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The Scheding Index of Australian Art & Artists

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WEPPNER, Ralph (1903-view full entry
Reference: WEPPNER, Ralph (1903-
'Don Featherstone' ? bw DAAC p.65
'Herbert Carstens' ? bw DAAC p.58
'Untitled' ? bw DAAC p.67
'Untitled' ? bw DAAC p.68

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WERNER, Baynard (1930-view full entry
Reference: WERNER, Baynard (1930-
'Dropout' screenprint bw MCWA p.104
'Green Ideas Sleep Furiously' screenprint col MCWA p.105
'Suburban' screenprint bw WDAP p.27

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WERNER (ROZENTALS), Zigrida (1941-view full entry
Reference: WERNER (ROZENTALS), Zigrida (1941-
'Anemones of the Wind' ink bw SLAA p.256
'Head of Girl' ink bw SLAA p.256
'Water Spirits' ink bw SLAA p.256

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WERTHER, Frank (1922-view full entry
Reference: WERTHER, Frank (1922-
'River Bend' etch/aqua bw WDAP p.27

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WEST, Michael (1915-view full entry
Reference: WEST, Michael (1915-
'Other People's Gardens' litho bw WDAP p.27

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WESTALL, William (1781-1850)view full entry
Reference: WESTALL, William (1781-1850)
'Arnhem Land, A View on the North-East Coast' penc bw FAOP
'Banksia' penc bw RFBE p.11
'Bay on the South Coast of New Holland, January 1802' oil col CCEP p.17 (fig.9)
'Blue Mud Boy -- Body of a Native Shot on Morgan's Island' penc bw DWOB pl.18
'Cape Wilberforce Australia...' oil colour print by George Baxter bw AART no.15
'Cape Wilberforce Australia...' oil colour print by George Baxter col FAOP p.61
'Cliffs, Distant 5 or 6 miles...' engr bw SEVA pl.102
'Coastal Views of Seal Island in King George's Sound...' engr bw SEVB p.192
'Coastal Views of the Entrance of Port Phillip and Cape Schanck' engr bw SEVB p.191
'Copy of Aboriginal Painting at Chasm Island...'penc & wash bw SEVB p.195
'Grass Trees (Xanthorrhoea)' penc bw SEVB p.194
'Gulf of Carpentaria: Native Plant' penc bw JBAR no.1
'Hawkesbury River' ? bw REAA p.70
'Hawkesbury River (Second View)' ? bw REAA p.86
'Hawkesbury River: View Number 11, Eucalyptus' penc bw LANC p.106
'Ideal View of Wreck Reef' ? bw REAA p.71
'Indian River Scene with Boats, Steps and Temples' wc col DACM no.2
'Indian Temple with Steps Leading Down to the River' wc col DACM no.1
'The Island of Timor' wc col TOAA pl.3
'Kangaroo Island, from the South Side' ? bw MSAA 22
'King George's Sound: A Native' penc bw CCEP fig.7
'King George's Sound: Part of Oyster Harbour' penc & wash bw CCEP fig.3
'King George's Sound: View from Peak Head, Mistaken Isle, Point Possession' penc & wash bw CCEP fig.5
'King George's Sound: View from the North-West' penc & wash bw CCEP fig.4
'King George's Sound: View of the Peninsula to the North of Peak Head' penc & wash bw CCEP fig.2
'King George's Sound, Western Australia' ? bw REAA p.87
'Lucky Bay' penc & wash bw CCEP fig.8
'Lucky Bay, on the South Coast of New Holland' ? bw REAA p.87
'Middle Island: View North to Cape Arid' penc bw CCEP fig.10
'A Native of Port Jackson' penc bw SEVB p.194
'A Native of Port Jackson' ? bw REAA p.70
'Part of King George III Sound...' oil col CCEP p.2 (fig.6)
'Picking up Stragglers from the "Cato" off Wreck Reef' ? bw REAA p.71
'Port Jackson' wc col MEAC pl.55
'Port Jackson, 1804' wc bw BSAA no.7
'Port Jackson: A Native' penc bw DWOB pl.17
'Port Jackson. View of Sydney from South Head' wc col GCPA
'Port Jackson. View of Sydney from South Head' wc col GAPA
'Port Jackson. View of Sydney from South Head' (detail) wc bw GCPA p.84
'Port Jackson. View of Sydney from South Head' (detail) wc bw GAPA p.93
'Port Jackson. View of Sydney South Head' wc bw CAWP p.16
'Port Jackson; View Westward toward the Blue Mountains' penc bw SLAB p.115
'Soldiers with Cannons on a Mountain Pass, India' wc bw AUPC no.1
'View in Sir E. Pelew's Group, Gulph of Carpentaria' ? bw SAPA p.8
'View in the Gulf of Carpentaria' ? bw REAA p.86
'View of North Side of Kangaroo Island' ? bw BOAP p.10
'View of Port Bowen' oil bw BIIO p.24
'View of Port Bowen' engr by L. Scott bw SEVA pl.104
'View of Port Bowen in Queensland' oil bw SEVB p.193
'View of Sir Edward Pellew's Group, Gulf of Carpentaria' (detail) oil col SEVB pp.208-209
'View of Wreck Reef Bank, 1802' ? bw MSAA 67
'View of Wreck Reef Bank Taken at Low Water' oil bw SEVB
'View on the Hawkesbury River' wc bw JBAP no.1
'View on the Island of Timor' wc bw JBAG no.1
'View on the North Side of Kangaroo Island' wood engr bw BIIO p.96
'View on the North Side of Kangaroo Island' engr by Woolnoth bw LAND p.2
'View on the North Side of Kangaroo Island' engr by W. Woolnoth bw SEVA pl.103
'The Wreck of the Porpoise' penc bw TOAA pl.146

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WESTGATE, Noel (1936-view full entry
Reference: WESTGATE, Noel (1936-
'Shades of the Past' ? col NAA3 p.108

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WESTMACOTT, Robert Marsh (working 1840s)view full entry
Reference: WESTMACOTT, Robert Marsh (working 1840s)
'Road from Emu Plains...' litho by W. Sprecht bw SLAB p.49

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WESTON, Barry (1949-view full entry
Reference: WESTON, Barry (1949-
'The Difference Between Tactile and Visual' screenprint bw WDAP82 p.44

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WESTON, Harry (1874- ? )view full entry
Reference: WESTON, Harry (1874- ? )
[Examples of commercial work] bw CGFL pp.24-25,49-53
'The Road Hogs' ? bw MBAA fp.132

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WESTON, Neville (1936-view full entry
Reference: WESTON, Neville (1936-
'Florentine Street Scene' oil col GAGB p.580

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WESTWOOD, Bryan (1930-view full entry
Reference: WESTWOOD, Bryan (1930-
'Brian Dunlop at Ebenezer' oil bw JBBF no.218
'Centennial Park' oil col LALA p.73
'Five Shells on a White Cloth' oil bw JBBE no.199
'Indiana's Violin and Other Things' ? bw JBBD no.177
'Morning Paddington' ? col BHP p.1
'Morning, Paddington I' ? col HAAP p.17
'Morning, Surry Hills' wc bw JBBF no.216
'Mrs. Dunlop at Ebenezer' oil col TAAD p.81
'Paper Flowers on the Wall' oil col SAPT p.110
'Roadsign, Redfern' oil bw JBAM no.48
'Self-portrait Wearing engr Apron' oil col BMAP75 p.31
'Self-portrait Wearing engr Apron' oil col GAGA fp.55
'Sketch for Shell for Portrait of Paul Jones' oil bw JBAS no.70
'Storm Going Away, Centennial Park' oil col BMAP p.173
'Study for George Street North' wc bw JBBF no.217

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHAITE, Lyndonview full entry
Reference: WHAITE, Lyndon
[Examples of commercial work] ? bw CGFL pp. 112-114

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHEATLEY, Francis (working 1876)view full entry
Reference: WHEATLEY, Francis (working 1876)
'Governor Phillip' oil col MGSL front cover
'The pioneer (detail) mezzotint by H. Macbeth-Raeburn bw HLTW no.5

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHEELER, ?view full entry
Reference: WHEELER, ?
'Looking Down on the Settlement from Ten Foot Hill' ? bw MAAG p. 130

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHEELER, Charles (1881-1977)view full entry
Reference: WHEELER, Charles (1881-1977)
'Ambrose Pratt' oil bw APAI p.218
'The Bathers' oil bw JBBA no.75
'Captain Charles Sturt' oil bw HLTW no.72
'In the Bois de Boulogne' oil bw CIPA no.47
'J S MacDonald, Esq.' (portrait) ? bw MSAA 215
'Life Study' charc bw HAPF p.20
'Myself at the Easel' pastel col TBAC no.41
'Portrait in Black and Rose' oil bw JBAX no.54
'Portrait of J S McDonald, Esq.' ? bw RFYA p.70
'The Rock Pool' oil bw JBAX no.53
'Scamander Beach, Tasmania' oil bw APCI no.44
'Self Portrait' oil bw MEAC ill.31
'Self Portrait' bw RFYA p.60
'Summer Moon' oil bw JBAX no.52
'Summer, Scamanda Beach' oil bw AUPA no.60
'The Surfers' oil col JBBF no.97
'Winter Morning. Trawool' oil bw UMEG p.26

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHEELER, Joseph (working 1864)view full entry
Reference: WHEELER, Joseph (working 1864)
'View in Castlemaine Market Square and Mostyn Street' wood engr bw PEGF no.80

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHINNEN, George (1891-1950)view full entry
Reference: WHINNEN, George (1891-1950)
'Autumn Flowers' oil bw NGSA np

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHISSON, Ken (1927-view full entry
Reference: WHISSON, Ken (1927-
'Above Balmain - Flag of My Disposition No 5' oil bw APCC no.69
'Above Balmain - Flag of My Disposition No.5' acry col PERA pl.alpha
'Across the Table into Tuscany' ? col PARB p.170
'Across the Table into Tuscany' oil bw RRAP p.87
'Animals and Bright Cloud' oil col BMAP p.112
'Animals and Bright Cloud' oil col OMTC p.52
'City and Country Landscape' oil bw PERA p.154
'City and Country Landscape' oil bw PARA p.86
'Country Sleep' oil bw PERA p. 1 55
'Dark Sail' oil col CYOH p.52
'The Drummer' oil col SAPT p.111
'Domestic Machine' oil bw OMTC p.53
'Figure, Houses, Chimneys, Rooves' oil bw PERB p. 135
'Flag for the Red Brigadoo and the Hudson Institute' oil col BMAP75 p.79
'Jean's Farm' oil col MEAC pl.57
'Jean's Farm' oil col PMAA p.4
'Jean's Farm' oil col RRAP p.24
'The Party' oil bw APCC no.49
'Portrait in a Mirror' ? bw MEAA p.649
'Pub Conversation' oil col BMAP p.192
'Tobias and the Angel' oil bw CBPR p.22
'Tobias and the Angel' ink bw RFBE p.58

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITCOMBE, Thomas (working 1798)view full entry
Reference: WHITCOMBE, Thomas (working 1798)
'Britannia in Sydney Cove' oil col MSHP p.6
'The Ship "Harriet" in Tor Bay' oil bw HLTW no.7

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, J. C. (working 1833)view full entry
Reference: WHITE, J. C. (working 1833)
'"Sophia Jane" Steamer Taking on Coal' wc bw TAPA no. 1

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, Jillview full entry
Reference: WHITE, Jill
'Waves on Rocks' photo bw DSSS p. 117

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, John (1757-1832)view full entry
Reference: WHITE, John (1757-1832)
'View in Port Jackson' ? bw REAA p.23
'The White Fulica (White Gallinule)' engr bw SEVB p.165

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, John (working 1870s-1880s)view full entry
Reference: WHITE, John (working 1870s-1880s)
'South Australian Landscape with Creek, Chimney and Church in Distance' oil col DACM no.50
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, John (1930-view full entry
Reference: WHITE, John (1930-
'Ball "N" Jack' acry col HPDA p.233
'Broken Marriage' acry bw FIEL p.81

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, Ray (working 1944)view full entry
Reference: WHITE, Ray (working 1944)
'Night Flight' lino bw BMWL alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, Susan (1941-view full entry
Reference: WHITE, Susan (1941-
'The Empty Chair' litho bw WDAP82 p.44

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITE, Unk (1900-view full entry
Reference: WHITE, Unk (1900-
[Illustrations in The Bulletin] ? bw MCAB pp.263,275,372

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITEHEAD, Isaac (? -1883)view full entry
Reference: WHITEHEAD, Isaac (? -1883)
'Gold Prospectors Crossing a Stream in the Mountain' oil bw AART no.34
'Mount Abrupt' wc bw SAEP no.9
'On the Chiltem Road' oil bw CAIP no .7
'Otiru Gorge, New Zealand' oil bw AACM no.28
'River Crossing' oil bw NTCA pl.18
'A Spring Morning near Fernshaw' oil col VIVI p.45
'A View Near Mt Macedon' oil col JBBG no.11

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITELEY, Brett (1939-view full entry
Reference: WHITELEY, Brett (1939-
'Abstract' oil bw JBAB no.35
'Abstract' charc bw JBAH no.48
'Alchemy' (detail of a mural) mix col FEAE p.57
'The Alchemy' (detail) mix col FEAE front cover
'The American Dream' (on 18 panels) mix col FGAI pp.58-63
'Around Bathurst' oil bw FGIP p.67
'Art, Life and the Other Thing' oil, tempera & collage col APAI p.235
'Baboon' fibreglass bw TOAA pl.136
'The Balcony' oil col PSHB p.80
'The Balcony 2' oil col POAG p.72
'Balinese Torso' brush & ink bw JBBE no. 187
'Balmoral' oil & collage bw DSSS p. 113
'Baudelaire's Drive' oil bw JBAV no.91
'Baudelaire's Drive' oil col LALA p.91
'The Beach' mix col HPDA p.236
'"The Beach" Revisited' (various sketches) ink & penc bw DSSS p. 1
'"The Beach" Revisited' (various sketches) ink & penc bw DSSS pp.62-63
'Big Orange (Sunset)' oil col MCAB p.560
'Big Orange (Sunset)' acry col MSHP p. 100
'Big Orange (Sunset)' oil bw RRAP p.88
'Big Orange (Sunset)' oil col BMAP p.168
'Blue Painting' tempera & collage bw FMAP opp.pl. 13
'The Boxing Match' oil bw APCA p.67
'Breaka Dumpa' ink bw JBAY no. 118
'Bull-bull's Nest in Avocado Tree' ink bw JBBA no.138
'The Bush' ? col HAAP p.8
'The Bush' oil & sculp col GMPA p.71
'The Bush' oil & sculp col GAPA p.335
'Cheetah in Rillington Place' oil bw APCA p.68
'Christie and Cathleen Maloney' char bw APCA p.67
'Christie and Cathleen Maloney' oil col TTYA p.105
'Christie and Hectorina McLennan' oil bw JBAM no.44
'Christie and Hectorina McLennan' ? col MEAA fp.529
'Christie and Hectorina McLennan' oil col MCMI p.31
'Christie and Hectorina MacLennan' oil bw HAOA p.297
'Christie and Kathleen Maloney' ? col ITMA p. 142
'Christie and Kathleen Maloney' oil bw HYAP p.39
'Clark Gardens, Lavender Bay' pen & ink bw JBBE no.189
'Composition with Nude' gouache & collage bw JBAF no.38
'The Cricket Match' oil col MOAP pp. 180-181
'The Day Asia Got Born' mix bw JBAQ no.60
'Drawing about Drawing' screenprint col BAPA p.46
'Drawing of an Ape' perspex, penc, charc bw NFFP p. 100
'Drawing of an Ape' charc bw LGMP p.52
'Drawing of an Ape' penc & char bw SAPA p.390
'Erotica' ink bw FEAE p.49
'Fiji Head - To a Creole Lady' charc, pen & ink, & collage col WCAD p. 109
'Garden in Sanur, Bali' screenprint bw WDAP82 p.44
'Glass House Mountains, Queensland' oil bw JBAV p.93
'Glimpse of Eden' mix bw JBAT no.81
'Glimpse of Eden' mix col HAPS 63
'Head of a Man 3' (study) oil bw JBAX no.99
'Head of Christie' oil bw LGMP p.53
'Head of Christie' oil bw APCA p.68
'Head of Christie' oil col GMAP p.217
'Head of Christie' oil col GMPA p.72
'Head of Christie' oil col GAPA p.336
'Hyena' ? col BHP2 p.3
'Hyena' ink bw JBBD no.181
'Interior with Time Post' oil col MANG p.262
'The Jacaranda Tree (On Sydney Harbour)' oil col MSHP p.102
'The Jacaranda Tree (On Sydney Harbour)' (detail) oil col MOAP p.178
'Kardichi' oil bw DWOB pl.145
'The Kitchen' mix bw JBAY no.199
'Lavender Bay in the Rain' oil col MSHP p. 103
'Monkey' oil bw JBAX no. 100
'Monkey' litho bw MCMI p.32
'The Morton Bay Fig' etch bw QAAP p.78
'Moreton Bay Fig with Palms' oil bw JBAZ  no.108
'The Most Beautiful Mountain' pen & ink & wash bw WCAD p. 108
'Nine Palm Trees' ink bw JBAS no.69
'Nude' brush & ink bw JBBE no.188
'The Olgas.. Soon' mix bw PARB p.56
'One Page of a Love Letter' ink with colour insets col FEAE p.56
'Painting' oil col TOAA pl.137
'The Pond at Bundanoon' oil col MOAP p. 179
'Portrait of Arthur Rimbaud' mix col PARB p. 134
'Portrait of Arthur Rimbaud' mix col QAGS p.94
'Portrait of Patrick White' (study) ink bw MDIA p.54
'Remembering Laotse..' ink penc with white paint bw RFBE p.57
'The River at Yass, NSW' brush & ink bw JBBF no.214
'Self Portrait' oil bw JBBC no.157
'Self Portrait Drawing a Frangipani Tree' ink bw JBAS no.68
'Self Portrait in the Studio' oil & collage col MOAP p. 177
'Self Portrait in the Studio' oil & collage col POAG p.73
'Self Portrait in the Studio' oil & collage col MEAC pl.56
'Self Portrait in the Studio' oil & collage col APAI p.235
'Self Portrait in the Studio' oil & collage col LANC p.261
'Sketch for Mirror Painting' oil bw QAGS p.204
'Sketch of a Magnolia' mix bw JBBA no.139
'The Soup Kitchen' oil bw JBAU no.54
'The Soup Kitchen' oil bw DAAF p.47
'Still Life with Corn Flowers' oil bw JBAV no.92
'Still Life with Corn Flowers' oil col TOAA pl.200
'Still Life with Up Front Out Back and Cherries' oil col SAPT p.112
'The Studio' penc bw MEAC ill.76
'Study for Carved Wooden and Plaster African Storks and Herons' char & gouache bw MDIA p.55
'Study for the Idea of a Painting About Binoculars' draw bw PSHB p.107
'Summer at Carcoar' oil & mix col BMAP75 p.72
'Sydney Harbour' ink bw JBBB no. 174
'Sydney Harbour (unused design for Australia Post) draw, ink bw PSHB p.116
'Tan' oil, birds nest & egg col GAGA fp.279
'Triptych' oil & sculp col GMAP p.217
'Two Erotic Drawings' ink bw FEAE p.50
'Two Indonesian Giraffes' ? bw MEAA p.660
'Untitled' mix bw JBAC no.45
'Untitled' oil & collage bw APBS p.108
'Untitled Painting 2' oil crayon collage col AGNP p.127
'Untitled Red Painting' tempera bw PAPT p.88
'Untitled Red Painting' ? col RNPA p.45
'Untitled White Painting' oil & collage col AAVA p.75
'Van Gogh' mix bw JBAZ no. 109
'The Wagtail Beside the Fish River' wc pen & ink bw JBBF no.213
'White Painting with Collage' oil, tempera & collage bw HAOA p.296
'Woman in a Bath' oil, tempera & collage col BMAP p.110
'Woman in Bath' oil col APCA p.66
'Woman in a Bath 2' oil & tempera & collage col HAOA plate f
'"Yu"' (Green Heron)' mix col JBBG no. 114

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHITFORD, Dora (née Nicholls) (1898-1969)view full entry
Reference: WHITFORD, Dora (née Nicholls) (1898-1969)
'Mary Ovenbury' penc bw BSFS alpha
'Old City Bridge, Adelaide' etch bw BSFS alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WHYTE, Duncan McGregor (1865-1953)view full entry
Reference: WHYTE, Duncan McGregor (1865-1953)
'Crawley, W A' oil col AEWA p.58
'Crawley, W A' oil col AEWA front cover
'Government House, Perth' oil bw AEWA p.61
'Looking to South Perth and the Swan River from Mount Eliza' oil col AEWA p.59
'Mundaring Weir, W A' oil bw AEWA p.60

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WICKS, Arthur (1937-view full entry
Reference: WICKS, Arthur (1937-
'Displacement (For Archimedes)' screenprint bw WDAP82 p.45
'Portrait of the Artist Absorbing Kirchhoff's Law' etch bw WDAP p.27
'Survival Boat' installation bw PERC p.140

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIEBRECK, Phillip (1951-view full entry
Reference: WIEBRECK, Phillip (1951-
'Silver Clouds' screenprint bw WDAP82 p.45

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIENEKE, James (1906-1981)view full entry
Reference: WIENEKE, James (1906-1981)
'Study for the Surrender by Gen. Adachi to Gen. Robertson, 6th Div., 13 Sept.,
1945, Cape Wom, New Guinea' pen & ink, etc. bw QAGS p.306

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIENHOLT, Anne (1920-view full entry
Reference: WIENHOLT, Anne (1920-
'Girl in Bed' oil bw SOAB p.51
'Macbeth' etch, aqua col BAPA p.40
'Queensland Family' ? bw SOAC p.32
'Queensland Farm' oil bw SPTA p.256

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIGG, Stephen (1952-view full entry
Reference: WIGG, Stephen (1952-
'Rats as Pets' performance bw PERC p.163

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIGGINS, W. A. (1881-1947)view full entry
Reference: WIGGINS, W. A. (1881-1947)
'Old Mill at Sorrell' pen & ink & wc bw LASR p.50

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIGHT, Normana (1936-view full entry
Reference: WIGHT, Normana (1936-
'George in the Garden - Mist' silkscreen bw WDAP p.27
'Scarf' screenprint bw WDAP82 p.45
'Untitled' acry bw FIEL p.83
'With Love from the Darling Downs' ? bw DAAC p.14

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIGHTON, Cameron (1952-view full entry
Reference: WIGHTON, Cameron (1952-
'Untitled' acry bw QUWO no.7

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIGLEY, James (1918-view full entry
Reference: WIGLEY, James (1918-
'Angry Waiter' oil bw JBBF no.162
'The Boob' ink wash bw APCI no.64
'Children Playing in the Street' oil bw AASC p.158
'City Square at Night' oil bw AASC p.130
'Daley River' oil bw AASC p.165
'The Half Caste' oil bw DAAF p.87
'The Half Caste' oil bw HAPF p.165
'Machine Operator' oil col ACTM no.85
'McLeod and His Mob' oil bw DWOB pl.138
'McLeod and His Mob' ? col MEAA fp.400
'A Square in Paris' oil col TAAD p.45
'Street Scene' oil col HRPR p.177
'Woman in the City' pen ink chalk bw AASC p.159
'World Refuge Year' oil col MEAC pl.58

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILKIE, Leslie (1879-1935)view full entry
Reference: WILKIE, Leslie (1879-1935)
"The Artist's Daughter (Jean Wilkie)' oil bw CAAC p.324
'The Hammock ('The Leisure Hour)' oil bw CAAB p.308
'Jean' ? bw MSAA 208
'Matron Evelyn Conyers' oil col FMAW p.57
'Portrait of a Woman' oil bw NATC no.37

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILKINSON, George (1923-
view full entry
Reference: WILKINSON, George (1923-
'No Nightingales' oil col GAGB p.580

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILKINSON, Jeffrey (1921-view full entry
Reference: WILKINSON, Jeffrey (1921-
'The Blue Rider' terracotta sculp bw AFOG p.88
'Christ in Majesty' design for bronze bw KRAA p.19

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLEBRANT, James (1950-view full entry
Reference: WILLEBRANT, James (1950-
'Between the Flags' silkscreen col DSSS p. 106
'Bondi Pavilion' poster bw ONTB p.34
'Bookplate Design' ? bw PSHB p.134
'Gymnastic Display' acry col BMAP75 p.40
'Ocean Bathers' screen print col ONTB p.34
'View of the Pyramids' acry col SAPT p.113

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIAM, R. S.view full entry
Reference: WILLIAM, R. S.
'Convict Flogging' ? col ITOV p.137

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLLAMS, Fred (1927-1982)view full entry
Reference: WILLLAMS, Fred (1927-1982)
'The following title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

An Actor on Stage' etch bw JBAV no.75
'Agnes Falls' oil bw RRAP p. 89
'Australian Landscape' oil col BFOC p.9
'Bayswater Landscape' oil bw CAAA p.299
'The Black Creek' oil col BMAP p.38
'Blackboys, Queensland' gouache bw JBAX no.102
'Blue and Orange Landscape' ? col HAAP p.33
'The Boy Friend' etch & aqua bw BOAP np
'The Boy Friend' etch bw RMAA p.63
'The Bridge' pen & wash bw MORN p.57
'Broken Hill' gouache bw JBBD no.168
'Broken Hill Landscape' gouache bw JBBA no. 134
'Brumbies Running: The Kimberleys' gouache col MAAD pp.118-119
'Burning Tree II' oil bw JBAW no.95
'Burnt Ferns' oil bw QAGS p.197
'Burnt Landscape' ? col ITMA p.106
'Burnt Tree Trunks' oil bw IBBC no.139
'Bush' oil bw JBBC no.138
'Bushfire' gouache bw JBAW no.94
'Chalk Creek' (4 panels) oil col FGAI pp.50- 51
'The char Burner' oil col PARB p.147
'Chopped Trees' oil col BMAP p.64
'Circle Landscape Upwey' etch bw VAAP no.87
'Cosmos in the Garden, Diptych' etch bw JBBG no.101
'Cricketer' oil col MOAP p.163
'Cricketer' oil col TOAA pl.133
'Design' gouache bw EGBS p.140
'Echuca Landscape' oil col TOAA pl. 134
'Elephants' conte bw MORN p.57
'Foreshore' gouache bw JBAH no.53
'Forest' oil col JBBG no.104
'Forest' oil col GDAA p.87
'Forest' oil col BMAP p.176
'Forest at Almerton Number I' etch bw JBBG no.103
'Forest Pond' ? col AGAA p.81
'Forest Pond 12' oil col SAPT p.114
'Francis Bacon' crayon bw MEAC ill.51
'George Bell' ink bw EGBS p.139
'Grass Trees, Flinders Island' gouache bw JBBE no.191
'Green Cloud and Owl'? col MEAA fp.528
'Grey Landscape' gouache bw JBAP no.58
'Gum Trees at Colo Vale' etch, aqua, engr & drypoint bw SPRI p.23
'Gum Trees in Landscape. Lysterfield' mix col BAPA p.45
'The Half Round Pond' oil col MCAB p.305
'The Half Round Pond' oil col LALA p. 149
'Hamersley Ranges' gouache col MAAD p.114
'Hamersley Ranges' (detail) col MAAD p.115
'Hanging Rock' oil col MOAP p.164
'Head of a Girl' charc & penc bw WCAD p.110
'Hillside' oil col TOAA pl.135
'Hillside' ? col RALP p.29
'Hillside' ? bw MEAA p.650
'Hillside' oil col CYOH p.85
'Hillside' gouache bw JBAX no.103
'Hillside No 2' etch bw VAAP no.88
'Hillside, Upwey' oil col JBAV no.76
'Hillside, Wilsons Promontory' gouache bw JBAZ no.100
'Hillside, You Yangs' oil bw JBAZ no. 101
'Hillsides' gouache bw JBBE no.190
'Hilltop' oil bw JBAG no.36
'Kallistra, No 1' tempera & oil bw JBAP no.57
'Kilby Park' gouache bw JBAR no.64
'The Lamb' oil bw JBAH no.55
'Landscape' gouache bw JBAO no.58
'Landscape' gouache bw ASAT p. 10
'Landscape' ? col ITMA p.103
'Landscape' wc bw JBAP no.56
'Landscape' gouache bw JBAO no.58
'Landscape' etch & roulette bw KCAP p.5 1
'Landscape' oil col MOAP p.165
'Landscape' gouache col CAWP p.207
'Landscape' etch bw QAAP p.80
'Landscape' ? bw RNPA p.24
'Landscape' ink & charc bw WCAD p.111
'Landscape' gouache bw RFBE p.55
'Landscape 1971' oil bw BISA no.44
'Landscape Drawing' ? bw FGIP p.68
'Landscape Panel No 8' etch aqua bw WDAP p.28
'Landscape Triptych Number 1' etch bw JBBG no.102
'Landscape Upwey' ? col BHP1 np
'Landscape Upwey' ? col BHP2 p.5
'Landscape with Goose' oil col HOAA p.69
'Landscape with Goose' oil col MCAB p.561
'Landscape with Goose' oil col MANG p.258
'Landscape with a Goose' oil col LALA p.151
'Landscape with Smoke' oil col MCMI p.12
'Landscape with Wattles' oil bw JBAU no.57
'Landscape, You Yangs' oil col JBAK no.55
'Landscape You Yangs' ? bw AGAA p.31
'Landscape You Yangs' (2 panels) oil col SAPT p.115
'The Leaping Fox' etch & drypoint bw BOAP back cover
'Lilydale Landscape' oil col GDAA p.86
'Listerfield Landscape' oil col JBAF cover
'Louise' charc bw MEAC ill.52
'Louise' chalk bw VAVS p.31
'Lyre Bird' oil bw JBBC no.142
'Lysterfield' gouache bw JBAJ no.50
'Lysterfield Landscape' oil col HPDA p.237
'Lysterfield Landscape' oil col GMAP p. 173
'Lysterfield Landscape' oil col GMAP p.52
'Lysterfield Landscape' oil col GAPA p.316
'Lysterfield Landscape' oil col GALP pl.47
'My Garden' ? col ITMA p. 103
'My Garden' ? col AAGA p.237
The Nattai River' oil bw PARB p.148
'The Nattai River' oil bw CYOH p.64
'Nude' (four versions) pastel bw JBAV nos.77-80
'Nude' oil bw AUPA no.65
'Old Man Seated on a Chair' ink bw JBAV no.74
'On the Nattai River' oil bw VAVS p.29
'On the Nattai River' oil col SAGC p.82
'On the Nattai River' oil col SLAB p.133
'Oval Landscape' oil & tempera col MCMI p.95
'Oval Landscape' etch bw MCMI p.97
'The Pilbara' gouache col MAAD p.111
"The Pilbara' (detail) col MAAD pp.112-113
'Portrait of Harry Rosengrave' oil col EGBS p.127
'Portrait Drawing of Ian Armstrong' ink bw EGBS p.221
'Portrait of Sir Louis Matheson First Vice-Chancellor, Monash University' oil bw JBAX no.104
'Professor Emeritus Sir Joseph Burke, KBE' oil col MEAC pl.60
'Quarry, Ferntree Gully' gouache bw JBBE no.193
'Reclining Nude' gouache bw EGBS p.147
'Reclining Nude' ink bw EGBS p.143
'Resting Figure, Lilydale' oil bw EGBS p.143
'Resting Figure, Lilydale' oil bw EGBS p.221
'Riverbed' oil col MAAD p.116
'Riverbed' (detail) oil col MAAD p.117
'Rolling Hills, Arthurs Creek' gouache bw JBAT no.76
'Sapling Forest' oil & tempera col GALP pl.46
'Sapling Forest' oil col TTYA p.93
'Sapling Forest' oil & tempera col GMPA p.51
'Sapling Forest' oil mi APCA p.47
'Sapling Forest' oil & tempera col GAPA p.315
'Sapling Forest' oil & tempera col GMAP p.171
'Saplings' oil col JBBD no.166
'Seascape' gouache bw JBAW no.93
'Seated Nude' oil col EGBS p.126
'Seated Nude' oil bw EGBS p.146
'Self Portrait' oil bw JBAV no.73
'Sherbrook' wc bw JBAZ no.99
'Sherbrook Forest' oil bw JBBC no.143
'Sherbrook Forest' (sketch) oil bw APCA p.47
'Shot Snipe' etch bw JBAT cover
'Shot Snipe' oil bw JBAT no.78
'Shot Snipe' oil col JBAT cover
'Silver and Grey Landscape!' oil col RRAP p.21
'Silver Landscape' oil col JBBC no.140
'Springbrook' gouache bw JBAR no.63
'Standing Nude' conte bw EGBS p.221
'ne Steep Road' oil col MEAC pl.59
'The Steep Road' oil col JBBC no.137
'The Steep Road' oil col MANG p.259
'Strip Landscape' ? bw JBBF no.209
'Summer Morning' oil col JBAD no.41
'Sydney Harbour' gouache col MSHP p.93
'Tree Tops' oil bw JBBC no.141
'Trees on Hillside II' oil mi AAMA pl.111
'Trees on a Hillside II' oil col CAPA pl.55
'Trees on a Hillside II' oil & tempera col STAL p.62
'Trees on Hillside II' oil & tempera col AGNP p.117
'Trees on Hillside II' oil & tempera col SOMA p.205
'Triptych' wc bw APCA p.47
'Triptych 1970 Landscape' oil bw BISA no.43
'Untitled' (two paintings) ? col ITMA p.107
'Untitled 1968' etch bw WDAP82 p.50
'Upwey'oil bw JBAQ no.62
'Upwey Landscape' oil bw HNGV p.199
'Upwey Landscape' oil col MOAP pp.166-167
'Upwey Landscape' gouache bw JBBG no.105
'Upwey Landscape' oil col SAPA p.401
'Upwey Landscape' oil col LALA p. 150
'Upwey Landscape' oil bw NFFP p.62
'Upwey Landscape' oil col TABP p.61
'Upwey Landscape' oil bw LANC p.245
'Upwey Landscape' oil col HAPS 64
'Vaudeville' etch bw PARA p.67
'Walkerville' gouache bw JBAQ no.63
'Walkerville' gouache bw JBBD no.167
'Waterpond in Landscape' oil col LGMP p.88
'Waterfall Polyptych' (four panels) oil col FDAP no.15
'Wattles and Road' oil bw JBBF no.208
'Werribee Gorge' gouache bw JBBB no.164
'Werribee Gorge' gouache bw JBBB no. 163
'Werribee Gorge' oil col JBBG no. 106
'Werribee Gorge 4' oil bw FGIP p.69
'West Gate Bridge' gouache col VIVI p.77
'Westernport' gouache bw JBBA no.135
'Wild Dog Creek' oil col BMAP75 p.25
'Yarra Valley at Yering' oil bw GBSG p.117
'Yellow and Grey Landscape' oil col JBAH no.54
'You Yangs' wc bw VVCA p.48
'You Yangs Landscape' oil col POAG p.71
'You Yangs Landscape I' oil & tempera bw HAOA p.219
'You Yangs Landscape' oil col JBBE no.192
'You Yangs Landscape' etch bw APBS p.122
'You Yangs Pond' oil col APBS p. 106
'You Yangs Pond' mix bw KCAP p.50
'You Yangs II' oil bw FGIP p.68
'Zebra Finch' oil col JBAJ no.51

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIAMS, Frederick Matthews (1855-1929)view full entry
Reference: WILLIAMS, Frederick Matthews (1855-1929)
'Between Coolgardie and Hannan's' pen, ink & wash bw CCEP fig.225
'Hannan's 1893 Rush for Tucker Paisleys Store' pen & ink & wash bw CCEP fig.226
'Kalgoorlie Miners' draw bw CLIA p.133
'Middleton Beach, Albany I' wc bw CCEP fig.46
'Middleton Beach, Albany II' wc bw CCEP fig.47
'Mount Bay Road' oil bw CCEP fig.164
'Near the Red Lead' pen & ink & wash bw CCEP fig.227
'Off to a New Rush' pen & ink & wash bw CCEP fig.228
'Portrait of a Lady' oil col AEWA p.63

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIAMS, George Gilbert Hotspur Murray (1877- 1964)view full entry
Reference: WILLIAMS, George Gilbert Hotspur Murray (1877- ?)
'Remember' oil col BAAA p.153
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIAMS, John (1933-view full entry
Reference: WILLIAMS, John (1933-
'Sandra, Tom, Ariel, Rose and Kittens' photo bw PARA title page

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIAMS, Mary (1957-view full entry
Reference: WILLIAMS, Mary (1957-
'Night Fall over Lisson Grove' serigraph bw WDAP82 p.45

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLLAMS, Rhys (1894-view full entry
Reference: WILLLAMS, Rhys (1894-
'Old Farm House, Galston' oil bw AAIL p.41

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLLAMS, Sandra (1946-view full entry
Reference: WILLLAMS, Sandra (1946-
'Untitled' collage bw OVWA alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIAMSON, Harry (working 1960s)view full entry
Reference: WILLIAMSON, Harry (working 1960s)
[Example of commercial work] col CGFL p.100
[Examples of commercial work] bw CGFL pp. 115-117

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIS, Gary (1949-view full entry
Reference: WILLIS, Gary (1949-
'Fit the Second, Mira Mira-Na-Mira Mira' photos. oil & tape bw CENT p.26
'Fit the Second, Mira Mira-Na-Mira Mira' photos. oil & tape col CENT cover
'Gap' adhesive tape & paint bw PERB p.101
'Lone Tree' mix bw PMAA p.78
'Strategies for Goodbye' video bw BISD p.173

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIS, Matthew (1811-1890)view full entry
Reference: WILLIS, Matthew (1811-1890)
'The Caxton Head' bw MSAB 99

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLIS, Pyndar (working c1870)view full entry
Reference: WILLIS, Pyndar (working c1870)
[Examples of commercial work] bw CGFL p.13

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILLYOUNG (Willy YOUNG) (1937-view full entry
Reference: WILLYOUNG (Willy YOUNG) (1937-
'Bondi' photo bw ONTB p.39

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, A. (working 1840s)view full entry
Reference: WILSON, A. (working 1840s)
'Melbourne 1840' oil col TAAD pp.108-109

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Bruce (1944-view full entry
Reference: WILSON, Bruce (1944-
'Machine of a Dream' synth poly paint bw QAGS p.213

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Carole (1960-view full entry
Reference: WILSON, Carole (1960-
'Sister Fans' installation bw OVWA alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, David (1947-view full entry
Reference: WILSON, David (1947-
'April Wake' rusted steel sculp bw PARB p.73
'Black Vessel' steel sculp bw MEAC ill.80
'Dry Pool' welded steel, rusted bw TOAA pl.205
'Grid I' sculp bw PMAA p.43
'Night Find II' steel sculp bw PARA p.27
'Shelter V' sculp bw BISB alpha
'Shore Column' sculp bw GBSG p.125
'Under Dusk' steel sculp col GAGB p.581
'Untitled' sculp bw BISA no.46

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Dora (1883-1946)view full entry
Reference: WILSON, Dora (1883-1946)
'Cafe Concert' pastel col ACTM no.68
'Decorations' ? bw MBAA pp.42-44,46-47
'Nude with Fan' pastel bw CIPA no.51
'Pensive' pastel col TBAC no.49
'Seated Nude, Back View' pastel bw AACM no.65

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Eric (1911-1946)view full entry
Reference: WILSON, Eric (1911-1946)
'Abstract - The Kitchen Stove' oil, metallic paint & paper collage col AGNP p.105
'Abstract - Te Kitchen Stove' oil & textured paper col POAG p.85
'Abstract - 'The Kitchen Stove' oil, metallic paint & paper collage col GMPA p.34
'Abstract - 'The Kitchen Stove' oil, metallic paint & paper collage GAPA p.298
'Abstract - The Kitchen Stove' oil & paper collage col GMAP p.131
'Arras Lane' ink, ink wash & col penc bw RFBE p.47
'Autumn at Wantabadgery' oil bw JBBB no.106
'Back View of Seated Model' conte & penc bw AAAR p.65
'The Backyard' oil col HOAA p.28
'Burning Off, Wantabadgery' oil bw JBAM no.30
'By the Seine' oil bw SOAB p.55
'Crossing to Harwich from Flushing' pen & ink, col crayon bw WADT p.20
'Design for a Mural' oil bw FINE p.27
'Design for a Mural' oil bw NFFP p.83
'Front View of Posed Female Model' conte crayon bw SOYA p.102
'Front View of Posed Model' conte & penc bw AAAR p.64
'Genoa' oil col SPDA p.24
'The Inmates' oil bw SOAC p.57
'The Kitchen Stove' mix col INTE p.21
'The Kitchen Stove' oil & collage bw HAOA p.258
'Lambeth Street' oil bw HAOA p.257
'Laneway in Arras' oil bw JBAS no.48
'Laneway in Arras' oil bw MEAC i1l.41
'Leg' conte & penc bw AAAR p.64
'Pont Neuf' oil col BGAA pl.42
'Pont Neuf' oil bw JBAU no.44
'Pont Neuf' oil bw JBAG no.22
'Pont Neuf' oil col BSAA no.74
'Pont Neuf, Paris' oil bw JBBE no. 137
'Pont Neuf, Paris, 1939' pastel bw JBAZ no.85
'Portrait of Charles Lloyd Jones' oil bw JBAU no.43
'Prince Edward Street, Lambeth' oil bw SOAE p.4
'Road to Mt Moonlight, Wantabadgery East' oil bw SOAE p.5
'The Rock Pool' penc bw SOAE p.55
'The Rock Pool' conte crayon bw SOYA p.103
'Rue de la Bonne, Montmarte, Paris' oil bw SPTA p.255
'Rue de la Bonne, Montmarte, Paris' oil bw SPTB p.266
'Rue de la Bonne, Montmartre, Paris, 1929' oil bw SPDA p.7
'Rue de L'Hotel de Ville, Paris' oil bw SHEM ill.12
'Rue Hautefeuille Paris' oil bw NTCA pl.90
'Scott Street, Glasgow' oil bw SOAA p.11
'Snow in Pimlico' draw bw SOAD p.70
'Snow in Pimlico' oil bw HYAP p.38
'Snow on the Rue Poulettier, Paris' oil bw QAGS p.147
'Still Life' oil bw MEAC ill.42
'Still Life Group' penc draw bw SPDA p.23
'Still Life Study' pastel col SOYA p.101
The Stove. Abstract (The Kitchen Stove. Abstract) oil bw SPTA p.194
'The Stove. Abstract (The Kitchen Stove. Abstract)' oil bw SPTB p.204
'Stove Theme' oil, paper, sand bw QAGS p.153
'Stove Theme' oil bw JEAA p.60
'Stove Theme' ? bw SAPA p.227
'Study for Channel Crossing'? bw MEAA p.628
'Study for Channel Crossing I' pen & ink bw WADT p.20
'Study for Channel Crossing II' black crayon & chalk bw WADT p.21
Theme for a Mural' oil bw NLOB no. 11
'Wantabadgery Landscape' oil bw JBAG no.23
'Wantabadgery Landscape' oil bw JBAN no.36
'Wantabadgery Landscape' oil col TOAA pl.91
'The White Bridge' oil bw JBAY no.85

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Geoffrey (1927-view full entry
Reference: WILSON, Geoffrey (1927-
'Circles at the Square Monkey Bars' screenprint col KCAP p.55
'El Dorado Series: Bet You Ten Dollars it's a mirage' silkscreen print bw BAAA p.154
'Leaning Scrub' wc bw ASAT p.15
'A Most Elaborate Fenced Stake Out' screenprint col KCAP p.54
'A Most Elaborate Fenced Stake Out' screenprint bw WDAP, p.28
'Supported Trap for Much Intensity' ? col BHP1 np

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, H. Stuart (working 1893-1903)view full entry
Reference: WILSON, H. Stuart (working 1893-1903)
'Cumberland Street, 1880' oil bw EHSA p.30

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Hardy (1881-1955)view full entry
Reference: WILSON, Hardy (1881-1955)
'The Bathers' wc col TBAC no.48
'Cottage, Macquarie Street, Parramatta, NSW draw bw AAGA p.99
'Fantasy' wc bw JBAX no.46
'The Parthenon and Eucalyptus Trees' penc bw JBBE no.90
'Sunlit' Hydrangeas' wc col CAWP p.114

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Jenny Toynbee (1942-view full entry
Reference: WILSON, Jenny Toynbee (1942-
'Boundaries Series' mix bw PERC p.106

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Margaret (1939-view full entry
Reference: WILSON, Margaret (1939-
'Carrizozo' screenprint bw WDAP82 p.45

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, Patricia (1944-view full entry
Reference: WILSON, Patricia (1944-
'L'Haute Mer II' engr bw KCAP p.29
'The Lake - My Place, My Space' etch screenprint bw WDAP82 p.45
'The Pink Hill' engr col KCAP p.28
'Sand Shift' etch bw WDAP p.28

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WILSON, William Georgeview full entry
Reference: WILSON, William George
'Summer Evening, Pilton, Darling Downs, Queensland, Australia' oil col ACTM no.32

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WINCH, John (1944-view full entry
Reference: WINCH, John (1944-
'Bird Offering' acry col MEMW p.111
'Frog' acry col MEMW p.111

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WINGATE, Thomas ( ? -1869)view full entry
Reference: WINGATE, Thomas ( ? -1869)
'Portrait of a Gentleman' wc bw AACM no.17
'Unknown Man Leaning on Piano' wc bw BAEA p.358.1

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WINKLER, Paul (1939-view full entry
Reference: WINKLER, Paul (1939-
'Ayers Rock' 16mm film bw PERB p.136
'Bondi' (1 image) 16mm film bw PERA p.156
'Bondi' (two ill) bw/col ONTB p.33
'Urban Spaces' 16mm film bw PERA p.157
'Urban Spaces' (detail) video bw AATC p.15
'Urban Spaces' (detail) video col PARA p.37
'Urban Spaces' (detail) video col PARA half title page

