffs’. In the early days you learn a lot in a very short time, so you spend a short while on the ‘plateau’ before you jump up the next ‘cliff’ to a new learning level.
These days I spend about 2-3 years on a plateau before gaining the next level, due to the much higher levels that I work at. So the Murder of Crows is there at the top of one of those ‘cliffs’ and thus setting me up for that next level.

Neil Cuthbers art
> Your exhibition has been very well received. Did you expect this success?
Did I expect the success of the exhibition? I have been working hard for many years now, fitting my painting practice alongside my teaching work at Orange TAFE, so recognition from a wider public is always well received. I am indebted to a few ‘hard core’ collectors who have major collections of my work and who have followed me when I have exhibited through Artarmon Galleries in Sydney.
The success of the exhibition here in Orange at the Regional Gallery was extremely pleasing. The Director Alan Sisley and the gallery staff have been extremely supportive and were able to extend the exhibition period by a couple of weeks, due to the kind gesture of Salvatore Zofre, who postponed the opening date of his show at the gallery so that I was able to get that extension.
The success of the show was also made all the more possible by the excellent curatorship of Dr Andrew Flateau, author of the accompanying book to the show: ‘Cuthbert – A Painter’s Progress’.
A ‘successful’ exhibition is not to be taken for granted; however, I was aware of a ‘rising tide’ of interest in the show prior to its opening.
> The subjects of your works varies between each piece. Where does your inspiration come from?
Where do the ideas come from? I suppose fundamentally from human nature – who we are as individuals and our relationships with others. The early works were quite autobiographical, dealing with my migration from the United Kingdom to Australia. However, having worked through that process, I now look at ‘Everyman’ – so to speak.
This is where an interest in Old and New Testament stories developed and their reflections on human behaviour, actual or suggested.
For example, the painting titled ‘Captain Brillo sees the Light’ is based upon a ‘road to Damascus conversion’. This was a follow up painting from the previous work ‘The Shooting Party’.
The name Brillo is my reference for light, derived from ‘brilliance’. His rank, from the early comic book characters i.e. ‘Captain Africa.’ It’s all a play on words, just as many of the other titles are.
Other subjects are derived from word lists that I put together that represent geographical places, both here and in England.
For example, ‘In the land where birds nest in trees of coral and where the red emperor navigates through pools where depth is left to chance’, so we have in the land (Australia), … where birds (the Wattle bird) … trees of coral (the Coral Tree) … the Red Emperor (A Barrier Reef fish) … where depth is left to chance … (a reference to the tidal swimming pool at Gerringong on the NSW South Coast).
This is all explained more fully in Dr Flateau’s book. I suppose I am also a struggling ‘closet’ cryptic crossword solver!
> Which painters have influenced you throughout your career?
I am quite eclectic in regards to being influenced by or being interested in other artists. From Giotto and Cimabue through the early compositional style of Titian to the major players of the early British modernist painters such as Spencer, Bomberg, Wadsworth, Wyndham-Lewis, Nevinson and the South Australian painter Henry Lamb, another war artist and close friend of Spencer.
> Do you have a favourite medium to work with?
I mainly paint in oils, as I prefer their flexibility through slowness of drying and depth of colour.
I also work in gouache and soft pastels.
> What advice would you give to upcoming artists?
For upcoming artists I would suggest that they be prepared for a lot of work; developing a work ethic is the number one priority, putting the hours in to develop their technical facility as well as their conceptual base, and don’t be pressured into exhibiting too early if you are not prepared for it.
In the early days concentration should be made on learning your trade, not building up a facile exhibition resumé. [’Cuthbert makes large narrative pictures that tell socially incisive stories whose manifold meanings encourage thought and discussion. ‘]

Publishing details: Orange Regional Gallery, Orange 2009 26.0 x 23.5cms, 112pp, colour illusts., paperback with French flaps

Location: 1009

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Murch Arthur Aboriginal portrait 1934view full entry

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]
Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

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Murch Arthur Aboriginal portrait 1934

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]

Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

Location:

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Raynor Harry 2 Aboriginal portraitsview full entry

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]
Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

×

Raynor Harry 2 Aboriginal portraits

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]

Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

Location:

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Mockridge A T watercolour Batman meeting Aboriginesview full entry

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]
Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

×

Mockridge A T watercolour Batman meeting Aborigines

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]

Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

Location:

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Young Blamire cover for Lone Handview full entry

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]
Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

×

Young Blamire cover for Lone Hand

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]

Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

Location:

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Berner Yosl Aborigines in Fitzroy 1941view full entry

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]
Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

×

Berner Yosl Aborigines in Fitzroy 1941

Reference: Recognition: Percy Leason's Aboriginal Portraits, by Michael D Galimany. Includes essay by Sylvia Kleinert on ‘The Politics of Portraiture’. [’In 1934 Percy Leason (1889-1959) was commissioned by Melbourne University to paint a series of portraits of Australian Aborigines. This catalogue accompanied a major exhibition of these portraits whose objectivity-the way in which the artist sought truth in the faces of his subjects-allowed them to transcend their original context in time and speak to a modern generation.’]

Publishing details: 1999. National Portrait Gallery, Australia. Softback. Profuse colour & b/w plates & illus.

Location:

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New Zealand artview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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New Zealand art

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

Location:

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Aldis Albert Edward 1879-1921view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Aldis Albert Edward 1879-1921

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Allen Jim (William Robert) b1922view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Allen Jim (William Robert) b1922

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Allom Albert James 1831 -1919view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Allom Albert James 1831 -1919

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Allen John b1948view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Allen John b1948

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Angas George Frenchview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Angas George French

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

Location:

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Armitage David b1943view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Armitage David b1943

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Atcherley Henry Mount Langton d1901view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Atcherley Henry Mount Langton d1901

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Atkinson Robert 1863-c1896view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Atkinson Robert 1863-c1896

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Babbage Herbert Ivanview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Babbage Herbert Ivan

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Backhouse John Philemon 1845-1908view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Backhouse John Philemon 1845-1908

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Balfour James Lawson 1870-1966view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Balfour James Lawson 1870-1966

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Barnes W Rodneyview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Barnes W Rodney

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Beere Gerald Butlerview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Beere Gerald Butler

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

Location:

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Begg Samuel 1854-1919view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Begg Samuel 1854-1919

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

Location:

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Benham Malcolmview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Benham Malcolm

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

Location:

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Binzer William c1850-view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Binzer William c1850-

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Bowring Walter Armiger 1874-1931view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Bowring Walter Armiger 1874-1931

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

Location:

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Bracey Tedview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Bracey Ted

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

Location:

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Butler George Edmund 1872-1936view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Butler George Edmund 1872-1936

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Carkeek Helene b1937view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Carkeek Helene b1937

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Chevalier Nicholas 1828-1902view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Chevalier Nicholas 1828-1902

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Christmas Ernest Williamview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Christmas Ernest William

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Cook Alfred Herbertview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Cook Alfred Herbert

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Cook James (William Edward)view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Cook James (William Edward)

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Collahan Kate or Cateview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Collahan Kate or Cate

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Dalgarno Roy b1910view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Dalgarno Roy b1910

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Docking Shay 1928-98view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Docking Shay 1928-98

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Earle Augustus 1793-1838view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Earle Augustus 1793-1838

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Eastwood William 1821-77view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Eastwood William 1821-77

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Ellis Frances 1900-71view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Ellis Frances 1900-71

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Evans Frederick Owen Sir 1815-85view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Evans Frederick Owen Sir 1815-85

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Foster Charles William 1840-1920view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Foster Charles William 1840-1920

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Fristrom Claus Edward 1864-1950view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Fristrom Claus Edward 1864-1950

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Gascoigne Rosalie nee Walker 1917-99view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Gascoigne Rosalie nee Walker 1917-99

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Gilfillan John Alexander 1793-1864view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Gilfillan John Alexander 1793-1864

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Gouldsmith Edmund Thomas 1852-1932view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Gouldsmith Edmund Thomas 1852-1932

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Green Tom b1913view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Green Tom b1913

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Greene William 1872-1925view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Greene William 1872-1925

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Hammon G Hamilton fl 1880-1910view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Hammon G Hamilton fl 1880-1910

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Higgs Avis b1918view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Higgs Avis b1918

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Higgs Sydney Hamlet 1884-1978view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Higgs Sydney Hamlet 1884-1978

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Hodges William 1744-97view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Hodges William 1744-97

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Hoyte John Barr Clarke 1835-1913view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Hoyte John Barr Clarke 1835-1913