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WINSTANLEY, Edward (1820-1849)view full entry
Reference: WINSTANLEY, Edward (1820-1849)
'General Cavaignae' litho bw BAEA p.189.1
'Sir Edward Deas Thomson' litho bw BAEA p.189.1
'The Start - Slasher and Highflyer' etch bw AART no.17
'Sydney Street Scene' (detail) engr by Lewes bw CLIA pp.58-59

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WINTERS, Michael (1943-view full entry
Reference: WINTERS, Michael (1943-
'A Moving Moment' etch bw WDAP p.28

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WIRE, David (1934-view full entry
Reference: WIRE, David (1934-
'Abstract Construction' mix bw NFFP p.124

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WITHERS, Rod (1946-view full entry
Reference: WITHERS, Rod (1946-
'Mechanical Cow' acry bw QUWO no.78
'Zoned Light Industrial' oil & enam bw QAGS p.217

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WITHERS, Walter (1854-1914)view full entry
Reference: WITHERS, Walter (1854-1914)
'Afternoon Stroll Eltham' oil bw JBBD no.45
'Beach Scene' wc col DSSS pp.34-35
'Beach Scene' oil col ELDE p.29
'Beach Scene with Jetty, Port Phillip Bay' oil bw JBAS no.28
'Breezy Day at Point Henry, Near Geelong' oil col GSHB p.191
'A Breezy Day Off Point Henry' oil bw GBSG p.111
'Breezy Day Near Geelong' oil col LALA p.65
'Breezy Day Near Geelong' oil col GIPA p.56
'Breezy Day Near Geelong' oil col GAPA p.192
'A Bright Winter's Morn' oil col MSAA p.307
'A Bright Winters Morning' oil col GIPA p.55
'A Bright Winters Morning' oil col GAPA p.191
'Bright Winters Morning' oil col STAL p.33
'A Bright Winters Morning' oil col NFFD pl.xi
'A Bright Winters Morning' oil col GMAP p.85
'Bright Winters Morning' oil duotone SAIP p.102
'A Bright Winters Morning' oil col GSHB p.188
'Bright Winters Morning' oil col SOMA p.79
'A Bright Winters Morning' oil col AAMA pl.59
'Bright Winters Morning' oil col CAPA pl.28
'Bush Hut' oil bw TTAC p.63
'Cape St., Heidelberg' oil bw CGEH p.44
'Cattle Resting' oil bw FOHC p.42
'Cattle Resting Between Gum Trees' oil bw JBBE no.61
'Cattle Watering' penc draw bw CIPA no.33
'The char Burner' oil col DACM no.53
'Coastal Scene' oil bw JBAX no.30
'The Coming Storm' oil col GIPA p.57
'The Coming Storm' oil col GAPA p.193
'The Coming Storm' oil col TTYA p.33
'Cottage and Vegetable Garden' oil bw CIPA no.29
'Country Road' oil bw TTAC p.63
'Country Road' oil bw JBAN no.10
'Country Road' oil col APHS p.121
'Country Scene with House, Figures and Cow, and Fence in Foreground' oil col JBBF no.44
'Cowes Jetty' wc bw APNT no.51
'Cowes Jetty, Phillip Island, Victoria' oil bw QAGS p.122
'Digger on the Road' oil bw JBBF no.43
'Dusk, Fitzroy Gardens' oil bw SAEP no.25
'Early Morning Heidelberg' oil bw APBS p.88
'Early Morning, Heidelberg/ oil bw NGSA unpaged
'Early Morning, Heidelberg' oil col PCAL p.49
'Eltham Road, Heidelberg' oil bw CIPA no.28
'Evening' oil bw JBAM no.14
'Evening, Eltham' oil bw APCI no.28
'Farm' oil bw JBBA no.25
'The Farm' oil col LANC p.298
'Farmers Girl' oil col TOAA pl.56
'Farmhouse and Pool' oil bw APCI no.27
'The Farmyard' oil bw APCC no.27
'Feeding the Chickens' oil bw JBAX no.29
'Figures on the Beach, Port Phillip Bay' oil bw JBAS no.27
'The Gold Fossickers' oil bw CGEH p.41
'Harvest Time' wc bw JBBF no.45
'Hay Stooks' oil bw JBAK no.18
'Heidelberg' oil col TTAC p.46
'Heidelberg' oil bw CAAC p.328
'Heidelberg' oil bw ASAT p.13
'Heidelberg' oil bw TTAC p.64
'Heidelberg from Eltham Road' oil bw ACIP no.28
'Heidelberg from Eltham Road' oil col ACIP front cover
'Heidelberg from Eltham Road' oil col APHS p.119
'Landscape with Sheep' oil col APHS p.117
'The Last of Summer' oil col SAIP p.112
'The Last of Summer' oil col HOAA p.20
'The Last of Summer, 1898' oil col MEAC pl.61
'The Little Dock' oil col JBBD no.46
'Memories' penc bw SOYA p.45
'Memories' penc bw RFBE p.38
'Midsummer' oil col DACM no.54
'Mining Scene, Creswick' oil col CBHS pl.14
'Moonrise' oil bw APCC no.26
'Moonrise on the Yarra' oil col GIPA p.56
'Moonrise on the Yarra' oil col GAPA p.192
'Mordialloc Pier' wc bw ACIP no.29
'Nocturne' oil bw JBBF no.47
'Old Bridge, Warrandyte' oil col APHS p.127
'The Old Farm' oil bw VAVS p.14
'The Old Gum' wc bw JBAH no.24
'Old Heidelberg Farm' oil bw JBAS no.26
'On the Beach' oil bw FOHC p.43
'On the Eltham Road' oil bw AACM no.52
'Orchard at Eltham' oil bw CGEH p.39
'Panning for Gold' oil col PARA p.99
'Panning Out' oil col CBHS pl.15
'Pastoral Scene' ? bw NAA1 p.157
'Pasture Land at Eltham' wc bw CAWP p.64
'Pastoral with Sheep' oil bw JBAU no.16
'Phillip Island' oil col SAIP p.111
'Prospecting' penc draw bw CAIP no.38
'Rickett's Point' oil col ELDE p.28
'S S Excelsion Rounding Pt Henry' oil col ONTB p.9
'Seeking for Gold -- Cradling' oil bw CBHS p.97
'Sheep Grazing Under Gum Trees' oil bw CIPA no.31
'Sheep (Seeking Shelter)' oil bw CIPA no.30
'Sheep Under Trees' oil bw APCI no.26
'Sketch of Wood Cutters from Sketchbook' ? bw TTAC p.63
'Sketches of People from Sketchbook' ? bw TTAC p.64
'The Steamship Excelsior Rounding Point Henry' oil col GIPA p.55
'The Steamship Excelsior Rounding Point Henry' oil col GAPA p.191
'The Storm' oil col GIPA p.57
'The Storm' oil col POAG p.30
'The Storm' oil col GAPA p.193
'The Storm' oil col AGNP p.84
'The Storm' oil bw GMAP p.84
'The Storm' ? bw MEAA p.614
'The Storm' ? bw MSAA 195
'The Storm' ? bw RFYA p.53
'The Storm' oil bw BSAA no.26
'Stream with Cattle' penc draw bw CIPA no.32
'The Stroll' penc draw bw CAIP no.37
'Summer at Heidelberg' oil bw NTCA pl.25
'A Summer Shower, Figure Walking Near a Farmhouse' oil col ACTM no.52
'Sunday Morning Geelong' oil bw ACIP no.30
'Tranquil Pastures' oil col APHS p.127
'Tranquil Stream' oil bw JBBF no.46
'Tranquil Winter' oil bw BIIO p.149
'Tranquil Winter' oil col GSHB p.187
'Tranquil Winter' oil bw NFFP p.38
'Tranquil Winter' oil col MALC pp.76-77
'Tranquil Winter' oil col SOMA p.81
'Tranquil Winter' oil col STAP p.1
'Tranquil Winter' oil bw AAVA p.81
'Tranquil Winter' oil col AAMA pl.60
'Tranquil Winter' oil col SPTA p.114
'Tranquil Winter' oil bw SPTB p.124
'Tranquil Winter' ? bw RALP p.6
'Tranquil Winter' oil bw HAOA p.78
'The Two Fossickers' oil bw CBHS p.96
'Wet Day' oil bw ACIP no.27
'Wet Day' oil bw QAGS p.122
'White Gums' wc bw UMEG p.43
'Winter Afternoon' oil col APHS p.125
'Yachts off Williamstown' oil col SAIP p.110
'Yachts off Williamstown' oil col APHS p.123
'The Yarra Below Eaglemont' oil col AALP cover
'Yarra River Cottage' oil bw ACIP no.26
'Yarra River Cottage' oil col ACIP back cover

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WITTENOOM, C. D. (working c1839)view full entry
Reference: WITTENOOM, C. D. (working c1839)
'Sketch of Perth and Melville Waters with Mount Eliza, from the Main Street of Perth, WA' litho bw CCEP fig.113
'Sketch in the Town of Perth, Western Australia' litho bw CCEP fig.111
'Sketch of the Town of Perth from Perth Water, WA' litho bw CCEP fig.112
'View from the Court House, Arthurs Head, Freemantle' pen & ink & wc col CCEP p.39 fig.63

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WITTENOOM, John (1789-1855)view full entry
Reference: WITTENOOM, John (1789-1855)
'Front View of the Artists House' penc & wash bw CCEP fig.109

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOLDENDORP, Richard (1927-view full entry
Reference: WOLDENDORP, Richard (1927-
'Examples of Photography' bw/col ITMA pp.136-139

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOLFENDEN, Tony (working 1967)view full entry
Reference: WOLFENDEN, Tony (working 1967)
'Untitled' timber wall panel col WOAC p.63

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOLFF, E Aview full entry
Reference: WOLFF, E A
'Untitled Drawing' ? bw BAAA p.75

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOLINSKI, Joseph (1872-1955)view full entry
Reference: WOLINSKI, Joseph (1872-1955)
'A Henry Fullwood, Esq' ? bw RFYA p.73
'An Interior' ? bw ITOV p.79

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOLSELEY, John (1938-view full entry
Reference: WOLSELEY, John (1938-
'Family Portrait' etch/aqua bw QAAP p.82
'Forty-eight Days in Tnorula--Gosse's Bluff' penc, char & wc bw CENT pp.6,27
'Journal Page, Boab Trees' ink & wc bw MDIA p.141
'A Journey Near Ormiston Gorge in Search of a Rare Grasshopper' wc col MAAD pp.168-169
'A Journey Near Ormiston Gorge in Search of a Rare Grasshopper' (two details) wc col MAAD pp.170-171
'The Morning After - Camp Fire at Emily Gap' gouache col MAAD p.167
'On Top of the Napier Range, Western Australia' penc & wc bw MDIA p.140

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOMEN'S DOMESTIC NEEDLEWORK GROUP (working 1979)view full entry
Reference: WOMEN'S DOMESTIC NEEDLEWORK GROUP (working 1979)
'D'oyley Show' poster bw EAFA p.39
'Poster' ? bw AGAA p.14

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, Deborah (1955-view full entry
Reference: WOOD, Deborah (1955-
'Sunday Afternoon with Nothing to Do' mix bw OVWA alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, Don (1954-view full entry
Reference: WOOD, Don (1954-
'Abby's Kitten' etch/aqau bw WDAP82 p.45

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, F. Derwentview full entry
Reference: WOOD, F. Derwent
'Bess Norris Tait' (bust) photo bw MSAB 34
'Tom Roberts' (bust) photo bw MSAA 70

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, Louis (working 1860s)view full entry
Reference: WOOD, Louis (working 1860s)
'George Town, Tasmania' woodcut bw CMOT cover

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, Lowiny (working 1930s)view full entry
Reference: WOOD, Lowiny (working 1930s)
'Tragedy' oil bw EGBS p.155

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, Marjorie (recorded 1932)view full entry
Reference: WOOD, Marjorie (recorded 1932)
'Stoutheart Banishes All Evil' lino bw BMWL aa

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, Noel (1912-view full entry
Reference: WOOD, Noel (1912-
'Calophyllum and Tanagara, Dunk Island' oil bw AAAN pl.15

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOD, Rex (1908-1970)view full entry
Reference: WOOD, Rex (1908-1970)
'Blackboys' lino bw DSAR p.68
'Nativity' lino bw DSAR p.68
'Nude Woman with a Deer' lino col BAPA p.32
'Tulips' lino bw DSAR p.67
'Vase of Flowers' lino bw DSAR p.67

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODHOUSE, Frederick (uncertain whether Sr. or Jr.)view full entry
Reference: WOODHOUSE, Frederick (uncertain whether Sr. or Jr.)
'After the Hunt' oil bw JBAZ no.18
'Celebrated Jumping Horse and Jockey' oil col DACM no.35
'Fishing in a Stream' oil bw ACAR no.77
'Horse in Stable' oil bw JBBF no.29
'Jockey Astride His Mount' oil bw JBBA no.23
'Melbourne Cup Winners, 1861-72' oil bw MAAG p.163
'Owner, Trainer, Horse and Jockey' oil bw TAPA no.5
'Owner, Trainer, Horse and Jockey' oil bw MEAC ill.8
'Scene at the First Melbourne Cup Meeting before the Race, 1861' oil col MEAC pl.62

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODHOUSE, Herbert (1855? - late 1920s)view full entry
Reference: WOODHOUSE, Herbert (1855? - late 1920s)
'Miners Warden's Court, Pilbara' sepia wash & gouache bw CCEP fig.224
'Steeplechase at Flemington from the Upper Stand' wc bw JBAX no.41

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODHOUSE, W.view full entry
Reference: WOODHOUSE, W.
'Perth from Mount Eliza, 1878' litho bw AAGA p.56

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODROW, Bill (working 1982)view full entry
Reference: WOODROW, Bill (working 1982)
'Washing Machine, Armchair and Car Bonnet with Bena Biomba Mask' install col PARB p.34
'Washing Machine, Arm Chair and Car Bonnet with Bena Biomba Mask' mix installation bw PERB p.102

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODS, George Austinview full entry
Reference: WOODS, George Austin
'Twofold Bay, New South Wales' wc col PAPA p.115

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODS, Ray (1931-view full entry
Reference: WOODS, Ray (1931-
'Agapanthus I' etch bw WDAP82 p.46

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODS, Tony (1940-view full entry
Reference: WOODS, Tony (1940-
'Average Person' mix col BMAP p.88
'My World' oil bw LGMP p.104
'My World' oil bw APCA p.72
'Psychologically Connected' oil bw HPDA p.240
'67' acry bw SAPA p.411

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODTHORPE, V. (working 1802)view full entry
Reference: WOODTHORPE, V. (working 1802)
'Bird of Paradise' bw BOAP p.8
'Courtship' engr bw HLTW no.45
'Emu' engr bw FAOP p.24
'Emu' ? bw BOAP p.8
'Kangaroo' engr bw HLTW no.40
'Kangaroo' engr bw FAOP p.22

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODWARD, A. T. (working 1880s- ? )view full entry
Reference: WOODWARD, A. T. (working 1880s- ? )
'The Artist Smoking and Reading The Studio' wc bw APNT no.68
'Interior' wc bw APNT no.67
'Summer Sunshine' oil bw VIVI p.62

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODWARD, Margaret (working 1950s)view full entry
Reference: WOODWARD, Margaret (working 1950s)
'Window on to the Tree Fern' oil col GAGB p.581

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOODWARD-SMITH Sydney (1904-view full entry
Reference: WOODWARD-SMITH Sydney (1904-
'Autumn' ? col ALIM no.26
'Down South' oil bw AAAN pl.13
'Dry Weather' ? col SAIL p.18
'Green Hills' ? col ALIM no.4
'In the Hills..Summer' ? col ALIM no.42
'Jamieson Valley, NSW' ? col ALIM no.22
'Morelli's Barn' oil bw SOAE p.60
'Quiet Pastures' ? col ALIM no.38
'Silver and Gold' ? col ALIM no.29
'Summer Clouds' ? col ALIM no.9
'Summer Seas' ? col ALIM no.23

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOLARD, Ray (1951-view full entry
Reference: WOOLARD, Ray (1951-
'Animal Portraits' (6 images) photos of performance bw PERA pp.158-159
'Black Machine' metal bw PERB p.136
'Creeping Delight' sculp col WOAC p.65
'Goonengerry Landscape' performance col PARA p.81
'Sydney's Masterpiece' mix col PSHB p.100

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOLCOCK, Marjorie (1898-view full entry
Reference: WOOLCOCK, Marjorie (1898-
'Imaginary Landscape' oil bw EGBS p.173
'Strange Gorge' oil bw EGBS p.63

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WOOLNER, Thomas (1825-1892)view full entry
Reference: WOOLNER, Thomas (1825-1892)
'Admiral Phillip Parker King' plaster relief col AGNP p.69
'Charles Joseph La Trobe' bronze medallion bw VIVI p.26
'Edward Hamilton' plaster bw MEAC ill.5
'Governor C J LaTrobe' bronze medallion bw MAAG p.42
'Medallion Portrait of C J La Trobe' bronze col GVTR p.19
'Medallion Portrait of Sir Charles Nicholson' bronze bw JBAY no.15
'Sir Charles Nicholson' bronze medallion bw TOAA pl.152
'Study of a Young Woman' bronze bw JBBD no.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WORE, Thomas (working 1867)view full entry
Reference: WORE, Thomas (working 1867)
'Greenoaks, Residence of T. Mort, Esq' wc bw AAGA p.29

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WORLEY, Garry (working 1970)view full entry
Reference: WORLEY, Garry (working 1970)
'Ellis D Fogg Lightshow' poster bw VIVI p.76

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WRAGG, Pamela (1938-view full entry
Reference: WRAGG, Pamela (1938-
'Apollo Landscape' bronze bw OVWA alpha
'The Glittering Prize' photo bw VVCA p.50

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WRAY, H. ( ? -1900)view full entry
Reference: WRAY, H. ( ? -1900)
'Bridge over the River Swan at Guilford, WA' ink & wc bw CCEP fig.127
'Convict Prison, Freemantle' pen & ink & wc bw CCEP fig.71
'Government House, Perth, WA' penc bw CCEP fig.128
'Officers Quarters and Guard Room, Convict Prison Freemantle WA' wc bw CCEP fig.72

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WREFORD, Elaine (1913-view full entry
Reference: WREFORD, Elaine (1913-
'London Pride' oil col BAAA p.155

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WRIGHT David (1948-view full entry
Reference: WRIGHT David (1948-
'Regeneration and Growth' stained glass wall col ZSGA p.143
'Stained Glass Panel' bw ZSGA pp.16,145
'Studio Glass Panel' col ZSGA p.144

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WRIGHT, Judy (1945-view full entry
Reference: WRIGHT, Judy (1945-
'Conception Series No.9' oil & penc bw QUWO no.79

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WRIGHT, Peter (1941-view full entry
Reference: WRIGHT, Peter (1941-
'Male Baking Bather' oil bw DSSS p.141
'Shelly Beach, Portsea' oil bw DSSS pp.120-121
'Shylock' acry col HPDA p.241

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WRIGHT, Thomas (1830-1886)view full entry
Reference: WRIGHT, Thomas (1830-1886)
'Sandhurst in 1862' oil col MAAG p.50b
'Self Portrait' oil bw AACM no.25

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WRIGLEY, Derek (1924-view full entry
Reference: WRIGLEY, Derek (1924-
'Commonwealth Arms' wood col WOAC p.66
'Commonwealth Arms' copper col WOAC p.66
'Play Sculpture' (2 examples) concrete col WOAC pp.65,66
'Untitled' sculp col WOAC p.65

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WROTH, Ian (1927-view full entry
Reference: WROTH, Ian (1927-
'Portrait Study; The Artist's Son' pen draw bw MCWA p.106
'Sacromonte, Granada' wc col FGAI p.97
'Totemic Salt-Lake: Dundas' wc col MCWA p.107

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WYNES, Maud (1880-1951)view full entry
Reference: WYNES, Maud (1880-1951)
'Adelaide Hills' wc bw BSFS*

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WYON, A. B.view full entry
Reference: WYON, A. B.
'International Exhibition Sydney' bronze medallion bw AART no.30

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
WYON, A. B.view full entry
Reference: WYON, J. S.
'International Exhibition Sydney' bronze medallion bw AART no.30

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YANGGARIN, Dalwongu clanview full entry
Reference: YANGGARIN, Dalwongu clan
'Ancestors of the Yiritja' ochres on bark bw MANG p.186

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YATES, Brian (1946-view full entry
Reference: YATES, Brian (1946-
'Anzacs on Parade' gouache bw MCWA p.108
'Happy Bay' gouache col MCWA p.109

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YAXLEY, Bill (1943-view full entry
Reference: YAXLEY, Bill (1943-
'The Dead Crocodile' mix col SAGC p.88
'Dingo in Paradise' ? col MANP p.81
'On the Way to Andy's Place' ? col MANP p.81
'Tomcat' pva bw QUWO no.80

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YEATES, G. F. (working 1925)view full entry
Reference: YEATES, G. F. (working 1925)
'The King of Lake Nash, Arltunga 1925, Central Australia' wc col DACM no.71

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YEE, Peter (1953-view full entry
Reference: YEE, Peter (1953-
'The Sculptor' penc bw PMAA p.70

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YEOMANS, T. R. (working 1855)view full entry
Reference: YEOMANS, T. R. (working 1855)
'Portrait of a Gentleman' pastel bw AACM no.20
'Portrait of a Lady' pastel bw AACM no.21

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YIRAWALA (1903-1976)view full entry
Reference: YIRAWALA (1903-1976)
'Amaraian Crocodile' bark paint col LANC p.63
'Booma-Booma the Giant' ochres on bark bw MANG p.193
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YONGE, Joan (1914-view full entry
Reference: YONGE, Joan (1914-
'Deposition' monotype bw EGBS p.99
'Fijian Girl' oil bw EGBS p.175
'Portrait of Shirley' oil bw EGBS p.174
'Self Portrait' oil bw EGBS p.45

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YOUNG, Art (working 1935)view full entry
Reference: YOUNG, Art (working 1935)
[Cover to Pamphlet Hitler's Threat to Peace] ? bw AASC p.67

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YOUNG, Bill (1952-view full entry
Reference: YOUNG, Bill (1952-
'12 1/2% Moon Glampers' etch bw WDAP p.28

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YOUNG, Blamire (1862-1935)view full entry
Reference: YOUNG, Blamire (1862-1935)
'The Bather' wc col AGNP p.93
'The Bather' wc bw JBAP no.29
'The Blue Mill' wc bw QAGS p.139
'The Bridge' ? bw SPTB p.172
'Buckley Acting as Interpreter at Indented Head' wc col MEAC pl.64
'Buckley Acting as Interpreter at Indented Head' wc col VAVS p.16
'Costume Ball' wc bw AART no.46
'Costume Ball' wc bw AART inside cover
[Cover Design for The Lone Hand] wc bw CAIP no.50
'Dawn at the Dewpond' wc bw JBBE no.83
'Deep Sea Berries' wc col AAAR p.49
'The Doors of Burgos' gouache col CAWP p.90
'The Doors of Burgos' gouache bw NGSA unpaged
'Dry Weather' wc col CAWP p.91
'Dry Weather' wc col LALA p.56
'Dry Weather' wc bw BSAA no.56
'Dry Weather' wc bw BGAA pl.77
'Dry Weather' wc bw SAPA p.106
'Elegant Ladies' wc bw JBAX no.45
'Embrace' wc bw APNT no.66
'The Explorers' wc bw FOHC p.44
'The Flower Market' wc bw JBAZ no.48
'From Richmond Quarry Towards Toorak' wc bw AACM no.59
'The Gorge' wc bw JBBC no.51
'Granfer Castle' wc col AAAR p.48
'In the Days of Governor Macquarie' wc col MEAC pl.63
'The Lake' wc col JBBG no.32
'Landscape' wc bw AACM no.60
'The Mansions of the Grey Thrush' wc col AAAR p.50
'Moonlight Revels' wc bw JBAT no.42
'Moonlight Revels' wc col TOAA pl.170
'Mother and Child' ? bw MEAA p.617
'Mounted Troops in the Snow' wc bw AUPC no.62
'Mule Train' wc & body colour bw CAAB p.315
'Myrtles and Pines, Tasmania' wc bw UMEG p.43
'Nadia' wc col ACTM no.66
'The Passing Storm' wc bw JBAR no.36
'Pastoral Symphony' wc col JBBB no.65
'Pasture Stance' wc bw UMEG p.44
'Pasture Stance' wc bw VAVS p.46
'The Precipitous Town' wc bw SPTA p.162
'A Print from Johny Fawkner's Press' woodcut bw BAPA p.20
'A Print from Johny Fawkner's Press' woodcut bw DAWL p.17
'A Print from Johny Fawkner's Press' woodcut bw BMWL aa
'Promenade' wc bw AUPA no.45
'Rat's Castle' ? bw SAOA no.40
'The Rat's Castle' ? bw MSAA 205
'Rat's Castle, Hobart' wc col LALA p.55
'The Rehearsal' wc col AAAR p.50
'Shadows of a Great City' wc col MCAB p.16
'Sydney Harbour Bridge' wc col PSHB p.56
'The Track' wc col JBBE no.81
'Twin Doors' wc bw JBBD no.62
'The Water Gate' wc bw JBAT no.43
'We Grow Old' wc bw RFBE p.41
'William Buckley, the Wild White Man' woodcut bw BOAP p.41
'Windmill' wc bw JBBE no.82
'Winter's Grey Mantle' wc col LALA p.57

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YOUNG, John (1934-view full entry
Reference: YOUNG, John (1934-
'Melbourne Skyline '73' ? bw NAA1 p.167

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YOUNG, John (1956-view full entry
Reference: YOUNG, John (1956-
'Thirst' acry & gouache bw PERC p.16

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YOUNG, Michael (1945-view full entry
Reference: YOUNG, Michael (1945-
'Limited Cubical Projection' sculp bw CYOH p.183

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YOUNG, Noela (working 1964)view full entry
Reference: YOUNG, Noela (working 1964)
[Illustrations to childrens books] bw MMHA pp.92,120

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
YULE, John (1923-view full entry
Reference: YULE, John (1923-
'Boy in the Bush' wc & gouache bw RMAA p.41

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZACHAREWICZ, Georgeview full entry
Reference: ZACHAREWICZ, George
'Snakes in Tree House' sculp col WOAD p.17

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZAGERIS, Peter (1947-view full entry
Reference: ZAGERIS, Peter (1947-
'Joseph Brown' oil bw JBAL no.21
'Portrait' oil col SLAA p.258

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZAHALKA, Anna (1957-view full entry
Reference: ZAHALKA, Anna (1957-
'Beautiful Australia' photo-montage bw PSHB p.110
'Historical Reconstruction' photo-montage bw PSHB p.111

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZALBUDEK, Richard (1948-view full entry
Reference: ZALBUDEK, Richard (1948-
'Erotic Experience III' mix col FEAE p.58
'Return to Nature' oil col FEAE p.60

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZARINA (ZARINS), Dagnija (1942-view full entry
Reference: ZARINA (ZARINS), Dagnija (1942-
'Dawn' acry col SLAA p.260
'Lilies' acry col SLAA p.260

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZECK, Garry (1940-view full entry
Reference: ZECK, Garry (1940-
'Green Morning' oil, acry bw MCWA p.110
'Pilbara I' (two panels) oil, acry col MCWA p.111

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZEENG, Russell (1947-view full entry
Reference: ZEENG, Russell (1947-
'Humpty Dumpty Heap' litho bw WDAP p.28

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZERBINI, Barbara (1942-view full entry
Reference: ZERBINI, Barbara (1942-
'Blue Painting II' acry col BMAP75 p.73

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZIKA, Paul (1949-view full entry
Reference: ZIKA, Paul (1949-
'Untitled' silkscreen bw WDAP p 28
'I-80' screenprint bw WDAP82 p.46

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZIKARAS, Joe (1922-view full entry
Reference: ZIKARAS, Joe (1922-
'Dancing Nude' ink & wash bw MEAC ill.53
'Pieta' sculp bw MEAC ill.54

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZIKARAS, Teisutis (1922-view full entry
Reference: ZIKARAS, Teisutis (1922-
'Female Figure' sculp bw MEAA p.663
'Figure' plaster sculp bw AFOG p.88
'Figure' cast alum sculp bw ELAA alpha
'Figure' woodsculp bw ELAA alpha
'The Head' sculp bw JBAG no.45
'Head Study' red gum sculp bw JBAG no.44
'Horseman' cast alum sculp bw ELAA alpha
'Seated Figure' bronze bw JBAP no.62
'Study for Sculpture' ink bw MORN p.58

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZILLES, Lauretta (1960-view full entry
Reference: ZILLES, Lauretta (1960-
'Transiencies' photo bw OVWA alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZIMMER, Klaus (1928-view full entry
Reference: ZIMMER, Klaus (1928-
'Chang-Shak' stained glass col ZSGA p.15
'Esotera' stained glass panel bw ZSGA p.136
'Last Warning' (detail) stained glass col ZSGA p.137
'Laudate Dominum' (detail) stained glass col ZSGA p.137
'Realities Window' (detail) stained glass bw ZSGA p.138
'Chang-Shak' stained glass col ZSGA p.15
'Esotera' stained glass panel bw ZSGA p.136
'Last Warning' (detail) stained glass col ZSGA p.137
'Laudate Dominum' (detail) stained glass col ZSGA p.137
'Realities Window' (detail) stained glass bw ZSGA p.138

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZIP (group, working 1980s)view full entry
Reference: ZIP (group, working 1980s)
'Ironing Board Dance No. 8' performance bw PERC p.164

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZOFFANY, Johannview full entry
Reference: ZOFFANY, Johann (British)
'The Death of Cook' oil bw SEVA pl.69
'The Death of Cook' oil bw SEVB p.119

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZOFREA, Salvatore (1946-view full entry
Reference: ZOFREA, Salvatore (1946-
'Lady in Blue' oil col BMAP75 p.42
'Psalm 7' oil col OMTC p.55
'Psalm 24' ? col POAG p.129
'The Red Chair' oil col BMAP p.84
'Study for Sydney Morning Herald' conte bw MDIA p.60
'Study for Sydney Morning Herald Mural' pencil bw MDIA p.61
'Sunday at Clontarf Beach' oil bw DSSS pp.16-17

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZOSARE (ZOSARS), Diana Dace (1956-view full entry
Reference: ZOSARE (ZOSARS), Diana Dace (1956-
'Reddish Blue' acry col SLAA p.262

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZSCHECH, Mykal (1957-view full entry
Reference: ZSCHECH, Mykal (1957-
'A.M.C.G.' etch bw WDAP82 p.46

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZUNDURA (ZUNDURS), Biruta (1915-view full entry
Reference: ZUNDURA (ZUNDURS), Biruta (1915-
'Rumanian' oil col SLAA p.264

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZUSTERS, Reinis (1918-view full entry
Reference: ZUSTERS, Reinis (1918-
'Echoes of a Familiar Place' mix col SLAA p.269
'Jamieson Door' oil bw SLAB p.162
'Narrow Neck' (3 panels) oil col SLAB p.141
'The Sixth Commandment' oil col SLAA p.266
'Tasmanian Door' oil bw SLAA p.269
'Untitled' ? col SLAA p.268

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
ZWECKER, J. B. (working 1862)view full entry
Reference: ZWECKER, J. B. (working 1862)
[Illustration to childrens book] bw MMHA p.46

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.


Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
Anonymous artistview full entry
Reference: The following title/s of works ascribed to anonymous artists or ‘artist unknown’ are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Anonymous works

[Aboriginal bark painting] col MANG p.235
[Aboriginal bark painting (by "Charlie")] col HOAA p.71
[Aboriginal bark painting] bw BSAA no.3
[Aboriginal bark paintings] (two) bw MEAA p.605
[Aboriginal bark paintings] (three) bw JEAA pp.50-51
[Aboriginal bark paintings] (four) bw SAOA nos. 3,4,6,11
[Aboriginal bark paintings] (two) bw SOAD pp.14-15
[Aboriginal carved trees] bw BSAA no.2
[Aboriginal cave painting] bw JEAA p.51
'Aboriginal Encampment in South Australia' oil bw JBAK no.3
[Aboriginal grave posts from the Snake Bay Settlement, Melville Island] col GCPA p.18
[Aboriginal grave posts from the Snake Bay Settlement, Melville Island] col GAPA p.26
'Aboriginal Man' oil bw JBBE no.14
[Aboriginal parrying shields] bw BSAA no.4
[Aboriginal rock engr] bw BSAA no.5
[Aboriginal rock painting] bw FMAP opp.pl.1
[Aboriginal rock paintings (drawings after originals in northwestern Australia] bw MSAA 7
'Aboriginal with Gun" wash draw bw DWOB pl.69
'Aboriginal Woman and Piccaninny' oil bw JBBE no.15
'Aborigines' penc bw DWOB pl.67
'After the Theatre' oil bw JBAW no.18
'Albany, King George's Sound, 1854' penc & wc bw CCEP fig. 36
'Albany King George's Sound' pen & ink bw CCEP fig.33
'Albany, West Australia; penc, ink & wc bw CCEP fig.44
'Alicia Clark' (portrait) ? bw ITOV p.134
'American Enterprise in Australia..." wood engr bw PEGF no.70
'The Arrest of Governor Bligh' print bw SPTA p.58
'The Arrest of Governor Bligh' print bw SPTB p.68
'Arthur's Vale, Norfolk Island' penc & wc col GCPA p.23
'Arthur's Vale, Norfolk Island' penc & wc col GAPA p.31
'Arthur's Vale, Norfolk Island' (detail) penc & wc bw GCPA p.83
'Arthur's Vale, Norfolk Island' (detail) penc & wc bw GAPA p.91
'Australian Homestead, Sanford' oil bw CWAG p.72
'Australian Landscape' oil col TAAD pp.132-133
'Ballarat (c.1885)' ? col MAAG p.98b
'Banksia Spinulosa' engr bw FAOP p.2
'The Barque "Diamond"' oil col TAAD p.159
'The Barracks (c1890)' wc bw CCEP fig.153
'Beaufront, Ross, Tasmania' wc bw CWAG p.41
'Bennillong' engr bw CLIA p.13
'The Big Feast' bark painting col FMAP pl.1
'Billhead for the London Family Hotel' engr bw CEVD p.135
'Bird' draw bw SPTA p.25
'Bird' draw bw SPTB p.35
'Black Peg of Van Dieman's Land' wc bw APNT no.6
'Blacks on the Way to Adelaide in Custody' wc bw DWOB pl.89
'Boy on Pony' oil bw JBAZ no.11
'Boy Playing Cricket -- Native of Western Australia, Pupil of the Missionary Institution of Poonindie' oil bw DWOB pl.112
'Britannia Fostering the Infant State of Van Dieman's Land' woodcut bw CMOT p.335
'Cameragal, the Chief of the Most Powerful Tribe in New South Wales' ? bw REAA p.38
'Campbell's Creek near Castlemaine, The Standard Brewery' wood engr bw PEGF no.83
'Campsite Beside a Lake' wc bw CIPA no.8
'Captain John Piper' ? bw FCIA p.45
'Captain Stirling's Exploration of the Swan River' wc bw CCEP fig.103
'Carbine Valse' chromolithograph col CMOT p.169
'Careening Bay or Port Royal at the South End of Garden Island in Western Australia...c1830' penc, pen & ink, wash bw CCEP fig.52
'Carlton Football Ground' oil col TAAD p.120
'Carnac Island, on which the Stores of HMS Success were Landed after the Wreck on the 28 November 1829' penc, pen & ink, wash bw CCEP fig.50
'Cascades Hobarton' wc & penc bw RFBE p.17
'Cathedral of the Immaculate Conception c.1890' wc bw CCEP fig.159
'Cattle Station -- Lower Murrumbidgee' penc bw DACM no.30
'Celia Wills (nee Reibey)' wc col FCIA pl.15
'Clipper Ship "Thyatira" Entering Sydney Heads' wc col DACA p.309
'Collecting the Mail in Sydney' wood engr bw EHSA p.58
'Colonial Sporting Scene' oil col TAAD p.14
'Conrad Martens' oil bw BIIO p.8
'Cousin Thomas, or the Swan River Job 1829' ? CCEP p.63 fig.106
'Cruse's Mill, 1846, Swan District' penc bw CCEP fig.116
'Darebin Creek' oil bw JBAK no.16
'Dempster & Pearce, Launceston' ? bw CMOT p.94
'The Devil's Hill: Road to Wood's Point' wood engr bw PEGF no.82
'Distant View of Careening Bay, or Port Royal, from a Hill, the Success Hove Down to the Cruiser c1830' penc, pen & ink, wash bw CCEP fig.53
'Einwohner and Hutten, ein Hund, das Kanguruh, ein Casuar of New Sud Wallis' engr bw FAOP p.28
'The Emigrant (1850s)' litho bw FCIA p.100
'English Mail Day at the Post Office, Melbourne' wc bw VIVI p.35
'The Entrance to the Cataract Gorge at Launceston, Tasmania...' wc bw JBBD no.17
'Exhibition Building, Melbourne' wc col GVTR p.69
'Fairlight' oil bw JBAG no.5
'Family Group' wc bw APNT no.11
'Filling the Billy' oil col TAAD p.29
'The Finding of Harding, Panter and Goldmyer, c.1860s' pen & ink, wc & gouache bw CCEP fig.220
'First Establishment on the River Derwent, Van Diemen's Land, c.1804' wc bw MGSL p.43
'First Night in the Colony' wc bw RFBE p.17
'Fortress of Ghizni' litho bw CEVD p.143
'Funerary Monument at Highfield, Stanley for J T Curr' wc bw CWAG
'Garden Island in Western Australia, Seamen's Huts and Workshops, South View, c1830' penc, pen & ink, wash bw CCEP fig.54
'Garden Island, North View c.1830' penc, pen & ink, wash, bw CCEP fig.55
'The Garden Palace' wood engr col EHSA p.78
'General Sir Edward Macarthur' ? bw SPTA p.41
'General Sir Edward Macarthur' ? bw SPTB p.51
'George and Rosalie Waterhouse, Children of Susan Waterhouse' (2 paintings' wc bw TOAA pl.8
'George French Angas' engr by Leslie Wilkie bw MAAG p.67
'A Gnormo or Spirit Called Yungwalia' bark painting col GMAP p.33
'A Gnormo or Spirit Called Yungwalia' bark painting col GCPA p.19
'A Gnormo or Spirit Called Yungwalia' bark painting col GAPA p.27
'Gold Prospector and a Lady Inspecting the Find' wc bw JBBF no.36
'The Government House at Perth, West Austrtalia' wood engr bw CCEP fig.129
'Governor Davey's Proclamation to the Aborigines' etch bw APCC no.2
'Governor Davey's Proclamation to the Aborigines' etch bw DWOB pl.33
'A Governor Denison Cartoon' litho bw CEVD p.145
'Gowrie Station, Darling Downs' wc bw DAAC p.20
'Great Brown King Fisher' engr by S. Edwards bw FAOP p.14
'Gundaroo (NSW)' penc bw AACM no.24
'Gympie Goldfields' oil bw APCC no.13
'Happy Thwarts' litho bw CMOT p.59
'Harbour Inlet' wc bw CAIP no.7
'Harbour of Albany King George's Sound, 1854' penc & wc bw CCEP fig.36
'Harriet Mary Blaxland, nee Dowling; wc & penc col FCIA pl.38
'Henry Button' woodcut bw CMOT p.92
'Highfield, Circular Head (Stanley, Tasmania. 1840)' wc bw CWAG
'Highfield, Circular Head (Stanley, Tasmania. 1840) wc col CWAG cover
'HMS Success on Carnac Reef c.1830' penc bw CCEP fig.48
'Hobart Town' pen bw FAOP p.13
'Horton College, Ross' engr bw CMOT p.104
'How Some of the Galateans "Man Their Yards" on Shore' pen & wash bw FEAE p.11
'Interior of Town Hall, Hobart Town' woodcut bw CMOT p.343
'Ironpot Creek, Craigie Range, Granite' ? col ITOV p.62
'J. Morris' Saleyard' wc bw AART no.24
'James Macarthur' ? bw FCIA p.47
'Jellalabad' penc bw JBBE no.20
'The Jolly Squatter (ca.1840)' wc col FCIA pl.52
'Jubilee Celebration of the First Settlement in Tasmania' wc bw JBBD no.16
'Kangaroo Hunt' wc bw SEVA pl.119
'Kangaroo Hunt' wc bw SEVB p.249
'Kangaroo Hunt' oil col TAAD p.62
'Kangaroo Rat' engr bw HLTW no.37
'Kangaroos in a Wooded Landscape' (detail) wash draw bw HLTW no.39
'Kelly & Co., Cordial Manufacturer, Hobart' litho bw CMOT p.241
'King George Sound, Albany, 1857' penc bw CCEP fig.39
'King George's Sound' wc bw CCEP fig.42
'King George's Sound, West Australia' penc & wc bw CCEP fig.45
'Koalo' ? bw FAOP p.139
'The Landing of Emigrants in Queensland' ? bw ITOV p.213
'The Landing Place at Parramatta' ? col REAA p.150
'Lassetter's The Ironmongers, 421 George Street' litho col EHSA p.53
'Launceston Club Hotel' engr bw CMOT p.20
'Lewis Building, Hobart Town' wood engr bw CEVD p.94
'Lieutenant-Governor Arthur's Proclamation' oil col DWOB pl.XI
'Lily Eating Sprite or Gnome' bark painting bw MEAB ill.1
'"Lochinvar", New South Wales, The Residence of James Forbes Beattie, Esq.' oil col ACTM no.2
'The Loss of the London (By an Eye Witness of the Same)' litho bw VIVI p.34
'Lucy Beedon' litho bw CMOT p.151
'Major Edward Abbott' ? bw FCIA p.43
'Major Johnston with Quarter Master Laycock...1804' wc col CAWP
'Making a Run for It' oil bw JBBF no.20
'Malahide, Van Diemen's Land' litho bw FAOP p.45
'Massacre of the Rev. John Williams' wc bw SEVA pl.155
'Massacre of the Rev. John Willilams' wc bw SEVB p.320
'Mentone' wc bw TTAC p.68
'Miners Pursued by Police at a Goldfield' oil bw TAPA no.17
'Mr. Keeling, c.1830' wc bw BACP p.34
'Mr. Waterhouse Endeavouring to Break the Spear after Governor Phillip was Wounded by Wil-le-me-ring (ca.1800)' ? bw REAA p.38
'Moonlight' wc bw AEWA p.19
'Morning Star Myth' bark painting col GCPA p.17
'Morning Star Myth' bark painting col GAPA p.25
'A Native of New South Wales Surprising and Wounding Another Whilst Asleep (ca.1800) ? bw REAA p.38
'Native of Western Australia, Pupil of the Missionary Institute of Poonindie' oil bw DWOB pl.111
'Native Diving into Pool' ? col ITOV p.49
'New Norcia I, 1860' wc bw CCEP fig.205
'New Norcia II, 1860' wc bw CCEP fig.206
'Nouvelle Hollande.  Vue de la Riviere Waragamga...' engr by Schroeder bw SLAB p.118
'Old Legislative Council Building, c1890' wc bw CCEP fig.154
'Old Methodist Chruch, c1890' wc bw CCEP fig.155
'Old Perth Gaol and Courthouse, c1890' wc bw CCEP fig.156
'On the Hawkesbury River' wc bw JBBB no.22
'On the Werribee' penc, etc. bw WALD p.69
'One of the New South Wales Aboriginies Befriended by Governor Macquarie' oil bw DWOB pl.25
'Opening of the Horticultural Fete, Launceston' wc bw CWAG p.23
'Paddle Steamer "Rose"' gouache bw JBAE no.5
'Parramatta River NSW' wash draw bw ACAR no.27
'Peel, Peel, Swan River Peel!  Very Fine Peel!!! 1829' etch bw CCEP fig.105
[Pen drawing by Victoria Aborigines] bw SAOA no.12
'Perth, the Seat of Government of Swan River in Western Australia c1830' pen & ink & wash bw CCEP fig.107
'Perth -- Western Australia, 1842' wc col CCEP p.65 fig.115
'Picnic at Mrs. Macquarie's Chair' oil col MSHP p.29
'Picnic at Mrs. Macquarie's Chair' oil col PAPA p.117
'Picnic at Mrs. Macquarie's Chair' oil col EHSA p.91
'The Plough Hotel, Launceston' woodcut bw CEVD p.137
'Police Station, Bunbury' wc bw CCEP fig.211
'Port Arthur' oil col DACA p.109
'Portrait of a Gentleman' wc & penc bw JBAQ no.1
'Portrait of Ben-nil-long' wngr bw FCIA p.30
'Portrait of Fanny Hardwick' wc col FCIA pl.6
'Portrait of Maria Elizabeth O'Mullane and Her Children' oil bw VIVI
'Portrait of Rupert Inglebey and His Mother' wc bw JBAL no.3
'Portrait of Saidee and Alice Stephen (ca.1847)' wc col FCIA pl.57
'Punition des Matelots a Hobart Town' litho bw CMOT p.69
'Ralph Dewar's Farm at Gingin, c.1860's' wc bw CCEP fig.207
'Reception of the New Governor (Kennedy) 1855' pen & ink & wash bw CCEP fig.70
'River Landscape after a Painting by John Mather' oil col TAAD p.128
'River Regatta' penc bw JBBF no.28
'River Scene with Small Boat and Distant Buildings' ink & wash bw WALD p.67
'Roman Catholid Bishop's Palace, c1890' wc bw CCEP fig.157
'St. George's Hall, c1890' wc bw CCEP fig.158
'Seated Nude Study' oil bw NTCA pl.34
'Sempill House, Sydney, NSW' wc bw CWAG p.35
'Settlement on the Green Hills, Hawksburgh River' ? bw REAA p.151
'Sir Redmond Barry' oil bw GVTR p.35
'Skelton Castle, River Isis, V.D.L., Residence of Capt. Jas Dixon' wc bw CWAG p.37
'South View of Sydney Cove Taken from the General Spring Nigh the Eastern Entrance to Pitt's Row (ca.1800) ? bw REAA p.39
'Specimen of the Society at the Swan River! c1830' wc bw CCEP fig.108
'Stones Near Albany' penc & wc bw CCEP fig.36
'The Success Hove Down to the Cruiser, c1830' pen & ink & wc col CCEP p.29 fig.51
'Swan Bay' penc etc. bw WALD p.68
'Swan River Mechanics' Institute, c1890' wc bw CCEP fig.160
'Sydney about 1815' ? bw SAOA no.15
'Sydney Anniversary Regatta' ? bw EHSA p.152
'The Tasmanian Anniversary Regatta' litho bw CMOT p.40
'Tasmanian Steam Navigation Company's Steam Ship Southern Cross' litho bw CMOT p.38
'"That's Good Enough"' oil bw APNT no.42@
[Title page of Speculum Orbis Terrae (Antwerp 1593) Showing Kangaroo with Young]  ? bw REAA p.5
'Towards the Eastern Shore of the Derwent from Knocklofty' oil bw AACM no.35
'Town Hall, Melbourne, 1852-1867' wc bw JBAW no.12
'Travelling Coach and Horses' ? bw ITOV p.84
'Two Women by the Bank of a River, c1890' wc bw CCEP fig.169
'United Service Hotel, c1890' wc bw CCEP fig.161
'Untitled (Corroboree) by "Corowa Aboriginal Artist"' pen & ink bw MGSL p.63
'View from the Pentland Hills Looking Towards the Dandenong Ranges' penc, etc. bw WALD p.68
'View in the Blue Mountains with Natives...' wc col SLAB p.18
'View of Carnac Island and HMS Success on the Reef, c.1830' penc etc. bw CCEP fig.49
'View of Fremantle, c1869' penc & wc col CCEP p.43 fig.77
'A View of Government Farm at Rose Hill, New South Wales, 1791' ? bw REAA p.39
'View of Jolimont, Melbourne, Port Phillip' pastel bw CWAG p.54
'View of Miller's Point from Darling Harbour' oil col PAPA p.125
'View of Perth from Mount Eliza' wc & gouache bw CCEP fig.147
'View of Port Jackson from Dawes's Point' ? bw REAA p.135
'A View of the New Post Office & School of Arts, Bourbon St., Bundaberg from Barolin St., August 1, 1891, Queensland' wc col DACM no.48
'View of the Northern Suburbs of Hobart Viewed from Queen's Domain' oil bw JBBD no.21
'View of the Settlement at King George Sound, c1857' penc bw CCEP fig.40
'View Taken on Major Mitchell's Pass to the Pilgrim Inn...1832' wc col SLAB p.17
'A Vision of Justice in Van Diemen's Land' litho bw CMOT p.62
'Vlamingh's Boats Entering the Swan River, Western Australia [in Valentin's history Oud en Nieuw Oost Indien, vol 3, Amsterdam, 1726]' ? bw REAA p.6
'War, Ran (Neophema pulchella, male) [from Drawings of Birds, 1791-2]' wc col MGSL p.37
'Wentworth River Diggings' oil bw JBBA no.8
'Westella, Hobart' woodcut bw CMOT p.106
'Whale Boats Starting at the Tasmanian Anniversary Regatta' (detail) litho bw HLTW no.27
'Whales, Stingrays, Turtles and Dugongs' bark painting bw MEAB ill.2
'William Buckley' ? bw BACP p.25
'William Buckley' litho bw CEVD p.99
'William Minam Waimata, Port Aiken' penc bw DWOB pl.68
'Woman with a Parasol and a Girl on the Beach' oil bw SAEP no.24
'Wynyard Square in 1840...' ink & wash bw AACM no.4
'Yarrow River from Botanic Bridge' oil bw JBAZ no.6