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeans Eana Blythe 1890-1986view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeans Eana Blythe 1890-1986

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeans Blanda c1857-1911 see Eana Jeansview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeans Blanda c1857-1911 see Eana Jeans

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeffreys Ellen Penelope nee Valpy 1827-1904view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeffreys Ellen Penelope nee Valpy 1827-1904

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeffreys Ellen Penelope nee Valpy 1827-1904view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Jeffreys Ellen Penelope nee Valpy 1827-1904

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Joel Graceview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Joel Grace

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Johnson W Robert 1890-1964view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Johnson W Robert 1890-1964

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Kirkwood Harry (Henry William) 1854-1925view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Kirkwood Harry (Henry William) 1854-1925

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Knight Gwen 1888-1974view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Knight Gwen 1888-1974

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Koglmeier Siegfried b1953view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Koglmeier Siegfried b1953

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Lauverne Bartlelemy 1805-71view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Lauverne Bartlelemy 1805-71

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Liardet Wilbraham Frederick Evelyn 1799-1878view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Liardet Wilbraham Frederick Evelyn 1799-1878

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Lloyd Henry Grant 1829-1904view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Lloyd Henry Grant 1829-1904

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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McCormack Thomas Arthur 1883-1973view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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McCormack Thomas Arthur 1883-1973

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Loxton John S 1903-69view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Loxton John S 1903-69

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Macky E Spencer 1880-1958view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Macky E Spencer 1880-1958

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Mayo Dame Eileen Rosemary 1906-94view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Mayo Dame Eileen Rosemary 1906-94

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Meeson Dora 1869-1955view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Meeson Dora 1869-1955

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Meyron Charles 1821-68view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Meyron Charles 1821-68

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Miller Godfrey 1893-1964view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Miller Godfrey 1893-1964

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Monkhouse Thomas Stewart 1828-1920view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Monkhouse Thomas Stewart 1828-1920

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Moore-Jones Horace Millichamp 1868-1922view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Moore-Jones Horace Millichamp 1868-1922

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Moultray John Elder 1865-1922view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Moultray John Elder 1865-1922

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Nerli Girolamoview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Nerli Girolamo

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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North Marianne 1830-90view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

North Marianne 1830-90

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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O’Brien George 1821-88view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

O’Brien George 1821-88

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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O’Connor Kate 1876-1968view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

O’Connor Kate 1876-1968

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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O’Keefe Alfred Henry 1858-1941view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

O’Keefe Alfred Henry 1858-1941

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Parkinson Sydney c1745-71view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Parkinson Sydney c1745-71

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Payton Edward William 1859-1944view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Payton Edward William 1859-1944

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Peele James 1846-1905view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Peele James 1846-1905

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Peerless Thomasview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Peerless Thomas

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Porter Frederick James 1883-1944view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Porter Frederick James 1883-1944

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Power Harold Septimus 1878-1951view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Power Harold Septimus 1878-1951

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Pritchard George Thompson 1878-1962view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Pritchard George Thompson 1878-1962

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Raworth William Henry 1821-1904view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Raworth William Henry 1821-1904

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Robertson Thomas Captain ?1819-75view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Robertson Thomas Captain ?1819-75

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Rowe George Curtis Fawcett 1832-89 AKA George Fawcett to distinguish himself from father George Fawcett Roweview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Rowe George Curtis Fawcett 1832-89 AKA George Fawcett to distinguish himself from father George Fawcett Rowe

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Schoon Theoview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Schoon Theo

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Schoon Theoview full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Schoon Theo

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Scott James Fraser 1877-1932view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Scott James Fraser 1877-1932

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Sharpe Alfred 1836-1908view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Sharpe Alfred 1836-1908

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Shaw George Baird 1812-83view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Shaw George Baird 1812-83

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Sheriff George 1846-1930view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Sheriff George 1846-1930

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Sherwood Maud Winifred nee Kimbell 1880-1956view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Sherwood Maud Winifred nee Kimbell 1880-1956

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Stewart Helen 1900-83view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Stewart Helen 1900-83

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Strutt William 1825-1915view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Strutt William 1825-1915

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Sturtevant George W died c 1903view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Sturtevant George W died c 1903

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Swainson William 1789-1855view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Swainson William 1789-1855

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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van der Velden Petrus 1837-1913view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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van der Velden Petrus 1837-1913

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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von Guerard Eugene 1811-1901view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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von Guerard Eugene 1811-1901

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wadham William Joseph 1864-1950view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wadham William Joseph 1864-1950

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wakelin Roland Shakespeare 1887-1971view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wakelin Roland Shakespeare 1887-1971

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wall Edith b1904view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wall Edith b1904

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Walsh Alfred Wilson 1859-1916view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Walsh Alfred Wilson 1859-1916

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Webber John 1751-93view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Webber John 1751-93

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Weld Frederick Aloysius Sir 1823-91view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Weld Frederick Aloysius Sir 1823-91

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wheeler Charles 1881-1977view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Wheeler Charles 1881-1977

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Wilson Laurence William c1850-1912view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Wilson Laurence William c1850-1912

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Younghusband Adele Mar 1878-1969view full entry

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.
Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

×

Younghusband Adele Mar 1878-1969

Reference: see The Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors, by Kate McGahey. This artist is listed in the Concise Dictionary of New Zealand Artists, Painters, Printmakers, Sculptors and has an Australian connection.

Publishing details: Gilt Edge Publishing, Wellington, New Zealand, 2000, pb, 296pp

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Stuthridge Alan Mitchellview full entry

Reference: won consolation prize FORTUNA DRAWING COMPETITION, 1945, see The Advertiser (Adelaide, SA : 1931 - 1954)
Sat 15 Dec 1945, Page 14, Rolf Harris also won a consolation prize. Address given as Box 3922 GPO., Sydney.

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Stuthridge Alan Mitchell

Reference: won consolation prize FORTUNA DRAWING COMPETITION, 1945, see The Advertiser (Adelaide, SA : 1931 - 1954)
Sat 15 Dec 1945, Page 14, Rolf Harris also won a consolation prize. Address given as Box 3922 GPO., Sydney.

Publishing details:

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Ngarra (c.1920-2008)view full entry

Reference: Ngarra: The Texta Drawings [’mesmerising collection of texta drawings by one of remote Australia's most significant artists. The works in Ngarra: The Texta Drawings capture an extraordinary artist's unfolding career. Ngarra (c.1920-2008) grew up in the bush under the tutelage of his grandparents, gaining an extraordinary knowledge of country and law from this band of defiant refugees, displaced on their own land by the incursions of the cattle industry. As a young man, Ngarra began a long and successful career as a cattleman. When station life slackened during the wet season, he would walk the country, attending to the ceremonies of life, death and the afterlife. Ngarra was the senior lawman for ceremonies throughout a vast swathe of the Kimberley. Turning to art in 1994, Ngarra developed an electrifying and sophisticated style of painting and drawing, producing works in ochre, acrylic and texta. Soon honoured with a solo exhibition at the Western Australian Museum, he exhibited widely throughout Australia and internationally. A brilliant colourist and a great inventor of form, Ngarra boldly combined his unparalleled cultural knowledge with a unique artistic vision.
In his works, Ngarra transforms elements of his traditional culture and the colonial frontier into powerful visual and political statements. Ngarra: The Texta Drawings is the first monograph on the artist's work, and the first publication by Mossenson Art Foundation. A further book on Ngarra's paintings is forthcoming.’]

Publishing details: Mossenson Art Foundation, 2015,
Pages: 176

Ref: 1000

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Ngarra (c.1920-2008)

Reference: Ngarra: The Texta Drawings [’mesmerising collection of texta drawings by one of remote Australia's most significant artists. The works in Ngarra: The Texta Drawings capture an extraordinary artist's unfolding career. Ngarra (c.1920-2008) grew up in the bush under the tutelage of his grandparents, gaining an extraordinary knowledge of country and law from this band of defiant refugees, displaced on their own land by the incursions of the cattle industry. As a young man, Ngarra began a long and successful career as a cattleman. When station life slackened during the wet season, he would walk the country, attending to the ceremonies of life, death and the afterlife. Ngarra was the senior lawman for ceremonies throughout a vast swathe of the Kimberley. Turning to art in 1994, Ngarra developed an electrifying and sophisticated style of painting and drawing, producing works in ochre, acrylic and texta. Soon honoured with a solo exhibition at the Western Australian Museum, he exhibited widely throughout Australia and internationally. A brilliant colourist and a great inventor of form, Ngarra boldly combined his unparalleled cultural knowledge with a unique artistic vision.
In his works, Ngarra transforms elements of his traditional culture and the colonial frontier into powerful visual and political statements. Ngarra: The Texta Drawings is the first monograph on the artist's work, and the first publication by Mossenson Art Foundation. A further book on Ngarra's paintings is forthcoming.’]