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
artist unknownview full entry
Reference: The following title/s of works ascribed to anonymous artists or ‘artist unknown’ are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Anonymous works

[Aboriginal bark painting] col MANG p.235
[Aboriginal bark painting (by "Charlie")] col HOAA p.71
[Aboriginal bark painting] bw BSAA no.3
[Aboriginal bark paintings] (two) bw MEAA p.605
[Aboriginal bark paintings] (three) bw JEAA pp.50-51
[Aboriginal bark paintings] (four) bw SAOA nos. 3,4,6,11
[Aboriginal bark paintings] (two) bw SOAD pp.14-15
[Aboriginal carved trees] bw BSAA no.2
[Aboriginal cave painting] bw JEAA p.51
'Aboriginal Encampment in South Australia' oil bw JBAK no.3
[Aboriginal grave posts from the Snake Bay Settlement, Melville Island] col GCPA p.18
[Aboriginal grave posts from the Snake Bay Settlement, Melville Island] col GAPA p.26
'Aboriginal Man' oil bw JBBE no.14
[Aboriginal parrying shields] bw BSAA no.4
[Aboriginal rock engr] bw BSAA no.5
[Aboriginal rock painting] bw FMAP opp.pl.1
[Aboriginal rock paintings (drawings after originals in northwestern Australia] bw MSAA 7
'Aboriginal with Gun" wash draw bw DWOB pl.69
'Aboriginal Woman and Piccaninny' oil bw JBBE no.15
'Aborigines' penc bw DWOB pl.67
'After the Theatre' oil bw JBAW no.18
'Albany, King George's Sound, 1854' penc & wc bw CCEP fig. 36
'Albany King George's Sound' pen & ink bw CCEP fig.33
'Albany, West Australia; penc, ink & wc bw CCEP fig.44
'Alicia Clark' (portrait) ? bw ITOV p.134
'American Enterprise in Australia..." wood engr bw PEGF no.70
'The Arrest of Governor Bligh' print bw SPTA p.58
'The Arrest of Governor Bligh' print bw SPTB p.68
'Arthur's Vale, Norfolk Island' penc & wc col GCPA p.23
'Arthur's Vale, Norfolk Island' penc & wc col GAPA p.31
'Arthur's Vale, Norfolk Island' (detail) penc & wc bw GCPA p.83
'Arthur's Vale, Norfolk Island' (detail) penc & wc bw GAPA p.91
'Australian Homestead, Sanford' oil bw CWAG p.72
'Australian Landscape' oil col TAAD pp.132-133
'Ballarat (c.1885)' ? col MAAG p.98b
'Banksia Spinulosa' engr bw FAOP p.2
'The Barque "Diamond"' oil col TAAD p.159
'The Barracks (c1890)' wc bw CCEP fig.153
'Beaufront, Ross, Tasmania' wc bw CWAG p.41
'Bennillong' engr bw CLIA p.13
'The Big Feast' bark painting col FMAP pl.1
'Billhead for the London Family Hotel' engr bw CEVD p.135
'Bird' draw bw SPTA p.25
'Bird' draw bw SPTB p.35
'Black Peg of Van Dieman's Land' wc bw APNT no.6
'Blacks on the Way to Adelaide in Custody' wc bw DWOB pl.89
'Boy on Pony' oil bw JBAZ no.11
'Boy Playing Cricket -- Native of Western Australia, Pupil of the Missionary Institution of Poonindie' oil bw DWOB pl.112
'Britannia Fostering the Infant State of Van Dieman's Land' woodcut bw CMOT p.335
'Cameragal, the Chief of the Most Powerful Tribe in New South Wales' ? bw REAA p.38
'Campbell's Creek near Castlemaine, The Standard Brewery' wood engr bw PEGF no.83
'Campsite Beside a Lake' wc bw CIPA no.8
'Captain John Piper' ? bw FCIA p.45
'Captain Stirling's Exploration of the Swan River' wc bw CCEP fig.103
'Carbine Valse' chromolithograph col CMOT p.169
'Careening Bay or Port Royal at the South End of Garden Island in Western Australia...c1830' penc, pen & ink, wash bw CCEP fig.52
'Carlton Football Ground' oil col TAAD p.120
'Carnac Island, on which the Stores of HMS Success were Landed after the Wreck on the 28 November 1829' penc, pen & ink, wash bw CCEP fig.50
'Cascades Hobarton' wc & penc bw RFBE p.17
'Cathedral of the Immaculate Conception c.1890' wc bw CCEP fig.159
'Cattle Station -- Lower Murrumbidgee' penc bw DACM no.30
'Celia Wills (nee Reibey)' wc col FCIA pl.15
'Clipper Ship "Thyatira" Entering Sydney Heads' wc col DACA p.309
'Collecting the Mail in Sydney' wood engr bw EHSA p.58
'Colonial Sporting Scene' oil col TAAD p.14
'Conrad Martens' oil bw BIIO p.8
'Cousin Thomas, or the Swan River Job 1829' ? CCEP p.63 fig.106
'Cruse's Mill, 1846, Swan District' penc bw CCEP fig.116
'Darebin Creek' oil bw JBAK no.16
'Dempster & Pearce, Launceston' ? bw CMOT p.94
'The Devil's Hill: Road to Wood's Point' wood engr bw PEGF no.82
'Distant View of Careening Bay, or Port Royal, from a Hill, the Success Hove Down to the Cruiser c1830' penc, pen & ink, wash bw CCEP fig.53
'Einwohner and Hutten, ein Hund, das Kanguruh, ein Casuar of New Sud Wallis' engr bw FAOP p.28
'The Emigrant (1850s)' litho bw FCIA p.100
'English Mail Day at the Post Office, Melbourne' wc bw VIVI p.35
'The Entrance to the Cataract Gorge at Launceston, Tasmania...' wc bw JBBD no.17
'Exhibition Building, Melbourne' wc col GVTR p.69
'Fairlight' oil bw JBAG no.5
'Family Group' wc bw APNT no.11
'Filling the Billy' oil col TAAD p.29
'The Finding of Harding, Panter and Goldmyer, c.1860s' pen & ink, wc & gouache bw CCEP fig.220
'First Establishment on the River Derwent, Van Diemen's Land, c.1804' wc bw MGSL p.43
'First Night in the Colony' wc bw RFBE p.17
'Fortress of Ghizni' litho bw CEVD p.143
'Funerary Monument at Highfield, Stanley for J T Curr' wc bw CWAG
'Garden Island in Western Australia, Seamen's Huts and Workshops, South View, c1830' penc, pen & ink, wash bw CCEP fig.54
'Garden Island, North View c.1830' penc, pen & ink, wash, bw CCEP fig.55
'The Garden Palace' wood engr col EHSA p.78
'General Sir Edward Macarthur' ? bw SPTA p.41
'General Sir Edward Macarthur' ? bw SPTB p.51
'George and Rosalie Waterhouse, Children of Susan Waterhouse' (2 paintings' wc bw TOAA pl.8
'George French Angas' engr by Leslie Wilkie bw MAAG p.67
'A Gnormo or Spirit Called Yungwalia' bark painting col GMAP p.33
'A Gnormo or Spirit Called Yungwalia' bark painting col GCPA p.19
'A Gnormo or Spirit Called Yungwalia' bark painting col GAPA p.27
'Gold Prospector and a Lady Inspecting the Find' wc bw JBBF no.36
'The Government House at Perth, West Austrtalia' wood engr bw CCEP fig.129
'Governor Davey's Proclamation to the Aborigines' etch bw APCC no.2
'Governor Davey's Proclamation to the Aborigines' etch bw DWOB pl.33
'A Governor Denison Cartoon' litho bw CEVD p.145
'Gowrie Station, Darling Downs' wc bw DAAC p.20
'Great Brown King Fisher' engr by S. Edwards bw FAOP p.14
'Gundaroo (NSW)' penc bw AACM no.24
'Gympie Goldfields' oil bw APCC no.13
'Happy Thwarts' litho bw CMOT p.59
'Harbour Inlet' wc bw CAIP no.7
'Harbour of Albany King George's Sound, 1854' penc & wc bw CCEP fig.36
'Harriet Mary Blaxland, nee Dowling; wc & penc col FCIA pl.38
'Henry Button' woodcut bw CMOT p.92
'Highfield, Circular Head (Stanley, Tasmania. 1840)' wc bw CWAG
'Highfield, Circular Head (Stanley, Tasmania. 1840) wc col CWAG cover
'HMS Success on Carnac Reef c.1830' penc bw CCEP fig.48
'Hobart Town' pen bw FAOP p.13
'Horton College, Ross' engr bw CMOT p.104
'How Some of the Galateans "Man Their Yards" on Shore' pen & wash bw FEAE p.11
'Interior of Town Hall, Hobart Town' woodcut bw CMOT p.343
'Ironpot Creek, Craigie Range, Granite' ? col ITOV p.62
'J. Morris' Saleyard' wc bw AART no.24
'James Macarthur' ? bw FCIA p.47
'Jellalabad' penc bw JBBE no.20
'The Jolly Squatter (ca.1840)' wc col FCIA pl.52
'Jubilee Celebration of the First Settlement in Tasmania' wc bw JBBD no.16
'Kangaroo Hunt' wc bw SEVA pl.119
'Kangaroo Hunt' wc bw SEVB p.249
'Kangaroo Hunt' oil col TAAD p.62
'Kangaroo Rat' engr bw HLTW no.37
'Kangaroos in a Wooded Landscape' (detail) wash draw bw HLTW no.39
'Kelly & Co., Cordial Manufacturer, Hobart' litho bw CMOT p.241
'King George Sound, Albany, 1857' penc bw CCEP fig.39
'King George's Sound' wc bw CCEP fig.42
'King George's Sound, West Australia' penc & wc bw CCEP fig.45
'Koalo' ? bw FAOP p.139
'The Landing of Emigrants in Queensland' ? bw ITOV p.213
'The Landing Place at Parramatta' ? col REAA p.150
'Lassetter's The Ironmongers, 421 George Street' litho col EHSA p.53
'Launceston Club Hotel' engr bw CMOT p.20
'Lewis Building, Hobart Town' wood engr bw CEVD p.94
'Lieutenant-Governor Arthur's Proclamation' oil col DWOB pl.XI
'Lily Eating Sprite or Gnome' bark painting bw MEAB ill.1
'"Lochinvar", New South Wales, The Residence of James Forbes Beattie, Esq.' oil col ACTM no.2
'The Loss of the London (By an Eye Witness of the Same)' litho bw VIVI p.34
'Lucy Beedon' litho bw CMOT p.151
'Major Edward Abbott' ? bw FCIA p.43
'Major Johnston with Quarter Master Laycock...1804' wc col CAWP
'Making a Run for It' oil bw JBBF no.20
'Malahide, Van Diemen's Land' litho bw FAOP p.45
'Massacre of the Rev. John Williams' wc bw SEVA pl.155
'Massacre of the Rev. John Willilams' wc bw SEVB p.320
'Mentone' wc bw TTAC p.68
'Miners Pursued by Police at a Goldfield' oil bw TAPA no.17
'Mr. Keeling, c.1830' wc bw BACP p.34
'Mr. Waterhouse Endeavouring to Break the Spear after Governor Phillip was Wounded by Wil-le-me-ring (ca.1800)' ? bw REAA p.38
'Moonlight' wc bw AEWA p.19
'Morning Star Myth' bark painting col GCPA p.17
'Morning Star Myth' bark painting col GAPA p.25
'A Native of New South Wales Surprising and Wounding Another Whilst Asleep (ca.1800) ? bw REAA p.38
'Native of Western Australia, Pupil of the Missionary Institute of Poonindie' oil bw DWOB pl.111
'Native Diving into Pool' ? col ITOV p.49
'New Norcia I, 1860' wc bw CCEP fig.205
'New Norcia II, 1860' wc bw CCEP fig.206
'Nouvelle Hollande.  Vue de la Riviere Waragamga...' engr by Schroeder bw SLAB p.118
'Old Legislative Council Building, c1890' wc bw CCEP fig.154
'Old Methodist Chruch, c1890' wc bw CCEP fig.155
'Old Perth Gaol and Courthouse, c1890' wc bw CCEP fig.156
'On the Hawkesbury River' wc bw JBBB no.22
'On the Werribee' penc, etc. bw WALD p.69
'One of the New South Wales Aboriginies Befriended by Governor Macquarie' oil bw DWOB pl.25
'Opening of the Horticultural Fete, Launceston' wc bw CWAG p.23
'Paddle Steamer "Rose"' gouache bw JBAE no.5
'Parramatta River NSW' wash draw bw ACAR no.27
'Peel, Peel, Swan River Peel!  Very Fine Peel!!! 1829' etch bw CCEP fig.105
[Pen drawing by Victoria Aborigines] bw SAOA no.12
'Perth, the Seat of Government of Swan River in Western Australia c1830' pen & ink & wash bw CCEP fig.107
'Perth -- Western Australia, 1842' wc col CCEP p.65 fig.115
'Picnic at Mrs. Macquarie's Chair' oil col MSHP p.29
'Picnic at Mrs. Macquarie's Chair' oil col PAPA p.117
'Picnic at Mrs. Macquarie's Chair' oil col EHSA p.91
'The Plough Hotel, Launceston' woodcut bw CEVD p.137
'Police Station, Bunbury' wc bw CCEP fig.211
'Port Arthur' oil col DACA p.109
'Portrait of a Gentleman' wc & penc bw JBAQ no.1
'Portrait of Ben-nil-long' wngr bw FCIA p.30
'Portrait of Fanny Hardwick' wc col FCIA pl.6
'Portrait of Maria Elizabeth O'Mullane and Her Children' oil bw VIVI
'Portrait of Rupert Inglebey and His Mother' wc bw JBAL no.3
'Portrait of Saidee and Alice Stephen (ca.1847)' wc col FCIA pl.57
'Punition des Matelots a Hobart Town' litho bw CMOT p.69
'Ralph Dewar's Farm at Gingin, c.1860's' wc bw CCEP fig.207
'Reception of the New Governor (Kennedy) 1855' pen & ink & wash bw CCEP fig.70
'River Landscape after a Painting by John Mather' oil col TAAD p.128
'River Regatta' penc bw JBBF no.28
'River Scene with Small Boat and Distant Buildings' ink & wash bw WALD p.67
'Roman Catholid Bishop's Palace, c1890' wc bw CCEP fig.157
'St. George's Hall, c1890' wc bw CCEP fig.158
'Seated Nude Study' oil bw NTCA pl.34
'Sempill House, Sydney, NSW' wc bw CWAG p.35
'Settlement on the Green Hills, Hawksburgh River' ? bw REAA p.151
'Sir Redmond Barry' oil bw GVTR p.35
'Skelton Castle, River Isis, V.D.L., Residence of Capt. Jas Dixon' wc bw CWAG p.37
'South View of Sydney Cove Taken from the General Spring Nigh the Eastern Entrance to Pitt's Row (ca.1800) ? bw REAA p.39
'Specimen of the Society at the Swan River! c1830' wc bw CCEP fig.108
'Stones Near Albany' penc & wc bw CCEP fig.36
'The Success Hove Down to the Cruiser, c1830' pen & ink & wc col CCEP p.29 fig.51
'Swan Bay' penc etc. bw WALD p.68
'Swan River Mechanics' Institute, c1890' wc bw CCEP fig.160
'Sydney about 1815' ? bw SAOA no.15
'Sydney Anniversary Regatta' ? bw EHSA p.152
'The Tasmanian Anniversary Regatta' litho bw CMOT p.40
'Tasmanian Steam Navigation Company's Steam Ship Southern Cross' litho bw CMOT p.38
'"That's Good Enough"' oil bw APNT no.42@
[Title page of Speculum Orbis Terrae (Antwerp 1593) Showing Kangaroo with Young]  ? bw REAA p.5
'Towards the Eastern Shore of the Derwent from Knocklofty' oil bw AACM no.35
'Town Hall, Melbourne, 1852-1867' wc bw JBAW no.12
'Travelling Coach and Horses' ? bw ITOV p.84
'Two Women by the Bank of a River, c1890' wc bw CCEP fig.169
'United Service Hotel, c1890' wc bw CCEP fig.161
'Untitled (Corroboree) by "Corowa Aboriginal Artist"' pen & ink bw MGSL p.63
'View from the Pentland Hills Looking Towards the Dandenong Ranges' penc, etc. bw WALD p.68
'View in the Blue Mountains with Natives...' wc col SLAB p.18
'View of Carnac Island and HMS Success on the Reef, c.1830' penc etc. bw CCEP fig.49
'View of Fremantle, c1869' penc & wc col CCEP p.43 fig.77
'A View of Government Farm at Rose Hill, New South Wales, 1791' ? bw REAA p.39
'View of Jolimont, Melbourne, Port Phillip' pastel bw CWAG p.54
'View of Miller's Point from Darling Harbour' oil col PAPA p.125
'View of Perth from Mount Eliza' wc & gouache bw CCEP fig.147
'View of Port Jackson from Dawes's Point' ? bw REAA p.135
'A View of the New Post Office & School of Arts, Bourbon St., Bundaberg from Barolin St., August 1, 1891, Queensland' wc col DACM no.48
'View of the Northern Suburbs of Hobart Viewed from Queen's Domain' oil bw JBBD no.21
'View of the Settlement at King George Sound, c1857' penc bw CCEP fig.40
'View Taken on Major Mitchell's Pass to the Pilgrim Inn...1832' wc col SLAB p.17
'A Vision of Justice in Van Diemen's Land' litho bw CMOT p.62
'Vlamingh's Boats Entering the Swan River, Western Australia [in Valentin's history Oud en Nieuw Oost Indien, vol 3, Amsterdam, 1726]' ? bw REAA p.6
'War, Ran (Neophema pulchella, male) [from Drawings of Birds, 1791-2]' wc col MGSL p.37
'Wentworth River Diggings' oil bw JBBA no.8
'Westella, Hobart' woodcut bw CMOT p.106
'Whale Boats Starting at the Tasmanian Anniversary Regatta' (detail) litho bw HLTW no.27
'Whales, Stingrays, Turtles and Dugongs' bark painting bw MEAB ill.2
'William Buckley' ? bw BACP p.25
'William Buckley' litho bw CEVD p.99
'William Minam Waimata, Port Aiken' penc bw DWOB pl.68
'Woman with a Parasol and a Girl on the Beach' oil bw SAEP no.24
'Wynyard Square in 1840...' ink & wash bw AACM no.4
'Yarrow River from Botanic Bridge' oil bw JBAZ no.6

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html
Gallagher Donview full entry
Reference: Don Gallagher - 58 Years Behind the Brush
Publishing details: St Edmund's College, Canberra 2011
Ref: 1000
Gould Johnview full entry
Reference: Mr. Gould's tropical birds: comprising twenty four plates selected from John Gould's folios together with descriptions of the birds taken from his original text. Eva Mannering, editor.
Publishing details: London: Ariel Press, 1970.
Folio, 14 pp. 24 colour plates,dustwrapper.
Ref: 1000
Aboriginal artview full entry
Reference: Australia Aboriginal Paintings - Arnhem Land
Publishing details: New York Graphic Society, by arrangement with Unesco.
Ref: 1000
Boyd Merricview full entry
Reference: White Gums and Ramoxes: Ceramics By Merric and Arthur Boyd from the Bundanon Collection by Grace Cochrane
Publishing details: Bundanon Trust New South Wales 2009 Exhibition Publication, 127pp
Boyd Arthurview full entry
Reference: see White Gums and Ramoxes: Ceramics By Merric and Arthur Boyd from the Bundanon Collection by Grace Cochrane
Publishing details: Bundanon Trust New South Wales 2009 Exhibition Publication, 127pp
Boyd familyview full entry
Reference: see Merric Boyd Studio Potter by Victoria Hammond. Profusely illustrated catalogue of 113 exhibits. Biographical essay. Chapter on the Boyd family
Publishing details: NVD, 1990, pb, 80pp
Arts and Craft Society of Victoria p24view full entry
Reference: see Merric Boyd Studio Potter by Victoria Hammond. Profusely illustrated catalogue of 113 exhibits. Biographical essay. Chapter on the Boyd family.
Publishing details: NVD, 1990, pb, 80pp
Lockhart Adrianview full entry
Reference: Adrian Lockhart Sketchbook Drawings [Includes: "A Sketch of Adrian Lockhart" by Dean Thomas. "Bibliography and works published in books": Final page.]
Publishing details: Balmain NSW : A. Lockhart, 1997 
78 p. : chiefly ill. (some col.)
Goody Rosview full entry
Reference: A Brush with Australia, text by Caroline Chisolm [artwork by Ros Goody]
Publishing details: Alexandria, NSW : P & D Publishing, [2002?] 
128 p. : chiefly col. ill. ;
Ref: 1000
Gascoigne Rosalieview full entry
Reference: Rosalie Gascoigne - Plain Air. "Published on the occasion of the exhibition "Rosalie Gascoigne" City Gallery Wellington, 22 February-16 May 2004"--T.p. verso.
Curators, Gregory O'Brien and Paula Savage. Includes bibliographical references (p. 87).
Publishing details: Wellington, N.Z. : City Gallery/Victoria University Press, 2004 
87 p. : ill. (some col.)
Ref: 1000
Gascoigne Rosalieview full entry
Reference: The daylight moon / Rosalie Gascoigne and Lake George
Publishing details: Goulburn, New South Wales : Goulburn.Art Regional Gallery, 2015, 32 pages : illustrations
Ref: 1006
Perceived differentlyview full entry
Reference: Perceived differently : Rosalie Gascoigne, David Jensz, Mark Grey-Smith, Wendy Teakel.
Notes "Canberra National Sculpture Forum 95. Exhibition dates 2-30 April 1995"
Publishing details: Canberra : The Australian National University, Drill Hall Gallery, 1995 
7, [9] p. : ill. ; 30 cm. 
Ref: 1006
Gascoigne Rosalieview full entry
Reference: Rosalie Gascoigne 1985. Essay by Mary Eagle. Bibliography: p. [9]

Publishing details: Exhibition held Fine Arts Gallery, University of Tasmania, 6-28 September 1985, and arranged by the Fine Arts Committee.
Ref: 1006
Gascoigne Rosalieview full entry
Reference: From the studio of Rosalie Gascoigne : the Australian National University, Drill Hall Gallery, 5 September-8 October 2000. [’The essays are: the artist in residence; equipment in the studio; Peter Vandermark & Marie Hagerty talking with Mary Eagle; extract from Gascoigne's letters to Martin Taylor (1971-1980).’]

Publishing details: Canberra : The Gallery, [2000] 
63 p. : ill. (some col.)
Ref: 1006
Nolan Roseview full entry
Reference: Rose Nolan - Banners Constructed Work Flat Work Home Work Word Work
Publishing details: Melbourne : Rose Nolan], 2001. Quarto, illustrated wrappers, pp. 68, illustrated.
$40.00 AUD

Ref: 1000
Nolan Roseview full entry
Reference: Rose Nolan. work in progress. #3 [Catalogue of an exhibition held at the Ian Potter Museum of Art, the University of Melbourne, 23 February to 14 April 2002]
Publishing details: Parkville, Vic. : Ian Potter Museum of Art, 2002 
15 p. : ill.
Ref: 1000
Nolan Roseview full entry
Reference: Rose Nolan : why do we do the things we do / [edited by Blair French, Robert Leonard] "Published following the occasions of the exhibitions Rose Nolan: why do we do the things we do at Artspace Visual Arts Centre, Sydney, 9 May - 7 June 2008, and Institute of Modern Art, Brisbane, 28 June - 16 August 2008"--p. 127.
Includes bibliographical references.

Publishing details: Woolloomooloo, N.S.W. : Brisbane : Artspace Visual Arts Centre ; Institute of Modern Art, 2009 
127 p : ill. (some col.)
Ref: 1000
King Janview full entry
Reference: Jan King - Correlation - Recent Sculpture
Publishing details: King Street Gallery 2010
Ref: 1000
Bergstrom Danelleview full entry
Reference: Danelle Bergstrom - The Landscapes
Publishing details: Arthouse Gallery, 66 McLachlan Avenue, Rushcutters Bay, Sydney, Australia, 2015
Ref: 1000
Ameneiro Tony view full entry
Reference: Tony Ameneiro - Location
Publishing details: Wollongong City Gallery
Ref: 1000
Olsen Johnview full entry
Reference: John Olsen at Eighty
Publishing details: Tim Olsen Gallery, 2007
Ref: 1000
Parr Mikeview full entry
Reference: Mike Parr : Blood Box - Critical Issues series 10.
Publishing details: Artspace Visual Arts Centre (date?)
Ref: 1000
Coventry Virginia view full entry
Reference: The Light of Open Spaces - A Survey of Virginia Coventry’s Work. Essay by Terrence Maloon, with biography.
Publishing details: ANU Drill Hall Gallery, 2004, pb., 32pp, copy inscribed by artist.
Cuppaidge Virginiaview full entry
Reference: New York City - Hill End Paintings. Essay by Christine France. Biographical information.
Publishing details: Bathurst Regional Gallery, 2013, 12pp
Ref: 42
French Leonardview full entry
Reference: The journey : a series based on a tour of the United States of America 1965-66 : paintings completed in 1970 by Leonard French (by Courtesy Rudy Komon Gallery)
Publishing details: Holdsworth Gallery and Gallery A, Melbourne, 1970, 20pp
Ref: 1009
Johnson Timview full entry
Reference: Tim Johnson, Disclosure. Thanks to Vivien Elliott, Judy Greenfield, Bruce Latimewr, Marjatta Kaukomaa, Sandra Quixley, Sue Roxon, and others
Publishing details: Publisher? 128pp
Ref: 1000
Woodward Margaretview full entry
Reference: Margaret Woodward, exhibition catalogue, Collins Kent Fine Art
Publishing details: Collins & Kent Fine Art (date?)
Ref: 1000
Unsworth Kenview full entry
Reference: Ken Unsworth - Temperatur : Daadgalerie, Berlin, 1. November bis 6. Dezember 1987
Publishing details: Berlin : Daadgalerie, 1988 
67 p. : ill. (some col.)
Ref: 1000
Teakel Wendyview full entry
Reference: Wendy Teakel Recent Works. Includes Bibliography
Publishing details: The Performance Space, 1988, [Exhibition catalogue. Available from Ms Wendy Teakel, MacIntosh Circle, Murrumbateman, NSW 2582.
: p. 8.
Ref: 1000
Teakel Wendyview full entry
Reference: Inscapes, Recent Works by Wendy Teakel
Publishing details: Canberra, 1995?
Ref: 1000
Teakel Wendyview full entry
Reference: various exhibition catalogues:
Wendy Teakel : recent work
by Teakel, Wendy, 1957-
[Canberra? : W. Teakel, 1995?]
 
Wendy Teakel : recent work, installations paintings drawings
by Teakel, Wendy, 1957-
Murrumbatemen, N.S.W. : Wendy Teakel?, 2002
 
Wendy Teakel, recent works : the Performance Space, 6 December-18 December
by Teakel, Wendy, 1957-
[Murrumbateman, N.S.W. : W. Teakel, 1988]
 
Origins and departures / Wendy Teakel
by Teakel, Wendy, 1957-
Civic Square, ACT : Canberra Contemporary Art Space, [1994
 
Installations / Wendy Teakel, David Jensz
by Teakel, Wendy, 1957-
[Canberra : Arts Council Gallery, 1986?]
Ref: 1000
Coleing Tony view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Marika Banuk view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Hanrahan Barbara view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Kozic Maria view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
McMahon Marie view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Morgan Sally view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Newmarch Ann view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Parr Mike view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Unsworth Ken view full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Vavaressos Vickiview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Allen Mickyview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Arnold Rayview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Blanchflower Brianview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Campbell Robert Jrview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Ely Bonitaview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Johnson Timview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Lohse Kateview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Lowe Geoffview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Nedelkopoulos Nicholasview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Norrie Susanview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Owen Robertview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Parr Mikeview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Rooney Robertview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Tyndall Peterview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Valamanesh Hosseinview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Watson Jennyview full entry
Reference: see Prints by Twenty-five Australian Artists - The Bicentennial Folio by Roger Butler. Biographical information and an essay on each artist. Accompanied by one microfiche: Artists exhibitions, bibliographies in pocket of back cover. Published in collaboration with 1988 Bi-Centenary Council.
Publishing details: Canberra, ANG 1988: Catalogue. pp62, colour ills; 4to, wrappers, [fiche missing from rear pocket in this copy].
Ablitt Matthewview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Boyd Davidview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Bridges Arleneview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Coleing Tonyview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Cullen Adamview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Dodd Ianview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Gentle Christopherview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Gittoes Georgeview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Griffiths Pamela nee Gittoesview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Harris Rolfview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Hingerty Michelleview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Hodges Christopherview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Johnson Michaelview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Kempson Michaelview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Nampitjinpa Nyurapayiaview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Napaltjarri Wentjaview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
O’Donnell Terenceview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
O’Harris Pixieview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Proud Geoffreyview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Riach Trevorview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Schmeisser Jorgview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Sharpe Wendyview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Storrier Timview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Twigden Blakeview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Voigt Davidview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Watson Yannima Tommyview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Weekes Trevorview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Winch Johnview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Woodward Margaretview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Zofrea Salvatoreview full entry
Reference: see Prints From The Griffith Studio 1978-2011by Roger Butler (essay). Includes artist biographies. [’The Griffith Studio is Australia's longest running print workshop and has revived etching as a medium. This exhibition featured 70 prints by 29 artists. ‘]

Publishing details: Published by Hazelhurst Regional Gallery & Arts Centre, Sydney, 2011, 56pp, b/w & colour illusts, paperback & cover
Link and a trust Aview full entry
Reference: A link and a trust : Albert Tucker and Sidney Nolan's Rome exhibition. Catalogue of an exhibition held at the Heide Museum of Modern Art, 18th November 2006 - 20th May 2007. A re-creation of Nolan and Tucker's joint exhibition in Rome, which was designed to help them break into the European art market. The exhibition was held for 2 weeks in the club rooms of the Foreign Press Association, from 20th May, 1954. Biographical information on both artists.

Publishing details: Heide Museum of Modern Art, 2006, 47 pages, illustrations (some color), portraits ; 21 cm.

Nolan Sidneyview full entry
Reference: see A link and a trust : Albert Tucker and Sidney Nolan's Rome exhibition. Catalogue of an exhibition held at the Heide Museum of Modern Art, 18th November 2006 - 20th May 2007. A re-creation of Nolan and Tucker's joint exhibition in Rome, which was designed to help them break into the European art market. The exhibition was held for 2 weeks in the club rooms of the Foreign Press Association, from 20th May, 1954. Biographical information on both artists.

Publishing details: Heide Museum of Modern Art, 2006, 47 pages, illustrations (some color), portraits ; 21 cm.

Tucker Albertview full entry
Reference: see A link and a trust : Albert Tucker and Sidney Nolan's Rome exhibition. Catalogue of an exhibition held at the Heide Museum of Modern Art, 18th November 2006 - 20th May 2007. A re-creation of Nolan and Tucker's joint exhibition in Rome, which was designed to help them break into the European art market. The exhibition was held for 2 weeks in the club rooms of the Foreign Press Association, from 20th May, 1954. Biographical information on both artists.

Publishing details: Heide Museum of Modern Art, 2006, 47 pages, illustrations (some color), portraits ; 21 cm.

Taylor Grahamview full entry
Reference: see Donovan Peter & June - 150 Years of Stained & Painted Glass. photography by Graham Taylor
Publishing details: Wakefield Press, 1986, pb
Australian stained glassview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Annand Douglasview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Baldessin Georgeview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Frater Williamview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Gleeson Williamview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Kahan Louisview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.

Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Kemp Rogerview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Langley Warrenview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170. [
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Waller Napierview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Prest Cedarview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Shore Arnoldview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Sibley Andrewview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Sumner Alanview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Zimmer Klausview full entry
Reference: see Stained Glass in Australia by Jenny Zimmer [A study of Australia's stained glass heritage, both religious and secular.] Includes index. Bibliography: p. 168-170.
Publishing details: Oxford University Press, Melbourne, 1984. HB, 4to, 178pp
Kypraios Nikos view full entry
Reference: Nikos Kypraios, introductory essay by G. Michelakakis, with 106 illustrations 38 in colour 32 in black and white and 37 drawings. Translated by E.K. Robins.
English and greek. Bibliography: p. 111.
Publishing details: Mt. Evelyn, Vic. : Hayle Mill (Editions), 1981, hc, dw, 112 p. : ill. (some col.). Limited ed. of 1,000 copies. Signed.
Le Grand Michaelview full entry
Reference: Michael Le Grand : Sculpture. With extensive essay by Peter Haynes. Biographical information.
Publishing details: Canberra Museum and Gallery, 2011 
45 p. : col. ill. ; 25 cm. 
Werther Frankview full entry
Reference: from http://www.frankwerther.com/frankwerther/bio.html

Frank Werther
1922 – 2010
Frank Werther was born in Berlin in 1922 and attended secondary school in Paris. He migrated to Australia in 1939.
He attended the National Gallery Art School in Melbourne where he studied painting under the tutelage of Roland Wakelin and Murray Griffin. He graduated in 1953. He also studied etching at RMIT with Udo Sellbach in the early 70s.
He participated in his first group exhibition The Dunmoochin Group in1958 at the Victorian Artists Society together with William Degan and Clifton Pugh.
Frank Werther was founder of the Dunmoochin Artists' Society together with Clifton Pugh in 1954. He, with his wife Lee, established their own painting school in the late 60s. Classes were initially conducted in a famous old coach house in Chrystobel Crescent, Hawthorn that had previously housed painters Charles Blackman, Gil Jamieson and Fred Williams. The school was moved to Werther’s large mud brick studio in Cottlesbridge in the mid 70s where he continued to work and teach until 2009.
His first solo exhibition was held in 1960 at the Victorian Artists Society and he subsequently held solo exhibitions in Melbourne (Argus Gallery, 1963, Leveson Street Gallery, 1966 and 1968, Miriam Gallery, 1975, Clive Parry Galleries, 1977, Gallery de Tastes, 1978, Eltham Gallery, 1980, Niagara Galleries, 1989, Flinders Lane Gallery, 1992, Eltham Community Gallery, 2001, The Barn Gallery, Montsalvat, 2006, Langford120, 2011), in Sydney, (Arts Council Gallery, 1970) in Adelaide, Canberra, Wollongong and Townsville, (Perc Tucker Regional Gallery, 1983).
Frank Werther’s work has been included in many group exhibition: for example, Adelaide Festival of Arts Special Exhibition, National Gallery of South Australia, 1962, Pameran Seni Lukis Australia, National Art Gallery, Kuala Lumpur, Travelling exhibition of Australian paintings to Malaysia, 1963, the Wynne Prize, Art Gallery of New South Wales, 1962, 1963 and 1967, Wine Makers Art Prize Exhibition, 1963, Gallagher Portrait Competition, 1965, Tasmanian Art Gallery Exhibitions, Hobart and Launceston, 1965 and 1966, The Geelong Print Prize, Geelong Art Gallery, 1967, The Martin Smith Memorial Exhibition, Georges Gallery, Melbourne, 1968, Captain Cook Bi-­‐centenary Exhibition Melbourne, Print Council of Australia Travelling Exhibition, 1971, Selected works from the Michell Endowment, NGV, 1978-­‐79, and Werther School of Paintings, Span Galleries, 1998.
Frank Werther painted many portraits over his long painting career including those of Sir Ninian Stephen, John Olsen, Dr Moss Cass, Bruce Arthur, Judy Jacques, Dr Ian Turner, Peter Laycock, John Cash, Clifton Pugh and Charles Reddington.
Special Assignments have included a Comalco sponsorship to paint at Weipa in North West Queensland in 1981 and he was guest lecturer at TAFE Townsville in 1980 and 1983.
Special Commissions have included stained glass window designs for Drs. H and M Lovegrove, tapestry designs woven in North Queensland by Bruce Arthur and Deanna Conti and in Victoria by Barbara Duggleby.

Prizes

E T Cato Prize 1958,
Portland Prize 1961

Public Collections

Australian National Gallery, Canberra
National Gallery of Victoria, Melbourne
Art Gallery of South Australia
Deakin University
La Trobe University
Bendigo Campus La Trobe University Art Collection Monash University
University of Melbourne
Townsville Regional Art Gallery
Artbank
I.C.I. Collection
Nillumbik Art Collection
Pacific Dunlop Australia Limited Collection
Works are also held in many private collections in Australia and in overseas collections in England, USA, (including Sears Roebuck Collection), Europe and Japan.

Selected Bibliography

Art and Australia 1970 and 1989,
Artists & Galleries of Australia And New Zealand Vols. 1 & 2, Max Germaine The Encyclopaedia of Australian Art, 1984 and 1994 editions, Alan McCulloch and Susan McCulloch
Directory of Australian Printmakers, Print Council of Australia.
McBurnie Ronview full entry
Reference: The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
McBurnie Ronview full entry
Reference: Books by Ron McBurnie:

2006 My Mother the Car A collaboration with Stephen Spurrier, Ned of the north and Ugg Boot Press.
2005 Doggery Self published
2001 Tonguey 2nd edition. Ned of the North Publications, Townsville
  I walked with a Human A collaboration with Stephen Spurrier and Sheree Kinlyside
1998 Signbacks Ned of the North Publications
  Longshots Ned of the North Publications
1996 Wanted Lyre Bird, Off the Wall Publications, Townsville 
  Headlines Lyre Bird, Off the Wall Publications.
  A  walk along the edge of Mundingburra Self published
  Tonguey 1st Edition, self published
  Man drowns alcoholic wife in her home brew Self published, multiple
  The Little Hole Ron McBurnie and Friedhelm Pohlmann, self published, Townsville / Brisbane.
1995 Classifieds Lyre Bird, Off the Wall Publications.
  Not important to others but these are things I use each day Self published.
1994 The Boy Who Tried To Kiss Himself Lyre Bird Press, Townsville
  Tempted Saints Self published
  The Falling Self published
  Outcasts with Holes Self published.
Ref: 1000
Boag Yvonneview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Cassab Judyview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Coburn Johnview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Coleing Tonyview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Connor Kevinview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Crooke Rayview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Firth-Smith Johnview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Geier Helenview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Honeywill Johnview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Kenyon Thereseview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Lanceley Colinview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Latimer Bruceview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Leach-Jones Alunview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Nothling Stephenview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Macleod Euanview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Paulson Davidview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Senbergs Janview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Silver Annekeview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Smith Ianview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Staunton Madonnaview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Thomson Annview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Tupicoff Juneview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Wallace-Crabb Robinview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Warren Guyview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Wilson Margaretview full entry
Reference: see The artist's studio : collaborative etchings by Ron McBurnie and (26 Australian artists). Published in conjunction with the exhibition, The Artist's Studio, at Cairns Regional Gallery. Includes bibliographical references. Information on the work of each artist, written by McBurnie, is provided. [’"The artist’s studio series evolved from an etching made in David Paulson’s studio in Brisbane. In the first etching, made around the time of the Temptation of St Anthony series, I drew the studio directly onto the etching plates with the needle. During the process I asked David to draw his own images onto undrawn parts of the plate where his artworks would have appeared.This collaborative aspect of the studio project was carried through in all of the etchings made for the series. Each artist allowed me into their private studio-world to record their creative process and to add their own images onto the plate as part of the collaborative process." - Ron McBurnie’]

Publishing details: Cairns, Qld. : Cairns Regional Gallery, c2003 
58 p. : ill. ; 21 x 27 cm. 
Kahan Louisview full entry
Reference: Louis Kahan: a portrait, June 15 - August 17, 1997 / exhibition curators: Gaby Eisen, Frank Klepner, June Helmer. 305 works listed. Well-illustrated. Includes biographical information and bibliography.
Publishing details: Jewish Museum of Australia, 1997 
56 p. : ill. (some col.). Signed by Kahan.
Kahan Louisview full entry
Reference: Ten stained glass windows / designed by Louis Kahan
Publishing details: L. Kahan, [1982?] 
[11] p. : col. ill. ; 30 cm. 
Ref: 1000
Stewart Joyview full entry
Reference: "Done by me" the art and memoirs of Joy Stewart. By Marina Muecke. Extensive biographical information. [From Cairns Regional Gallery: ‘Joy Stewart was born in Melbourne 1925. Studied at Swinburne Technical College Art School 1941 - 1945, then National Gallery Art School 1946 - 1948. Held employment positions as a display artist, designer/painter, gallery assistant, art teacher. Relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy has been an energetic campaigner for the promotion of visual arts in the far north region, for all of her 18 years of residency in Cairns. Joy's dedication has seen her involved in exhibitions at Raintrees Gallery with Cairns Artists United in the early 1980s, in ongoing Cairns Art Society projects and in early KickArts Collective events. More recently, exhibitions of her students' work from the Whitfield Art Group have highlighted Joy's accomplishments as a teacher of painting and drawing techniques. (excerpt from 'Done By Me' by Alice-Anne Boylan, Director, CRG)’]

Publishing details: Cairns, Qld. : Marina Muecke?] , 1999 
56 p. : ill. (some col.)
Travis Peterview full entry
Reference: Peter Travis Australia ‘71 - exhibition catalogue with 6 illustrations and 101 works listed, mainly ceramics. Essay by Dennis Colsey. Biography.
Publishing details: Dvid Jones Gallery, 1971, 10pp,
Ref: 122
Williams Fredview full entry
Reference: Fred Williams - Landscapes 1957 - 1960. 16 works, all illustrated. Essay by Lyn Williams.
Publishing details: Niagara Galleries, 2013, pb, 40pp.
Ref: 17
Williams Fredview full entry
Reference: Fred Williams - Drawing the Nude, an exhibition from the estate of Fred Williams, by Ted Gott. Exhibition Heide Museum of Modern Art 7 April-24 June 2001
Publishing details: Heide Museum of Modern Art, 2001 
44 p. : ill. ; 27 cm. 
Nash Davidview full entry
Reference: Elm Wattle Ash - David Nash. Catalogue of an exhibition held Spring, 1985. With essay and biographical notes.
Publishing details: Heide Park and Art Gallery, 1985 
16 p. : ill. ;
Ref: 136
Northe John Mackayview full entry
Reference: John Mackay Northe : ardent gleanings / [editor-Dianne Waite], Published in conjunction with the exhibition John Mackay Northe: ardent gleanings, Arts Project Australia Gallery, 17 July - 2 September 2006.