Publishing details: Mossenson Art Foundation, 2015,
Pages: 176

Location: 1000

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After 200 Yearsview full entry

Reference: After 200 Years - Photographic Essays of Aboriginal and Islander Australia Today. Edited by Penny Taylor for the Australian Institute of Aboriginal Studies. ‘This book was the result of a project that sent 20 Indigenous and non-Indigenous photographers into Indigenous communities between 1985 and 1988 to document the diversity of Aboriginal and Torres Strait Islander life in Australia 200 years after European colonisation’.

Publishing details: Cambridge University Press, 1989, 358 pages and black and white photographs throughout. Published in Association with Aboriginal Studies Press.
Ref: 1000

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After 200 Years

Reference: After 200 Years - Photographic Essays of Aboriginal and Islander Australia Today. Edited by Penny Taylor for the Australian Institute of Aboriginal Studies. ‘This book was the result of a project that sent 20 Indigenous and non-Indigenous photographers into Indigenous communities between 1985 and 1988 to document the diversity of Aboriginal and Torres Strait Islander life in Australia 200 years after European colonisation’.

Publishing details: Cambridge University Press, 1989, 358 pages and black and white photographs throughout. Published in Association with Aboriginal Studies Press.

Location: 1000

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photographyview full entry

Reference: see After 200 Years - Photographic Essays of Aboriginal and Islander Australia Today. Edited by Penny Taylor for the Australian Institute of Aboriginal Studies. ‘This book was the result of a project that sent 20 Indigenous and non-Indigenous photographers into Indigenous communities between 1985 and 1988 to document the diversity of Aboriginal and Torres Strait Islander life in Australia 200 years after European colonisation’.

Publishing details: Cambridge University Press, 1989, 358 pages and black and white photographs throughout. Published in Association with Aboriginal Studies Press.

×

photography

Reference: see After 200 Years - Photographic Essays of Aboriginal and Islander Australia Today. Edited by Penny Taylor for the Australian Institute of Aboriginal Studies. ‘This book was the result of a project that sent 20 Indigenous and non-Indigenous photographers into Indigenous communities between 1985 and 1988 to document the diversity of Aboriginal and Torres Strait Islander life in Australia 200 years after European colonisation’.

Publishing details: Cambridge University Press, 1989, 358 pages and black and white photographs throughout. Published in Association with Aboriginal Studies Press.

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Watling, Thomas (b.1762)view full entry

Reference: Letters from an exile at Botany Bay to his aunt in Dumfries, Giving A Particular Account Of The Settlement Of New South Wales, With The Customs And Manners Of The Inhabitants, by Thomas Watling . [Letters written by Thomas Watling to his aunt, Marion Kirkpatrick.]
Publishing details: Penrith : Printed by Ann Bell, [1794] (Ferguson, 201), iv, 23 leaves ; 23 cm. [Only 2 known copies. A University of Sydney transcription and printout is in Scheding Library]
Ref: 2

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Watling, Thomas (b.1762)

Reference: Letters from an exile at Botany Bay to his aunt in Dumfries, Giving A Particular Account Of The Settlement Of New South Wales, With The Customs And Manners Of The Inhabitants, by Thomas Watling . [Letters written by Thomas Watling to his aunt, Marion Kirkpatrick.]

Publishing details: Penrith : Printed by Ann Bell, [1794] (Ferguson, 201), iv, 23 leaves ; 23 cm. [Only 2 known copies. A University of Sydney transcription and printout is in Scheding Library]

Location: 2

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Australian gardensview full entry

Reference: Cultivating Modernism: Reading the Modern Garden, 1917-71 - Richard Aitken
Publishing details: Miegunyah, 2013
Ref: 1000

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Australian gardens

Reference: Cultivating Modernism: Reading the Modern Garden, 1917-71 - Richard Aitken

Publishing details: Miegunyah, 2013

Location: 1000

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ANGAS CHARLESview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 180; Lindsay Park, South Australia.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

ANGAS CHARLES

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 180; Lindsay Park, South Australia.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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ARMSTRONG Miss E Cview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 21;Adelaide, S.A.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

ARMSTRONG Miss E C

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 21;Adelaide, S.A.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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ASHTON Julian Rview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 26, 28, 44, 64, 85, 9!, 129, 154, 185,
210, 218, 251, 252, 253, 320, 334, 335, 345, 355; The Society of Artists, Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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ASHTON Julian R

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 26, 28, 44, 64, 85, 9!, 129, 154, 185,
210, 218, 251, 252, 253, 320, 334, 335, 345, 355; The Society of Artists, Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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ASHTON J HOWARD view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 288, 298.
The Society of Artists, Sydney.


Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

ASHTON J HOWARD

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 288, 298.
The Society of Artists, Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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BAKER Miss ASQUITH view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 287; Chancery Lane, Melbourne.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

BAKER Miss ASQUITH

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 287; Chancery Lane, Melbourne.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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BENNETT J A view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 112, 133, 138; Art Society of N.S.W., Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

BENNETT J A

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 112, 133, 138; Art Society of N.S.W., Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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BOYD Mrs A. M (probably Emma Minnie)view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 65,114. Brighton, Victoria.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

BOYD Mrs A. M (probably Emma Minnie)

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 65,114. Brighton, Victoria.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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BOYD A M view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 115. Brighton, Victoria.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

BOYD A M

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 115. Brighton, Victoria.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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BUCKSTONE Mrs. A F view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 361, 363.
Brighton, Victoria.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

BUCKSTONE Mrs. A F

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 361, 363.
Brighton, Victoria.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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CHAPPLE ARTHURview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 148.
Petersham, Sydney.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

CHAPPLE ARTHUR

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 148.
Petersham, Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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COCKS R SIDNEY view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 119, 125, 171, 175. Kiama, N.S.W.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

COCKS R SIDNEY

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 119, 125, 171, 175. Kiama, N.S.W.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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Coffey Alfred Rview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 177, 332.
Art Society of N.S.W., Sydney
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

Coffey Alfred R

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 177, 332.
Art Society of N.S.W., Sydney

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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Collingridge Arthurview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 180, 348
Art Society of N.S.W., Sydney
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

Collingridge Arthur

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 180, 348
Art Society of N.S.W., Sydney

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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Combes Miss Hview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 341, Glanmire Hall, Glanmire, N.S.W.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

Combes Miss H

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 341, Glanmire Hall, Glanmire, N.S.W.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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Commons D Gview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist:
179. Department of Works, Sydney.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

Commons D G

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist:
179. Department of Works, Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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CONDER CHAS. view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 295, 311.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

CONDER CHAS.

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 295, 311.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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COUTTS GORDON view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 38, 45, 294. Art Society of N.S.W., Sydney.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

COUTTS GORDON

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 38, 45, 294. Art Society of N.S.W., Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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COWAN Miss THEO view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 230, 268.The Society of Artists, Sydney.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

COWAN Miss THEO

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 230, 268.The Society of Artists, Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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CUSACK Miss ALINEview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 285, 321. Art Society of N.S.W., Sydney
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

CUSACK Miss ALINE

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 285, 321. Art Society of N.S.W., Sydney

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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CUSACK Miss EDITH E view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 36, 120, 281, 331, 342. Art Society of N.S.W., Sydney.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

CUSACK Miss EDITH E

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 36, 120, 281, 331, 342. Art Society of N.S.W., Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

Location:

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DAPLYN A. J view full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 93, 144, 276. Art Society, of N.S.W., Sydney.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

×

DAPLYN A. J

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 93, 144, 276. Art Society, of N.S.W., Sydney.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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DAVIES DAVIDview full entry

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 39,105. North Terrace, St. Ives, Cornwall. AND 58, 111, Melbourne, Victoria.
Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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DAVIES DAVID

Reference: Grafton Gallery Exhibition London 1898, Exhibition of Australian art in London 2nd April to 7th May - 30th July 1898. Grafton Gallery Exhibition, London (promoted by The Trustees of the National Art Gallery of New South Wales). Addresses of some artists provided. Catalogue number/s (and address if provided) for this artist: 39,105. North Terrace, St. Ives, Cornwall. AND 58, 111, Melbourne, Victoria.

Publishing details: Grafton Galleries, Grafton Street, London, 1898. 64p. ; 22 cm.

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