Publishing details: Arts Project Australia, 2006 
48 p. : ill. (chiefly col.)
Ref: 136
Conder Charlesview full entry
Reference: Conder & Friends. Published to accompany the ‘visiting exhibition, Charlews Conder 1868-1909... written for young people...’ Includes work by Streeton Roberts and Conder.
Publishing details: AGNSW, 2003, unpaginated, split pages with text at top and illustrations below.
Appleton Jeanview full entry
Reference: Jean Appleton: Paintings 1945 - 1995. 5 illustrations, biographical information. 25 works listed.
Publishing details: Campbelltown City Bicentennial Art Gallery, 1996 
6-page folding card.. 
Ref: 8
University of Wollongong art collectionview full entry
Reference: see A place for art : the University of Wollongong art collection / author, Amanda Lawson. [’This 80 page publication featuring 71 full colour reproductions of artworks celebrates the development of the University of Wollongong Art Collection (UOWAC). A Place for Art, the latest publication from University of Wollongong Press, charts the 40 year history of the UOWAC, arguably one of the most accessible and diverse public art collections in the country. The book's editor and Art Collection Director, Professor Amanda Lawson, says the publication is an opportunity to provide a sense of the University rich and unique Collection. 2 Woven into the fabric of campus life, art infuses the experience of being at UOW. The Art Collection brings spaces alive and inspires the individuals who inhabit them: the University is truly a place for art,3 says Professor Lawson. A Place for Art celebrates the Art Collection's development and focuses on images selected from the UOWAC's specialist areas which include works with a regional connection, Australian indigenous works on paper and international prints. The publication also highlights the personal connections people can make with art that is incorporated into their everyday environment.
Notes Artists: Newell Harry, Noel McKenna, Pat Harry, Roy Kennedy, Gambinya Thelma Burke, Ray Munyal, Lena Skinner Ngala, Rod Moss, Tracey Moffatt, Cherine Fahd, Peter Cooley, Ronnie van Hout, Roy Dalgarno, Belinda Fox, Paula Rego, Peter Blake, Derek Kreckler, Julian Twigg, William Forster, Herbert Gallop, Frank Nowlan, David Manks, Patrick Caulfield, Jelle van der Berg, Joan Ross, Mark Osland, Lloyd Rees, Diana Wood Conroy, Tony Ameneiro, Ian Gentle, Destiny Deacon, James Gleeson, Richard Hook, Laurence Aberhart, Paul Higgs, Ron Lambert, Liz Jeneid, Alan Peascod, William Peascod, Gino Sanguineti, Ivan Englund, Gloria Petyarre, Elwyn Lynn, Ann Thomson, John Stockdale, Simon Blau, Bert Flugelman, Col Jordan, David (Yin-Wei) Chen, Nancy Gaymala Yunupingu, Sambo Barra Barra, Salvatore Zofrea, Phyllis Stewart, Lila Lawrence, Gabriella & Silvana Mangano, Michael Callaghan & Mary Callaghan (Redback Graphix).’]

Publishing details: University of Wollongong Press, 2012, 80 pages : colour illustrations, portraits ; 28 cm 
Flugelman Herbertview full entry
Reference: Artists Profiles: Herbert Flugelman by Cecile Klooster, Robyn (text): Bert Flugelman (sculpture). The section headings are: Intrerview with Herbert Flugelman (Dec 1989 - March 1990); pyramid tower, Dobell Memorial Sculpture 1979; visual arts learning experiences.

Publishing details: Contemporary Art Resource, Sydney 1990, 48pp, b/w & colour illusts, paperback & cover (no 420 of 2000 copies)
Daws Lawrenceview full entry
Reference: Lawrence Daws, Philip Bacon Galleries catalogue. Biographival information, 24 works listed and illustrated.
Publishing details: Philip Bacon Galleries, 2014, pb, 28pp
Mitelman Allanview full entry
Reference: Allan Mitelman After-Images: a Survey of Works from 1970-1995. Essay by Terence Mallon [’Maloon concludes that Mitelman has 'held fast to an ethos of modesty and non-competitiveness, an ethos whose humane, civilised and civilisng qualities are also conspicuous - while all the time extolling those restrictive limitations which, aparadoxially, have inspire such profusion, variety, inventiveness and beauty in his work over the last 25 years'.]
Publishing details: Museum of Modern Art, Heide 1995, 52pp, b/w & colour illusts, paperback with French flaps (unnumbered edition of 1000 copies)
Dupain Maxview full entry
Reference: Max Dupain: Modernist. [’’This exhibition showcased Dupain as the modernist architects' favourite photographer (1930s-1970s), when he worked with Harry Seidler, Glenn Murcutt, Sydney Ancher, Samuel Lipson and Jorn Utzon.’]
Publishing details: State Library of New South Wales / NSW Sydney 2007 A4, 26pp, b/w illusts,
Boyd Davidview full entry
Reference: David Boyd: 'From The Early Years' (1957-1992), a survey retrospective exhibition & 'The Clown In The Tree', a new series of paintings. this catalogue reprints extracts from J V Dunig's and Alistair Gordon's reviews of Boyd's earlier exhibitions.
Publishing details: Wagner Art Gallery, 1992). Sm. 4to. Orig. illust. wrapper. (4, xxviiipp.). Copiously illust. in colour. 28pp.
Berry Dorothyview full entry
Reference: Dorothy Berry: Bird On a Wire. Introduction by Jonah Jones. Interview with curator, Maxine Ryder. Catalogue of Works. Selected Exhibitions.
Publishing details: Arts Project Australia Catalogue of retrospective exhibition. 27cm x 21cm. 4pp.Colour plates. Softcover.
Hopewell Stanview full entry
Reference: Stan Hopewell: Facing the Stars. Hopwell began to paint after Joyce, his wife of 60 years, was dying in 2007. The chapters are: Stan's life; self-taught artists; Stan Hopewell, God is love.
Publishing details: UWA Publishing, Perth, 2013 24.5 x 19.5cms, 200pp, colour illusts, flexi-cover with decorated boards.
Tuckson Tonyview full entry
Reference: Niagara Gallery catalogue, 1992. Nudes 19 works, all illustrated.
Publishing details: Niagara Gallery catalogue, 1992, pb,
Ref: 136
Latella Diegoview full entry
Reference: Recent Sculptures By Diego Latella 1985 , by Anna Cohn & Christiana Sebastiani (short essays), Diego Latella (sculptures). [’Influenced by Richard Stankiewicz and Ettore Colla, Latella exhibited these 20 welded steel abstract scultures.’] Biographical information and artist’s statement.

Publishing details: Woolloomooloo Gallery Sydney 1985 IA4: 20pp, b/w illusts, stapled exhibitoin catalogue (with artist's signature)
Ref: 136
Miller Bruceview full entry
Reference: Eyes On The World: The Photojournalism Of Bruce Miller by David Bolliger (text) + Bruce Miller (photos). ‘This book teaches young people how to read photographs and how they shape our understanding of news.’ Miller was a Sydney Morning Herald photographer.
Publishing details: Harcourt Brace Jovanovich, Sydney 1992 18.0 x 24.0cms, 54pp, b/w illusts, very good paperback with staples
Ref: 136
Benwell & Potterview full entry
Reference: Benwell & Potter: Ceramics Exhibition. Joe Pascoe, & Peter Timms (text) Stephen Benwell & David Potter (ceramics). [’Both these potters decorate the surfaces of vessel forms to create meaningful objects. Benwell 'applies his high intellectand fertile imagination'. Potter records his emotional life. ‘]
Publishing details: Shepparton Art Gallery, Shapparton 1989 A4, 48pp, colour illusts,
Ref: 136
Benwell Stephenview full entry
Reference: see Benwell & Potter: Ceramics Exhibition. Joe Pascoe, & Peter Timms (text) Stephen Benwell & David Potter (ceramics). [’Both these potters decorate the surfaces of vessel forms to create meaningful objects. Benwell 'applies his high intellectand fertile imagination'. Potter records his emotional life. ‘]
Publishing details: Shepparton Art Gallery, Shapparton 1989 A4, 48pp, colour illusts,
Potter Davidview full entry
Reference: see Benwell & Potter: Ceramics Exhibition. Joe Pascoe, & Peter Timms (text) Stephen Benwell & David Potter (ceramics). [’Both these potters decorate the surfaces of vessel forms to create meaningful objects. Benwell 'applies his high intellectand fertile imagination'. Potter records his emotional life. ‘]
Publishing details: Shepparton Art Gallery, Shapparton 1989 A4, 48pp, colour illusts,
Davis Errol 1926-2009view full entry
Reference: Errol B. Davis - retrospective. Sculpture. Biographical information. Forward by Stella Downer.
Publishing details: Macquarie University, 2002, pb, 28pp
Ref: `36
Perry David 1959-2009view full entry
Reference: Then and now and everything in between - The Art of David Perry. Paintings, drawings, photographs, films and video works. Biographical information and bibliography. Essay by Keith Looby.
Publishing details: Mosman Art Gallery, 2009, pb, 24pp,
Ref: 36
Brown Josephview full entry
Reference: Dr Joseph Brown - A Survey. Catalogue of exhibition of artworks by arts patron and benefactor Joseph Brown. Introduction by Gordon Morrison, Director of the Ballarat Fine Art Gallery.
Publishing details: Wollongong City Gallery 21cm x 21cm. 20pp. Colour plates. Staplebound wraps.
Ref: 136
Kolenberg Hendrikview full entry
Reference: Hendrik Kolenberg - walking about Sydney. Walking About In Sydney: A Selection Of Paintings By Hendrik Kolenberg. ‘This booklet reproduces 26 oil paintings of the streets of Sydney's inner suburbs and their terrace houses (1988-2008).
Publishing details: Manly Art Gallery & Museum, Sydney 2008, 23.0 X 16.0cms, 32pp, colour illusts, very good+ paperback & cover (artist's / author's signature)
Ref: 136
Klippel Robertview full entry
Reference: Robert Klippel - Sculptures in Wood. Includes biographical information.
Publishing details: Watters Gallery, 1985, 47 works listed, with price list, many illustrated.
Klippel Robertview full entry
Reference: Robert Klippel - unique cast bronze sculptures, works on paper
Publishing details: Watters Gallery, 1987, 37 works listed, many illustrated.
Arnold Rayview full entry
Reference: Ray Arnold - Screenprint; Poster. Includes biographical information, Essay by Jonathan Holmes.
Publishing details: University of Tasmania, 1987,
Ref: 136
Rose Williamview full entry
Reference: William Rose - Composing Space. 25 exhibits listed. Biographical information.
Publishing details: Newcastle Region Art Gallery, 2011
Ref: 136
Richmond Oliffeview full entry
Reference: Watters Gallery catalogue. With biographical essay.
Publishing details: 1993
Ref: 21
Solander Danielview full entry
Reference: Botanical Venus - Daniel Solander in New Holland. curated by Elizabeth Gertsakis. Exhibition 2 June-9 September 2001
Publishing details: Post Master Gallery, Australia Post, 2001, edition of 500. 14, [3] p. : ill. ; 21x 30 cm. 
Ref: 136
Johnson Michaelview full entry
Reference: Michael Johnson - London Sydney New York - Paintings and works on paper 1960s & 1970s. Includes biographical information.
Publishing details: Annette Larkin Fine Art, 2014, loose-leaf catalogue also inserted.
Ref: 136
Johnson Timview full entry
Reference: Tim Johnson, Illusory Worlds, an essay on Tim Johnson by Sue Cramer. Includes biographical information.
Publishing details: Mori Gallery, 1992, 24pp
Ref: 136
Churcher Royview full entry
Reference: Roy Churcher - Produce of Wamboin, Paintings 2003-2006 (does not include biographical information).
Publishing details: Ray Hughes Gallery, 2006
Ref: 136
Thomson Annview full entry
Reference: Australian Galleries catalogue, (paintings and constructions) 16 works illustrated, biographical information.
Publishing details: Australian Gallery, 2009
Ref: 136
HAIGH Edwardview full entry
Reference: See Douglas Stewart Fine Books, July, 2016: Four views of the Aviary and interior of the Conservatory, Botanic Gardens, Melbourne
HAIGH, Edward (active Melbourne, 1861-62)
Catalogue number 13795
1861. Four stereoscopic albumen print photographs, each individual image approximately 82 x 73 mm, mounts 83 x 165 mm, versos of three with original printed paper labels of the photographer Edward Haigh; the fourth without label but with contemporary pencilled inscription; the stereoscopic prints and the mounts are in fine condition.
The English photographer Edward Haigh, who had studied with the Crimean War photographer Roger Fenton, arrived in Melbourne in January 1861. He opened a studio in South Yarra and spent over a year in the colony. Haigh specialised in stereoscopic photography and his views of Victoria, England and France won a first-class award at the 1861 Melbourne Exhibition. He returned to London in 1862, where his stereoviews of Melbourne and Victoria won a medal at the London International Exhibition that year.
These four stereoscopic photographs of Melbourne's Botanic Gardens were probably taken in 1861, just four years after Baron Ferdinand von Mueller was appointed Director in 1857; two different views of the Gardens by Haigh bearing the date 1861 are held in the collection of the State Library of Victoria. This is an extremely early date for any outdoor photograph taken in Melbourne. The two exterior views, in particular, are beautiful compositions. Haigh's careful placement of the subjects in these photographs lends great depth to the images. They are also valuable and charming early depictions of wealthy Melburnians enjoying their leisure time in the Gardens, which have remained of the city's most enduring assets.
$ 1,850.00 AUD

ELLIOTT Frederick working 1860-70 (not the marine artist)view full entry
Reference: See Douglas Stewart Fine Books, July, 2016: An original pen and ink drawing of Australian Aborigines beside a temporary bark shelter
ELLIOTT, Frederick
Catalogue number 12098
New South Wales or Victoria, 1860-1870. Ink on paper, 123 x 190 mm (sheet), signed in pencil by the artist beneath the image, Fred: Elliott; laid down on another sheet of slightly later nineteenth century paper removed from a sketch book, 170 x 225 mm; in the upper right section of the primary sheet are the faintly pencilled outlines of a tree, which the artist did not complete in ink; the primary sheet with a tiny amount of spotting and toning, confined to the margins, otherwise in fine condition; the backing sheet clean and free from foxing.
The scene shows a female figure at left, seated on the ground and smoking a pipe; wound around her waist is a garment - possibly a length of European cloth. The standing male figure at right wears a cast-off European shirt and holds a traditional barbed fishing spear. Both figures are drawn in profile and are heavily silhouetted. In the foreground are the couple's two small dogs and a camp-fire with a billy beside it. In the background is an accurately rendered depiction of an Aboriginal temporary bark shelter, a structure typically found in both New South Wales, where it is known by the Darug word gunyah, and Victoria, where it is known by the Wathaurong or Woiwurrung term mia mia. 
Another early depiction of a gunyah of identical type appears in an aquatint by an unknown artist, titled Party preparing to bivouac, published in James Atkinson's An account of the state of agriculture & grazing in New South Wales (London: J Cross, 1826). The aquatint illustrates Atkinson's description (p. 137) of how early settlers in the interior of New South Wales, prior to selecting a site for a permanent dwelling, often benefitted from Aboriginal knowhow:
"Excursions are frequently made by the more enterprising Settlers ... sometimes merely for the sake of gratifying their curiosity; at other times in search of grazing runs for their stock, or eligible situations to take a grant of land; and frequently for the purpose of hunting the Kangaroo and Emu. Some of the black Natives are usually procured as guides, they having a most intimate knowledge of the localities of the country. The party is provided with a proper stock of provisions ... which are carried on pack-horses ... The fowling pieces are usually carried by the black guides; and thus provided, a party may travel with ease and safety any distance their provisions will allow. At night a spot is selected for an encampment, or rather bivouac, where there is water and food for their horses, with plenty of dead wood for firing; the horses are then tethered out, or tied to a piece of wood which they can draw about after them; the black Natives strip some bark off the nearest trees that will suit the purpose, and construct a hut sufficiently large to shelter the whole party, with their baggage, arms, and saddles, from the weather; this they will execute in half an hour with ease; in the meantime others of the party kindle a fire, put on the kettle to boil some tea, and commence preparing supper; care is taken to collect sufficient wood to keep the fire up through the night, and if the ground is damp, some strips of bark are dried and laid upon sticks, to raise them a few inches off the ground, to sleep upon; in this way journies [sic] into the unoccupied parts of the country may be performed with safety and comfort, while the weather is fine."
The present drawing was sourced along with a pen and ink sketch of similar date, made by the zoologist Gerard Krefft, Director of the Australian Museum in Sydney. The Krefft drawing, of emus in the wild, would have been executed in New South Wales, and this fact perhaps strengthens the case for Elliott's drawing having also been made there - although it is not possible to ascertain a precise location. We cannot identify any other works in public collections by the same Frederick Elliott. The drawing appears to be too early, and the subject matter too uncharacteristic, for it to be the work of the colonial marine artist Frederick James 'Fred' Elliott (1864-1949). The National Gallery of Australia records another Frederick Elliott (1855-1927), a New South Wales watercolourist, but again the birth date suggests that he was not the creator of the present work.
RESERVED

Krefft Gerard view full entry
Reference: See Douglas Stewart Fine Books, July, 2016: An original pen and ink drawing of Australian Aborigines beside a temporary bark shelter
ELLIOTT, Frederick
Catalogue number 12098
The present drawing was sourced along with a pen and ink sketch of similar date, made by the zoologist Gerard Krefft, Director of the Australian Museum in Sydney. The Krefft drawing, of emus in the wild, would have been executed in New South Wales, and this fact perhaps strengthens the case for Elliott's drawing having also been made there - although it is not possible to ascertain a precise location.
New South Wales or Victoria, 1860-1870. Ink on paper, 123 x 190 mm (sheet), signed in pencil by the artist beneath the image, Fred: Elliott; laid down on another sheet of slightly later nineteenth century paper removed from a sketch book, 170 x 225 mm; in the upper right section of the primary sheet are the faintly pencilled outlines of a tree, which the artist did not complete in ink; the primary sheet with a tiny amount of spotting and toning, confined to the margins, otherwise in fine condition; the backing sheet clean and free from foxing.
The scene shows a female figure at left, seated on the ground and smoking a pipe; wound around her waist is a garment - possibly a length of European cloth. The standing male figure at right wears a cast-off European shirt and holds a traditional barbed fishing spear. Both figures are drawn in profile and are heavily silhouetted. In the foreground are the couple's two small dogs and a camp-fire with a billy beside it. In the background is an accurately rendered depiction of an Aboriginal temporary bark shelter, a structure typically found in both New South Wales, where it is known by the Darug word gunyah, and Victoria, where it is known by the Wathaurong or Woiwurrung term mia mia. 
Another early depiction of a gunyah of identical type appears in an aquatint by an unknown artist, titled Party preparing to bivouac, published in James Atkinson's An account of the state of agriculture & grazing in New South Wales (London: J Cross, 1826). The aquatint illustrates Atkinson's description (p. 137) of how early settlers in the interior of New South Wales, prior to selecting a site for a permanent dwelling, often benefitted from Aboriginal knowhow:
"Excursions are frequently made by the more enterprising Settlers ... sometimes merely for the sake of gratifying their curiosity; at other times in search of grazing runs for their stock, or eligible situations to take a grant of land; and frequently for the purpose of hunting the Kangaroo and Emu. Some of the black Natives are usually procured as guides, they having a most intimate knowledge of the localities of the country. The party is provided with a proper stock of provisions ... which are carried on pack-horses ... The fowling pieces are usually carried by the black guides; and thus provided, a party may travel with ease and safety any distance their provisions will allow. At night a spot is selected for an encampment, or rather bivouac, where there is water and food for their horses, with plenty of dead wood for firing; the horses are then tethered out, or tied to a piece of wood which they can draw about after them; the black Natives strip some bark off the nearest trees that will suit the purpose, and construct a hut sufficiently large to shelter the whole party, with their baggage, arms, and saddles, from the weather; this they will execute in half an hour with ease; in the meantime others of the party kindle a fire, put on the kettle to boil some tea, and commence preparing supper; care is taken to collect sufficient wood to keep the fire up through the night, and if the ground is damp, some strips of bark are dried and laid upon sticks, to raise them a few inches off the ground, to sleep upon; in this way journies [sic] into the unoccupied parts of the country may be performed with safety and comfort, while the weather is fine."
We cannot identify any other works in public collections by the same Frederick Elliott. The drawing appears to be too early, and the subject matter too uncharacteristic, for it to be the work of the colonial marine artist Frederick James 'Fred' Elliott (1864-1949). The National Gallery of Australia records another Frederick Elliott (1855-1927), a New South Wales watercolourist, but again the birth date suggests that he was not the creator of the present work.
RESERVED

[DUESBURY Samuelview full entry
Reference: See Douglas Stewart Fine Books, July, 2016: Group of Aboriginal women and breastfeeding infant, Brisbane, circa 1868
COURRET HERMANOS, CALLAO; [DUESBURY, Samuel, attributed]
catalogue number 13729
Albumen print photograph, carte de visite format, 90 x 56 mm, mount 103 x 67 mm; recto with red printed border, lower margin with imprint of Courret Hermanos, 36 Calle de la Constitucion, Callao in red, and a contemporary inscription in ink Indians - Eastern Peru and a faint pencilled inscription in the same hand Indios de Peru; verso with monogram of Courret Hermanos and slightly later pencilled inscription Poor Indians of eastern Peru; the albumen print has lost some contrast and has a couple of tiny ink spots and a small scratch at bottom centre, not affecting the main portion of the image; otherwise it is in good condition; the verso of the mount has some marks caused by removal from an album page, but is otherwise clean. 
This important studio photograph was taken in Brisbane, Queensland, around 1868. It shows a group of four Aboriginal women, one of them breastfeeding her child. Although their modesty is partly preserved by the rudimentary garments of trade cloth around their waists, the salacious photographer has forced the women to pose topless, no doubt in the belief that this will potentially increase the sales of his commercial carte de visite image. The inscriptions on the mount are, of course, erroneous: the incorrect identification of indigenous peoples on photographs was a common occurence in the nineteenth century.
The real significance of this carte de visite lies in the fact that it is one of very few known photographic images of indigenous Australians published outside Australia prior to 1885, when R.A. Cunningham's troupe of Aborigines was photographed in various studios in Germany and England. The Aboriginal cricketers from Victoria's Western District toured England in 1868, and photographs of these men were taken and sold by English photographic studios. However, the only extant example of these images that we can locate in Australian public collections is a carte de visite photograph taken of the cricketers at Exeter, held in the National Library of Australia (PIC Box A52 #P208; exhibited: "How's That", National Library of Australia, 2 February 2007 - 17 June 2007). The other early photograph of indigenous Australians published outside Australia held in an Australian collection happens to be another carte de visite of the Peruvian photographic firm Courret Hermanos, published in Lima around 1868 or 1869. It is held in the National Library of Australia (Bib. ID 3510476). Fortuitously, it bears a collector's name and a date - Dr. Ridgway, 1869; like the present carte de visite, it also bears an erroneous contemporary inscription: Valparaiso, Chile / Native of Valparaiso. Furthermore, it was also taken in a Brisbane studio - probably that of Daniel Marquis - and shows a group of Australian Aboriginal men, women and children.
There can be little doubt that both the present carte de visite and the Courret Hermanos carte de visite in the National Library of Australia were unauthorised copies, pirated from a group of original cartes de visite which would have been brought across the Pacific to Callao by a traveller who had acquired the photographs in Brisbane around 1868. The firm of Courret Hermanos had a particular interest in cartes de visite of indigenous types; although it specialised in South American subjects, it is also known to have sold photographic portraits of Tahitians and Marquesan Islanders. However, it seems highly unlikely that there was any formal commercial agreement between one or more Brisbane photographic studios and the Peruvian firm.
The studio backdrop in the present carte de visite suggests that the photograph may have been taken by Samuel Duesbury, active in Brisbane between 1868 and 1885. In 1868 Duesbury's premises were in Brunswick Street, Fortitude Valley. We have included in this listing an image of an identified studio portrait by Samuel Duesbury, now in a private collection, which is of an Aboriginal couple (man standing holding an axe; woman seated cross-legged on the floor). This Duesbury portrait appears to show a backdrop and floorcovering identical to those in the present Courret Hermanos carte de visite.
MARQUIS Danielview full entry
Reference: See Douglas Stewart Fine Books, July, 2016: Two studio photographs of Aborigines, Brisbane, late 1860s
MARQUIS, Daniel
Catalogue number 13855
Albumen print photographs, carte de visite format, each 101 x 64 mm, versos with imprint of Marquis, Photographer, George Street, Brisbane; both of the albumen prints are in very good condition, the mounts with some pale foxing.
Marquis opened his studio at 82 George Street in 1866. These elaborately composed portraits - a tableau of an Aboriginal group gathered around a billy hanging over a simulated campfire, and a portrait of an Aboriginal man posing with a shield and missile club, date to between 1866 and around 1870. They are highly significant images in that they predate the well known series of larger format tableaux taken by J.W. Lindt in his Grafton studio around 1873. Worthy of note is the elaborate painted backdrop behind the group of men, women and their dog, which shows the serpentine Brisbane River
Teague Violetview full entry
Reference: See Douglas Stewart Fine Books, July, 2016: A little book of trees
REDE, Geraldine
catalogue number 13827
Melbourne : 239 Collins St, 1909. Octavo, hand-sewn wrappers with woodcut illustration (ribbon binding replaced, bookplate inside front wrapper, inscribed 'N.G.' to title page), 24 pp, letterpress with thirteen original woodblock illustrations, some printed in colour with others coloured by hand, most with the artist’s monogram in the block.
A little book of trees is similar in format to Night fall in the ti-tree, which had been produced in 1905 by Rede and her collaborator, Violet Teague. Both volumes were made using the traditional Japanese bookbinding method and are charming early examples of Australian artist's books. While Night fall is the more famous of the two books (it was reissued in a second English edition in 1906), A little book of trees is the rarer, and can be found in only a handful of public collections.
Ref: 1000
Fairholme George Knight Erskineview full entry
Reference: George Knight Erskine Fairholme. Views of Australia...

Eleven black and white lithographs: numbers 1-5 and 7-9 approx 255 x 330 mm (matted size) and two approx 280 x 375 (conforming to those prepared for “Fifteen views of Australia in 1845 by G.K.E.F.”) and one view approx 250 x 325mm titled ‘King George’s Sound W. Australia,
George Fairholme (1822-1889), artist, explorer and squatter arrived in Sydney from Scotland in 1839 and with young Scottish friends began the long and pioneering trek into Queensland. He settled at South Toolburra on the Darling Downs staying until 1852. is was the very beginning of white settlement at Brisbane and the Darling Downs and this young squatter is remembered as “a very intelli- gent gentlemanly man, the most intelligent of any of the squatters” (Henry Stoubart). e eleven lithographs o ered include a view of Brisbane showing the rst houses to be built. Privately printed by the artist on his return to Europe, as Fi een views of Australia in 1845 by G.K.E.F., these views were intended for family and friends and are exceptionally rare. e only known complete work is held in family papers at the Mitchell Library, State Library of New
South Wales. e set o ered here corresponds to the holdings in the National Library of Australia for ten but also includes “King Georges Sound W. Australia”; this lithograph may date from Fair- holme’s voyage to Australia in 1838.
Kerr, The Dictionary of Australian Artists.
The above from Hordern House Acquisitions List July, 2016:
Publishing details: London, circa 1853. Printed by R. Appel’s Anastatic Press’, n.d. but all circa 1853, unbound, housed in a blue cloth folding solander case

Ref: 1000
British Institutionview full entry
Reference: British Institution for promoting the Fine Arts in the United Kingdom...

This has early notices of the work of John Glover and William Westall. Documentation of works exhibited at the British Institution for Promoting the Fine Arts (usually known as the British Institution), which had been founded in 1806 as a private club for connoisseurs, and to exhibit the works of both contempo- raries and Old Masters. Admission cost a shilling. Works by both John Glover and William Westall are recorded in this catalogue for 1817, at which time both John Glover and William Westall were living in London. The catalogue records respectively two and four paintings by the two artists, alongside works by Turner and Constable.
The above from Hordern House Acquisitions List July, 2016:
Publishing details: London, W. Bulmer, 1817. Quarto, 28pp.,
Ref: 1000
Westall Williamview full entry
Reference: see British Institution for promoting the Fine Arts in the United Kingdom...

This has early notices of the work of John Glover and William Westall. Documentation of works exhibited at the British Institution for Promoting the Fine Arts (usually known as the British Institution), which had been founded in 1806 as a private club for connoisseurs, and to exhibit the works of both contempo- raries and Old Masters. Admission cost a shilling. Works by both John Glover and William Westall are recorded in this catalogue for 1817, at which time both John Glover and William Westall were living in London. The catalogue records respectively two and four paintings by the two artists, alongside works by Turner and Constable.
The above from Hordern House Acquisitions List July, 2016:
Publishing details: London, W. Bulmer, 1817. Quarto, 28pp.,
Glover Johnview full entry
Reference: see British Institution for promoting the Fine Arts in the United Kingdom...

This has early notices of the work of John Glover and William Westall. Documentation of works exhibited at the British Institution for Promoting the Fine Arts (usually known as the British Institution), which had been founded in 1806 as a private club for connoisseurs, and to exhibit the works of both contempo- raries and Old Masters. Admission cost a shilling. Works by both John Glover and William Westall are recorded in this catalogue for 1817, at which time both John Glover and William Westall were living in London. The catalogue records respectively two and four paintings by the two artists, alongside works by Turner and Constable.
The above from Hordern House Acquisitions List July, 2016:
Publishing details: London, W. Bulmer, 1817. Quarto, 28pp.,
Spinks Walterview full entry
Reference: see Hordern House Acquisitions List July 2016: Walter Spinks.
Album of watercolours and pencil drawings... at sea, 1886-, 1888.
Oblong quarto artist’s sketchbook (18.5 x 25.5 cm.), 32 leaves in total with 25 watercolours (one double-page) and 13 pencil drawings, most of the sketches captioned, pencil map on exercise book page loosely inserted; in the original binding of quarter sheep over worn pebble-grained boards, rather stained and worn, but generally sound and very good.
Original watercolours and sketches from survey vessel
Myrmidion
A charming and accomplished album of amateur watercolours and pencil sketches made by Walter Spinks, a sailor on board HMS Myrmidon, en route from England to the Australia Station via the Middle East in 1886-1888. HMS Myrmidon was launched in 1867 as a specially-designed survey vessel. In 1884, while serving in the Red Sea, the vessel was involved in ghting in the Mahdist War (sometimes known as the Anglo-Sudan War), and several of the watercolours in this album dramatically depict the ghting. In 1885 Myrmidon was appointed to the Australia Station to undertake hydrographic studies of the coasts of Timor, northern Australia, along the Great Barrier Reef and in the Coral Sea, and also in Bass Strait. Hoskyn Islands in the southern Great Barrier Reef were named a er the ship’s Commander, Admiralty Hydrographer Richard Frazer Hoskyn (d. 1892). Myrmidon was sold in Hong Kong in 1889.
ST AULAIRE Alphonseview full entry
Reference: see Hordern House Acquisitions List July 2016: ST. AULAIRE, Alphonse.
Recréations Instructives. Voyage pittoresque à travers le
Monde.
24 lithographic plates; original illustrated green papered boards.
World tour through lithography
Rare French illustrated account for children of a supposed voyage around the world, beginning with France, and nishing with
New Zealand. Each lithographed leaf deals with one geographi- cal area, and each has text in French and English as well as four or ve vignettes, most of which derive from various of the “grands voyages”. e Australian lithograph has images of Aborigines of King George’s Sound and of Jervis Bay.
Forster, ‘South Sea Whaler’, 402; not in Ferguson.
Publishing details: Paris, Aubert & Cie., circa 1840.
Quarto.
Terry Frederick Cview full entry
Reference: see Hordern House Acquisitions List July 2016: 44. TERRY, Frederic C. (1825 – 1869).
MANUSCRIPT LETTER FROM FREDERIC TERRY TO HIS Parents DATED MARCH 6TH, 1852, WRITTEN oN BOARD THE VESSEL SALACIA.
at sea, 6th March 1852.
Four page letter, 215 mm x 270 mm on a single leaf (430 mm x 270 mm) once folded to letter size; laid-paper closely written in black ink, in all about 1000 words. e two drawings are each about 125 x 85 mm, and together occupy about half the area of the third page.
F.C. Terry sketching on his way out to Australia
Frederic Terry and his brother Alexander sailed from Liverpool to Australia in 1852, drawn, as many were, by the lure of the Austral- ian gold elds. ey travelled in steerage, on board the vessel Salacia, which departed Liverpool on February 10th, 1852, and arrived in Port Jackson, New South Wales, on May 26th of the same year. As noted by Candice Bruce, Terry quickly became an accom- plished artist and engraver in the colony with a proli c output and was to be regarded as one of the best colonial painters. His medal design for the New South Wales Commissioners of the 1855 Paris Exhibition won second prize “for the exquisite nish of his design”. Terry died young and like S T Gill, his fame and the a ection in which he was held was no protector; for, like Gill, Terry died a pauper. is illustrated letter certainly predates and heralds his work executed in Australia, and the two sketches may with con - dence be described as his earliest extant drawings.
Kerr, Dictionary of Australian Artists; ADB
Nisbet James Hume view full entry
Reference: see McTear’s auction, Glasgow, 27 July, 2016, lot 1307: JAMES HUME NISBET (SCOTTISH 1849 - 1923), WINTER SCENE oil on canvas, signed and dated 1876 52cm x 82cm Framed Note: Nisbet was the son of James Nisbet, house-decorator, and his wife Jane, née Hume. He emigrated to Australia at the age of 16. He had an artistic disposition and became an actor at the Theatre Royal in Melbourne, and spent time exploring Australasia, returning to Britain in 1872. He then studied and practised art, moving back to Scotland in 1873, where he married Helen, daughter of the sculptor Andrew Currie who did the Bruce statue on Stirling Castle Esplanade. From 1878 - 1885, he taught drawing at the Watt Institution (now Herriot Watt University). In 1886 he was commissioned by the publishers Cassell & Co. to go back to Australia to draw and write for their publications.
Delamotte Philip Henryview full entry
Reference: at Rosebery’s auction UK 23 July, 2016: Philip Henry Delamotte, British 1821-1889- "The Butcher Bird"; pencil with grey wash and traces of white, initialled, 22x17cm Provenance: Fry Gallery, London, according to label attached to the reverse of the frame Note: See page 63 of Gilbert White's Natural History and Antiquities at Selborne, publ., Melbourne 1875, for engraving by W J Palmer of the above
Longhurst Peterview full entry
Reference: Sydney in Fine Line - A portfolio of six prints from pencil drawings by Peter Longhurst:
The Argyle Cut --
St. Andrew's Cathedral --
The Town Hall --
Fort Denison ("Pinchgut") --
Paddington --
Queen Victoria Buildings.
Publishing details: House of Bodleigh, [19--], nd, 6 sheets in folder, illustrations ; 26 cm
Ref: 1000
Clive Henry O’Haraview full entry
Reference: see lot 144, Estate Treasures From The Treasure Coast
by Auction Gallery of Boca Raton
July 31, 2016, Delray Beach, FL, USA Description: Henry O'Hara Clive was active/lived in California / Australia. Henry Clive is known for his portrait painter. Depicts a lovely lady holding a shell wearing a long beautiful dress, signed top right. Measures approx 12" tall x 9 ' wide + 2" frame
Andrew Brookview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Blitner Eddieview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Burra Burra Djambuview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Casey Karenview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Close Lukeview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Cole Robert Ambroseview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Dickens Karlaview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Duwunview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Egan Ted Jangalaview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Nungarrayi Pollyannaview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Foley Fionaview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Harney Billview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Jaru Bobbyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Kantilla Kittyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Karedada Lilyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Lee Garyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Lee Roqueview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
McKenzie Nakarra (Queenie)view full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Mandarrk Wallyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Martin Samson Japaljarri view full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Martin Andrea Nungarrayiview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Meeks Arone Raymondview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Moffatt Traceyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Murray Rexview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Namatbara Paddy Compassview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Nickolls Trevorview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Samuels Jeffreyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Tjangala Uta Utaview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Wagbara Samuelview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Wainburranga Paddy Fordhamview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Wark Kennethview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Watson Judyview full entry
Reference: see Love magic - Erotics and Politics in Indiginous Art, S. H. Ervin Gallery exhibition catalogue. Includes notes on the work of each artist. Some biographical information.
Publishing details: S. H. Ervin Gallery, 1999, pb
Temple of Earth Memoriesview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Ref: 136
Elliott Michelle Hview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Elliott Stuartview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
King-Smith Leahview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Laurence Janetview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Russell Deborahview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Valamanesh Hosseinview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Wolfhagen Philipview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Wright Judithview full entry
Reference: Temple of Earth Memories, Australian Perspecta 1997, Between Art & Nature. Includes biographical information on the 8 artists.
Publishing details: S. H. Ervin Gallery, 1996, pb, 32pp
Clifford Samuel 1827-1890 photographerview full entry
Reference: see Douglas Stewart Fine Books Tasmania. various works by Clifford.
Publishing details: December 2011
Story George Fordyce 1800-1885 photographerview full entry
Reference: see Douglas Stewart Fine Books Tasmania. Biographical information
Publishing details: December 2011
Verveview full entry
Reference: Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Ref: 136
Blau Simonview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Burchill Janetview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Cruz Mariaview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Davey Andyview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Dawes Debraview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Deacon Destinyview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Dean Christopherview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Hassan Soniaview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Dwyer Mikalaview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Huang Tie Huaview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Johnson Tim & My Le Thiview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Kraussman Rudiview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Leong Houview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Lewis Ruarkview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Mills Jenniferview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Ooms Anneview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Redford Scottview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Riddell Alanview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Roberts Neilview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Sequeria Davidview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Snee Christopherview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Thaliaview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
Tipping Richardview full entry
Reference: see Verve - an exhibition of poetic visuals & visual poetry. 23 artists. Artist’s statements included.
Publishing details: S. H. Ervin Gallery, National Trust, 1988, 4pp large format.
S H Ervin Galleryview full entry
Reference: A Gift to the Gallery - works donated by artists to the National Trust
Publishing details: S H Ervin Gallery, 1988, 4pp
Ref: 223
Sydney Faces Sydney Placesview full entry
Reference: Sydney Faces Sydney Places - Great moments in Press Photography, selected by David Moore. No biographical information.
Publishing details: National Trust, 1995, 16pp
Ref: 223
Golding Craig photographerview full entry
Reference: Sydney Faces Sydney Places - Great moments in Press Photography, selected by David Moore. No biographical information.
Publishing details: National Trust, 1995, 16pp
Sumner Vic photographerview full entry
Reference: Sydney Faces Sydney Places - Great moments in Press Photography, selected by David Moore. No biographical information.
Publishing details: National Trust, 1995, 16pp
Golding Ted photographerview full entry
Reference: Sydney Faces Sydney Places - Great moments in Press Photography, selected by David Moore. No biographical information.
Publishing details: National Trust, 1995, 16pp
O’Grady John photographerview full entry
Reference: Sydney Faces Sydney Places - Great moments in Press Photography, selected by David Moore. No biographical information.
Publishing details: National Trust, 1995, 16pp
Shipley Glen photographerview full entry
Reference: Sydney Faces Sydney Places - Great moments in Press Photography, selected by David Moore. No biographical information.
Publishing details: National Trust, 1995, 16pp
Wilshire Rosieview full entry
Reference: see article by R. S. Merrillees in Australian Antique Collector. 3 illustrations in colour
Publishing details: Australian Antique Collector 30th edition 1995
Craig Cliffordview full entry
Reference: see article by John McPhee in Australian Antique Collector. 4 illustrations
Publishing details: Australian Antique Collector 30th edition 1995
Hill End artistsview full entry
Reference: article The Artists of Hill End in Carter’s Antiques and Collectables, September 1995, p 60-61
Publishing details: article filed in The Artists of Hill End, The Art Gallery of NSW, 1995, pb in Scheding Library.
Lindsay Normanview full entry
Reference: Norman Lindsay’s Paradise of Art, article in Antique Trader, July 1990
Publishing details: article filed in Norman Lindsay
Norman Lindsay on Art, Life and Literature, edited by Keith Wingrove, in Scheding Library.
Australia’s Early Pottersview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Ref: 135
Courtland Charles Richardview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Agnew Davidview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Hoffman Pottery Worksview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Piercy Williamview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
McHugh Hughview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Conlon Michaelview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Shearing Georgeview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Fischer Georgeview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Fensom Davidview full entry
Reference: Australia’s Early Potters, by Geoff Ford, parts 1 -4. In Carter’s Antiques Annual and Carter’s Antiques and Collectibles. Parts 1 and 2 each appeared in editions prior to 1996. Part 3 appeared October 1995, Part 4 appeared 1996. Includes brief biographies of various early Australian potters.
Alcock Henry Upton cabinetmakerview full entry
Reference: in Henry Upton Alcock and Billiard Tables in the Nineteenth Century in Australian Antique Dealer’s Fair catalogue. Article by John Hawkins.
Publishing details: Sydney, 1996
Ref: 135
Hogarth Julius (Hougaard)view full entry
Reference: see Early Australian Silver Statuette: A Story of Julius Hogarth and Ricketty Dick, by Eva Czernis-Ryl. Discusses various depictions of the Aboriginal Man Ricketty Dick.
Publishing details: in Australian Antique Dealers Fair Sydney 1996
Ref: 135
Balcombe Thomas Tyrwhittview full entry
Reference: see Hogarth Julius (Hougaard), Early Australian Silver Statuette: A Story of Julius Hogarth and Ricketty Dick, by Eva Czernis-Ryl. Discusses various depictions of the Aboriginal Man Ricketty Dick.
Publishing details: in Australian Antique Dealers Fair Sydney 1996
Martens Conradview full entry
Reference: ‘Are You Related to a Famous Artist?’, article by Brian McVey on Conrad Martens in Antique Trader, July 1990, p103. Biographical essay.
Ref: 135
Potteries of Brunswickview full entry
Reference: The Potteries of Brunswick (Melbourne Victoria) in Antique Trader, July, 1990. Article by Gregory Hill.
Ref: 135
Melrose Potteryview full entry
Reference: see The Potteries of Brunswick (Melbourne Victoria) in Antique Trader, July, 1990. Article by Gregory Hill.
Hoffman Bricks and Potteryview full entry
Reference: see The Potteries of Brunswick (Melbourne Victoria) in Antique Trader, July, 1990. Article by Gregory Hill.
Brunswick Potteryview full entry
Reference: see The Potteries of Brunswick (Melbourne Victoria) in Antique Trader, July, 1990. Article by Gregory Hill.
Cornwell Alfredview full entry
Reference: see The Potteries of Brunswick (Melbourne Victoria) in Antique Trader, July, 1990. Article by Gregory Hill.
Ferry Williamview full entry
Reference: see The Potteries of Brunswick (Melbourne Victoria) in Antique Trader, July, 1990. Article by Gregory Hill.
Ferry Grahamview full entry
Reference: see The Potteries of Brunswick (Melbourne Victoria) in Antique Trader, July, 1990. Article by Gregory Hill.
Simpson Donald jewelleryview full entry
Reference: ‘Original by Simpson’, articleby Anne Spencer in Carter’s Antiques and Collectibles. June 1996. On Costume jewellery.
Ref: 135
Australian costume jewelleryview full entry
Reference: see ‘Original by Simpson’, articleby Anne Spencer in Carter’s Antiques and Collectibles. June 1996. On Costume jewellery.
Germanic Influence in Australiaview full entry
Reference: The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Ref: 135
Heysen Hansview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Firnhaber Carl Edouard silversmithview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Tannert Louis ‘Children’s Concert’view full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Zoerner Gottleib potterview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Hoffman Samuel potterview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Zeidner William potterview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Schramm Alexanderview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Steiner Harry silversmithview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Brunkhorst August silversmithview full entry
Reference: see The Germanic Influence in Australia, Potters, Painters and Silversmiths, by Felicity Watkins. In Carter’s Homes, Antiques and Collectables, Dec-Jan, 1996-7
Nettleship William jewellerview full entry
Reference: see ‘Decidedly Good’ in Carter’s Antiques and Collectables Annual, 1996, p80ff, article by Jolyon Warwick James on the Nettleship Cup
Ref: 135
Australian Arts and Craftsview full entry
Reference: see ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Ref: 135
Mee Molly view full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Latour Lomaview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Mort Eireneview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Baker Richard Thomasview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Ricketts Williamview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Harvey L Jview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Harvey Schoolview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Barringer Ethelview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Prenzel Robertview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Castle Harrisview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Rosenstengel Edview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Linton Jamesview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Baillie Maudeview full entry
Reference: see Australian Arts and Crafts, ‘Seeking to Improve Design’, article by Julie Carter in Carter’s Antiques and Collectables May, 1996, p8 ff, 12 illustrations. Some biographical notes on artists.
Clarice Cliff in Australasiaview full entry
Reference: Clarice Cliff in Australasia, artcile by Leonard Griffin in Carter’s Antiques and Collectables May, 1996, p22 ff. 4 illustrations.
Ref: 135
Boyd Martin Potteryview full entry
Reference: see Decorating Pots at the Martin Boyd Pottery, article by William and Dorothy Hall in Carter’s Antiques and Collectables May, 1996, p26 ff.
Ref: 135
Eastwood Gwenview full entry
Reference: see Decorating Pots at the Martin Boyd Pottery, article by William and Dorothy Hall in Carter’s Antiques and Collectables May, 1996, p26 ff.
kookaburra in Australian artview full entry
Reference: see The Laughing Jackass, article by Kay Murray in Carter’s Antiques and Collectables April, 1996, p76-7
Ref: 135
Mettei brothersview full entry
Reference: see The Laughing Jackass, article by Kay Murray in Carter’s Antiques and Collectables April, 1996, p76-7
Cantle John Mitchellview full entry
Reference: see The Laughing Jackass, article by Kay Murray in Carter’s Antiques and Collectables April, 1996, p76-7
Wakelin Rolandview full entry
Reference: Exhibition by Roland Wakelin, Macquarie Galleries, July 193429 oil paintings, 6 watercolour drawings, no biographical information.
Publishing details: Macquarie Galleries, 1934 (photocopy)
Ref: 1
Butley-George Mayview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 18 Attrib. May Butler-George Australian 1881-1973
[Harbour Foreshore, Sydney], c1930s. Pastel with pencil, 26.5 x 27.5cm. Missing portions, tears, pinholes and insect damage to margins and edges of image, minor foxing.
Possibly Mosman Bay. Provenance: artist's estate. Born in Gippsland, Victoria, painter and sculptor May Butler-George was a popular miniature portrait painter of aristocrats and other eminent people in the UK prior to WWI. She is best known for her two bronze relief panels for the Second Division AIF Memorial at Mont St Quentin, France (WWI). When she returned to Australia she exhibited widely in NSW and Victoria. Ref: DAAO.
$990
Buzacott Nutterview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 20 Nutter Buzacott Australian 1905-1976
[Pelicans], c1940s. Watercolour with crayons, signed in ink lower right, 26.3 x 38.5cm.
Born in Perth, Nutter Buzacott worked with James Flett and Mervyn Wallis at Patons Advertising Company in Melbourne during the 1930s. Prior to this Buzacott had experimented with linocuts, lithographs and etchings. In 1936 he studied at Colarossi's in Paris and then the Grosvenor School in London. He was greatly influenced by the wood-engravings of lain MacNab. Ref: NGA.
$1,250
Byrne Haroldview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 21 Harold Byrne Australian 1899-1966
Wet Evening [State Library, NSW], c1930s. Water colour with pencil and white highlight, signed and titled in pencil lower left to right, 22.6 x 30cm. Minor paper remnants and stains to upper edge of image.
The statue of Matthew Flinders, seen on the right, was moved to the Macquarie Street side of the library in the 1990s. Printmaker, illustrator and teacher, Harold Byrne had an exhibition of his work at the Industrial Arts Society's Gallery in Sydney in 1937. His art is represented in Australian collections including the National Gallery of Australia and the Baillieu Library (University of Melbourne). Ref: NLA.
$990
Colbourn Johnview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 24 John Colbourn Australian 1910-1945
Boatman, c1940s. Colour linocut, titled, editioned 5/75 and signed in pencil in lower margin, 17.1 x 14.8cm. Slight foxing overall.
Born in Ballarat, Colbourn studied at Melbourne University where he gained his Bachelor of Archi tecture. In 1942 he exhibited 33 linocuts in a joint exhibition with Klytie Pate at Kosminsky Galleries in Melbourne. His linocuts were described as "accomplished and well-drawn" in an article reviewing an exhibition at the Margaret Maclean Gallery, Collins Street, Melbourne. He was also a keen photographer. Ref: Roger Butler, Melbourne Woodcuts & Linocuts, 1981; The Argus, 3 Dec. 1936.
$1,350
Collingridge Georgeview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 25 George Collingridge British/Australian 1847-1931
Cumberland Street, Sydney [The Rocks], 1880. Oil on board, signed lower right, titled, dated and signed in ink verso, 24 x 15.5cm. Framed.
European-trained George Alphonse Collingridge de Tourcey was a prominent wood engraver, painter, teacher and historian. Along with his brother, Arthur, he co-founded the Royal Art Society of NSW in 1880, and the short-lived Australian Art, the country's first journal devoted to art, in 1888. Ref: ADB.
$1,850
de Teliga Stanview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 42 Stan de Teliga Australian 1924-1998
[Sailing], 1958. Watercolour with ink, signed and dated in ink lower right, 27.6 x 37.8cm. Minor tear to image lower right. Framed.
Polish-born artist and teacher Stan de Teliga studied at Sydney's National Art School and later taught art there, as well as at the University of Sydney, Alexander Mackie College and the City Art Institute. He managed a number of art galleries including the Tasmanian Museum and Art Gallery and the Blaxland Gallery in Sydney. His work is represented in state and regional galleries. Ref: NPG.
$2,450
Flanagan John Richardview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 55 John Richard Flanagan Australian 1895-1964
Student Of Poison, c1920s. Ink and wash, signed lower left, titled in pencil with trimmed publishing stamp verso, 47.4 x 47.4cm (paper). Slight soiling throughout, paper remnants to edges, trimmed margins.
Most likely an illustration for a Conan Doyle serial in the American magazine Collier's, founded in 1888. Ref: Wiki. A Sydney-born illustrator and cartoonist, Flanagan studied at the Royal Art Society of NSW. In 1916 he left Australia to work in the USA, becoming well-known for his illustrations in several publications including Collier's, and Cosmopolitan. Ref: DAAO.
$1,650
Hall Oswaldview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 66 Oswald Hall Australian 1917-1991
[Portrait], c1939. Oil on textured paper, signed lower right, cancelled correspondence in ink verso, 16 x 11.2cm. Paper loss to image centre right, crease lower left, slight foxing, minor tears and missing portions to upper edge.
Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent artist. Oswald was influenced by Christian Waller, who shared his interest in Theosophy. He was a founding
member of the Contemporary Art Society (Victorian Branch). Ref DAAO.
$1,350
Hesling Bernardview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 67 Bernard Hesling British/Australian 1905-1987
[Man And Goanna], c1970s. Vitreous enamel on metal plate, signed lower centre, 28cm (diameter). Chip to enamel outside image.
Hesling's plates are held in NGA and Powerhouse collections. Bernard Hesling was a British-born muralist and painter who lived and worked in Australia and produced many vitreous enamel artworks and wrote humorous autobiographies. Ref: Wiki.
$1,250
Hunter Williamview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 74 William Hunter British/Australian 1899-1963
The Greek Scholar, 1945. Etching and aquatint, signed and dated in plate lower right, editioned 13/50, titled and signed in pencil in lower margin, 16.1 x 18.1cm. Cockling overall, tears and slight
stains to margins. William Hunter's work is represented in NGA and AGNSW.
$880
Jordan Allanview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 78 Allan Jordan Australian 1898-1982
[Parrots], c1930s. Colour woodcut, initialled in block lower left, 20.1 x 22.8cm.
Artist, printmaker and teacher Jordan is best known for his bookplates and woodcuts. His work is held in numerous Australian institutions, including the National Library, National Gallery of Art, Hamilton Art Gallery and Benalla Art Gallery.
$1,250
King Stephenview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 79 Stephen King Australian b.1958
Brave Cowboy Bill Says Hello, 1988. Linocut, annotated "A/P", titled, signed and dated in lower margin, 32.5 x 43cm. Minor foxing to image lower right and margins.
Stephen King originally studied printmaking at the Sydney College of the Arts. After graduating, he moved to London for postgraduate study at St Martin's School of Arts. On his return, he switched from linocuts to sculpture. Ref: Maitland Regional Art Gallery.
$880
Kingston Amieview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 80 Amie Kingston Australian 1908-1996
Gas Mask, 1939. Lithograph, titled and signed in pencil below image, 11.7 x 12.3cm. Slight foxing to upper portion of image, minor stains and missing portion to edges of paper, old mount burn. Laid down on acid-free tissue.
Held in NGA. Unusual, rare image by Kingston. Hobart-born painter, art teacher and theatrical designer Amy (Amie) Kingston was studying art and design in London when gas masks were issued to all British civilians in September 1939 at the start of WWII. There was a grave fear that poison gas bombs would be used again with the devastating effect experienced during WWI. Civilians were directed to carry their gas mask at all times, with the threat of a fine if they were caught without one. Ref: NPG; Huffington Post, 2016.
$4,400
Kubbos Evaview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 92 Eva Kubbos Lithuanian/Australian 1928
Flight Into Summer, 1962. Colour woodcut, signed, editioned 12/30, dated, annotated "sequence no. 456" and titled in pencil in lower margin, 37.9 x 51.3cm. Minor crinkles, old mount burn.
Lithuanian-born Eva Kubbos, whose work is influenced by Jackson Pollock and Mark Rothko, moved to Australia in 1952, after studying art in Berlin. She continued her studies in Melbourne and then moved to Sydney. She has exhibited internationally and in Australia, and a number of Australian institutions hold her work. Ref: Wiki.
$880
Kahan Louisview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 104 Louis Kahan Austrian/Australian 1905-2002
Patrick White, 1975. Etching, editioned 15/40, titled signed and dated in pencil in lower margin, 50 x 33.5cm. Slight foxing to margins.
Louis Kahan had a long artistic career, commencing in Paris, where he first worked for a renowned couturier. He designed costumes and fashion for Josephine Baker, Collette and the Folies Bergere. Kahan met many artists including Matisse, Dufy and Vlaminck. He also worked as a freelance illustrator for magazines and journals. When he moved to Melbourne in 1950 his talent for portraiture was noted by Melbourne Herald art critic, Alan McCulloch. Kahan made portraits of Australians and celebrities which included Manning Clark, Arthur Boyd, Dame Joan Sutherland and Pavarotti. He won the Archibald Prize in 1962 with a painting of Patrick White. Ref: Wiki.
$1,850
Macqueen Maryview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 106 Mary Macqueen Australian 1912-1994
Owl, 1967. Colour lithograph, annotated "A/P I", titled, signed and dated in pencil below image, 44.3 x 24.6cm. Slight foxing overall.
Macqueen learnt printmaking in Melbourne, specialising in lithography. From 1945 she regularly exhibited her prints in Australia and overseas, using animal life and landscape as her subjects. She has won numerous prizes and her work is held in 24 Australian institutions. Ref: DAAO; McCulloch's.
$990
Mahony Frankview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 108 Frank P. Mahony Australian 1862-1916
Show Cat, 1896. Watercolour on card, monogrammed in watercolour, dated and titled in faint pencil below image, 40.5 x 24.5cm. Pinholes, creases and slight foxing.
Frank Prout Mahony was the first Australian-born artist whose work was purchased by the Art Gallery of NSW. He was a well-known illustrator during the latter part of the 19th century, providing illustrations for The Bulletin and the first edition of Dot and the Kangaroo.
$1,250
Mahony Willview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 111 Will Mahony Australian 1905-1989
[Seated Clown With Dog], c1940s. Ink and pencil sketch, 25.4 x 17.9cm. Tears and stains above image, creases overall.
London-born cartoonist, illustrator and print maker Will Mahony was the son of Australian artist Frank P. Mahony.
$770
May Philview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 113 Phil May British/Australian1864-1903
[Self-Portrait As Caricature], c1890. Painted plaster, signature incised lower right, 33 x 27 x 11cm. Minor chips and paint loss overall.
A news clipping from The Bulletin, dated 7 February, 1984, is attached verso and shows the plaque with added words "The Bulletin, The National Australian News." The article suggests that it is likely a self-portrait of Phil May, but "further identification is difficult." A postcard depicting a self-portrait by May, dated 1890 and captioned "That's me when I'm old", which is held in the National Museum of Australia, clearly identifies this plaster is an image of Phil May. Provenance: Will Mahony by descent.
$2,950
McLachlan Phyllisview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 115 Phyllis McLachlan Australian 1905-1998
[Chinese Emperor], c1920s. Watercolour and ink, signed "Phil McLachlan" in ink upper left, 36 x 30.7cm. Slight stains to margins.
Provenance: artist's estate. Phyllis Laishley McLachlan, on leaving school at the age of 16, studied with Thea Proctor, and at the Julian Ashton School. She first showed her watercolours at a Society of Women Painters' exhibition in Sydney in 1922, and held her first one-woman show in 1924. McLachlan was best known for her cover designs for The Home and Triad magazines. She married Sir John Collins (1899-1989), a distinguished and lauded naval officer and diplomat. In 1938 she designed costumes for the reenactment of the First Fleet's arrival in Sydney Cove for the Australia Day Sesquicentenary celebrations. Ref: SLNSW.
$1,450
Montefiore E Lview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 122 E.L. Montefiore Australian 1820-1894
To The Fairy Bower [Manly, NSW], 1877. Pencil drawing with white highlight and wash, panorama in two parts, captioned centre right, initialled and dated "11/8/77" lower right, 12.4 x 29.4cm. Slight creases to joined edges, soiling to image upper centre and lower right, minor foxing. Laid down on acid-free paper.
From a sketchbook with two different types of paper joined together. Montefiore was an important figure in the development of art appreciation in 19th century Australia. He helped to finance the establishment of the Art Gallery of NSW and the National Gallery of Victoria.
$1,650
Mort Eireneview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 124 Eirene Mort Australian 1879-1977
Government House, Windsor, c1916. Etching, titled, annotated "no. 17" and signed in pencil in lower margin, 12.7 x 19.9cm. Repaired tear to lower left edge of margin, minor stains and surface loss to
image upper right, pinholes to margins, old mount burn.
The National Library of Australia holds a sketch which was most likely used for this etching. After studying a number of art and craftwork disciplines in London, Eirene Mort returned to Australia and produced many etchings, using historical and rural subjects. In 1914 she taught the etching process to Sydney Ure Smith. Ref: ADB.
$990
Rooney Elizabethview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 140 Elizabeth Rooney Australian 1929-2016
A View Of Middle Harbour [Sydney], c1954. Etching, titled, dated "ca. 1954", editioned 11/30 and signed in pencil in lower margin, 15.9 x 15.7cm. Minor foxing to margins. Framed.
Sydney-born Elizabeth Rooney was a key artist in the revival of printmaking in Sydney in the early 1960s. In 1949 Rooney studied the etching process under Herbert Gallop, a teacher at East Sydney
Technical College. As a satirist, Rooney focused on urban conservation and development in Sydney and Newcastle. Rooney created more than 400 etchings over 50 years. Her work is held in the British Museum and major Australian collections. Ref: AGNSW.
$990
Rosendale J Tview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 146 J.T. Rosendale
Chinese Gardens, 1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed.
Label includes "J.T. Rosendale, 74 Cairo Street, North Sydney."
$1,850
Salkauskas Henryview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 151 Henry Salkauskas Lithuanian/Australian 1925-1979
Black Harbour, 1961. Linocut, signed, editioned 22/33A and dated in pencil in lower margin, 50.9 x 36.9cm. Old mount burn.
Lithuanian-born Salkauskas studied art in Paris and Germany after WWII. In 1949 he moved to Australia and worked as a house painter in Sydney while pursuing his art career. He joined the Contemporary Art Society and exhibited widely. He was an enthusiastic printmaker, encouraging artists to take up this art form. His work is held in AGNSW and NGA. Ref: DAAO.
$990
Steuart Ronald Hview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016:152 Ronald H. Steuart Australian 1898-1988
Monotype I and Monotype II, c1960s. Pair of colour monotypes, titled and signed in ink below image, 31 x 25cm and 27 x 21cm. Framed.
Ronald Hewison Steuart was a life member of the Australian Watercolour Institute, which he joined in 1934. He won the Wynne Prize in 1958. His work is held in AGNSW, AGSA and NGA.
The pair $990
Thornhill Dorothyview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016:160 Dorothy Thornhill British/Australian 1910-1987
Susannah, 1936. Oil on can vas, signed and dated lower right, titled and signed in pencil on stretcher verso, 64.5 x 44.5cm. Minor scuffing and perforations lower right. Framed.
Provenance: Dundas and Thornhill estate. Painter and teacher at the National Art School for almost forty years, Thornhill was the second wife of her former teacher, Douglas Dundas. Painter Brian Dunlop said her drawing, "devoid as it was of formula and cliché, was among the finest ever produced in this country." Ref: DAAO. The image seems to be have been inspired by one of the figures in Renoir's 1917 painting depicting two bathers. Ref: Athenaeum (USA). Renoir's model may have been artist Marie-Clémentine Valadon, who was nicknamed "Suzanne" by Toulouse-Lautrec after the biblical story of Susanna and the Elders. See also item 47 of the same subject by husband Douglas Dundas.
$2,650
Tanner Lesview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 159 Les Tanner Australian 1927-2001
Sir Robert Menzies, c1966. Plaster bust, 42 x 28 x 25cm. Added graphite to eyes.
Born in Glebe, NSW, Les Tanner was one of Australia's best-known political cartoonists and columnists. At an early age he showed a talent for drawing portraits. While studying at the Julian Ashton Art School he worked at The Daily Telegraph, initially as an apprentice printer, but was soon after transferred to the art department where he worked under artists Frank Broadhurst and William Edwin Pidgeon (aka WEP). During the 1960s, while working as the art director and cartoonist for The Bulletin, Tanner branched into sculpted caricatures in plaster and ceramic. Ref: NPG.
Smith Sydney Ure view full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 163 Sydney Ure Smith Australian 1887-1949. Artist, publisher and promoter of Australian art Sydney Ure Smith played an important part in the revival of etching in Sydney. He had a "keen interest in architecture, particularly 'old Sydney' - areas like the Rocks, Windsor, and central Sydney...Many of these areas were under threat of demolition as the growing city developed, and Ure Smith, with others including Julian Ashton and Lionel Lindsay, recorded the older quarters of the city and their colourful street life, in part for nostalgia but also to advocate for their preservation." Ref: AGNSW.
Dawes Battery [Sydney Harbour], 1917. Etching, signed in plate lower left, editioned 49/50, titled and signed in pencil in lower margin, 10.5 x 22.6cm. Minor soiling to margins.
Illustrated in The Etchings of Sydney Ure Smith, 1920, #39. The Dawes Point Battery, an historical fortification, was located adjacent to the southern pylon of the Sydney Harbour Bridge. Dawes Point was named after Lieutenant William Dawes (1762-1836), the astronomer with the First Fleet, who established Australia's first observatory on the site of Dawes Point Battery.
$1,250
Walker Ralph Traffordview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 169 Ralph Trafford Walker Australian 1912-2003
Shaping A Wommera [Sic], Central Australia, c1941. Relief metal plaque in aluminium, title and signature incised upper right and lower left, 40.6 x 33.1 x 2cm. Wear to signature.
This is most likely a trial casting of one the sixteen bronze Aboriginal-themed panels designed by Walker for the Mitchell Library's western doors. Painter, printmaker and sculptor Walker studied at the East Sydney Technical College with sculptor Rayner Hoff. He was an official war artist during WWII. Ref: AGNSW.
$2,200
Warner Alfred Edward (Ernest) view full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 175 Alfred Edward (Ernest) Warner
Australian 1879-1968
Phillip St [Sydney], 1932. Etching, titled, editioned 84/90 and signed "E. Warner" in pencil in lower margin, 19.5 x 31.5cm. Old tape and repaired minor tears to edges of paper, foxing to upper margin, old mount burn.
Held in SLNSW. British-born Warner trained as an engraver before first travelling to Australia in 1910. After working as an illustrator for newspapers in New Zealand, he opened a commercial art studio in Sydney in 1919. He became well-known as an etcher, lithographer and a painter. He was a founding member of the Australian Ex Libris Society and exhibited with the Australian Society of Painters and Etchers. His work is held in several major institutions.
$1,250
Warner Ralph Mview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 176 Ralph M. Warner Australian 1902-1966
Air Strip, Kila, New Guinea, c1943. Watercolour, signed lower right, titled in ink on slip from original matt board mounted below image, 25.8 x 29.5cm. Old glue stains to margins.
Warner was called up for military service in 1941, working as a camouflager and poster artist. In 1943 he was appointed an official war artist, covering the activities of the RAAF, where his first mission was to record Australian operations against the Japanese in New Guinea. Ref: AWM.
$1,100
Wilson Ericview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 182 Eric Wilson Australian 1911-1946
[Study for "Hospital Theme" Series], c1942. Double-sided drawing with pencil, ink and crayon, 15.6 x 9.2cm. Minor perforations. Framed.

Born in Annandale, NSW, painter Eric Wilson studied under Henry Moore, after winning a travelling art scholarship in 1937. Wilson returned to Australia after travelling through Europe and began creating works in the cubist style. In 1940 Wilson commenced teaching abstract painting at East Sydney Technical College and exhibiting with the Contemporary Group. As a conscientious objector to the war, he was attached to Sydney's Lidcombe State Hospital where he worked as a ward attendant from 1942 to 1944. Ref: AGNSW.
$1,650
Wood Rexview full entry
Reference: see Josef Lebovic catalogue, Collectors’ List No 183, 2016: 184 Rex Wood Australian 1908-1970
Proteas, c1934. Hand-coloured linocut, titled and signed in pencil in lower margin, 13.5 x 10.5cm. Minor paper loss to image centre right and lower left, uneven margins.
Rex Wood was born at Laura, South Australia and studied at the South Australian School of Art under Mary Packer Harris. He produced many linocuts during the late 1920s and 1930s, exhibiting prints with the Society of Arts in Adelaide. In 1938 he left for Europe and studied art in London. He lived in Portugal before returning to Australia in 1956. Ref: AGNSW.
$1,650
Bartlett Violet (artah)view full entry
Reference: Violet Bartlett is mentioned in A Small Unsigned Painting by Stephen Scheding.
Bartlett Violet (artah)view full entry
Reference: ‘(paintings) of little wrens (were) painted for a friend of hers Olive Pink which were donated to the University of Tasmania when Olive passed away’. Correspondence to Stephen Scheding by a reader in relation to A Small Unsigned Painting.

Norton Rosaleenview full entry
Reference: Thorn in the Flesh. . A Grim-memoire by Rosaleen Norton. Accompanied by a CD titled ‘Rosaleen Norton Speaks’. ["Rosaleen Norton was a natural rebel whose bohemian lifestyle, outspoken occultism, and unusual and often sexually-charged artwork attracted widespread condemnation from the conservative establishment. She suffered frequent arrest, her art exhibitions were raided, a book of her art banned, and in one notorious case, her paintings burned at the censor's order.’]
Publishing details: The Teitan Press, York Beach,, 2009, 157pp
Ref: 1000
Close Edward Charlesview full entry
Reference: A man of many parts : the life and times of Edward Charles Close, 1790-1866 by Ann Beaumont. [’his lively narrative delves into the private and public worlds of Edward Charles Close, Father of the Hunter and one of the Duke of Wellington’s Men in Australia.
 
Based on extensive use of primary sources in England and Australia, private family papers, and diaries and correspondence of contemporaries, Ann Beaumont brings to life a man whose contribution to the colony of New South Wales has been largely undervalued. His prolific output of sketches and paintings throughout his lifetime enhances this long overdue biography.
 
Born in Bengal and raised to maturity on his uncle’s English estate, Edward Close served as a lieutenant in the 48th Northamptonshire Regiment of Foot during the Peninsular Wars, and later in Ireland. He arrived in the colony with his regiment in 1817, later resigning his commission and carving an estate from the wilderness with convict labour, and creating the town of Morpeth.
 
From soldier to settler Close shaped a world for himself that would have been impossible in England, leaving a legacy not only for his many descendants but for the wider community he served for more than forty years.’]
Publishing details: Mittagong, New South Wales Highland House Publications , [2016]xiv, 172 pages : illustrations (chiefly colour), facsimiles (some colour), 1 colour map, portraits (some colour) ; 24 cm. Copy signed by author.


Humphries Barryview full entry
Reference: A PORTRAIT OF THE ARTIST AS AUSTRALIAN by ST PIERRE, Paul Matthew. L’oeuvre bizarre de Barry Humphries. [’In this rst academic study of Australian comedian,
actor, painter, composer, poet, and writer Barry Humphries, the author examines his achievements as a performer and its sources in Dada & music hall’]
Publishing details: Montreal.McGill
4to. Or.bds. Dustjacket. 272pp. b/w ills. Very good copy. 1st ed. Written thematically, the history takes into account the in uence of society, the identity of the Catholic Church, and the emerging identity of the Australian Jesuit that shaped the College. $33
163 SULLIVAN, Graeme. SEEING AUSTRALIA. VIEWS OF ARTISTS AND ARTWRITERS. Annandale. Piper Press. 1994. Folio. Or.Col.Ill. wrapps. 176pp. Profusely illustrated in colour. Very good copy. 1st ed. $27
164 SWAIN, Peter L. A QUARTER
PAST THE CENTURY. A History of Newington College 1863-1988. Syd. Newington College. 1988. Or.bds. Dustjacket. 264pp. b/w ills. Name on ffe else a very good copy. 1st ed. Celebrating the 125th anniversary of the Sydney college in 1988. $27
165 TATZ, Colin. A COURSE OF HISTORY. MONASH COUNTRY CLUB, 1931-2001. Syd. Allen & Unwin. 2002. Roy.8vo. Or.bds. 340pp. Many colour and black & white ills. Very good copy. 1st ed. $30
166 TAYLOR, Peter. STATION LIFE IN AUSTRALIA. Pioneers and Pastoralists. Syd. Allen & Unwin. 1988. (2nd imp) 4to. Or.bds. Dustjacket. 241pp. Col.plates & b/w ills. Very good copy. A vivid account of those who pioneered the land. $27
Queen’s Uni Press. 2004. Or.bds. Dustjacket. 167 363pp.
Ref: 1000
Day Fine Artview full entry
Reference: Day Fine Art catalogue September 2016, mainly colonial art
Publishing details: Day Fine Art, 2016, pb, 30pp
Ref: 132
Nicholas Williamview full entry
Reference: see Day Fine Art catalogue September 2016, mainly colonial art. William Nicholas’s Lithograph of Fancy Dress ball 1844.
Publishing details: Day Fine Art, 2016, pb, 30pp
Berkeley Martha 1813-1899view full entry
Reference: see Day Fine Art catalogue September 2016, mainly colonial art. View near Adelaide South/West c1840. With biographical information.
Publishing details: Day Fine Art, 2016, pb, 30pp
Ball Adam Augustus 1821-1882view full entry
Reference: see Day Fine Art catalogue September 2016, mainly colonial art. Various works. With biographical information.
Publishing details: Day Fine Art, 2016, pb, 30pp
Carse James Howeview full entry
Reference: see Day Fine Art catalogue September 2016, mainly colonial art. Govett’s Leap Falls, Blackheath, 1876. With biographical information.
Publishing details: Day Fine Art, 2016, pb, 30pp
Wyatt William 1838-1872view full entry
Reference: see Day Fine Art catalogue September 2016, mainly colonial art.Two drawings, 1862. With biographical information.
Publishing details: Day Fine Art, 2016, pb, 30pp
Schramm Alexanderview full entry
Reference: see Day Fine Art catalogue September 2016, mainly colonial art. Lithograph ‘South Australian Natives On the Tramp’ c1859. With biographical information.
Publishing details: Day Fine Art, 2016, pb, 30pp
Rodius Charlesview full entry
Reference: see Day Fine Art catalogue September 2016, mainly colonial art. Lithograph ‘Lif e in Sydney, NSW’ With biographical information.
Publishing details: Day Fine Art, 2016, pb, 30pp
Duterrau Benjaminview full entry
Reference: see Melbourne Art Journal, Number 5 2001. The other copies to be collected - this number has article by Paul Paffen on Duterrau’s National Picture
Publishing details: Melbourne Art Journal, Number 5, 2001, pp 53-70
Ellis Francesview full entry
Reference: see A. Dattilo-Rubbo, Boronia Art Gallery exhibition catalogue (works from the collection on Frances Ellis, a New Zealand artist who studied under Dattilo-Rubbo in Sydney).
Publishing details: Boronia Art Gallery, July, 1995, 8pp folding card
Close Edward Charlesview full entry
Reference: The Diary of E. C. Close. Facsimile edition introduced by Ann Beaumont. ‘[Edward Charles Close was only 18 years of age when he joined the 48th Northamptonshire Regiment of Foot in 1808. This rare diary records his experiences throughout the Peninsular Wars in Portugal, Spain and France under the leadership of the Duke of Wellington.
He arrived in New South Wales with his regiment in 1817 and was one of a group of Peninsular War Veterans who became known as Wellington’s Men in Australia. Many, including Close,  retired from the army and stayed in New South Wales, making a remarkable and long term contribution to the colony’s development. Close was granted land on the Hunter River in New South Wales and part of his holding became the town of Morpeth.
Edward Close was a settler, churchman, magistrate, a member of the first Legislative Council, an important colonial artist, and became known as the Father of the Hunter.  His hand written diary is in the Mitchell Library in Sydney and was transcribed and printed about 1900. This edition is a facsimile of the 1900 diary with a new introduction and miniature of Close at the age of seventeen.’]
Publishing details: Highland House Publications, 2016, pb, 70pp facsimile

Close Edward Charlesview full entry
Reference: The Diary of E. C. Close.
Publishing details: Sydney, W. E. Smith, nd (1892?), 77 p., [1] leaf of plate : ill. ; 18 cm.
Ref: 1000
Dattilo-Rubbo Aview full entry
Reference: Public Works - Antonio Dattilio Rubbo’s ‘The Breadwinner’ in Wollongong City Art Gallery. Article by Bronwyn Watson
Publishing details: The Australian, March 30-31, 2013, p12.
Ref: 4
Dattilo-Rubbo Aview full entry
Reference: Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. Antonio Dattilio Rubbo’s ‘The Breadwinner’ in Wollongong City Art Gallery. Article bt Bronwyn Watson
Publishing details: The Australian, March 30-31, 2013, p12.
Ref: 4
Australian Red Crossview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Challen Tomview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known.
Publishing details: The Australian, March 30-31, 2013, p12.
Petersen Stuartview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Whitmore Frankview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Mailer Gview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Russom Rview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Pike B Eview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Barnes Gustaveview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Wenban Rayview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Nevill-Smith Hview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Webster Nickview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Edgecombe Henryview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Hopkinson Romaview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
de Gennaro Gview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Heal Nancyview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Dowman Walterview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Jarret Doraview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Rodriguez Frankview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Vaccini Hview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Rubie Noelview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Turnbull Lesview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Thompson Rolloview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Edwards M Cooperview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Chapple Bessview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Holloway Josephview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Rousel J H Rview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Goddard S Gview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Goddard S Gview full entry
Reference: see Arts Tribute to the Red Cross. A 1943 exhibition catalogue. Includes 35 oil paintings by Dattilo-Rubbo with prices (5-80 gns) 9 watercolours, and 6 drawings. Other works by other artists both well known and lesser known. No biographical information.
Publishing details: The Australian, March 30-31, 2013, p12.
Emerge and Review - UBS Collectionview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Angus Jamesview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Armanious Hanyview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Ball Sydneyview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Barton Del Kathrynview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Bell Larryview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Brennan Angelaview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Bufardeci Louisaview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Culbert Billview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Firth-Smith Johnview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Frank Daleview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Hearman Louiseview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Jacks Robertview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Johnson Timview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Kelly Madeleineview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Kontis Mariaview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Kovacs Ildikoview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Lowry Fionaview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Lynch Jamesview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Makin Jeffreyview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Marrinon Lindaview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
McKenna Noelview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Merrett Laraview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Nolan Sidneyview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Norrie Susanview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
O’Connor Derekview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Oliver Bronwynview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Olsen Johnview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Piccinini Patriciaview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Pintupi Women of Papunya Tula Artists Pty Ltdview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Riley Bridget (British)view full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Printmaking in the UBS Collectionview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Selwood Paulview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Senbergs Janview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Site-specific photographic wall works, UBS Melbourneview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Smith Gemmaview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Timms Freddieview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Ussher Michelleview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
von Sturmer Danielview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Whisson Kenview full entry
Reference: Emerge and Review - A look into the UBS Australian Art Collection. Includes essays on artworks and Artist’s biographies. Includes 42 artists or artist groups. [’UBS has a policy of buying works by young Australian artists, including their paintings, sculptures, drawings, photographs and videos.’]
Publishing details: UBS, 2007, 166pp, pb.
Gardens in Australian artview full entry
Reference: Gardens of history and imagination : growing New South Wales, edited by Gretchen Poiner and Sybil Jack.
[to be indexed]
Publishing details: The University Of Sydney, N.S.W. Sydney University Press, 2016.
Ref: 1000
Gardens in Australian artview full entry
Reference: see Planting Dreams i Shaping Australian Gardens by Richard Aitken. Includes 10 chapters, list of illustrations and bibliogrsphy. Virtually no biographical information on artists. [’‘A garden should … be just a little too big to keep the whole cultivated. Then it gives it a chance to go a little wild in spots’ – Edna Walling, landscape designer
Waratah or wattle? Chrysanthemum or rose? Planting Dreams celebrates the artistry and imagination that have shaped Australian gardens. Respected garden historian Richard Aitken explores the environmental and social influences that have helped produce our unique gardening culture – from Indigenous land management and the earliest European garden at Farm Cove, to the potted plants and besser block screens of mid-twentieth century modernist design and beyond.
Drawing on the unparalleled collections of the State Library of New South Wales, Planting Dreams showcases Australian garden making in all its richness and diversity through a stunning and intriguing mix of paintings, sketches, photographs, and prints, from popular culture to high art. 
‘An elegant look at the miraculous gardening evolution’ – Indira Naidoo, author of The Edible Balcony’] [to be indexed]
Publishing details: New South, Hardback | Sep 2016, hc, 272pp, with index,.
Nimmo Helenview full entry
Reference: Drawn to Manly, Sydney’s First Seaside Resort, written and illustrated by Helen Nimmo
Publishing details: [Collaroy, N.S.W.] : H. Nimmo, 2010 
98 p. : chiefly col. ill., map ; 24 cm. 
Ref: 1000
New Zealand Academy of Fine Artview full entry
Reference: The Academy's Bequest to the Nation, Contributors‬ Geoff Nees, New Zealand Academy of Fine Arts, Caltex Oil NZ Ltd‬

Publishing details: The Academy, 1990‬
26 pages‬
Ref: 1000
Smith Bernardview full entry
Reference: Hegel’s Owl - The Life of Bernard Smith, by Sheridan Palmer. [to be indexed]. ‘Bernard Smith began life as a ward of the State; he would go on to become the father of Australian art history. In 2008, Smith invited writer and art historian Sheridan Palmer to write his biography. Through years of interviews and exclusive access to Smith's papers and library, Palmer reveals the unique character of an exceptional man.’
"Bernard Smith was undoubtedly Australia's greatest art historian and arguably Australia's greatest humanities scholar altogether. His European Vision already contains within it all subsequent approaches to Australian art and culture: post-colonial, post-modern, post-national. Sheridan Palmer's superb biography is detailed, inclusive and at times even properly critical. It not only captures a major figure from our past but, just as importantly, points towards the possible fate of his ideas in the future."―Rex Butler, author of A Secret History of Australian Art
"A terrific book which paints the shades of Smith's interior and exterior worlds and brings to life a brilliant and pioneering Australian intellectual."―Jos Hackforth-Jones, director, Sotheby's Institute
"An elegant and powerful study, finely crafted – fully worthy of its subject."―Peter Beiharz, Curtin University, Perth
"Art teacher, artist, art historian, art critic, museum official, curator, university administrator, academician, collector, patron, and art theorist – Bernard Smith did it all, and then more: he was also a brilliant memoirist, a political polemicist, a cultural commentator, and a community activist. In this carefully researched, vividly written and thoroughly engaging biography, Sheridan Palmer provides an absorbing account of the intellectual and personal journey of Australia's preeminent historian of art and culture, a scholar with a worldwide reputation. Situating Smith within each of the fields he touched, Palmer also enriches our sense of how Australian culture was built during the twentieth century. By no means a hagiography, this is a full and frank account of a man who saw himself as, in his own words, 'a bastard among them, taking notes.'"―Terry Smith, author of Contemporary Art: World Currents
About the Author
Sheridan Palmer is an independent scholar and writer. Her previous publications include Dean Bowen: Argy–Bargy and Centre of the Periphery: Three European Art Historians in Melbourne.

Publishing details: Power Publications, 2016. pb, 424 pages
Smith Bernardview full entry
Reference: The legacies of Bernard Smith : essays on Australian art, history and cultural politics / edited by Jaynie Anderson, Christopher R. Marshall and Andrew Yip. [to be indexed fully - not urgent, the frequently mentioned artists have been undexed] [’SYNOPSIS: Bernard Smith could rightly be called the founder of Australian art history. His influence on Australian cultural life was immense, from the publication of Place, Taste and Tradition in 1945 until his death in September 2011. Each of his publications nurtured an Antipodean view, whether art historical or anthropological, and opened up new fields in Australian scholarship.
The Legacies of Bernard Smith arises from a collaborative international conference convened in 2012 between the Universities of Melbourne and Sydney, and the AGNSW. It is the most significant work on Smith’s impact to date, with over twenty contributing authors, and examines his legacies in Australian art history, museology, Pacific art studies, Australian studies and Indigenous art. 
It has been widely asserted that Bernard Smith established the discipline of art history in Australia. He was the founding professor of contemporary art and the directory of the Power Institute at the University of Sydney, published the classic art text Australian Painting, three volumes on the art of Captain Cook's voyages, and two memoirs. His work was seminal for histories of Pacific encounter and he also authored some of the country's most eloquent memoirs. This publication brings together international academics from a range of disciplines to focus on everything Bernard Smith left his mark on: Antipodean and European envisioning of the Pacific, the definition of Australian art, gallery scholarship and public art education, museological practice, art criticism, Australian art biography and local heritage. Contributions from: Jaynie Anderson; Andrew Sayers; Robert W. Gaston; Nicholas Thomas; Rdiger Joppien; Kathleen Davidson; Terry Smith; Peter Beilharz; Catherine Speck; Paul Giles; Simon Pierse; John Clark; Steven Miller; Joanna Mendelssohn; Christopher R. Marshall; Jim Berryman; Ann Stephen; Max Solling; Kate Challis; Sheridan Palmer; Catherine De Lorenzo; Ian McLean.
 
ABOUT THE EDITORS
Professor Jaynie Anderson is Professorial Fellow in Art History and Art Curatorship at the University of Melbourne. Her most recent work includes The Restoration of Renaissance Painting in mid Nineteenth-Century Milan: Giuseppe Molteni in Correspondence with Giovanni Morelli (2014).
Dr Christopher R. Marshall is Senior Lecturer in Art History at the University of Melbourne, and author of such works as From Altar to App: Displaying Devotion in the Contemporary Museum (2015).
Dr Andrew Yip is iGLAM Research Fellow at the National Institute for Experimental Arts. He is co-curator of the forthcoming AGNSW archive and collection exhibitions, Hidden War: stories from the trenches in the National Art Archive, and Mad through the darkness: Australian artists and the Great War (2015).’] [to be indexed]
Publishing details: Power Publications, in association with the Art Gallery of New South Wales, 2016, xi, 370 pages : illustrations (some colour), portraits (some colour)
Nolan Cynthiaview full entry
Reference: Cynthia Nolan - a biography, by M E. McGuire. [’Cynthia Reed, single mother, psychiatric nurse, novelist and connoisseur, married Sidney Nolan in Sydney in 1948. England served as their home base from 1953 till her death in 1976, territory charted in her four travel books.
This biography is drawn from her books in depth and from her intimate letters to her brother John and his wife, Sunday Reed between 1927, when she was nineteen, and 1944 when their correspondence ceased.
Her unpopularity in Australia in the sixties is accounted for and the stereotypes of the envious sister-in-law, the mad artist’s wife and the nihilistic suicide dismantled.’]
Publishing details: Melbourne Books, 2016, 190 pages, illustrations, some colour. Quarter purple cloth, pictorial papered boards.
Whiteley Wendyview full entry
Reference: Wendy Whiteley and the Secret Garden by Janet Hawley. Photography by Jason Busch. [’For more than twenty years Wendy Whiteley has worked to create a public garden at the foot of her harbourside home in Sydney's Lavender Bay. This is the extraordinary story of how a determined, passionate and deeply creative woman has slowly transformed an overgrown wasteland into a beautiful sanctuary for everyone to enjoy - and in the process, transformed herself.

Wendy Whiteley was Brett Whiteley's wife, muse and model. An artist herself, with a finely honed aesthetic sense, she also created the interiors at the heart of Brett's iconic paintings of their Lavender Bay home. When Brett died, followed by the death nine years later of their daughter Arkie, Wendy threw her grief and creativity into making an enchanting hidden oasis out of derelict land owned by the New South Wales Government. This glorious guerrilla garden is Wendy's living artwork, designed with daubs of colour, sinuous shapes and shafts of light.

This is Wendy's story but it's also the story of the countless people who cherish the Secret Garden.

About the Author

Janet Hawley enjoyed a wide readership in her thirty-year career as a senior feature writer on Good Weekend Magazine, published in the Sydney Morning Herald and The Age.
She's renowned for her intimate profiles of artists and creative people, and trusted by her interview subjects to explore their private worlds and mysteries of the creative process. She's published two books on artists, Artists In Conversations and Encounters With Australian Artists. Her book, A Place on the Coast, co-authored with Philip Cox, explores love of gardens, art and architecture.
Her wide-ranging feature writing for the Sydney Morning Herald, The Age and The Australian has won her numerous major awards, including two Walkley Awards and the Gold Walkley.
Janet's long friendship with Brett and Wendy Whiteley led to her writing the story of Wendy's major opus, the Secret Garden.’]
Publishing details: Syd. Lantern. 2015. Folio. Or.bds. Dustjacket. 289pp. Profusely illustrated in colour.
Ref: 1000
Heidelberg Schoolview full entry
Reference: Heidelberg School [’Bernard Smith in his influential history, Australian Painting 1788-1960, claimed that the Heidelberg School was a distinctive Australian school of painting with its beginnings between 1885 to 1890 and was due largely to the energy and vision of Tom Roberts to begin with. To this day, there remains a healthy discourse among art historians as to the definition and thus which artists to include when discussing the Heidelberg School. However, this collection of paintings has been lovingly selected not only as a representation of the leading artists from the Heidelberg School – Roberts, Streeton, McCubbin, Conder and Withers - but they have been chosen for their essence of a bygone era - the pioneer, the shearer, the drover, the rouseabout - all characters woven into Australia’s rich tapestry - captured against the backdrop of ghostly gums, mountain ranges, rivers and seascapes. Long before the homestead and townships became focal points, the Impressionist movement in Europe and the great British landscape artists had inspired this group of young artists living in Australia. With the camaraderie of the artist’s camp where they lived in the open and allowed a deep emotional attachment to influence their broad quick brushstrokes, they created a rich tapestry of work which in a sense brought Australia not only to the world’s attention, but made Australians themselves re-connect to the uniqueness and beauty of this vast southern land and their pioneering forefathers. The works of the Heidelberg School remain front and centre for us as they are reinterpreted time and again by artists and advertisers: Tom Roberts, Shearing the Rams, being the most obvious example. Many a piece of ephemera is bought and cherished because it carries some representation from the Australian Impressionists. The influence and the importance of the Heidelberg School remains one of the chief reasons for today’s visitors to art galleries’]
Publishing details: Axiom Publishing, 2013, Hard cover with dust jacket
Pages: 132
Ref: 1000
Artist’s Choiceview full entry
Reference: Artist’s Choice : Five Decades of Artists' Writings [’Drawing from the rich archives of Australia’s longest-running art publication, Art & Australia, Artist’s Choice is a compilation of the popular featured essays that have appeared in the magazine over 1967—2014. Showcasing more than five decades of artists’ writing, Artist’s Choice charts the movements of Australian art history while revealing the unique way artists inspire each other.
With 40 essays and over 80 artists. Lloyd Rees by John Olsen | Ralph Balson by David Aspden | Colin McCahon by Rosalie Gascoigne | John Brack by David Wadelton | Russell Drysdale by Tracey Moffatt | Sidney Nolan by Robert MacPherson | Mike Parr by Shaun Gladwell | Cressida Campbell by Martin Sharp | Grace Crowley by Destiny Deacon.’]

Publishing details: Dott Publishing, Art & Australia, 2016, Hardback – 200 pages. Probably an ex library copy, this copy apparently originally a gift from Piper Press to Emanuel School, Sydney.
Inside the Art Marketview full entry
Reference: Inside the Art Market - Australia’s Galleries - A History 1956 - 1976 by Christopher Heathcote [’Upfront, street savvy, and enthralling, this book is an indispensable tool in understanding the role of the art market. Dr Christopher Heathcote is the author of numerous publications on Australian art, and in this latest offering he traces the history and growth of Australia's private and independent galleries since 1956. Heathcote shares the inside story of how private art galleries have assisted our leading artists to gain public attention and how a cluster of trailblazing gallery owners including Kym Bonython, Rudy Komon, Anne and Tam Purves, Terry Clune, Barry Stern, Georges Mora and Frank Watters, transformed the business of selling pictures.’] [To be indexed fully - the names of galleries and the frequently mentioned artists have been indexed]
Publishing details: Thames and Hundson, 2016, p368, with bibliography and index.
Rees Lloydview full entry
Reference: Lloyd Rees - Painting with Pencil 1930-36. Sydney drawings with contributions by Dr Caroline Butler-Bowdon, Georgia Connolly, Nicola Teffer, Lou Klepac, Renee Free, Alan Rees.
Publishing details: Sydney, N.S.W. Richard Nagy in partnership with Sydney Living Museums, 2015. 192 pages, illustrations ; 31 cm.


Ref: 1009
Roberts Tomview full entry
Reference: Tom Roberts - The art of portraiture by Julie Cotter. Ch.1. Introduction
Ch. 2. Tom Roberts : his life
Ch. 3. Masculinity and identity in Tom Roberts's portraits of men
Ch. 4. Tom Roberts's men
Ch. 5. The modern woman and the muse
Ch. 6. Music, pastel and the London Woman
Ch. 7. An aesthetic subversion of ethnographic type in Tom Robert's aboriginal portraits
Ch. 8. The performance of identity in 'the big picture'.
Notes
Adapted from the author's thesis "Tom Roberts' portraits: the complexity of representation of identity in the modern portrait in Australia" (Ph.D), Monash University, 2011.
Includes bibliographical references (pages 436-446) and index.
Publishing details: Port Melbourne, Victoria Thames & Hudson Australia, 2015. 447 pages : illustrations (chiefly colour), portraits (chiefly colour) ; 31 cm.


Shooting the Pictureview full entry
Reference: Shooting the picture - Press photography in Australia by Sally Young, Fay Anderson [’Shooting The Picture is the story of Australian press photography from 1888 to today—the power of the medium, seismic changes in the newspaper industry, and photographers who were often more colourful than their subjects. This groundbreaking book explores our political leaders and campaigns, crime, war and censorship, international events, disasters and trauma, sport, celebrity, gender, race and migration. It maps the technological evolution in the industry from the dark room to digital, from picturegram machines to iPhones, and from the death knock to the ascendancy of social media. It raises the question whether these changes will spell the end of traditional press photography as we know it.

About the authors
Associate Professor Fay Anderson lectures in the School of Media, Film and Journalism at Monash University. She has published widely on media history, war journalism, genocide, photography and violence. Fay Anderson and Richard Trembath's book Witnesses to War: The History of Australian Conflict Reporting was published by MUP in 2011.

Associate Professor Sally Young is a reader in political science and an Australian Research Council Future Fellow for 2014-17. She has published extensively in the areas of Australian politics, Australian media, political communication and journalism studies and writes a monthly column for Fairfax Media.
- See more at: https://www.mup.com.au/items/184159#sthash.hmXzNgpK.dpuf’]
Publishing details: The Miegunyah Press, 2016.
4to, 360pp. Black & white illustrations.
Ref: 1000
Amor Rickview full entry
Reference: Rick Amor : pages from the sketchbooks


Publishing details: Sydney : Northwood Press, 2012. Oblong quarto, laminated boards, pp. 137, illustrated throughout with pages of Amor's personal sketchbooks. Limited to 100 numbered copies,

Ref: 1000
Henson Billview full entry
Reference: Bill Henson by Michael Heyward

Publishing details: Melbourne : Pinacotheca Gallery, 1986. Folio, illustrated wrappers (a little marked), 8 pp., large Henson reproductions, essay by Michael Heyward. A scarce publication which accompanied Henson's exhibition at the Pinacotheca Gallery in 1986.
Ref: 1000
Grey-Smith Guyview full entry
Reference: Guy Grey-Smith: Art as Life, by Melissa Harpley, with essay on the artist's materials, by Maria E. Kubik. 128 exhibits all illustrated.


Publishing details: Art Gallery of Western Australia 2014, pb, 134pp.
Jones Jonathanview full entry
Reference: barrangal dyara (skin and bones), Kaldor Public Art Projects, Royal Botanic Garden, Sydney, Australia
Publishing details: Kaldor Public Art Projects, 2016, 14pp, pb, stapled.
Ref: 223
Jones Jonathan b1978view full entry
Reference: barrangal dyara (skin and bones), by Jonathan Jones.
Madden, Charles, Uncle, (writer of foreword.)
Kaldor, John, 1936-, (writer of foreword.)
Perkins, Hetti, 1965-, (writer of foreword.)
Ellis, Kim, (writer of foreword.)
Kaldor Public Art Projects (issuing body.)
Contributors: Oliver Costello, Peter Cuneo, Aunty Julie Freeman, Ross Gibson, Uncle Stan Grant Senior, Peter Kohane, Jeanine Leane, Michael McDaniel, Kimberley Moulton, Bruce Pascoe, Emma Pike and Ilaria Vanni Accarigi. Includes bibliographical references and index.
Publishing details: Kaldor Public Art Projects, 2016, hc
Ref: 1000
Gardens in Australian artview full entry
Reference: PLANTING DREAMS: SHAPING AUSTRALIAN GARDENS. SLNSW brochure to accompany exhibition.
Publishing details: SLNSW, 2016, 20pp
Ref: 136
Bergner Yoslview full entry
Reference: BERGNER, Yosl. THE VULTURE. By Franz Kafka [the complete series of seven line etchings]. Seven numbered signed etchings in folder of issue. [’inspired by Kafka's story "The Vulture". The etchings are all hand-colored in watercolors, dated and hand-signed by Bergner, in pencil.’]
Publishing details: Melbourne, Brunswick Street Studios, 1989.
Ref: 1000
Lindsay Lionelview full entry
Reference: LINDSAY, Lionel. MENDELSSOHN, Joanna. THE ART OF SIR LIONEL LINDSAY. Volume I: Woodcuts.
Publishing details: Sydney, Copperfield Publishing Company, 1982. edition limited to 300. Small folio, plates in colour and black & white, original cloth.
Bilu Asherview full entry
Reference: Asher Bilu, Place Space Time, Paintings and Instalations
Publishing details: New Street Publishing, 2009
Ref: 1000
Macquarie University Art Collectionview full entry
Reference: Macquarie University Art Collection: 50 highlights, with an essay on each of about 60 artists.
Publishing details: Macquarie University, 2015, hc, 122pp
Whisper in My Maskview full entry
Reference: Whisper in My Mask, curated by Natalie King and Djon Mundine, [to be indexed fully]
[’The title for the 2014 TarraWarra Biennial is drawn from a jaunty 1981 Grace Jones song, Art Groupie. The song straddles 70s disco and 80s synth pop, and its odd, haunting lyrics are somehow lost in Jones’ staccato diction. Whisper in My Mask leaves the pop sensibility behind, and we are left with Jones’ lyrics: like them, the exhibition is dark, mysterious, threatening, probing and intimate.
The Biennial is the signature exhibition for the TarraWarra Museum of Art, a privately funded public museum opened in 2003 and nestled in the Yarra Valley. The Biennial has been running since 2006, and is presented not as a survey but rather a particular reading of contemporary practice, with artists brought together to create new connections and dialogue within the landscape of contemporary Australian art.
Curators Natalie King and Djon Mundine have selected a range of Aboriginal and non-Aboriginal artists working mainly in photography, installation, sculpture and video.
Showcasing work by sixteen artists and artist groups, Whisper in My Mask is a powerful compilation that weaves a complex tale of identity, perception, concealment and discovery. Notions of repressed or forgotten histories, power and corruption, reflection and protection are woven throughout this collection of works that is in turns political, personal, solemn and playful. Never mind what Grace Jones says, this show will have resonance for more than just the art groupies.
Boat People
Daniel Boyd
Soren Dahlgaard
Destiny Decon and Virginia Fraser
Karla Dickens
Fiona Foley
Tony Garifalakis
Fiona Hall
Sandra Hill
Garbriella Mangano and Silvana Mangano
Romaine Moreton
Nasim Nasr
Polixeni Papapetrou
Elizabeth Pedler
Sangeeta Sandrasegar
Tjanpi Desert Weavers
Telepathy Project,]
Publishing details: Tarrawarra Museum of Art Biennial 2014., 104 pages : illustrations (some colour)
Stephan Phillipview full entry
Reference: Views in Australia (Title on front cover) No title page. Consists of 24 Colour Photo-lithographs views from Australia, 4 coloured with views from New Zealand and 1 uncoloured from Australia by Phillip Stephan. Undated but circa 1890. Each view measures 36 x 28 cms.
Publishing details: Phillip Stephan (?), c1890 (rare)
Ref: 1000
Stephan Phillipview full entry
Reference: 14 Colour photoplithographic views by Phillip Stephan. These measure 36 x 28 cms and are loose. They include Sydney from Lavender Bay, Elizabeth Bay, Custom House, Potts Point, George Street (Looking South) , Botanical Gardens, St Andrews Cathedral, St Mary's Cathedral, Government House, University (of Sydney), Published by Phillip Stephan Photo-Litho & Typographic Process Company Sydney circa 1890
Publishing details: Published by Phillip Stephan Photo-Litho & Typographic Process Company Sydney circa 1890
Ref: 1000
Searle Edward Williamview full entry
Reference: Houses of Thompson Square, Windsor, New South Wales, ca. 1935 by Searle, E. W. (Edward William) 1887-1955, Image: nla.pic-vn4653913,
Solling Wendyview full entry
Reference: REID, Faith. SCULPTOR OF SPIRIT. The story of Angela of Stroud. Wendy Hope Solling studied art at East Sydney Technical College, then sculpture at the Slade Art School in London. A chance meeting with a Franciscan priest began her extraordinary life as a Nun.
Publishing details: Avoca Beach. Labyrinth Creative. 2011. Col.Ill.wrapps. 256pp. b/w ills.
Ref: 1009
Black Karenview full entry
Reference: see Artist Profile issue 27, 2014
Littler Frankview full entry
Reference: see Artist Profile issue 27, 2014
Thomson Elizabethview full entry
Reference: see Artist Profile issue 27, 2014
Jacks Robertview full entry
Reference: see Artist Profile issue 27, 2014
do Prado Paulaview full entry
Reference: see Artist Profile issue 27, 2014
McDonald Darrenview full entry
Reference: see Artist Profile issue 27, 2014
Culliton Lucyview full entry
Reference: see Artist Profile issue 27, 2014 (cover story on Culliton)
Ralph Davidview full entry
Reference: see Artist Profile issue 27, 2014
Smith Paulview full entry
Reference: Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Blackman Charlesview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Zofrea Salvatoreview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Boyd Arthurview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Boyd Davidview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Macleod Euanview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Olley Margaretview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Crooke Rayview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Watson Judy Napangardiview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Shead Garryview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Storrier Timview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Connolly Camillaview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Lodge Nettieview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Emdur Martineview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Hodgkinson Frankview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Lanceley Colinview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Larwill Davidview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Quilty Benview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Wadell Craigview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Sharpe Wendyview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each.
Publishing details: estudio editions, nd, 20pp, booklet
Norton Helenview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each. The work of this artist is illustrated but no text.
Publishing details: estudio editions, nd, 20pp, booklet
Egan Melissa view full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each. The
Publishing details: estudio editions, nd, 20pp, booklet
Canning Crissview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each. The
Publishing details: estudio editions, nd, 20pp, booklet
Marchant Bobview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each. The
Publishing details: estudio editions, nd, 20pp, booklet
Benjamin Jasonview full entry
Reference: see Paul Smith - Master Printmaker, compiled by Tracy Smith with the assistance of Kathleen James. Includes illustrations of prints by well known artists and a comment on the printmaking of each. The
Publishing details: estudio editions, nd, 20pp, booklet
McIntyre Peterview full entry
Reference: Peter McIntyre's New Zealand, 56 tipped in coloured plates and associated pen sketches.
Publishing details: Reed Auckland Reprint, 1968
Reprint. 56 tipped in coloured plates and associated pen sketch.
Heritage Collectionview full entry
Reference: Nelson Meers Foundation, exhibition catalogue, 2007.
Publishing details: State Library of NSW, 2007
Ref: 20
Wedgwood Sydney Cove Medallion, article by Louise Anemaatview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue.
Publishing details: State Library of NSW, 2007
navigator artistsview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue.
Publishing details: State Library of NSW, 2007
Bligh Williamview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. See article navigator artists, Bligh and Tobin
Publishing details: State Library of NSW, 2007
Tobin Georgeview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. See article navigator artists, Bligh and Tobin
Publishing details: State Library of NSW, 2007
Redoute Pierre-Josephview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. article on his roses by Emma Gray
Publishing details: State Library of NSW, 2007
Outhwaite Ida Rentoulview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. Article by Suzanne Churm
Publishing details: State Library of NSW, 2007
Australian cigarette cardsview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. Article by Colin Warner.
Publishing details: State Library of NSW, 2007
Lindsay Normanview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. Article on The Magic Pudding by Suzanne Churm
Publishing details: State Library of NSW, 2007
Traill Jessieview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. Article on Traill by Louise Anemaat
Publishing details: State Library of NSW, 2007
Noland Sidneyview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. Article on Nolan;s covers of Patrick White’s novels, by Louise Anemaat
Publishing details: State Library of NSW, 2007
Colonial architecture plans and sketchesview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, exhibition catalogue. Article by Richard Neville
Publishing details: State Library of NSW, 2007
Sydney and the China tradeview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, 2003
Publishing details: State Library of NSW, 2003
Sydney punchbowl c1820view full entry
Reference: see Heritage Collection, Nelson Meers Foundation, 2003, article ‘Sydney and the China trade’ by Elizabeth Ellis
Publishing details: State Library of NSW, 2003
Firt Fleet journalsview full entry
Reference: see Heritage Collection, Nelson Meers Foundation, 2003
Publishing details: State Library of NSW, 2003
Bradley William p21, 50 view full entry
Reference: see Heritage Collection, Nelson Meers Foundation, 2003
Publishing details: State Library of NSW, 2003
The Mystery of Thingsview full entry
Reference: The Mystery of Things: Margaret Olley & David Strachan. [’This exhibition explores the connection in art and life between
two Australian painters, Margaret Olley and David Strachan, via
their shared dedication to the genre of still life painting. Olley and Strachan met in Sydney in the 1940s, travelled together in Europe
in the 1950s and lived near each other in Sydney in the 1960s. Following Strachan’s untimely death in a car accident in 1970, Olley used his Paddington Street home in Sydney as her studio. Here she completed a compelling series of still life and interior paintings.
The Mystery of Things features paintings on loan from public collections including the National Gallery of Australia, Canberra;
Art Gallery of New South Wales; Tasmanian Museum and Art Gallery; Queensland Art Gallery I Gallery of Modern Art and more; as well as from private collections in NSW, Queensland and Victoria.
The exhibition will be complemented by an illustrated, full colour catalogue with essay contributions from Lou Klepac OAM and Barry Pearce.’]
Publishing details: Tweed Gallery, May 2016
Ref: 1000
Swainson Williamview full entry
Reference: From Hordern House catalogue, October, 2016: Zoological Illustrations… William Swainson

A particularly attractive set of both the first and second series of this beautiful work of natural history; all published, and rare in such fine original condition. The importance of this work to Australian and Pacific natural history cannot be overestimated: several plates feature Australian specimens - particularly birds - figured for the first time, while many of the illustrations are derived from the collections of important figures such as Sir Joseph Banks, Elizabeth Bligh, Allan Cunningham and John Byron. Peculiarly attractive is a plate in the second series, depicting the Jamaican "Two-Toothed Disk Snail", from an original sketch by John Lewin, a friend of the Swainson family.

Swainson's friend William Elford Leach, head of zoology at the British Museum, first encouraged him to experiment with lithography so as to make drawings of animals suitable for colouring. Thus began the publication of this, his first major work, in which all of the plates are by the author; Swainson was the first illustrator and naturalist to use lithography in this way, achieving a fresh and admirable style.

The work deals with specimens from all around the globe, with many from Java, the East Indies, and the Americas (particularly Brazil, visited by Swainson in 1816). Of great interest are the many plates illustrating specimens from the South Seas. Swainson was particularly good on shells, although he relied on the sometimes poor recording of earlier collectors, and was sometimes not able to be more specific than simply giving their habitat as "South Seas". There are, nonetheless, three illustrations of Australian shells, the "New Holland Mitre", the "Mitra melaniana", and the "Scaphella maculata", the last from the collection of Elizabeth Bligh. Several other South Seas shells are from the collection of Sir Joseph Banks, including the "Mitra vitatta", about which Swainson comments that "this superb shell is figured from a matchless specimen brought home by that illustrious and lamented patron of science, the late Sir J. Banks, from the Pacific Ocean".

The work is rich with images of Australian birds, with lovely depictions of the "Azure Kingsfisher", "Red-shouldered Parakeet", "Turcosine Parrakeet", "Blue-fronted Parrakeet", and the "Tabuan, or King Parrakeet" (drawn by Swainson from a live specimen). He includes an image of the "White-collared Honeysucker", with the interesting note that "Lewin's figure is so excellent, that I should not again have represented this bird, had not the plate been prepared previous to the publication of his work". Perhaps the most personal note accompanies his depiction of "Swainson's, or Blue-bellied Lory" (Trichoglossus Swainsoni), where he comments on his "pleasure at seeing our name affixed to this charming bird, and in clearing up its history. As a child we well remember our unwearied delight at seeing its figure in White's Voyage".

Several Australian birds are depicted for the first time. This interesting group, which we list here with Swainson's original scientific designations, includes the "Yellow-tufted Honeysucker" (Melliphaga auricomis); "Red-Collared Parakeet" (Psittacus Barabandii), from a skin in the possession of Mr Leadbeater; the "Keel-billed Flycatcher" (Muscipeta carinata), "from a specimen belonging to Mr. Brookes; since which, I have received two others from New Holland"; and the so-called "New Holland variety" of the "White-eyed Warbler" (Sylvia annulosa), described by George Caley. Further, of great significance are the two birds noticed from specimens collected by Allan Cunningham, the famous natural historian and His Majesty's Botanist in New South Wales, who sent the specimens to Swainson: the "Black & White Robin" (Petroica bicolor) and the "Golden-eared Parrakeet" (Leptolophus auricomis). The latter had only recently been pictured in Edward Lear's Parrots, but Swainson criticises the "peculiarly inappropriate" name Lear gave it.

Charmingly, three Australian butterflies are also figured here, two for the first time. The first is the "Cressida Butterfly" (Cressida Heliconïdes), from two in his own collection and 'received from Van Diemans Land'. The other two, the Australian Jasia-Butterfly (Jasia Australis) and the Australian Burnet (Heleona fenestrata), are both recorded as being collected on the north-west coast of Australia by Allan Cunningham on the King voyage.

Not only is Swainson's important work rarely offered, very few examples in contemporary bindings seem to have survived as complete sets, as here: it is more commonly seen in parts, even as single volumes. This work is not in Ferguson, who did note Swainson's work in cataloguing Elizabeth Bligh's shell collection for auction in 1822 (Ferguson, 879). Sitwell lists the first series as having one hundred and ninety eight plates, but all copies of which we are aware, including the copy in the State Library of South Australia, have one hundred and eighty two plates, as here.

less
Dance, 'A History of Shell Collecting', pp. 91-2; Nissen IVB, 911; not in Ferguson; Sitwell, 'Fine Bird Books', p. 110.
Publishing details: London: Baldwin, Cradock, and Joy, 1820-1823 & 1830-1833.
Six volumes, octavo, 318 handcoloured plates, an excellent set in uniform contemporary green half morocco over marbled boards, all edges gilt.
Including many newly discovered specimens from Australia and the South Seas

Ref: 1000
Wallis Major Jamesview full entry
Reference: see Hordern House catalogue, October, 2016: View of Culborne Church…
by Major James Wallis
Somerset: circa 1840.
Original sepia watercolour with manuscript title in Wallis's hand, 167 x 368 mm, mounted.
A rare original watercolour by one of Australia's celebrated artists
Inscribed lower right by James Wallis, "View of Culborne Church and Bristol Channel, Somersetshire". Wallis arrived in Sydney in February, 1814 in charge of the 46th Regiment which was to replace the 73rd. It was evident that he had a keen interest in art because after five years in Sydney and Newcastle he placed an advertisement in the Sydney Gazette, 9 January, 1819, for the sale of a "series of original views in New South Wales". This was a set of 13 printed views, engraved on copper by W. Preston. The imprints indicate that Wallis was responsible for the original drawings from which the engravings were taken. The Mitchell Library has the only extant examples of this Sydney printing.
Wallis Major Jamesview full entry
Reference: An Historical Account of the Colony of New South Wales. By James Wallis.

[’Australia's first view book, a celebration of Macquarie's New South Wales

A very good copy of the first view book engraved in Australia, an extraordinary collaboration between Major James Wallis, then commander of the convict settlement at Newcastle, and the convicts under his command, notably Walter Preston and Joseph Lycett. The illustrations for Wallis' celebrated and beautiful view book show in great detail scenes in Sydney, Newcastle, and the Hawkesbury River, as well as an Aboriginal corroboree, kangaroos and black swans. In many ways the series represents a celebration of the progress of the colony under Governor Macquarie, and Macquarie himself was very taken with the work.

Preston had earlier worked with Absalom West on his famous views of Sydney, while Lycett had only recently been sent to Newcastle after his involvement in the forging of bank drafts in Sydney. At the time, Newcastle enjoyed a fearsome reputation for brutal secondary punishment and was described by Lieutenant Purcell as "the Hell of New South Wales."

Wallis had arrived in the colony in 1814 and proved a successful commandant at Newcastle, transforming the shabby convict outpost into an ordered town, mirroring on a smaller scale what Macquarie had achieved in Sydney. Wallis was not a stern disciplinarian, yet seemed to motivate the convicts under his command by virtue of his tireless energy and enthusiasm. He focused the considerable artistic skills of the forgers to produce this series of skilled and remarkable views of the colony: Preston was tasked with working upon the only copper sheets available, intended for sheathing the hulls of ships, a difficult material softer than standard engraving copper.

Both Preston and Lycett were pardoned by Macquarie on Wallis' recommendation, in no small part because of their work on this book. When Wallis departed Australia in 1819 he took the plates with him to London where this book was published by Ackermann, complete with an introductory history of the colony and a map of Port Macquarie by the surveyor John Oxley.

This is an example of the more complete issue with the addition by the publisher of a preliminary leaf containing extracts from the Sydney Gazette in praise of Wallis' success as commandant of the Newcastle settlement.’]

see Hordern House catalogue, October, 2016.

And see lot 57, Australian Book Auctions
September 8, 2021: WALLIS, James. AN HISTORICAL ACCOUNT OF THE COLONY OF NEW SOUTH WALES and its Dependent Settlements; in illustration of Twelve Views, engraved by W. Preston, a Convict; from Drawings taken on the Spot, By Captain Wallis, of the Forty-Sixth Regiment. To which is subjoined an accurate Map of Port Macquarie, and the newly discovered River Hastings, by John Oxley, Esq. Surveyor General to the Territory. Folio, with a map, bound without half-title, six double-page and six single-page engraved plates, pale foxing, several folding plates with short split at foot, the split extending 20 mm onto image of the Corrobborree plate, later half morocco, the W.R. Griffiths copy with signed Adrian Feint bookplate. London, R. Ackermann, 1821. Rare: the first book of general landscape views of early New South Wales, representing the first great celebration of the progress in the colony made under the civilising rule of Governor Macquarie. It is also the first plate book, properly so called, to consist entirely of plates engraved in the colony by a colonial engraver. Engraved in Newcastle, New South Wales, where Wallis was Commandant, by the convict artist William Preston who had earlier worked for Absalom West, the plates show scenes in Sydney, Newcastle and the Hawkesbury River, as well as an Aboriginal corroboree, and plates of kangaroos and black swans. “Wallis’s book has a most important position in a collection of Australian plate books. It is the first book of general landscape views of early New South Wales, representing the first great celebration of the progress in the colony made under the civilising rule of Governor Macquarie and, indeed, of Wallis himself. It is also the first plate book, properly so called, to consist entirely of plates engraved in the colony by a colonial engraver ... Wallis’s book of views should be in every serious collection of Australian plate books” (Wantrup). The present copy includes the additional leaf reprinting Macquarie’s highly commendatory “General Order”, published in the Sydney Gazette when the 46th Regiment was recalled in 1818, praising Wallis’s work in improving Newcastle and his humane treatment of the convicts there. Ferguson 842; McCormick, 145, 148 – 151, and pp. 309-10; Wantrup, 217b.
Armadale, Australia:
Publishing details: London: Rudolph Ackermann, 1821.
Folio, with a map and 12 engraved plates, six of them large and folding, the other six full-page; complete with half-title; a very good copy with large margins in later deep brown morocco with gilt spine lettering.
Ref: 1000
Veal Haywardview full entry
Reference: Hayward Veal biography from an eBay listing October 2016, UK:
Wilfred Hayward Veal was born at Eaglemont, Victoria in 1913 and began art classes at the age of 17 with Archibald Colquhoun, followed by classes with Colquhoun’s own mentor, Max Meldrum, the father of Australian Tonalism.
 In 1937, Veal held his first solo exhibition at Hogan’s Gallery in Melbourne and then travelled to where he established an art school in Rowe Street Sydney.
As well as teaching art, Hayward exhibited his own work, became an art critic for the Daily News and a frequent contributor to the ABC’s magazine Talk.
Following the outbreak of the Second World War, Veal served as an inspector in a Sydney aircraft factory, all the while maintaining his influence in and support of the arts.
In 1940 he was made a Fellow and (later) Vice-President of the Royal Art Society NSW.
During the following year, Veal became Vice-President of the Fellowship of Australian Writers, he was appointed to the War Art Council and he occupied the position of Southern Buyer for the Queensland Art Gallery.
Significantly, in 1944 Hayward Veal founded and became the first President of the Encouragement of Art Movement (Bernard Smith served as the Vice-President).
This movement was a driving force in the artistic education of the Australian working public and later evolved into an organization that eventually became the Arts Council of Australia.
 Earlier, in 1944, Hayward Veal had married Minka Wolman, a former journalist. Together they left Australia in 1951 for what was originally planned to be a short trip to Europe. They were to remain abroad for the next 17 years. After spending time in London they settled in Reigate, Surrey.
Veal quickly gained a reputation on the international art scene, presenting his first London exhibition in 1952 in the Piccadilly Gallery (where he held annual exhibitions until 1959).
He became a regular contributor to the international art magazine The Artist and he also worked as an occasional teacher, lecturer and art critic.
As a prominent expatriate of Australia, Veal was elected President of the Australian Artists Association, London, in 1953. The following year saw the publication of English and American editions of his book ‘Impressionist Painting.’
Owing to his travels and international reputation, Veal exhibited in several cities around the world including Sydney, Brisbane, South Australia and London.
Veal’s first of many solo shows in America was held in 1962 in New York, followed by a solo show Rome in 1965.
Veal described his work as “perceptual impressionism,” replacing conceptual knowledge about “things” with perceptual knowledge about the subject’s tones, colours and shapes.
 Veal is represented in several prominent collections in Australia and overseas, including the National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne, Art Gallery of New South Wales, Sydney; The Art Gallery of Western Australia, Perth; Queensland Art Gallery, Brisbane; Geelong Art Gallery, Geelong; Museum and Art Gallery, Newport, Monmouthshire, UK; Oxford University, Oxford, UK; University of Kansas Museum of Art, Kansas, USA and Brownsville Museum, Brownsville, USA.
Publishing details: Ashgate, 2012 hc, 314pp including index.
Onus Linview full entry
Reference: Lin Onus - Yinya Wala. Mossgreen exhibition catalogue, 2016. Essays by Tiriki OnusFrancis Lindsay and Wallky Caruana. Biographical information.
Publishing details: Mossgreen, 2016, pb, 38pp
Justin Miller Artview full entry
Reference: Justin Miller Art,Spring 2016, illustrated catalogue. Includes 14 works but no biographical information
Publishing details: Justin Miller Art, 2016, pb, 12pp
Ref: 133
Indecent Exposuresview full entry
Reference: Indecent Exposures: Twenty years of Australian Feminist Photography, by Catriona Moore [to be indexed]
Publishing details: Allen & Unwin in association with the Power Institute of Fine Arts, pb, 206 pp
Dissonanceview full entry
Reference: Dissonance: Feminism and the Arts 1970 -90 Edited by Catriona Moore [to be indexed]
Publishing details: Allen & Unwin in association with Artspace 308 pp
Ref: 1000
photographyview full entry
Reference: see Indecent Exposures: Twenty years of Australian Feminist Photography, by Catriona Moore
Publishing details: Allen & Unwin in association with the Power Institute of Fine Arts, pb, 206 pp
feminism and Australian artview full entry
Reference: see Indecent Exposures: Twenty years of Australian Feminist Photography, by Catriona Moore
Publishing details: Allen & Unwin in association with the Power Institute of Fine Arts, pb, 206 pp
feminism and Australian artview full entry
Reference: see Dissonance: Feminism and the Arts 1970 -90 Edited by Catriona Moore
Publishing details: Allen & Unwin in association with Artspace 308 pp
Lindsay Normanview full entry
Reference: Norman Lindsay’s ship models. Preface and commentary by Norman Lindsay, foreword by Douglas Stewart, photographed by Quinton F. Davis.
Publishing details: Sydney: Angus and Robertson, 1966. Quarto, gilt-decorated cloth in dustjacket, 98pp illustrated with numerous photographs.
Ref: 1000
Hopkins Livingstoneview full entry
Reference: The parsonage girl : a tale in five chapters
by Thomas Moser (1831?-1900); Livingston Hopkins (1846-1927) ... Being a sequel to 'The little tea party at St. Anthony's'.
The author, Thomas Moser, was a staff writer on the Sydney Morning Herald. This is the only known version of his satirical novel, The parsonage girl. He also wrote the libretto to Populaire : a comic opera in three acts (1886). 
Four copies are recorded in Australian collections (National Library of Australia; State Library of New South Wales; State Library of Queensland; State Library of Victoria). 
Publishing details: Sydney : Gibbs, Shallard, & Co., 1884. Octavo, original pictorial wrappers; pp 86, [4] leaves of plates; nick to fore-edge of title page. 
Ref: 1000
Bowers Stephen`view full entry
Reference: Stephen Bowers, - Jamais Vu, Lauraine Diggins catalogue, essay by Christopher Menz, biographical information, 16 works illustrated in colour.
Publishing details: Lauraine Diggins Fine Art, 2016, 8pp folding card, invite inserted.
Ref: 136
Ricard-Cordingly Georges 1873-1939view full entry
Reference: see Lyon & Turnbull auction, Scotland, 24 November 2016, lot 48: GEORGES RICARD-CORDINGLEY (FRENCH 1873-1939), SYDNEY HARBOUR, Signed, oil on board, 24cm x 37cm (9.5in x 14.5in)
Exhibited:Fine Art Society, London 2001. Estimate: 3,000 GBP - 5,000 GBP
Frost Joeview full entry
Reference: Joe Frost - Human Formations
Publishing details: Watters Gallery, 2016
Ref: 1000
McKenzie Alexanderview full entry
Reference: Alexander McKenzie - Katsura. Fully illustrated.
Publishing details: Martin Browne Contemporary, 2016, pb, 36pp, price list inserted
Ref: 223
Boulter Michayeview full entry
Reference: Michaye Boulter, Journey of Water, exhibition invite, brief essay on artist.
Publishing details: Arthouse Gallery, 2016, 2pp
Ref: 223
Butler Lawrence (c1750-1820) furniture makerview full entry
Reference: see Australiana magazine, November, 2016, vol 38, no 4, p10-19, article by John Hawkins on Butler’s veneered case furniture made in Sydney between 1804 and 1815.
Woolner Thomasview full entry
Reference: see Australiana magazine, November, 2016, vol 38, no 4, p20-23, article by Angus Trumble on the National Portrait Gallery’s attempt to find Woolner portrait medallions.
Kangaroo mechanical toysview full entry
Reference: see Australiana magazine, November, 2016, vol 38, no 4, p28-38, article by John Wade
Klippel Robertview full entry
Reference: see Deutscher & Hackett auction, Sydney, 30 November, 2016, lots 3-24 with two essays on the Crebbin Collection, ‘The 1940s’ and ‘1960-1970-
Friend Donaldview full entry
Reference: The Donald Friend Diaries: Chronicles & Confessions of an Australian Artist
Donald Friend and Ian Britain. [’At age fourteen, Donald Friend declared: ‘Have done quite a lot of painting lately, and have made up my mind that I shall be an artist. And I shall be famous!’
Friend achieved his aim. He also left behind more than two million words of brilliant, intimate diary entries—one of the greatest acts of autobiography in Australian history. This is the first single-volume selection of these writings and includes material from the two ‘lost’ wartime diaries recently unearthed in America by Ian Britain, along with handsome sketches by Friend.
Everyone is here: Russell Drysdale, Margaret Olley, Jeffrey Smart, Robert Helpmann, Barry Humphries and Robert Hughes, Mick Jagger and Gore Vidal. Friend’s frank and often acerbic reflections trace his career, acquaintances and love affairs—in Australia, England, Italy, Nigeria, Sri Lanka, Bali—as well as many of the notable characters and events of the twentieth century.
Most of all, the diaries attest to his ceaseless desire to understand and master his art. ‘Neither love, food, writing, money or music, nor flattery nor sincere admiration nor the company of friends (all the things I am most partial to),’ Friend wrote, ‘could seduce me from my painting.’ Reworked into a chronological narrative, and supplemented by material from correspondence and interviews, The Donald Friend Diaries reveal an extraordinary Australian life.’]
Publishing details: Text, 2010, 512pp
Ref: 1009
EARLY COLONIAL FURNITURE IN NEW SOUTH WALES AND VAN DIEMEN'S LAND.view full entry
Reference: CRAIG, Clifford; FAHY, Kevin & ROBERTSON, E.Graeme EARLY COLONIAL FURNITURE IN NEW SOUTH WALES AND VAN DIEMEN'S LAND. The first substantial study of furniture made in Australia before the 1850's.
Publishing details: Melb. Georgian House. 1972. 4to. Or.cl. Dustjacket. 220pp. Many b/w plates & ills.
Ref: 1000
colonial furnitureview full entry
Reference: CRAIG, Clifford; FAHY, Kevin & ROBERTSON, E.Graeme EARLY COLONIAL FURNITURE IN NEW SOUTH WALES AND VAN DIEMEN'S LAND. The first substantial study of furniture made in Australia before the 1850's.
Publishing details: Melb. Georgian House. 1972. 4to. Or.cl. Dustjacket. 220pp. Many b/w plates & ills.
Spencer Baldwinview full entry
Reference: The Aboriginal Photographs of Baldwin Spencer. Introduced by John Mulvaney. Selected & annotated by Geoffrey Walker. The photographs were taken on expeditions in central & northern Australia between 1894 & 1927.
Publishing details: Melb. Viking. 1987. 4to. Or.bds. Dustjacket. 185pp. Many b/w plates.
Ref: 1000
Wunderlich Ltdview full entry
Reference: WUNDERLICH, Ernest. Alfred. & Dr. Otto. FORTY YEARS OF WUNDERLICH INDUSTRY, 1887-1927. [’Wunderlich Industry looks at work completed between their founding year of 1887, and 1927. From metal ceilings in the Sydney Town Hall to terracotta roof tiles for Federation homes.’ from Antique Bookshop catalogue.]
Publishing details: Syd. Bloxham & Chambers Ltd. 1927. Or.cl. 198pp.
Ref: 1000
Gould Johnview full entry
Reference: BYWATER, Kym. (Ed). JOHN GOULD. The birds of New Guinea 1875 - 1888. ‘The Birds of New Guinea was Gould's last great work, presented here by the Antique Print Room, they represent 320 species of birds discovered in New Guinea and the adjacent Papuan Islands.’
Publishing details: Syd. Antique Print Room. 2007. 4to. Col.Ill.wrapps. 88pp. Profusely illustrated in colour. 1st paperback ed.
Ref: 1000
Maurovic Richardview full entry
Reference: Richard Maurovic - Shaping life, by Jennifer Palmer, Maggie Watson, Richard Maurovic. [’This monograph, featuring over 120 of his artworks, traces the remarkable career of the painter Richard Maurovic.

Described frequently as a super realist following in the footsteps of Jeffrey Smart, Maurovic has in fact drawn on a wide range of artistic influences from Piero della Francesca to the American Precisionists and Australian Modernist painters. Physically compromised by an accident in his early twenties, he matches his distinctive technique and interests with extraordinary ingenuity in the pursuit of his vision. This is largely one of human activity and its impact on the shaping of both rural and urban environments. He brings the same perception of detail and patterns to his paintings of everyday items, food particularly. As the works in this book suggest, Richard Maurovic revels in explorations of colour and the geometric appeal of his subject matter, be it great or small.

Richard Maurovic is an artist who, while calling up memories and associations with his beloved Adelaide and South Australian countryside, also reminds us of the ubiquitous nature of modern landscape and consumerism, and in doing so connects us across both interstate and international boundaries.

Jennifer Palmer is a retired broadcaster with the ABC Radio National Social History Unit and other radio documentary feature programs. She has been a book and arts reviewer for national newspapers and an interviewer for oral history collections, and has published short stories and edited historical and heritage publications. A guide at the Art Gallery of South Australia for over a decade, she holds Masters degrees in both Educational Philosophy and Australian Literature from the universities of Adelaide and Sydney respectively.

Maggie Watson, an Art History Graduate of the University of Adelaide, holds a Masters in Fine and Decorative Art from the Sotheby's Institute of Art, London, and worked in the Modern British Art department of Christie's London before returning to Australia. As an art consultant she has written catalogue essays for several Australian artists including the catalogue notes for Richard Maurovic's Saatchi exhibition in 2014. Currently working on exhibitions for Museum Victoria she also serves as an arts editor and coordinated the Arts Program for the 2016 Human Rights Arts and Film Festival. She has a commitment to supporting community arts programs and exhibitions that reflect our diverse cultural landscape.’].
Publishing details: Wakefield Press, 2016, hc, dw, 152pp
Flockton Margaretview full entry
Reference: Margaret Flockton - A fragrant memory, by
Louise Wilson, Margaret Flockton. [’In 1894, a shy young Englishwoman dazzled the art world with her first exhibited work in New South Wales.

Her name was Margaret Flockton, and she would go on to become Australia's first and most celebrated professional botanical artist. Her illustrations were admired for both their scientific accuracy and their exquisite beauty.

Flockton was a self-effacing artist with extraordinary output. Her paintings of Australia's wild flowers led onwards to the eucalypts, acacias and more, culminating in the creation of the international award that honours her work.

With hundreds of full-colour illustrations, including many of her beautiful plates, this biography captures the essence of a remarkable woman, illustrating a life of deeds, not words.

Melbourne-based author Louise Wilson achieved First Class Honours in History in the old NSW Leaving Certificate but focused on mathematics at the University of Sydney and became the first woman in Australia to embark on a professional career in banking. After a multi-faceted career in finance and economics, she became intrigued by her own connection to a First Fleet settler of Australia and has now returned to her teenage passion.

She enjoys bringing previously untold aspects of Australia's fascinating history to life in readable non-fiction stories based on meticulous research. Of her seven published books, three are acclaimed titles about early convict settlers of the Hawkesbury district near Sydney, including Robert Forrester, First Fleeter. Louise's most recent book Brothers in Arms is an emotionally engaging account of the Great War, told by her grandmother's brothers in letters held at the Australian War Memorial.

Margaret Flockton: A fragrant memory explores the life of the distinguished botanical artist Margaret Flockton, whom Louise knew in early childhood as her 'Aunt Mog'.’]
Publishing details: Wakefield Press, 2016, hc, dw, 320pp
Lesueur Charles-Alexandreview full entry
Reference: Charles-Alexandre Lesueur - Painter and naturalist: A forgotten treasure, by Gabrielle Baglione, Cédric Crémière, Jean Fornasiero, John West-Sooby [On 19 October 1800, Charles-Alexandre Lesueur set sail on a voyage of discovery to the Southern Lands led by Nicolas Baudin. He soon demonstrated his talents as a natural history artist. Driven by an insatiable curiosity, during a golden age for natural history and learned societies, he travelled constantly throughout his life. His sketchbooks and vellums provide a record of the animals, landscapes and indigenous people he encountered.’]
Publishing details: MKF Edition, 2016, hc, 400pp
Art of Scienceview full entry
Reference: The Art of Science - Nicolas Baudin’s voyagers 1800-1804 by Jean Fornasiero, Lindl Lawton, John West-Sooby. [’It was one of the most lavishly equipped scientific expeditions ever to leave Europe. At the dawn of the nineteenth century, French navigator Nicolas Baudin led two ships carrying 22 scientists and more than 230 officers and crew on a three-and-a-half-year voyage to the 'Southern Lands', charting coasts, studying the natural environment and recording encounters with indigenous peoples.

Inspired by the Enlightenment's hunger for knowledge, Baudin's expedition collected well in excess of 100,000 specimens, produced more than 1500 drawings and published the first complete chart of Australia.

Baudin's artists, Charles-Alexandre Lesueur and Nicolas-Martin Petit, painted a series of remarkable portraits of Aboriginal people and produced some of the earliest European views of Australian fauna. An integral part of the French scientific project, these exquisite artworks reveal the sense of wonder this strange new world inspired.

This book has been published to coincide with the touring exhibition The Art of Science: Baudin's Voyagers 1800-1804, which showcases more than 350 works from the Lesueur Collection held by the Museum of Natural History in Le Havre, Normandy, France.

Jean Fornasiero is Emeritus Professor of French Studies at the University of Adelaide and a Fellow of the Australian Academy of the Humanities.

Lindl Lawton is Senior Curator at the South Australian Maritime Museum.

John West-Sooby is Professor of French Studies at the University of Adelaide.

Praise for The Art of Science:
'Of the many drawings produced over the course of the voyage, some of the most exquisite are included in this book, with stand-outs including portraits of tiger quolls, the jellyfish Rhizostoma octopus, and what many would now consider the fairly unimpressive noisy miner. The purchase of this title can be justified simply by such artwork, but the discussions of the just-as-interesting scientific and political intrigues of the time make this book even more fascinating.' - Rachel Fetherston, Andrew Isles Natural History Books

'My advice to readers would be to read the book to get a better understanding of the background to Nicolas Baudin’s expeditions and the processes involved in recording the people, plants, animals and geography they encountered. Then visit the exhibition and read the book again when you get home. I’m sure it will inspire you to make a second expedition yourself, to look closer at some of the 350 works on display. Rating out of 10: 10' - Jan Kershaw, Glam Adelaide

'This magnificently produced and profusely illustrated volume presents a comprehensive overview of the scientific achievements of the voyagers led by Nicolas Baudin ... This book is an absolute delight and will enchant readers for many years to come - it is a fitting memorial to the contributions of many lesser known people who made great efforts in understanding a very different world in the antipodes. The editors, authors and publisher are to be congratulated on producing such an outstanding work.' - Colin V. Murray-Wallace, The Globe
‘]
Publishing details: Wakefield Press, 2016, pb, 176pp
Lesueur Charles-Alexandre view full entry
Reference: see The Art of Science - Nicolas Baudin’s voyagers 1800-1804 by Jean Fornasiero, Lindl Lawton, John West-Sooby. [’It was one of the most lavishly equipped scientific expeditions ever to leave Europe. At the dawn of the nineteenth century, French navigator Nicolas Baudin led two ships carrying 22 scientists and more than 230 officers and crew on a three-and-a-half-year voyage to the 'Southern Lands', charting coasts, studying the natural environment and recording encounters with indigenous peoples.

Inspired by the Enlightenment's hunger for knowledge, Baudin's expedition collected well in excess of 100,000 specimens, produced more than 1500 drawings and published the first complete chart of Australia.

Baudin's artists, Charles-Alexandre Lesueur and Nicolas-Martin Petit, painted a series of remarkable portraits of Aboriginal people and produced some of the earliest European views of Australian fauna. An integral part of the French scientific project, these exquisite artworks reveal the sense of wonder this strange new world inspired.

This book has been published to coincide with the touring exhibition The Art of Science: Baudin's Voyagers 1800-1804, which showcases more than 350 works from the Lesueur Collection held by the Museum of Natural History in Le Havre, Normandy, France.

Jean Fornasiero is Emeritus Professor of French Studies at the University of Adelaide and a Fellow of the Australian Academy of the Humanities.

Lindl Lawton is Senior Curator at the South Australian Maritime Museum.

John West-Sooby is Professor of French Studies at the University of Adelaide.

Praise for The Art of Science:
'Of the many drawings produced over the course of the voyage, some of the most exquisite are included in this book, with stand-outs including portraits of tiger quolls, the jellyfish Rhizostoma octopus, and what many would now consider the fairly unimpressive noisy miner. The purchase of this title can be justified simply by such artwork, but the discussions of the just-as-interesting scientific and political intrigues of the time make this book even more fascinating.' - Rachel Fetherston, Andrew Isles Natural History Books

'My advice to readers would be to read the book to get a better understanding of the background to Nicolas Baudin’s expeditions and the processes involved in recording the people, plants, animals and geography they encountered. Then visit the exhibition and read the book again when you get home. I’m sure it will inspire you to make a second expedition yourself, to look closer at some of the 350 works on display. Rating out of 10: 10' - Jan Kershaw, Glam Adelaide

'This magnificently produced and profusely illustrated volume presents a comprehensive overview of the scientific achievements of the voyagers led by Nicolas Baudin ... This book is an absolute delight and will enchant readers for many years to come - it is a fitting memorial to the contributions of many lesser known people who made great efforts in understanding a very different world in the antipodes. The editors, authors and publisher are to be congratulated on producing such an outstanding work.' - Colin V. Murray-Wallace, The Globe
‘]
Publishing details: Wakefield Press, 2016, pb, 176pp
Petit Nicolas-Martin view full entry
Reference: see The Art of Science - Nicolas Baudin’s voyagers 1800-1804 by Jean Fornasiero, Lindl Lawton, John West-Sooby. [’It was one of the most lavishly equipped scientific expeditions ever to leave Europe. At the dawn of the nineteenth century, French navigator Nicolas Baudin led two ships carrying 22 scientists and more than 230 officers and crew on a three-and-a-half-year voyage to the 'Southern Lands', charting coasts, studying the natural environment and recording encounters with indigenous peoples.

Inspired by the Enlightenment's hunger for knowledge, Baudin's expedition collected well in excess of 100,000 specimens, produced more than 1500 drawings and published the first complete chart of Australia.

Baudin's artists, Charles-Alexandre Lesueur and Nicolas-Martin Petit, painted a series of remarkable portraits of Aboriginal people and produced some of the earliest European views of Australian fauna. An integral part of the French scientific project, these exquisite artworks reveal the sense of wonder this strange new world inspired.

This book has been published to coincide with the touring exhibition The Art of Science: Baudin's Voyagers 1800-1804, which showcases more than 350 works from the Lesueur Collection held by the Museum of Natural History in Le Havre, Normandy, France.

Jean Fornasiero is Emeritus Professor of French Studies at the University of Adelaide and a Fellow of the Australian Academy of the Humanities.

Lindl Lawton is Senior Curator at the South Australian Maritime Museum.

John West-Sooby is Professor of French Studies at the University of Adelaide.

Praise for The Art of Science:
'Of the many drawings produced over the course of the voyage, some of the most exquisite are included in this book, with stand-outs including portraits of tiger quolls, the jellyfish Rhizostoma octopus, and what many would now consider the fairly unimpressive noisy miner. The purchase of this title can be justified simply by such artwork, but the discussions of the just-as-interesting scientific and political intrigues of the time make this book even more fascinating.' - Rachel Fetherston, Andrew Isles Natural History Books

'My advice to readers would be to read the book to get a better understanding of the background to Nicolas Baudin’s expeditions and the processes involved in recording the people, plants, animals and geography they encountered. Then visit the exhibition and read the book again when you get home. I’m sure it will inspire you to make a second expedition yourself, to look closer at some of the 350 works on display. Rating out of 10: 10' - Jan Kershaw, Glam Adelaide

'This magnificently produced and profusely illustrated volume presents a comprehensive overview of the scientific achievements of the voyagers led by Nicolas Baudin ... This book is an absolute delight and will enchant readers for many years to come - it is a fitting memorial to the contributions of many lesser known people who made great efforts in understanding a very different world in the antipodes. The editors, authors and publisher are to be congratulated on producing such an outstanding work.' - Colin V. Murray-Wallace, The Globe
‘]
Publishing details: Wakefield Press, 2016, pb, 176pp
Baudin Nicholasview full entry
Reference: see The Art of Science - Nicolas Baudin’s voyagers 1800-1804 by Jean Fornasiero, Lindl Lawton, John West-Sooby. [’It was one of the most lavishly equipped scientific expeditions ever to leave Europe. At the dawn of the nineteenth century, French navigator Nicolas Baudin led two ships carrying 22 scientists and more than 230 officers and crew on a three-and-a-half-year voyage to the 'Southern Lands', charting coasts, studying the natural environment and recording encounters with indigenous peoples.

Inspired by the Enlightenment's hunger for knowledge, Baudin's expedition collected well in excess of 100,000 specimens, produced more than 1500 drawings and published the first complete chart of Australia.

Baudin's artists, Charles-Alexandre Lesueur and Nicolas-Martin Petit, painted a series of remarkable portraits of Aboriginal people and produced some of the earliest European views of Australian fauna. An integral part of the French scientific project, these exquisite artworks reveal the sense of wonder this strange new world inspired.

This book has been published to coincide with the touring exhibition The Art of Science: Baudin's Voyagers 1800-1804, which showcases more than 350 works from the Lesueur Collection held by the Museum of Natural History in Le Havre, Normandy, France.

Jean Fornasiero is Emeritus Professor of French Studies at the University of Adelaide and a Fellow of the Australian Academy of the Humanities.

Lindl Lawton is Senior Curator at the South Australian Maritime Museum.

John West-Sooby is Professor of French Studies at the University of Adelaide.

Praise for The Art of Science:
'Of the many drawings produced over the course of the voyage, some of the most exquisite are included in this book, with stand-outs including portraits of tiger quolls, the jellyfish Rhizostoma octopus, and what many would now consider the fairly unimpressive noisy miner. The purchase of this title can be justified simply by such artwork, but the discussions of the just-as-interesting scientific and political intrigues of the time make this book even more fascinating.' - Rachel Fetherston, Andrew Isles Natural History Books

'My advice to readers would be to read the book to get a better understanding of the background to Nicolas Baudin’s expeditions and the processes involved in recording the people, plants, animals and geography they encountered. Then visit the exhibition and read the book again when you get home. I’m sure it will inspire you to make a second expedition yourself, to look closer at some of the 350 works on display. Rating out of 10: 10' - Jan Kershaw, Glam Adelaide

'This magnificently produced and profusely illustrated volume presents a comprehensive overview of the scientific achievements of the voyagers led by Nicolas Baudin ... This book is an absolute delight and will enchant readers for many years to come - it is a fitting memorial to the contributions of many lesser known people who made great efforts in understanding a very different world in the antipodes. The editors, authors and publisher are to be congratulated on producing such an outstanding work.' - Colin V. Murray-Wallace, The Globe
‘]
Publishing details: Wakefield Press, 2016, pb, 176pp
Preston Margaretview full entry
Reference: Margaret Preston - Recipes for Food and Art, by Lesley Harding. [’A new look at one of Australia's most renowned artists through her art, cooking and ground-breaking approach to creative life — fully illustrated and packed with recipes from Preston's personal collection.
Celebrated for her vibrant and distinctive pictures of indigenous flowers, artist Margaret Preston was an equally colourful and outspoken personality. Less well known is her legacy as a generous and insightful teacher and keen cook, and her deep sense of civic duty. She was passionate about the need for a modern national culture that reflected everyday life. For Preston, the building blocks of such a culture were not to be found in the Australian pastoral landscape tradition, but in the home and garden. Maintaining that art should be within everyone's reach, she published widely on the methods and techniques of a host of creative pursuits—from pottery, printmaking and basket weaving, to the gentle art of flower arranging. She devoted much of her career to the genre of still life, depicting humble domestic objects and flowers from her garden, and often painting in the kitchen while keeping 'one eye on the stew'.

Drawing on recipes from handwritten books found in the National Gallery of Australia and richly illustrated with Preston's paintings, prints and photographs this book sheds new light on the fascinating private life of a much-loved Australian artist.
About the author
Lesley Harding is a curator at Heide Museum of Modern Art. She has written several books on Australian art and social history, including Cubism & Australian Art (with Sue Cramer), Sunday's Kitchen: Food and Living at Heide, Sunday's Garden: Growing Heide and Modern Love: The Lives of John and Sunday Reed (all with Kendrah Morgan).
- See more at: https://www.mup.com.au/items/190449#sthash.xlnyU4V4.dpuf’]
Publishing details: MUP, Miegunyah Press, 2016.
Private art collections in Australia and NZview full entry
Reference: PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Sherman Contemporary Art Foundationview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
White Rabbit Galleryview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Gordon Elliott Contemporary Art Collectionview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Wombarra Sculpture Gardenview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Lyon Housemuseumview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Collection of Naomi Milgrom AOview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Ten Cubed Collectionview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Duldig Studioview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Heide Museum of Modern Artview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Tarrawarra Museum of Artview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
McClelland Sculpture Park + Galleryview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Montalto Vineyard + Olive Groveview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Elgee Parkview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Palmer Sculpture Landscapeview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Carrick Hillview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
MONA Museum of Old and New Artview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Detached (Hobart)view full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Janet Holmes a Court Collectionview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Gomboc Gallery Sculpture Parkview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Gibbs Farm NZview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Brick Bay Sculpture Trail NZview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Zealandia Sculpture Gardenview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Dead Dog Bay Wetland Garden + Sculptureview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
TSB Bank Wallace Arts Centreview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Ohinetahiview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Woollaston at Mahanaview full entry
Reference: see PRIVATE - A GUIDE TO PERSONAL ART COLLECTIONS IN AUSTRALIA AND NEW ZEALAND, by Skadi Heckmueller [’From major museums like MONA and Heide to more obscure collections such as Gibbs farm, Private offers unprecedented insight into some of the most intriguing private art collections on public display across Australia and New Zealand. Written by Skadi Heckmueller, who composed the widely successful German equivalent, the book canvasses key examples of the art found in each collection whilst also shedding light on the personal histories of the collectors behind the collections. It compliments these nuanced reflections with practical pointers, including recommendations for restaurants and cafes, important nearby sights and events, and detailed directions.,]
Publishing details: Art & Australia, 2015, pb, 174pp
Australia’s Impressionistsview full entry
Reference: Australia’s Impressionists, catalogue of the National Gallery, London, exhibition, December, 2016. Includes biographical information40 works illustrated. [’Australia’s Impressionists focuses on the paintings of Tom Roberts (1856–1931), Arthur Streeton (1867–1943), Charles Conder (1868–1909) and John Russell (1858–1930).
All were key players in a distinctly Australian art movement which drew on influences ranging from Whistler’s subtle Nocturnes to the European tradition of plein-air painting. Roberts, Conder and Streeton championed a new epic Australian landscape style. Their colleague Russell lived in France for most of his life, and his art reveals affinities with his friends Vincent van Gogh and Claude Monet, but he is distinguished foremost by his abilities as a colourist, which in turn had a transformative influence on a young Henri Matisse.
This beautiful book challenges our preconceptions of what is meant by Impressionism, enriches our understanding of Australian art and reveals the international nature of art-historical movements in the nineteenth century. The story is framed by unmistakably Australian subjects and locations, a preoccupation with light and colour, and an exploration of Australian identity and sense of nationhood.
Editor
Christopher Riopelle is Curator of Post-1800 Paintings at the National Gallery, London.

Authors
Tim Bonyhady is a cultural historian and environmental lawyer. He is Director of the Centre for Climate Law and Policy at the Australian National University, Canberra. Allison Goudie is Harry M. Weinrebe Curatorial Assistant at the National Gallery, London. Sarah Thomas is Lecturer in the Art of the Nineteenth Century, Birkbeck College, University of London. Alex J. Taylor is Assistant Professor of History of Art and Architecture at University of Pittsburgh. Wayne Tunnicliffe is Head Curator, Australian Art, at Art Gallery of New South Wales, Sydney.’]
Publishing details: National Gallery Company Ltd, 2016, hc, 128pp
Streeton Arthurview full entry
Reference: see Australia’s Impressionists, catalogue of the National Gallery, London, exhibition, December, 2016. Includes biographical information40 works illustrated. [’Australia’s Impressionists focuses on the paintings of Tom Roberts (1856–1931), Arthur Streeton (1867–1943), Charles Conder (1868–1909) and John Russell (1858–1930).
All were key players in a distinctly Australian art movement which drew on influences ranging from Whistler’s subtle Nocturnes to the European tradition of plein-air painting. Roberts, Conder and Streeton championed a new epic Australian landscape style. Their colleague Russell lived in France for most of his life, and his art reveals affinities with his friends Vincent van Gogh and Claude Monet, but he is distinguished foremost by his abilities as a colourist, which in turn had a transformative influence on a young Henri Matisse.
This beautiful book challenges our preconceptions of what is meant by Impressionism, enriches our understanding of Australian art and reveals the international nature of art-historical movements in the nineteenth century. The story is framed by unmistakably Australian subjects and locations, a preoccupation with light and colour, and an exploration of Australian identity and sense of nationhood.
Editor
Christopher Riopelle is Curator of Post-1800 Paintings at the National Gallery, London.

Authors
Tim Bonyhady is a cultural historian and environmental lawyer. He is Director of the Centre for Climate Law and Policy at the Australian National University, Canberra. Allison Goudie is Harry M. Weinrebe Curatorial Assistant at the National Gallery, London. Sarah Thomas is Lecturer in the Art of the Nineteenth Century, Birkbeck College, University of London. Alex J. Taylor is Assistant Professor of History of Art and Architecture at University of Pittsburgh. Wayne Tunnicliffe is Head Curator, Australian Art, at Art Gallery of New South Wales, Sydney.’]
Publishing details: National Gallery Company Ltd, 2016, hc, 128pp
Roberts Tomview full entry
Reference: see Australia’s Impressionists, catalogue of the National Gallery, London, exhibition, December, 2016. Includes biographical information40 works illustrated. [’Australia’s Impressionists focuses on the paintings of Tom Roberts (1856–1931), Arthur Streeton (1867–1943), Charles Conder (1868–1909) and John Russell (1858–1930).
All were key players in a distinctly Australian art movement which drew on influences ranging from Whistler’s subtle Nocturnes to the European tradition of plein-air painting. Roberts, Conder and Streeton championed a new epic Australian landscape style. Their colleague Russell lived in France for most of his life, and his art reveals affinities with his friends Vincent van Gogh and Claude Monet, but he is distinguished foremost by his abilities as a colourist, which in turn had a transformative influence on a young Henri Matisse.
This beautiful book challenges our preconceptions of what is meant by Impressionism, enriches our understanding of Australian art and reveals the international nature of art-historical movements in the nineteenth century. The story is framed by unmistakably Australian subjects and locations, a preoccupation with light and colour, and an exploration of Australian identity and sense of nationhood.
Editor
Christopher Riopelle is Curator of Post-1800 Paintings at the National Gallery, London.

Authors
Tim Bonyhady is a cultural historian and environmental lawyer. He is Director of the Centre for Climate Law and Policy at the Australian National University, Canberra. Allison Goudie is Harry M. Weinrebe Curatorial Assistant at the National Gallery, London. Sarah Thomas is Lecturer in the Art of the Nineteenth Century, Birkbeck College, University of London. Alex J. Taylor is Assistant Professor of History of Art and Architecture at University of Pittsburgh. Wayne Tunnicliffe is Head Curator, Australian Art, at Art Gallery of New South Wales, Sydney.’]
Publishing details: National Gallery Company Ltd, 2016, hc, 128pp
Conder Charlesview full entry
Reference: see Australia’s Impressionists, catalogue of the National Gallery, London, exhibition, December, 2016. Includes biographical information40 works illustrated. [’Australia’s Impressionists focuses on the paintings of Tom Roberts (1856–1931), Arthur Streeton (1867–1943), Charles Conder (1868–1909) and John Russell (1858–1930).
All were key players in a distinctly Australian art movement which drew on influences ranging from Whistler’s subtle Nocturnes to the European tradition of plein-air painting. Roberts, Conder and Streeton championed a new epic Australian landscape style. Their colleague Russell lived in France for most of his life, and his art reveals affinities with his friends Vincent van Gogh and Claude Monet, but he is distinguished foremost by his abilities as a colourist, which in turn had a transformative influence on a young Henri Matisse.
This beautiful book challenges our preconceptions of what is meant by Impressionism, enriches our understanding of Australian art and reveals the international nature of art-historical movements in the nineteenth century. The story is framed by unmistakably Australian subjects and locations, a preoccupation with light and colour, and an exploration of Australian identity and sense of nationhood.
Editor
Christopher Riopelle is Curator of Post-1800 Paintings at the National Gallery, London.

Authors
Tim Bonyhady is a cultural historian and environmental lawyer. He is Director of the Centre for Climate Law and Policy at the Australian National University, Canberra. Allison Goudie is Harry M. Weinrebe Curatorial Assistant at the National Gallery, London. Sarah Thomas is Lecturer in the Art of the Nineteenth Century, Birkbeck College, University of London. Alex J. Taylor is Assistant Professor of History of Art and Architecture at University of Pittsburgh. Wayne Tunnicliffe is Head Curator, Australian Art, at Art Gallery of New South Wales, Sydney.’]
Publishing details: National Gallery Company Ltd, 2016, hc, 128pp
Russell John Peterview full entry
Reference: see Australia’s Impressionists, catalogue of the National Gallery, London, exhibition, December, 2016. Includes biographical information40 works illustrated. [’Australia’s Impressionists focuses on the paintings of Tom Roberts (1856–1931), Arthur Streeton (1867–1943), Charles Conder (1868–1909) and John Russell (1858–1930).
All were key players in a distinctly Australian art movement which drew on influences ranging from Whistler’s subtle Nocturnes to the European tradition of plein-air painting. Roberts, Conder and Streeton championed a new epic Australian landscape style. Their colleague Russell lived in France for most of his life, and his art reveals affinities with his friends Vincent van Gogh and Claude Monet, but he is distinguished foremost by his abilities as a colourist, which in turn had a transformative influence on a young Henri Matisse.
This beautiful book challenges our preconceptions of what is meant by Impressionism, enriches our understanding of Australian art and reveals the international nature of art-historical movements in the nineteenth century. The story is framed by unmistakably Australian subjects and locations, a preoccupation with light and colour, and an exploration of Australian identity and sense of nationhood.
Editor
Christopher Riopelle is Curator of Post-1800 Paintings at the National Gallery, London.

Authors
Tim Bonyhady is a cultural historian and environmental lawyer. He is Director of the Centre for Climate Law and Policy at the Australian National University, Canberra. Allison Goudie is Harry M. Weinrebe Curatorial Assistant at the National Gallery, London. Sarah Thomas is Lecturer in the Art of the Nineteenth Century, Birkbeck College, University of London. Alex J. Taylor is Assistant Professor of History of Art and Architecture at University of Pittsburgh. Wayne Tunnicliffe is Head Curator, Australian Art, at Art Gallery of New South Wales, Sydney.’]
Publishing details: National Gallery Company Ltd, 2016, hc, 128pp
Tekela-Smith Sofiaview full entry
Reference: Noble savage Dusky maidens, Judith Anderson Gallery, NZ Jewellery.
Publishing details: Judith Anderson Gallery, NZ, 1999, pb, spiral bound, 33pp
Hastings-McFall Nikiview full entry
Reference: Noble savage Dusky maidens, Judith Anderson Gallery, NZ Jewellery.
Publishing details: Judith Anderson Gallery, NZ, 1999, pb, spiral bound, 33pp
Charteris Chrisview full entry
Reference: Noble savage Dusky maidens, Judith Anderson Gallery, NZ Jewellery.
Publishing details: Judith Anderson Gallery, NZ, 1999, pb, spiral bound, 33pp
Pollard Bruce Pinacotheca Gallery. Interview. p157view full entry
Reference: see Art Works, Ministry of Education (Schools Division), Victoria.
Publishing details: Ministry of Education (Schools Division), Victoria., 1987, pb, 207pp
Walker John by Memory Holloway p130-1view full entry
Reference: see Art Works, Ministry of Education (Schools Division), Victoria.
Publishing details: Ministry of Education (Schools Division), Victoria., 1987, pb, 207pp
Senbergs Jan p124-5view full entry
Reference: see Art Works, Ministry of Education (Schools Division), Victoria.
Publishing details: Ministry of Education (Schools Division), Victoria., 1987, pb, 207pp
Murcutt Glen p125-6view full entry
Reference: see Art Works, Ministry of Education (Schools Division), Victoria.
Publishing details: Ministry of Education (Schools Division), Victoria., 1987, pb, 207pp
Williams Fred p122-5view full entry
Reference: see Art Works, Ministry of Education (Schools Division), Victoria.
Publishing details: Ministry of Education (Schools Division), Victoria., 1987, pb, 207pp
Felton Mauriceview full entry
Reference: see article in the ‘SL’, the State Library magazine, Winter 2016, p16-19 by Margot Riley about Felton’s portrait of Sophia O’Brien 1841 in the SLNSW that was painted from a death mask.
Publishing details: ‘SL’, the State Library magazine, Winter 2016
Ref: 135
Thomson Annview full entry
Reference: see Look magazine, June 2016, for interview and her choice of art in the AGNSW p10-11
Moffatt Tracyview full entry
Reference: see Look magazine, June 2016, for article by Judy Annear on the artists series ‘Laudanum’, 1998.p26-9
Jubelin Narelleview full entry
Reference: see Look magazine, June 2016, for article by Wayne Tunnicliffe
Hinton Howard Collectionview full entry
Reference: see Look magazine, June 2016, for article by Bronwyn Watson p40-41
Govett James William 1910-1998view full entry
Reference: see Hartleys auction, UK, 15 June, 2016, lot 278: JAMES WILLIAM GOVETT (Australian 1910-1998), Portrait of the Actor Robert A.W. Dowell, head and shoulders, oil on canvas, signed, inscribed and dated 1952, inscribed verso, 20 1/2" x 15", framed
Raft Emanuel 1938-2016view full entry
Reference: obituary in Sydney Morning Herald, 31 May, 2016, p35
Publishing details: filed in Emanuel Raft, Painting, Jewellery, Sculpture, Printmaking, by Peter Pinson, in Scheding Library.
McComas Francisview full entry
Reference: see William A. Karges Fine Art, USA, Early California, Mexican, and Philippine Art, 8 June, 2016, Lot 1 - ‘"Indian Dwelling" by early California artist Francis McComas (1875 - 1938), original watercolor painting. Unframed height 7 1/2 inches, unframed width 9 inches. Wood Gold Leaf frame. Signed by the artist, lower right. Francis McComas was born in Australia in 1875, and studied there at the Sydney Technical College. In 1898 McComas left Australia, working his way to San Francisco, where he studied at the Mark Hopkins Institute. Following further study in Paris, McComas returned to San Francisco to begin exhibiting his works. In 1912 he moved to Carmel, and a year later was one of only 3 California artists invited to exhibit at the pivotal New York Armory Show. McComas was a master watercolorist, whose works reflected to soft Tonal palette of the early northern California painters. McComas died at his home in Pebble Beach in 1938.’


Dupain Maxview full entry
Reference: Sydney Morning Herald article: ‘Max Dupain: The Definitive Collection’ on Jill White’s collection of 28,000 negatives going to the State Library of NSW.
Publishing details: SMH, 1 June, 2016, p6
Ref: 34
Dupain Maxview full entry
Reference: Sydney Morning Herald article: on the upcoming Max Dupain Estate auction at Mossgreen on 19 June, 2016.
Publishing details: SMH, 1 June, 2016, Money section, p7
Ref: 34
Rae Johnview full entry
Reference: Photographs of Views of Sydney, 1842. From Sketches by John Rae, M.A. with 27 original photographs of early Sydney views drawn by John Rae, The views include Hyde Park, George Street, York St. &c &c. A rare and sumptuous album of early Sydney.
Publishing details: Sydney: Charles Potter, 1893. First edition, oblong folio, bound in full green leather, lettered and profusely decorated in gilt, all edges gilt,
Ref: 1009
Angas George Frenchview full entry
Reference: The New Zealanders Illustrated: by George French Angus.
Publishing details: Wellington: A.H. & A.W. Reed, 1966. Facsimile of the original edition published in 1847 by Thomas M'Lean in London, folio, original half leather with marbled boards, limited edition of 750 copies,
Ref: 1000
Joseph M Mview full entry
Reference: see Gowans Auction, Hobart, 20 November, 2010, ‘Sail Ships of the Derwent, signed, oil on board. And also at Gowans, 18 June 2016, ‘Esperance, Tasmania’
Forrest Haughton (1826-1925) view full entry
Reference: Haughton Forrest Vol.1 Biography and Catalogue of Paintings. Biography and Catalogue of Paintings by Geoffrey M. Ayling Ian (Malik) Smith and The Forrest Project. [’This 2nd Edition supersedes our original publication and is now presented in TWO volumes comprising:
Volume 1 Biography and Catalogue of Paintings [THIS BOOK]
Volume 2 Gallery of Paintings.
The combined volumes of this book is a work-in-progress of some 650 pages, 150,000 words, 1,600 catalogue records and 750 images of the estimated 3,000 works of art painted by Haughton Forrest.
"........[Members of The Forrest Project] compiled a web-based catalogue that included a history of Haughton Forrest and his family, an inventory of his paintings, with information on provenance and ownership, and a virtual ‘gallery’ of images of as many paintings as could be obtained. This pooling of energy, enthusiasm and expertise has achieved a great deal. It now finds monumental expression in this splendid book that will stimulate wider interest in Forrest and provide a solid foundation for further research and reappraisal of his work."
Michael Bennett
Professor of History
University of Tasmania’]

[’ABOUT THE CREATOR

THE FORREST PROJECT , World wide
THE FORREST PROJECT is a not-for-profit on-line philanthropic organisation which encourages members of the Forrest family world-wide, their friends and other interested parties to collaborate in the researching and documenting of our families' history. Our first project, 'Haughton FORREST (1826-1925) Biography, Catalogue and Gallery of Paintings' is a work-in-progress which is available for review and purchase at: http://www.blurb.com/b/4482836-haughton-forrest-1826-1925 Our second project is an extensive biography of the incredible life of Admiral Arthur FORREST RN (c1716-1770). This highly researched document is now available for review and purchase at: http://www.blurb.com/b/5260521-admiral-arthur-forrest-c1716-1770 Please feel free to visit us at: http://www.theforrestproject.org to learn more about us, and how you may be able to participate in our exciting projects.’]
Publishing details: The Forrest Project, 2014
Ref: 1009
Halperm Stachaview full entry
Reference: see eBay listing June 11, 2016: ‘Original oil on panel of hardboard 40 cms x 23 cms, signed below on the left S. Halpern, dated on 1962 and representing an abstract composition.

Stanislaw (Stacha) Halpern (1919-1969), painter, potter, printmaker and sculptor, was born on 20 October 1919 at Zolochev, Poland (now Ukraine), son of Eisig Halpern, engineer, and his wife Berta, née Gutt. In 1938 Stacha enrolled at the School of Commercial and Fine Art, L'vov. When his studies were cut short by the German invasion of Poland, he emigrated via England to Perth in 1939 and later that year travelled to Melbourne where he was employed as a fitter and turner. At the office of the government statist, Melbourne, on 28 August 1943 he married Sylvia Pauline Black, a stenographer; they were to have a daughter before being divorced.
While working at a Melbourne commercial pottery as a mould-maker in 1944-45, Halpern developed an interest in the craft. At this time, too, he befriended Arthur Boyd who, with John Perceval, had established the Arthur Merric Boyd Pottery at Murrumbeena. In 1946-47 Halpern set up a home studio, with the aim of becoming a full-time potter. Despite financial difficulties, he was reasonably successful at selling his work through the Primrose Pottery Shop, Melbourne. On 17 June 1947 he was naturalized. He studied part time at the George Bell school in 1948-49 and for one term at Melbourne Technical College.
Halpern's first solo exhibition of paintings and pottery, at the Stanley Coe Gallery in 1950, was well received. In 1951 he journeyed to England and Europe where, for the next fifteen years, he led a semi-nomadic existence. Although he produced some pottery, particularly during a stay in the south of France in 1952, this period was occupied primarily with painting. Unlike most Australian artists who travelled to Europe at this time, Halpern was to make a significant contribution to the Paris art scene, and he exhibited frequently in solo and group exhibitions in Paris, Amsterdam and Rome, and at Basle and Milan. His paintings of the mid- to late 1950s were vigorously expressionistic landscapes and streetscapes, painted quickly and confidently, with thick paint and calligraphic linework. In the late 1950s and early 1960s he completed a series of paintings of beef carcasses, powerful meditations on violence and death, and possibly his most abstract works. At the Brondesbury Synagogue, Middlesex, England, on 24 July 1961 he married 25-year-old Betty Ann Hamilton.
In 1966 Halpern returned to Melbourne. Increasingly, he turned his attention to images of human faces, generally dark, brooding and fragmented. His ceramics, derived largely from European peasant pottery, were wheel-thrown or hand-built from rough terracotta clay with bold, semi-abstract painted decorations. A 'gay-hearted, witty, sensitive man' who was unfailingly generous to friends and young artists, Halpern found Australia 'just as isolated, smug, chauvinistic' as before. The local art world's preoccupation with American colourfield abstraction made his bold European expressionism seem old-fashioned. Nor did his exuberant pottery match a prevailing interest in the refinement and control of Japanese folkcraft and Chinese porcelains. After three productive but unhappy years, he died suddenly of heart disease on 28 January 1969 at Hampton and was buried in the new Cheltenham cemetery. His wife and their two daughters survived him; the daughter of his first marriage predeceased him.
A retrospective exhibition at the National Gallery of Victoria in 1970 failed to generate much public or critical interest. Although two touring exhibitions of his work have been held since his death (Nolan Gallery, Canberra, 1989-90, and Charles Nodrum Gallery, Melbourne, 1993), Halpern remains one of Australia's most unjustly neglected artists.’
Neville-Rolfe Harriet Janeview full entry
Reference: see Boningtons Auctioneers and Valuers, lot 86, 13 June, 2016, UK, 2-300 pounds estimate: Harriet Jane Neville-Rolfe (British, 1850-1928) after Polidoro da Caravaggio (Italian, 1497-1543): Putti & Cupids playing croquet & other games, red chalk studies, H 30 x W 145 cm, labelled verso. Note: Born in England, Neville-Rolfe studied in London & Paris before travelling in 1883 to join family members in Queensland, Australia where she produced many sketches & watercolour studies of local life. She returned to England in 1886 to marry Holcombe Ingleby (1854-1926) of Valentines Mansion, Ilford. A selection of Neville-Rolfe's paintings can be found in the Queensland Art Gallery where they were gifted by her son, Major Clement Ingleby, in 1964.
Barker Alan b1937view full entry
Reference: see Roseberys London, 28 June, 2016, lot 750: Allen Barker, Australian b.1937- Untitled abstract form; acrylic on board, signed and dated 71, 73.5x60.8cm Notes: Allen Barker studied at the National Art School in Sydney before coming to the UK in 1961. He studied lithography at the Central School of Art in London and taught at Central St Martins between 1978 and 2004. His work owes much to the Op Art Movement. Provenance: with Lucy Milton Gallery
Sutherland J Gview full entry
Reference: In the Geelong Advertiser of 1 March 1912, p3 there is a brief notice: 'Miss J. G. Sutherland conducts classes in drawing, painting and outdoor sketching.’

Pollak Karlview full entry
Reference: see 20th Century Decorative Art and Design
by Sworders Fine Art Auctioneers
June 21, 2016, 10:00 AM BST
Stansted Mountfitchet, United Kingdom, lot 711: Estimate: £200 - £300
Description: *Karl Pollak (1903-1983)PORTRAITSTwenty-three black and white photographs, including some duplicateslargest 50.5 x 40.5cmKarl Pollak was born in Vienna in 1903. After training as a baker and confectioner, he went on to qualify as a journeyman. However, after an accident at work, he changed career and studied photography. At the outbreak of World War II, Pollak left Vienna for Colchester, Essex. After appearing before an Aliens Tribunal in 1942, he was interned at Kitchener's Camp, Richborough, Kent, before being transferred to Orange Camp in New South Wales, Australia. Eventually released from internment in 1943, Pollak became a portrait photographer in Wellington, then in London studios in Bond Street and The Strand. In October 1949 he became a British National.Between 1950 and 1964, he lectured on black and white portrait photography, and went on to exhibit both in the UK and abroad. The overall majority of Pollak's portrait work included the sitters' hands and, in the Photographic Journal of 1951, he explained that he worked on the principle that they are often 'more expressive than our faces; in the presence of strangers, people habitually try to hide their true selves behind mask-like faces, but hands always reveal their owners'. Much of his work is in the National Portrait Gallery in London, and Bradford Autographic Museum also has a collection of his photographs.
Wright Keithview full entry
Reference: eBay listing 14 June, 2016: Artist: Keith Wright, Oil on Board, 56 cm wide x 35 cm high x 3 cm deep (including frame).  
Keith Wright
2010: Yesterday, Keith Wright of Melbourne, Australia wrote, "Nothing is as hopeless as trying to justify a lifetime as an artist. I have painted for over thirty years and have little to show for it. I have a studio full of paintings and a wife who denigrates my career. I have no money, no sales, no hope. You may even say, 'His paintings are bad.' But I have no ego and little belief in my abilities.
 
I always thought one day my work might be in demand. I know I don't paint for others--it's an addiction within myself. But the indifference to my work has gradually worn me down. I'm now being treated for depression. I can no longer believe in myself because no one else believes in me. A lifetime wasted. I should feel bitter but I'm beyond even that. I have loved my art but it has destroyed me." -Source:http://clicks.robertgenn.com/hopeless.php
Agzarian Michaelview full entry
Reference: see SBS news: Sydney artist Michael Agzarian has resisted pressure to take down posters of Malcolm Turnbull, instead making them part of a campaign for political change. Source: SBS News 25 MAY 2016 - 2:16 PM 

A Sydney artist has turned a Malcolm Turnbull protest poster into a campaign for political change.
Michael Agzarian has created the Malcolm Turnbull ‘FIZZA’ posters that have cropped up around Sydney, particularly in Mr Turnbull’s Wentworth electorate.
Agzarian started to put up the posters, which are based on the iconic Barack Obama 'HOPE' posters, on day one of the election campaign.
Dodd Robertview full entry
Reference: DODD, Robert. The Mutineers turning Lieutenant Bligh and part of the Officers and Crew adrift... London, B.B. Evans, 1790.
Aquatint engraving, 455 x 620 mm.

Information from Hordern House recent acquitions catalogue, June 2016:
A dramatic and infamous moment in naval
history

One of the best known of all maritime images, which includes the only known portrait of Fletcher Christian. is aquatint was issued in October 1790, only a few months a er the rst printing of Bligh’s Narrative, at a time when interest in the events was building to a crescendo, and just before Bligh faced his own court-martial for the loss of the Bounty. Repeatedly reproduced, this is the rare original printing of the separately issued aquatint engrav- ing showing one of the most infamous moments in maritime history: Bligh and his men being cast adri in the longboat. At the moment depicted, the painter of the longboat is still attached to the ship, and the four swords reluctantly allowed to the men in the longboat are about to be thrown to them. at Dodd’s sympathies lay with Bligh is made further evident in the caption, present here, which notes that the men in the open boat “sustained life under divine providence for 41 days”.
Nan Kivell & Spence, p. 32; Spence, ‘Bligh’, p. 39.
Arago Jacquesview full entry
Reference: Information from Hordern House recent acquitions catalogue, June 2016: Jacques Arago, ‘Poisson volant’: original drawing of a flying fish. At sea, 1820.
Original pen and pencil drawing with annotations in ink by Arago, 250 x 395 mm, signed and dated “Js. Arago fecit, 1820”; mounted and framed.
Arago’s Flying Fish drawn on the Freycinet
Expedition
Striking original drawing by Louis de Freycinet’s expedition artist, Jacques Arago. It is signed and dated lower right, and there is the customary Arago line border in pen. Arago’s date of 1820 and the latitude and longitude that he includes in his caption identify that the ying sh was drawn mid- Atlantic, as the French explorers made their way back to France from their nal call into Rio. e expedition’s o cial instructions included scienti c desiderata: the artists and scientists were under very speci c orders to identify, record and illustrate natural history discoveries. e specimens that they collected on this voyage were extensive and forty- ve of the birds (among which were three new genera), more than thirty reptiles and perhaps one hundred and twenty sh were entirely new to science. A reference to the o cial published work (“Voyage de l‘Uranie, Poissons, pl. 26”) appears
to the right of the drawing: the scienti c atlases that form part of the o cial account of the Uranie voyage are splendid.
Lesson Réne Primevèreview full entry
Reference: Réne Primevère Lesson
Illustrations de Zoologie...
Paris, Arthus Bertrand, 1831-1835.
Small quarto with 60 handcoloured plates; contemporary French gilt decorated quarter calf with marbled boards.
Australian parrots and two Birds of Paradise
Scarce album of natural history studies with 60 nely engraved handcoloured
plates prepared by René Primevere Lesson, naturalist aboard the Duperrey French scienti c expedition to the Paci c and beyond (1822-1825). e expedition trav- elled extensively throughout the Paci c, including Tahiti and the Solomons, and stopped at Port Jackson before sailing to the Bay of Islands. Lesson was a careful and lively observer who received little formal education and joined the navy as medical assistant. Here his natural aptitude was recognised and formal training as a surgeon ensued. Lesson was fascinated by natural history from a young age, and relished the many opportunities o ered during the voyage of the Coquille.
Brunet III, 1017; Fine Bird Books p. 90; Nissen SVB, 554; not in Ferguson or the cata- logue of the Hill collection.

Information from Hordern House recent acquitions catalogue, June 2016:
Emery James Barkerview full entry
Reference: John Richardson, Icones Piscium, or Plates of Rare Fishes. Part I [all published]... London, R. & J.E. Taylor, 1843.
Folio, with ve beautiful hand coloured plates; the text unopened; a handsome copy in the original printed paper wrappers, manuscript correction (as always) “ ve” to front wrapper, with the printed “four” struck through; housed in a cloth solander case.
Fish caught on HMS Beagle
Very rare: the rst separately published work on Australian shes, in exemplary original condition. e particularly beautiful plates are a er ‘drawings from the portfolio of James B. Emery, Esq., late rst lieutenant of the Beagle surveying vessel employed on the western coasts of Australia’. James Barker Emery (c.1794-1889) joined the Royal Navy in 1808 and was rst lieutenant aboard the Beagle during her survey of the Australian coast from 1837 to 1841. Eleven of the species gured here were taken o the north-west coast, the other from Safety Bay in South Australia.
Not in Ferguson.

Information from Hordern House recent acquisitions catalogue, June 2016:
Andrews Michael 1928-1995 Britishview full entry
Reference: Published on AASD - By Terry Ingram, on 15-Jun-2016: A painting of the Olgas made £1.265 million, more than twice its estimate at a Sotheby's sale in London on 13 June.
Surprisingly it was not painted by any of Australia's artists who are often maligned, especially in Britain, as overpriced artists.
The painting, shows kangaroos hoping realistically in Central Australia, far more vigorously than any 19th century Australian illustrative artist of early last century like J A Turner or Percy Spence might have attempted. Such fervent depictions of Australian fauna also appear to have eluded the great Olga's painter Brett Whiteley who perhaps alone challenges him as a producer of the same landscape.
The artist has not made Australian sale room records because, of course, he is not Australian. The work appeared in a sale of modern British art where Australian artists like Sidney Nolan and Roy de Maistre might occasionally be expected to appear.
Near Maukata, Evening near Katatjuta (the Olgas) is by Michael Andrews, 1928 - 1995 who has been a very slow and fastidious producer of art works with little interest in publicity. It was estimated at £500,000 to £700,000,
Andrews has been promoted as one of the most influential British artists since 1945.
He is a leading member of the School of London which included Lucian Freud and Frank Auerbach through to David Hockney, and has had a retrospective at London's Tate Gallery.
Another Australian work by Andrews sold for a lot of money in 2008 when a different view of The Olgas sold for £937,000.
The latest offering came from the collection of New York lawyer and venture capitalist Ed Cohen who is one of Americas best known collectors. Its provenance includes the London dealer Anthony d'Offay who has done a lot of business in Australia.
Andrews visited Central Australia in 1982, spending 10 days taking hundreds of photographs and climbing and walking around the base of Uluru.
Possibly his most celebrated series of works was Lights which was the result of a nostalgic balloon flight over Scotland.
The large 214 by 285 cm acrylic on canvas is twice dated 1986 and was sold in an auction of modern and post war British art.
About one quarter of the sale proceeds of £10.9 million which Sotheby's says represents a sell through rate of 79 per cent went on works by the British sculptor Barbara Hepworth with some lesser works by L S Lowry selling well on behalf of the British singer Cilla Black.
The Daintree Forest has also been put on the art map by at least one contemporary English photographer but Colonial art buffs must be waiting with considerable excitement for the unveiling of Kerry Stokes large collection of Northern Territory oils and water colours acquired from London's Royal Geographical Society and sold by them because of deficiencies in the society's pension fund.
Baines of course spent a lot more time in Australia than Andrews.
Publishing details: Australian Art Sales Digest, 15 June, 2016.
Sutherland Jane (1853–1928)view full entry
Reference: from ADB: Sutherland, Jane (1853–1928)
by Frances Lindsay
This article was published in Australian Dictionary of Biography, Volume 12, (MUP), 1990.

Jane Sutherland (1853-1928), painter and teacher, was born on 26 December 1853 in New York, eldest daughter of George Sutherland, woodcarver, and his wife Jane, née Smith, both Scottish born. The family arrived in Sydney in 1864 and moved to Melbourne in 1870 where George became a drawing instructor with the Department of Education and exhibited with the Victorian Academy of Arts (1875-78). He was joined by his brothers, Alexander and John, and the Sutherlands played a distinguished role in science, education and the arts; Alexander, George and William were Jane's brothers.
At the National Gallery School of Design Jane studied under Thomas Clark in 1871-75, O. R. Campbell in 1877-81 and Frederick McCubbin in 1886. She attended the school of painting in 1877 under Eugen von Guerard and in 1882-85 under George Folingsby. In October 1883 she was awarded the Robert Wallen prize of five guineas at the annual students' exhibition. She exhibited in 1878 with the Victorian Academy of Arts, then with the Australian Artists' Association, and with the Victorian Artists' Society (formed 1888) until 1911. From 1888 she shared a studio with Clara Southern in Grosvenor Chambers, Collins Street, where Tom Roberts also had a studio. One of the first women elected (1894) to the Buonarotti Society, she was a councillor (1900) of the V.A.S. In 1899, 1903 and 1906 she sent paintings to the federal exhibitions at the South Australian Society of Arts, and in 1907 to the Australian Exhibition of Women's Work in Melbourne.
Sutherland was the leading female artist in the group of Melbourne painters who broke with the nineteenth-century tradition of studio art by sketching and painting directly from nature. She accompanied artists such as Roberts, McCubbin and Walter Withers on plein-air sketching trips to the outlying rural districts of Alphington, Templestowe and Box Hill. Her lyrical landscapes—such as 'The Mushroom Gatherers' (c.1895) and 'Field Naturalists' (c.1896)—are often the setting for women engaged in rural activities, or for children at play.
About 1904 Jeannie Sutherland suffered a mild stroke. Thereafter her younger brother William helped her to move around and she continued to produce small works in oils and pastel, including a number of landscape views of the Yarra River at Kew and Abbotsford. Assisted by her cousin and fellow artist Jean Goodlet Sutherland, she also exhibited and gave art lessons. William's death in 1911 brought an end to her mobility and to her career. She died on 25 July 1928 at her Kew home and was buried in the Presbyterian section of Box Hill cemetery. Her estate was sworn for probate at £223.
Christy Berthaview full entry
Reference: See Davidsons Auction 19 June 2016 lot 22: Estimate: AUD500 - AUD800
Description: CHRISTY, Bertha
Stroll in an Australian (Victorian?) Winter Landscape. Provenance: Leonard Joel Nov 1987 (lot 53); Savill Galleries. Oil on Canvas, 30x38cm. A quality Impressionist landscape.
Brookesmith Frankview full entry
Reference: See Davidsons Auction 19 June 2016 Lot 153: BROOKESMITH, Frank (c.1860-1932) 'Hobart, Tasmania from Kangaroo Point,' 1905. Provenance: Webb's Aug.1993 (lot 166); Savill Galleries. Together with 2 NZ subjects, lots 183 and 184.
Green Leonard James 1905 - 1993view full entry
Reference: see The Art & Antique Sale
by Dominic Winter Auctions
, 29 June 2016 - Lot 538: Green (Leonard James, 1905-1993)Estimate: £400 - £600
Description: six gouaches on paper, depicting Australia flora and fauna, together with another gouache on paper of a map of Australia, squared up in pencil, each 31 x 23cm (12 x 9ins) and similar, mounted
Possibly comissioned by John I. Thornycroft & Co., for commercial use. See their copyright stamp to verso of artist's photograph copies of the present works in the next lot. Provenance: from a private collection, North Gloucestershire. The current owner knew the artist when she was growing up in Australia. Lot 539: Estimate: £200 - £300
Description: comprising fifteen pencil sketches of portraits and figure studies, one or two signed and dated, and fifteen black and white photographic copies of portraits, plus photograph copies of Australia artwork, plus a letter informing Leonard Green of his appointment to the Royal Institute of Oil Painters, sigged Maurice Bradshaw, dated 21 October 1966, various sizes
Provenance: Private collection, North Gloucestershire.
Price Eveline Richardson Evelyn?view full entry
Reference: see Lot 388: Price (Eveline Richardson, 1869-1959). - Common Objects on the Sea Shore, 1888 - The Art & Antique Sale
by Dominic Winter Auctions UK,
June 29, 2016, 10:00 AM BST Estimate: £150 - £200. Description: oil on canvas, depicting a young boy holding a crab on the shore with Mumbles lighthouse in the distance beyond, signed and dated lower left, rubbed with a little surface loss, small hole to centre of canvas, inscribed in pencil to verso "original painting from life, by Eveline R. Price .... Neath, South Wales", 61 x 40.5cm (24 x 16ins)
Born in Neath to a Quaker family, Eveline R. Price is best known for her portraits of Maori, including two now held by National Library of Australia. She moved to Tasmania sometime before 1900 and was still there in 1920 when the Residents of Claremont Tasmania presented her with an album of photographs. She died unmarried and without children.
Jarvis Kathleenview full entry
Reference: see LOT 158 Kathleen Jarvis (Australian,
Burstow & Hewett 22 June, 2016. Kathleen Jarvis (Australian, 1910-2002) Oil on canvas "The Guardians Tucson Arizona 1955" signed & inscribed verso, 28.5" x 23.5" framed
Robinson Williamview full entry
Reference: article in SMH Good Weekend magazine by Candida Baker, photograph by Paul baker
Publishing details: Sydney Morning Herald, 18-19 June, 2016
Ref: 135
Menpes Mortimerview full entry
Reference: see NLA catalogue: Mortimer Menpes collection of reproductions of the Great Masters - 38 paintings : shellac on oil on cardboard ; 76.2 x 53.5 cm. and smaller.
Menpes made copies of paintings by the Old Masters in the early 1900s, travelling in France, Holland, Russia, and Britain to view originals. The copies included representative works of Rembrandt, Gainsborough, Rubens, Turner, Bellini, Van Dyck, Hals, da Vinci, Reynolds, Romney, Velazquez, ter Borch and Lawrence. These copies formed the bases for his series of prints published in 1905 and 1909. In 1911 Menpes presented the copies to Sir William Lyne who was in London representing the new Commonwealth of Australia at the coronation of George V. The collection was to form the nucleus of an intended National Gallery for the new Federal Capital of Australia. The Commonwealth Parliamentary Library was chosen as a repository in the interim. The collection is now held in the Pictorial Section, National Library of Australia.
Biography: Mortimer Luddington Menpes (1855-1938), painter, etcher and writer was born at Port Adelaide, S.A. He went to London in the 1870s where he studied art under Poynter at South Kensington and later with Whistler. Menpes travelled widely including Europe, Russia and Japan. He became a celebrated and much exhibited etcher. Menpes wrote a number of biographies including ones on Lord Kitchener, Whistler, Gainsborough and Rembrandt. He illustrated many books and established the Menpes Press for publishing colour reproductions of the Old Masters.
(Condition: Good. Paintings are oil (often thinned with a variety of media such as petroleum) on a white ground (probably gesso) painted on thick, and increasingly brittle, cardboard. A layer of shellac has been applied to each painting and treated to mimic the aged appearance of the originals.
Images individually catalogued and digitised. Where known, location and description of original from which copy was made is noted. Title from "Catalogue of the Mortimer Menpes collection of reproductions of the Great Masters". See file 202/ 04/ 00114. Also available online :http:/ / nla.gov.au/ nla.obj-146687853 Rembrandt / Mortimer Menpes with an essay on the life and work of Rembrandt by C. Lewis Hind. London : Adam and Charles Black, 1905. Gainsborough / Mortimer Menpes text by James Greig. London : Adam and Charles Black, 1909. Exhibited: Art Gallery of New South Wales travelling exhibitions program, regional N.S.W., 1945
Spooner Paulview full entry
Reference: see Canberra Times, 27 February 1886, p 15: CANBERRA potter Paul Spooner
has been working since November on
some large pieces to complement the
paintings by Jamie Boyd which will
be exhibited at Beaver Galleries, Dea
kin, from 10.30am Sunday. :
There will be about 17 large vessels,
all with an appropriate Australian
landscape theme, "vibrant but not
detailed", says this former South Aus
tralian potter who moved to Canberra
in the middle of last year.
Paul Spooner was born in England
in 1946, and studied art and ceramics
there before emigrating to Australia in
1969, and after working in potteries
continued his studies before becom
ing a full-time potter in 1975^
He has been recognised, and
awarded for his work, became deeply
involved as a committee member for
the Potters Guild of South Australia
and the Crafts Council of South Aus
tralia, convened the Adelaide koyal
Show craft awards in 1983, and the
following year was the winner of the
Potters Guild of South Australia Gold
Medal Award, judged by Alan
Peascod.
His exhibition 'Remnants of a Lost
Civilisation' was held in the Beaver
Galleries in 1984, and he continues to
enjoy working with themes, although
domestic ware is a useful break be
tween theme series. And in complete
contrast, he sometimes works,deli
cately in porcelain with lustre and
banding. *"
Each of the very large pieces in this
exhibition filled his kiln and will need
to be displayed in its "own space".
Turner James Alfredview full entry
Reference: see Neal Auction Co., USA, July 16, 2016, 2 lots 450 and 451: James Alfred Turner (British/Australia, 1850-1908), "On the Kangaroo Trail", 1886, oil on canvas, signed and dated lower left, 12 in. x 24 in., framed. Provenance: Mr. and Mrs. John Salter, Surrey Hills, New South Wales, Australia; thence by descent. Note: An Englishman by birth, James Alfred Turner left his homeland for Australia in the 1870s and became known for his realistic paintings documenting life in the Australian bush. His works proved so popular in Australia, that beginning in 1904 several of his paintings were reproduced on postcards. While critics at the time unkindly considered him an illustrator and amateur, Turner has since become revered for his meticulously thorough representations of pioneer life. In the two paintings offered here, we see the progression of a hunter in hot pursuit of his prey, a kangaroo who is being chased by hunting dogs. Turner’s portrayal of every detail is immaculate, from the smallest blade of grass to the trunks of the surrounding trees. Ref.: Browne, Rutherford James. “The Life and Works of the Australian Painter James Alfred Turner (1850-1908).” The Art of James Alfred Turner (1850-1908). April 2009. http://www.jaturnerart.com/index.htm. Accessed June 4, 2016. Jones, Shirley C. “Turner, James Alfred (1850–1908).” Australian Dictionary of Biography. http://adb.anu.edu.au/biography/turner-james-alfred-8888/text15611. Accessed June 4, 2016.
Turner James Alfredview full entry
Reference: A Quiet Painter: James Alfred Turner by Shirley Jones
Publishing details: S. Jones, Kilsyth, 2009. Illustrated with photographs in colour and black and white. 38 pages
Ref: 1009
Forster E Hview full entry
Reference: See Douglas Stewart Fine Books new acquisitions catalogue 1 July, 2016: Queensland Aboriginals. Photographed direct from life by E.H. Forster at his studio, Maryborough
FORSTER, E.H.

1872-74. Albumen print photograph, carte de visite format, image 79 x 52 mm (oval), mount 104 x 63 mm; verso imprinted Queensland Aboriginals. Photographed direct from life by E.H. Forster at his studio, Maryborough, with a lithographed illustration of Aborigines hunting kangaroos; a strong albumen print in very good condition; the mount with some light foxing.
Having previously worked for Beaufoy Merlin's American and Australasian Photographic Company, Irish-born photographer Edward Forster opened his own studio in Kent Street, Maryborough in May, 1872. He remained at these premises until 1874. This photograph of three local Aborigines - two women wearing European clothing and a man wearing a king plate (the name on which is not clear) - was one of a specially produced series of cartes de visite sold by Forster during this period. This particular image appears unrecorded in Australian collections.
Although the man in the photograph is unidentified, it is likely that he was one of numerous "kings" in the Maryborough region. The fact that the bestowing of king plates was common practice in Queensland at this time is borne out by an advertisement placed by an enterprising ironmonger, John Donnelly, in the Maryborough Almanach for 1875: "ABORIGINAL King Plates, Dog Collars, Watches, Rings, Gold and Silver Plate, Plated Ware, and every description of Metal, Ivory, Bone, or Mother of Pearl, neatly Engraved."
Gow Chang Woo view full entry
Reference: See Douglas Stewart Fine Books new acquisitions catalogue 1 July, 2016: Chang the Chinese Giant, Ballarat, 1870
BARDWELL'S ROYAL STUDIO; [CHANG WOO GOW, 1841-1893]
# 13797
Albumen print photograph, carte de visite format, 106 x 62 mm; verso imprinted Bardwell's Royal Studio, opposite the Theatre, Ballarat; the albumen print is in fine condition; the mount has a few light handling marks but is otherwise good.
Chang Woo Gow, who was known professionally as Chang the Chinese Giant, was born in Canton Province, China. His phenomenal height (8 feet 2 inches, or 2.49 metres) enabled him to travel the world as a side-show attraction. During 1870-71 he visited Australia, making public appearances in Melbourne, Ballarat, Bendigo and Sydney. He married his second wife, an Australian woman called Catherine Santley, in Sydney towards the end of his tour. Chang eventually settled with his family in Bournemouth, U.K., where he ran an Oriental Bazaar in the years before his death in 1893.
A more detailed account of the fascinating life of Chang Woo Gow may be read on the website of the Chinese Museum, Melbourne. 
BARDWELL'S ROYAL STUDIOview full entry
Reference: See Douglas Stewart Fine Books new acquisitions catalogue 1 July, 2016: Chang the Chinese Giant, Ballarat, 1870
BARDWELL'S ROYAL STUDIO; [CHANG WOO GOW, 1841-1893]
# 13797
Albumen print photograph, carte de visite format, 106 x 62 mm; verso imprinted Bardwell's Royal Studio, opposite the Theatre, Ballarat; the albumen print is in fine condition; the mount has a few light handling marks but is otherwise good.
Chang Woo Gow, who was known professionally as Chang the Chinese Giant, was born in Canton Province, China. His phenomenal height (8 feet 2 inches, or 2.49 metres) enabled him to travel the world as a side-show attraction. During 1870-71 he visited Australia, making public appearances in Melbourne, Ballarat, Bendigo and Sydney. He married his second wife, an Australian woman called Catherine Santley, in Sydney towards the end of his tour. Chang eventually settled with his family in Bournemouth, U.K., where he ran an Oriental Bazaar in the years before his death in 1893.
A more detailed account of the fascinating life of Chang Woo Gow may be read on the website of the Chinese Museum, Melbourne. 
Muir Alexview full entry
Reference: Artarmon Galleries exhibiton catalogue 2016 ALEX MUIR (1924 – 1991) Exhibition now open until July 30th. [Alex was a perfectionist interested in evolving a geometric synthesis from his colour theory experiments. After WWII Alex enrolled at East Sydney Technical College and his painting style leaned more and more towards abstract compositions compared to the art of impressionism favoured by his fellow students. It was an abstraction based on no sense of the reality of the objects only on the playfulness of form with colour. This led to an almost hermitic lifestyle before he was coaxed to show his work publically in two exhibitions in the 1970s.  However after the second exhibition Alex returned to the solace of writing his manifesto and creating  pastels to record his colour theories.  Once a viewer understands Muir’s artistic language then this exhibition of some of his most important acrylics will surprise and reward the discerning fine art collector. We invite you to view some of these paintings and pastels imaged on the dropbox address below
Paintings priced from $ 400 to $ 4,000  together with exquisite pastels from $ 650].   


Publishing details: 2016
Ref: 1000
Boyd Martin Potteryview full entry
Reference: from Powerhouse Museum: Object statement
Archive, pottery manufacture, Martin Boyd Pottery, Sydney, Australia, 1948-1957
Administrative history
The business that became known as the Martin Boyd Pottery was first set up in 1946 by Guy Boyd (son of the Victorian potter Merric Boyd) while he was an art student at East Sydney Technical College. The Pottery operated from a house in Waters Road, Cremorne, which he shared with Norma Flegg and her husband, Leonard. A student by day, Guy Boyd threw pots at night, with Norma firing the kiln as well as taking on much of the decorating. In the early days of the business additional decorating work was undertaken by contract workers who included Guy's brother, David, Hermia Lloyd Jones (later Hermia Boyd) and Peter Rushforth.
As the business continued to grow, Duncan Miller, Guy's army friend and Norma's husband, Leonard, became involved with the running of the Pottery. In 1948 with Guy Boyd, Norma and Leonard Flegg and Duncan Miller as business partners, 'The Martin Boyd Pottery' was registered as a business name. To cope with the Pottery's continuing expansion, premises were also rented at Ocean Street, Woollahra. Duncan Miller ran this site.
In 1949, the Martin Boyd Pottery moved to Princes Street Ryde, when a former bakery was bought for the new Pottery premises. Duncan Miller had left the business by this stage and following Guy Boyd's return to Victoria in early 1951, Ronald Flegg, Leonard's brother, came on board as joint production manager (with Norma) and accountant. Leonard took care of sales and some of the bookkeeping.
Using techniques such as wheel throwing, jigger jolleying, moulds and slipcasting, the Pottery took orders for a wide variety of domestic items which included: -ashtrays (in square, contoured, Mexican hat and boomerang shapes), beer mugs, ramekins, egg cups, biscuit barrels, honey pots, fruit bowls, 15 piece coffee sets, 30 piece luncheon sets, flower pots in various sizes and lamp bases.
By August, 1956, the Martin Boyd Pottery had a range of 177 items on their Price List, many of which were available with any of the following decorations :-'Underglaze Hand painted Decorations (Figures, Scenes etc.)' 'Harlequin Ware - 2 tone (where applicable)' or 'Underglaze Hand-painted Abstract Designs'.
With a staff of skilled decorators, the Pottery was able to cater for a diverse range of custom orders. A business customer in Cunnamulla wrote, "My brother Duncan Thompson, Toowoomba, showed me last week a cup and saucer with Toowoomba written on the cup and an ashtray similar to an envelope with Toowoomba. Could I have these with Cunnamulla written thereon - would you please advise?" (1)
Another customer requested:
"...6 only 6" x 6" Tiles decorated with Abo. figures and heads. Picinniny, Lubra, Male head or figures (done by Maria if possible but not thin natives) assorted colors that blend together." (2)
As well as supplying Martin Boyd Pottery goods to the War Widows' Guild Gift Shop in Sydney's Rowe Street, Norma and Leonard Flegg were involved with and supported the War Widows' Guild of Australia over the years. The surviving correspondence for the years 1954 to 1956 shows Leonard Flegg attending their annual meetings and as letters of appreciation attest, supporting their fetes.
"We are holding another Fete in the grounds of our House, 39 Marlborough Street, Drummoyne, on Saturday 13 November next, and our President, Mrs L.L.Watkins, and Members of the Executive Committee, will appreciate it very much if you can make available a supply of your attractive articles for sale on this occasion...
Your donation will be deeply appreciated"
(handwritten annotation) "will go on Friday" (3)
and in 1956,
"We do thank you most warmly for your wonderful donation of two boxes of Martin Boyd Pottery for our Guild Fete and deeply appreciate your generous and sympathetic co-operation and help which means a great deal to us." (4)
The Martin Boyd Pottery was in turn promoted by a number of the businesses which stocked their goods. In 1956 a campaign was initiated by the Australian Government and headed by the Australian Minister for Trade, John McEwan, with the aim of boosting Australian exports worldwide. In New Zealand, the large department store Milne and Choyce Ltd. held a fashion parade and Australian exhibition. The exhibition (the proposal for which was described in a letter from Milne and Choyce to the Martin Boyd Pottery in January of 1956) featured such aspects of Australian life as the National Court of Australia, a sports pavilion with photographs and souvenirs, Aboriginal implements, paintings by Albert Namatjira and Australian ceramics "...We will, also of course, be devoting considerable window and store display space to your fine product." (5)
A number of other promotions featuring Martin Boyd Pottery products are mentioned in the correspondence, among them the 'Australia Today' exhibition at Georges of Melbourne, aimed at showing overseas Olympic visitors excellence in Australian production and one conducted by the Melbourne department store, James McEwan & Co. Pty. Ltd., which is detailed in letters to the Martin Boyd Pottery from their Melbourne agent, L.J. Wahlers and Co. Pty Ltd.:-
"Mr Male (from McEwan's) called in to-day to say that their displayman was ready to do their "Made in Australia" window first thing in the morning..." (6)
"... we do thank you for your immediate despatching of the photographs which were handed to Mr Male first thing yesterday. He was very pleased with them and they have been well placed in their display. You will be interested to know that he was able to have one of the main front windows for this Made in Australia show, and have mainly concentrated on Martin Boyd Pottery." (7)
This display preceded a full-page advertisement in Melbourne's The Argus newspaper which promoted the Martin Boyd Pottery thus :- " Frolic in a Fiesta of Colour Match them or contrast them Alluring Handmade Pottery by Martin Boyd
Who says mealtime can't be colorful? This is Personality Pottery. The kind you've only dreamed about...Soft pastels-riotous colours, bright and gay as Carnival Time! Martin Boyd-A great Australian Exponent of the Potters Art-ranking with the finest in the world.." (8)
On a smaller scale, a letter to the Martin Boyd Pottery from their Melbourne agent, LJ Wahlers says:-
"We are enclosing a photograph of Mr Bruce Rutherford's shop at Yarrawonga, Victoria. As you can see he has a very good window display of Martin Bord Pottery. Mr Rutherford was very proud of it and thought you might be interested in seeing his show. [9]
1956 correspondence with QANTAS shows them placing a number of orders for Martin Boyd ceramics featuring Aboriginal designs. Some of these were sent to the London office of QANTAS. In January of the same year an article on the Martin Boyd Pottery appeared in the QANTAS publication 'Airways'. More exposure came in June 1956 when Fox Movietone News made a newsreel about the Pottery, which was released in all Sydney cinemas and later shown in Melbourne.
The Martin Boyd Pottery continued to operate thoughout the 1950s, reaching its peak in 1957-58 when around 80-85 people were employed. Its eventual closure came about in 1964, when, according to Norma Flegg, "Recessions in the early sixties severely curtailed markets forcing the retrenchment of highly skilled and valued staff." [10]

This administrative history was compiled by archivist Jill Chapman using The Martin Boyd Pottery archives, notes from research undertaken by Grace Cochrane and Victoria Kimpton and Megan Martin's draft history of the Martin Boyd Pottery.

Read more: http://www.powerhousemuseum.com/collection/database/?irn=141765#ixzz4ELtM4YMP
Under Creative Commons License: Attribution Non-Commercial
Boyd Guy view full entry
Reference: from Powerhouse Museum: Object statement
Archive, pottery manufacture, Martin Boyd Pottery, Sydney, Australia, 1948-1957
Administrative history
The business that became known as the Martin Boyd Pottery was first set up in 1946 by Guy Boyd (son of the Victorian potter Merric Boyd) while he was an art student at East Sydney Technical College. The Pottery operated from a house in Waters Road, Cremorne, which he shared with Norma Flegg and her husband, Leonard. A student by day, Guy Boyd threw pots at night, with Norma firing the kiln as well as taking on much of the decorating. In the early days of the business additional decorating work was undertaken by contract workers who included Guy's brother, David, Hermia Lloyd Jones (later Hermia Boyd) and Peter Rushforth.
As the business continued to grow, Duncan Miller, Guy's army friend and Norma's husband, Leonard, became involved with the running of the Pottery. In 1948 with Guy Boyd, Norma and Leonard Flegg and Duncan Miller as business partners, 'The Martin Boyd Pottery' was registered as a business name. To cope with the Pottery's continuing expansion, premises were also rented at Ocean Street, Woollahra. Duncan Miller ran this site.
In 1949, the Martin Boyd Pottery moved to Princes Street Ryde, when a former bakery was bought for the new Pottery premises. Duncan Miller had left the business by this stage and following Guy Boyd's return to Victoria in early 1951, Ronald Flegg, Leonard's brother, came on board as joint production manager (with Norma) and accountant. Leonard took care of sales and some of the bookkeeping.
Using techniques such as wheel throwing, jigger jolleying, moulds and slipcasting, the Pottery took orders for a wide variety of domestic items which included: -ashtrays (in square, contoured, Mexican hat and boomerang shapes), beer mugs, ramekins, egg cups, biscuit barrels, honey pots, fruit bowls, 15 piece coffee sets, 30 piece luncheon sets, flower pots in various sizes and lamp bases.
By August, 1956, the Martin Boyd Pottery had a range of 177 items on their Price List, many of which were available with any of the following decorations :-'Underglaze Hand painted Decorations (Figures, Scenes etc.)' 'Harlequin Ware - 2 tone (where applicable)' or 'Underglaze Hand-painted Abstract Designs'.
With a staff of skilled decorators, the Pottery was able to cater for a diverse range of custom orders. A business customer in Cunnamulla wrote, "My brother Duncan Thompson, Toowoomba, showed me last week a cup and saucer with Toowoomba written on the cup and an ashtray similar to an envelope with Toowoomba. Could I have these with Cunnamulla written thereon - would you please advise?" (1)
Another customer requested:
"...6 only 6" x 6" Tiles decorated with Abo. figures and heads. Picinniny, Lubra, Male head or figures (done by Maria if possible but not thin natives) assorted colors that blend together." (2)
As well as supplying Martin Boyd Pottery goods to the War Widows' Guild Gift Shop in Sydney's Rowe Street, Norma and Leonard Flegg were involved with and supported the War Widows' Guild of Australia over the years. The surviving correspondence for the years 1954 to 1956 shows Leonard Flegg attending their annual meetings and as letters of appreciation attest, supporting their fetes.
"We are holding another Fete in the grounds of our House, 39 Marlborough Street, Drummoyne, on Saturday 13 November next, and our President, Mrs L.L.Watkins, and Members of the Executive Committee, will appreciate it very much if you can make available a supply of your attractive articles for sale on this occasion...
Your donation will be deeply appreciated"
(handwritten annotation) "will go on Friday" (3)
and in 1956,
"We do thank you most warmly for your wonderful donation of two boxes of Martin Boyd Pottery for our Guild Fete and deeply appreciate your generous and sympathetic co-operation and help which means a great deal to us." (4)
The Martin Boyd Pottery was in turn promoted by a number of the businesses which stocked their goods. In 1956 a campaign was initiated by the Australian Government and headed by the Australian Minister for Trade, John McEwan, with the aim of boosting Australian exports worldwide. In New Zealand, the large department store Milne and Choyce Ltd. held a fashion parade and Australian exhibition. The exhibition (the proposal for which was described in a letter from Milne and Choyce to the Martin Boyd Pottery in January of 1956) featured such aspects of Australian life as the National Court of Australia, a sports pavilion with photographs and souvenirs, Aboriginal implements, paintings by Albert Namatjira and Australian ceramics "...We will, also of course, be devoting considerable window and store display space to your fine product." (5)
A number of other promotions featuring Martin Boyd Pottery products are mentioned in the correspondence, among them the 'Australia Today' exhibition at Georges of Melbourne, aimed at showing overseas Olympic visitors excellence in Australian production and one conducted by the Melbourne department store, James McEwan & Co. Pty. Ltd., which is detailed in letters to the Martin Boyd Pottery from their Melbourne agent, L.J. Wahlers and Co. Pty Ltd.:-
"Mr Male (from McEwan's) called in to-day to say that their displayman was ready to do their "Made in Australia" window first thing in the morning..." (6)
"... we do thank you for your immediate despatching of the photographs which were handed to Mr Male first thing yesterday. He was very pleased with them and they have been well placed in their display. You will be interested to know that he was able to have one of the main front windows for this Made in Australia show, and have mainly concentrated on Martin Boyd Pottery." (7)
This display preceded a full-page advertisement in Melbourne's The Argus newspaper which promoted the Martin Boyd Pottery thus :- " Frolic in a Fiesta of Colour Match them or contrast them Alluring Handmade Pottery by Martin Boyd
Who says mealtime can't be colorful? This is Personality Pottery. The kind you've only dreamed about...Soft pastels-riotous colours, bright and gay as Carnival Time! Martin Boyd-A great Australian Exponent of the Potters Art-ranking with the finest in the world.." (8)
On a smaller scale, a letter to the Martin Boyd Pottery from their Melbourne agent, LJ Wahlers says:-
"We are enclosing a photograph of Mr Bruce Rutherford's shop at Yarrawonga, Victoria. As you can see he has a very good window display of Martin Bord Pottery. Mr Rutherford was very proud of it and thought you might be interested in seeing his show. [9]
1956 correspondence with QANTAS shows them placing a number of orders for Martin Boyd ceramics featuring Aboriginal designs. Some of these were sent to the London office of QANTAS. In January of the same year an article on the Martin Boyd Pottery appeared in the QANTAS publication 'Airways'. More exposure came in June 1956 when Fox Movietone News made a newsreel about the Pottery, which was released in all Sydney cinemas and later shown in Melbourne.
The Martin Boyd Pottery continued to operate thoughout the 1950s, reaching its peak in 1957-58 when around 80-85 people were employed. Its eventual closure came about in 1964, when, according to Norma Flegg, "Recessions in the early sixties severely curtailed markets forcing the retrenchment of highly skilled and valued staff." [10]

This administrative history was compiled by archivist Jill Chapman using The Martin Boyd Pottery archives, notes from research undertaken by Grace Cochrane and Victoria Kimpton and Megan Martin's draft history of the Martin Boyd Pottery.

Read more: http://www.powerhousemuseum.com/collection/database/?irn=141765#ixzz4ELtM4YMP
Under Creative Commons License: Attribution Non-Commercial
Boyd Hermia view full entry
Reference: from Powerhouse Museum: Object statement
Archive, pottery manufacture, Martin Boyd Pottery, Sydney, Australia, 1948-1957
Administrative history
The business that became known as the Martin Boyd Pottery was first set up in 1946 by Guy Boyd (son of the Victorian potter Merric Boyd) while he was an art student at East Sydney Technical College. The Pottery operated from a house in Waters Road, Cremorne, which he shared with Norma Flegg and her husband, Leonard. A student by day, Guy Boyd threw pots at night, with Norma firing the kiln as well as taking on much of the decorating. In the early days of the business additional decorating work was undertaken by contract workers who included Guy's brother, David, Hermia Lloyd Jones (later Hermia Boyd) and Peter Rushforth.
As the business continued to grow, Duncan Miller, Guy's army friend and Norma's husband, Leonard, became involved with the running of the Pottery. In 1948 with Guy Boyd, Norma and Leonard Flegg and Duncan Miller as business partners, 'The Martin Boyd Pottery' was registered as a business name. To cope with the Pottery's continuing expansion, premises were also rented at Ocean Street, Woollahra. Duncan Miller ran this site.
In 1949, the Martin Boyd Pottery moved to Princes Street Ryde, when a former bakery was bought for the new Pottery premises. Duncan Miller had left the business by this stage and following Guy Boyd's return to Victoria in early 1951, Ronald Flegg, Leonard's brother, came on board as joint production manager (with Norma) and accountant. Leonard took care of sales and some of the bookkeeping.
Using techniques such as wheel throwing, jigger jolleying, moulds and slipcasting, the Pottery took orders for a wide variety of domestic items which included: -ashtrays (in square, contoured, Mexican hat and boomerang shapes), beer mugs, ramekins, egg cups, biscuit barrels, honey pots, fruit bowls, 15 piece coffee sets, 30 piece luncheon sets, flower pots in various sizes and lamp bases.
By August, 1956, the Martin Boyd Pottery had a range of 177 items on their Price List, many of which were available with any of the following decorations :-'Underglaze Hand painted Decorations (Figures, Scenes etc.)' 'Harlequin Ware - 2 tone (where applicable)' or 'Underglaze Hand-painted Abstract Designs'.
With a staff of skilled decorators, the Pottery was able to cater for a diverse range of custom orders. A business customer in Cunnamulla wrote, "My brother Duncan Thompson, Toowoomba, showed me last week a cup and saucer with Toowoomba written on the cup and an ashtray similar to an envelope with Toowoomba. Could I have these with Cunnamulla written thereon - would you please advise?" (1)
Another customer requested:
"...6 only 6" x 6" Tiles decorated with Abo. figures and heads. Picinniny, Lubra, Male head or figures (done by Maria if possible but not thin natives) assorted colors that blend together." (2)
As well as supplying Martin Boyd Pottery goods to the War Widows' Guild Gift Shop in Sydney's Rowe Street, Norma and Leonard Flegg were involved with and supported the War Widows' Guild of Australia over the years. The surviving correspondence for the years 1954 to 1956 shows Leonard Flegg attending their annual meetings and as letters of appreciation attest, supporting their fetes.
"We are holding another Fete in the grounds of our House, 39 Marlborough Street, Drummoyne, on Saturday 13 November next, and our President, Mrs L.L.Watkins, and Members of the Executive Committee, will appreciate it very much if you can make available a supply of your attractive articles for sale on this occasion...
Your donation will be deeply appreciated"
(handwritten annotation) "will go on Friday" (3)
and in 1956,
"We do thank you most warmly for your wonderful donation of two boxes of Martin Boyd Pottery for our Guild Fete and deeply appreciate your generous and sympathetic co-operation and help which means a great deal to us." (4)
The Martin Boyd Pottery was in turn promoted by a number of the businesses which stocked their goods. In 1956 a campaign was initiated by the Australian Government and headed by the Australian Minister for Trade, John McEwan, with the aim of boosting Australian exports worldwide. In New Zealand, the large department store Milne and Choyce Ltd. held a fashion parade and Australian exhibition. The exhibition (the proposal for which was described in a letter from Milne and Choyce to the Martin Boyd Pottery in January of 1956) featured such aspects of Australian life as the National Court of Australia, a sports pavilion with photographs and souvenirs, Aboriginal implements, paintings by Albert Namatjira and Australian ceramics "...We will, also of course, be devoting considerable window and store display space to your fine product." (5)
A number of other promotions featuring Martin Boyd Pottery products are mentioned in the correspondence, among them the 'Australia Today' exhibition at Georges of Melbourne, aimed at showing overseas Olympic visitors excellence in Australian production and one conducted by the Melbourne department store, James McEwan & Co. Pty. Ltd., which is detailed in letters to the Martin Boyd Pottery from their Melbourne agent, L.J. Wahlers and Co. Pty Ltd.:-
"Mr Male (from McEwan's) called in to-day to say that their displayman was ready to do their "Made in Australia" window first thing in the morning..." (6)
"... we do thank you for your immediate despatching of the photographs which were handed to Mr Male first thing yesterday. He was very pleased with them and they have been well placed in their display. You will be interested to know that he was able to have one of the main front windows for this Made in Australia show, and have mainly concentrated on Martin Boyd Pottery." (7)
This display preceded a full-page advertisement in Melbourne's The Argus newspaper which promoted the Martin Boyd Pottery thus :- " Frolic in a Fiesta of Colour Match them or contrast them Alluring Handmade Pottery by Martin Boyd
Who says mealtime can't be colorful? This is Personality Pottery. The kind you've only dreamed about...Soft pastels-riotous colours, bright and gay as Carnival Time! Martin Boyd-A great Australian Exponent of the Potters Art-ranking with the finest in the world.." (8)
On a smaller scale, a letter to the Martin Boyd Pottery from their Melbourne agent, LJ Wahlers says:-
"We are enclosing a photograph of Mr Bruce Rutherford's shop at Yarrawonga, Victoria. As you can see he has a very good window display of Martin Bord Pottery. Mr Rutherford was very proud of it and thought you might be interested in seeing his show. [9]
1956 correspondence with QANTAS shows them placing a number of orders for Martin Boyd ceramics featuring Aboriginal designs. Some of these were sent to the London office of QANTAS. In January of the same year an article on the Martin Boyd Pottery appeared in the QANTAS publication 'Airways'. More exposure came in June 1956 when Fox Movietone News made a newsreel about the Pottery, which was released in all Sydney cinemas and later shown in Melbourne.
The Martin Boyd Pottery continued to operate thoughout the 1950s, reaching its peak in 1957-58 when around 80-85 people were employed. Its eventual closure came about in 1964, when, according to Norma Flegg, "Recessions in the early sixties severely curtailed markets forcing the retrenchment of highly skilled and valued staff." [10]

This administrative history was compiled by archivist Jill Chapman using The Martin Boyd Pottery archives, notes from research undertaken by Grace Cochrane and Victoria Kimpton and Megan Martin's draft history of the Martin Boyd Pottery.

Read more: http://www.powerhousemuseum.com/collection/database/?irn=141765#ixzz4ELtM4YMP
Under Creative Commons License: Attribution Non-Commercial
Flegg Norma and Leonard view full entry
Reference: from Powerhouse Museum: Object statement
Archive, pottery manufacture, Martin Boyd Pottery, Sydney, Australia, 1948-1957
Administrative history
The business that became known as the Martin Boyd Pottery was first set up in 1946 by Guy Boyd (son of the Victorian potter Merric Boyd) while he was an art student at East Sydney Technical College. The Pottery operated from a house in Waters Road, Cremorne, which he shared with Norma Flegg and her husband, Leonard. A student by day, Guy Boyd threw pots at night, with Norma firing the kiln as well as taking on much of the decorating. In the early days of the business additional decorating work was undertaken by contract workers who included Guy's brother, David, Hermia Lloyd Jones (later Hermia Boyd) and Peter Rushforth.
As the business continued to grow, Duncan Miller, Guy's army friend and Norma's husband, Leonard, became involved with the running of the Pottery. In 1948 with Guy Boyd, Norma and Leonard Flegg and Duncan Miller as business partners, 'The Martin Boyd Pottery' was registered as a business name. To cope with the Pottery's continuing expansion, premises were also rented at Ocean Street, Woollahra. Duncan Miller ran this site.
In 1949, the Martin Boyd Pottery moved to Princes Street Ryde, when a former bakery was bought for the new Pottery premises. Duncan Miller had left the business by this stage and following Guy Boyd's return to Victoria in early 1951, Ronald Flegg, Leonard's brother, came on board as joint production manager (with Norma) and accountant. Leonard took care of sales and some of the bookkeeping.
Using techniques such as wheel throwing, jigger jolleying, moulds and slipcasting, the Pottery took orders for a wide variety of domestic items which included: -ashtrays (in square, contoured, Mexican hat and boomerang shapes), beer mugs, ramekins, egg cups, biscuit barrels, honey pots, fruit bowls, 15 piece coffee sets, 30 piece luncheon sets, flower pots in various sizes and lamp bases.
By August, 1956, the Martin Boyd Pottery had a range of 177 items on their Price List, many of which were available with any of the following decorations :-'Underglaze Hand painted Decorations (Figures, Scenes etc.)' 'Harlequin Ware - 2 tone (where applicable)' or 'Underglaze Hand-painted Abstract Designs'.
With a staff of skilled decorators, the Pottery was able to cater for a diverse range of custom orders. A business customer in Cunnamulla wrote, "My brother Duncan Thompson, Toowoomba, showed me last week a cup and saucer with Toowoomba written on the cup and an ashtray similar to an envelope with Toowoomba. Could I have these with Cunnamulla written thereon - would you please advise?" (1)
Another customer requested:
"...6 only 6" x 6" Tiles decorated with Abo. figures and heads. Picinniny, Lubra, Male head or figures (done by Maria if possible but not thin natives) assorted colors that blend together." (2)
As well as supplying Martin Boyd Pottery goods to the War Widows' Guild Gift Shop in Sydney's Rowe Street, Norma and Leonard Flegg were involved with and supported the War Widows' Guild of Australia over the years. The surviving correspondence for the years 1954 to 1956 shows Leonard Flegg attending their annual meetings and as letters of appreciation attest, supporting their fetes.
"We are holding another Fete in the grounds of our House, 39 Marlborough Street, Drummoyne, on Saturday 13 November next, and our President, Mrs L.L.Watkins, and Members of the Executive Committee, will appreciate it very much if you can make available a supply of your attractive articles for sale on this occasion...
Your donation will be deeply appreciated"
(handwritten annotation) "will go on Friday" (3)
and in 1956,
"We do thank you most warmly for your wonderful donation of two boxes of Martin Boyd Pottery for our Guild Fete and deeply appreciate your generous and sympathetic co-operation and help which means a great deal to us." (4)
The Martin Boyd Pottery was in turn promoted by a number of the businesses which stocked their goods. In 1956 a campaign was initiated by the Australian Government and headed by the Australian Minister for Trade, John McEwan, with the aim of boosting Australian exports worldwide. In New Zealand, the large department store Milne and Choyce Ltd. held a fashion parade and Australian exhibition. The exhibition (the proposal for which was described in a letter from Milne and Choyce to the Martin Boyd Pottery in January of 1956) featured such aspects of Australian life as the National Court of Australia, a sports pavilion with photographs and souvenirs, Aboriginal implements, paintings by Albert Namatjira and Australian ceramics "...We will, also of course, be devoting considerable window and store display space to your fine product." (5)
A number of other promotions featuring Martin Boyd Pottery products are mentioned in the correspondence, among them the 'Australia Today' exhibition at Georges of Melbourne, aimed at showing overseas Olympic visitors excellence in Australian production and one conducted by the Melbourne department store, James McEwan & Co. Pty. Ltd., which is detailed in letters to the Martin Boyd Pottery from their Melbourne agent, L.J. Wahlers and Co. Pty Ltd.:-
"Mr Male (from McEwan's) called in to-day to say that their displayman was ready to do their "Made in Australia" window first thing in the morning..." (6)
"... we do thank you for your immediate despatching of the photographs which were handed to Mr Male first thing yesterday. He was very pleased with them and they have been well placed in their display. You will be interested to know that he was able to have one of the main front windows for this Made in Australia show, and have mainly concentrated on Martin Boyd Pottery." (7)
This display preceded a full-page advertisement in Melbourne's The Argus newspaper which promoted the Martin Boyd Pottery thus :- " Frolic in a Fiesta of Colour Match them or contrast them Alluring Handmade Pottery by Martin Boyd
Who says mealtime can't be colorful? This is Personality Pottery. The kind you've only dreamed about...Soft pastels-riotous colours, bright and gay as Carnival Time! Martin Boyd-A great Australian Exponent of the Potters Art-ranking with the finest in the world.." (8)
On a smaller scale, a letter to the Martin Boyd Pottery from their Melbourne agent, LJ Wahlers says:-
"We are enclosing a photograph of Mr Bruce Rutherford's shop at Yarrawonga, Victoria. As you can see he has a very good window display of Martin Bord Pottery. Mr Rutherford was very proud of it and thought you might be interested in seeing his show. [9]
1956 correspondence with QANTAS shows them placing a number of orders for Martin Boyd ceramics featuring Aboriginal designs. Some of these were sent to the London office of QANTAS. In January of the same year an article on the Martin Boyd Pottery appeared in the QANTAS publication 'Airways'. More exposure came in June 1956 when Fox Movietone News made a newsreel about the Pottery, which was released in all Sydney cinemas and later shown in Melbourne.
The Martin Boyd Pottery continued to operate thoughout the 1950s, reaching its peak in 1957-58 when around 80-85 people were employed. Its eventual closure came about in 1964, when, according to Norma Flegg, "Recessions in the early sixties severely curtailed markets forcing the retrenchment of highly skilled and valued staff." [10]

This administrative history was compiled by archivist Jill Chapman using The Martin Boyd Pottery archives, notes from research undertaken by Grace Cochrane and Victoria Kimpton and Megan Martin's draft history of the Martin Boyd Pottery.

Read more: http://www.powerhousemuseum.com/collection/database/?irn=141765#ixzz4ELtM4YMP
Under Creative Commons License: Attribution Non-Commercial
Rushforth Peterview full entry
Reference: from Powerhouse Museum: Object statement
Archive, pottery manufacture, Martin Boyd Pottery, Sydney, Australia, 1948-1957
Administrative history
The business that became known as the Martin Boyd Pottery was first set up in 1946 by Guy Boyd (son of the Victorian potter Merric Boyd) while he was an art student at East Sydney Technical College. The Pottery operated from a house in Waters Road, Cremorne, which he shared with Norma Flegg and her husband, Leonard. A student by day, Guy Boyd threw pots at night, with Norma firing the kiln as well as taking on much of the decorating. In the early days of the business additional decorating work was undertaken by contract workers who included Guy's brother, David, Hermia Lloyd Jones (later Hermia Boyd) and Peter Rushforth.
As the business continued to grow, Duncan Miller, Guy's army friend and Norma's husband, Leonard, became involved with the running of the Pottery. In 1948 with Guy Boyd, Norma and Leonard Flegg and Duncan Miller as business partners, 'The Martin Boyd Pottery' was registered as a business name. To cope with the Pottery's continuing expansion, premises were also rented at Ocean Street, Woollahra. Duncan Miller ran this site.
In 1949, the Martin Boyd Pottery moved to Princes Street Ryde, when a former bakery was bought for the new Pottery premises. Duncan Miller had left the business by this stage and following Guy Boyd's return to Victoria in early 1951, Ronald Flegg, Leonard's brother, came on board as joint production manager (with Norma) and accountant. Leonard took care of sales and some of the bookkeeping.
Using techniques such as wheel throwing, jigger jolleying, moulds and slipcasting, the Pottery took orders for a wide variety of domestic items which included: -ashtrays (in square, contoured, Mexican hat and boomerang shapes), beer mugs, ramekins, egg cups, biscuit barrels, honey pots, fruit bowls, 15 piece coffee sets, 30 piece luncheon sets, flower pots in various sizes and lamp bases.
By August, 1956, the Martin Boyd Pottery had a range of 177 items on their Price List, many of which were available with any of the following decorations :-'Underglaze Hand painted Decorations (Figures, Scenes etc.)' 'Harlequin Ware - 2 tone (where applicable)' or 'Underglaze Hand-painted Abstract Designs'.
With a staff of skilled decorators, the Pottery was able to cater for a diverse range of custom orders. A business customer in Cunnamulla wrote, "My brother Duncan Thompson, Toowoomba, showed me last week a cup and saucer with Toowoomba written on the cup and an ashtray similar to an envelope with Toowoomba. Could I have these with Cunnamulla written thereon - would you please advise?" (1)
Another customer requested:
"...6 only 6" x 6" Tiles decorated with Abo. figures and heads. Picinniny, Lubra, Male head or figures (done by Maria if possible but not thin natives) assorted colors that blend together." (2)
As well as supplying Martin Boyd Pottery goods to the War Widows' Guild Gift Shop in Sydney's Rowe Street, Norma and Leonard Flegg were involved with and supported the War Widows' Guild of Australia over the years. The surviving correspondence for the years 1954 to 1956 shows Leonard Flegg attending their annual meetings and as letters of appreciation attest, supporting their fetes.
"We are holding another Fete in the grounds of our House, 39 Marlborough Street, Drummoyne, on Saturday 13 November next, and our President, Mrs L.L.Watkins, and Members of the Executive Committee, will appreciate it very much if you can make available a supply of your attractive articles for sale on this occasion...
Your donation will be deeply appreciated"
(handwritten annotation) "will go on Friday" (3)
and in 1956,
"We do thank you most warmly for your wonderful donation of two boxes of Martin Boyd Pottery for our Guild Fete and deeply appreciate your generous and sympathetic co-operation and help which means a great deal to us." (4)
The Martin Boyd Pottery was in turn promoted by a number of the businesses which stocked their goods. In 1956 a campaign was initiated by the Australian Government and headed by the Australian Minister for Trade, John McEwan, with the aim of boosting Australian exports worldwide. In New Zealand, the large department store Milne and Choyce Ltd. held a fashion parade and Australian exhibition. The exhibition (the proposal for which was described in a letter from Milne and Choyce to the Martin Boyd Pottery in January of 1956) featured such aspects of Australian life as the National Court of Australia, a sports pavilion with photographs and souvenirs, Aboriginal implements, paintings by Albert Namatjira and Australian ceramics "...We will, also of course, be devoting considerable window and store display space to your fine product." (5)
A number of other promotions featuring Martin Boyd Pottery products are mentioned in the correspondence, among them the 'Australia Today' exhibition at Georges of Melbourne, aimed at showing overseas Olympic visitors excellence in Australian production and one conducted by the Melbourne department store, James McEwan & Co. Pty. Ltd., which is detailed in letters to the Martin Boyd Pottery from their Melbourne agent, L.J. Wahlers and Co. Pty Ltd.:-
"Mr Male (from McEwan's) called in to-day to say that their displayman was ready to do their "Made in Australia" window first thing in the morning..." (6)
"... we do thank you for your immediate despatching of the photographs which were handed to Mr Male first thing yesterday. He was very pleased with them and they have been well placed in their display. You will be interested to know that he was able to have one of the main front windows for this Made in Australia show, and have mainly concentrated on Martin Boyd Pottery." (7)
This display preceded a full-page advertisement in Melbourne's The Argus newspaper which promoted the Martin Boyd Pottery thus :- " Frolic in a Fiesta of Colour Match them or contrast them Alluring Handmade Pottery by Martin Boyd
Who says mealtime can't be colorful? This is Personality Pottery. The kind you've only dreamed about...Soft pastels-riotous colours, bright and gay as Carnival Time! Martin Boyd-A great Australian Exponent of the Potters Art-ranking with the finest in the world.." (8)
On a smaller scale, a letter to the Martin Boyd Pottery from their Melbourne agent, LJ Wahlers says:-
"We are enclosing a photograph of Mr Bruce Rutherford's shop at Yarrawonga, Victoria. As you can see he has a very good window display of Martin Bord Pottery. Mr Rutherford was very proud of it and thought you might be interested in seeing his show. [9]
1956 correspondence with QANTAS shows them placing a number of orders for Martin Boyd ceramics featuring Aboriginal designs. Some of these were sent to the London office of QANTAS. In January of the same year an article on the Martin Boyd Pottery appeared in the QANTAS publication 'Airways'. More exposure came in June 1956 when Fox Movietone News made a newsreel about the Pottery, which was released in all Sydney cinemas and later shown in Melbourne.
The Martin Boyd Pottery continued to operate thoughout the 1950s, reaching its peak in 1957-58 when around 80-85 people were employed. Its eventual closure came about in 1964, when, according to Norma Flegg, "Recessions in the early sixties severely curtailed markets forcing the retrenchment of highly skilled and valued staff." [10]

This administrative history was compiled by archivist Jill Chapman using The Martin Boyd Pottery archives, notes from research undertaken by Grace Cochrane and Victoria Kimpton and Megan Martin's draft history of the Martin Boyd Pottery.

Read more: http://www.powerhousemuseum.com/collection/database/?irn=141765#ixzz4ELtM4YMP
Under Creative Commons License: Attribution Non-Commercial
Miller Duncanview full entry
Reference: from Powerhouse Museum: Object statement
Archive, pottery manufacture, Martin Boyd Pottery, Sydney, Australia, 1948-1957
Administrative history
The business that became known as the Martin Boyd Pottery was first set up in 1946 by Guy Boyd (son of the Victorian potter Merric Boyd) while he was an art student at East Sydney Technical College. The Pottery operated from a house in Waters Road, Cremorne, which he shared with Norma Flegg and her husband, Leonard. A student by day, Guy Boyd threw pots at night, with Norma firing the kiln as well as taking on much of the decorating. In the early days of the business additional decorating work was undertaken by contract workers who included Guy's brother, David, Hermia Lloyd Jones (later Hermia Boyd) and Peter Rushforth.
As the business continued to grow, Duncan Miller, Guy's army friend and Norma's husband, Leonard, became involved with the running of the Pottery. In 1948 with Guy Boyd, Norma and Leonard Flegg and Duncan Miller as business partners, 'The Martin Boyd Pottery' was registered as a business name. To cope with the Pottery's continuing expansion, premises were also rented at Ocean Street, Woollahra. Duncan Miller ran this site.
In 1949, the Martin Boyd Pottery moved to Princes Street Ryde, when a former bakery was bought for the new Pottery premises. Duncan Miller had left the business by this stage and following Guy Boyd's return to Victoria in early 1951, Ronald Flegg, Leonard's brother, came on board as joint production manager (with Norma) and accountant. Leonard took care of sales and some of the bookkeeping.
Using techniques such as wheel throwing, jigger jolleying, moulds and slipcasting, the Pottery took orders for a wide variety of domestic items which included: -ashtrays (in square, contoured, Mexican hat and boomerang shapes), beer mugs, ramekins, egg cups, biscuit barrels, honey pots, fruit bowls, 15 piece coffee sets, 30 piece luncheon sets, flower pots in various sizes and lamp bases.
By August, 1956, the Martin Boyd Pottery had a range of 177 items on their Price List, many of which were available with any of the following decorations :-'Underglaze Hand painted Decorations (Figures, Scenes etc.)' 'Harlequin Ware - 2 tone (where applicable)' or 'Underglaze Hand-painted Abstract Designs'.
With a staff of skilled decorators, the Pottery was able to cater for a diverse range of custom orders. A business customer in Cunnamulla wrote, "My brother Duncan Thompson, Toowoomba, showed me last week a cup and saucer with Toowoomba written on the cup and an ashtray similar to an envelope with Toowoomba. Could I have these with Cunnamulla written thereon - would you please advise?" (1)
Another customer requested:
"...6 only 6" x 6" Tiles decorated with Abo. figures and heads. Picinniny, Lubra, Male head or figures (done by Maria if possible but not thin natives) assorted colors that blend together." (2)
As well as supplying Martin Boyd Pottery goods to the War Widows' Guild Gift Shop in Sydney's Rowe Street, Norma and Leonard Flegg were involved with and supported the War Widows' Guild of Australia over the years. The surviving correspondence for the years 1954 to 1956 shows Leonard Flegg attending their annual meetings and as letters of appreciation attest, supporting their fetes.
"We are holding another Fete in the grounds of our House, 39 Marlborough Street, Drummoyne, on Saturday 13 November next, and our President, Mrs L.L.Watkins, and Members of the Executive Committee, will appreciate it very much if you can make available a supply of your attractive articles for sale on this occasion...
Your donation will be deeply appreciated"
(handwritten annotation) "will go on Friday" (3)
and in 1956,
"We do thank you most warmly for your wonderful donation of two boxes of Martin Boyd Pottery for our Guild Fete and deeply appreciate your generous and sympathetic co-operation and help which means a great deal to us." (4)
The Martin Boyd Pottery was in turn promoted by a number of the businesses which stocked their goods. In 1956 a campaign was initiated by the Australian Government and headed by the Australian Minister for Trade, John McEwan, with the aim of boosting Australian exports worldwide. In New Zealand, the large department store Milne and Choyce Ltd. held a fashion parade and Australian exhibition. The exhibition (the proposal for which was described in a letter from Milne and Choyce to the Martin Boyd Pottery in January of 1956) featured such aspects of Australian life as the National Court of Australia, a sports pavilion with photographs and souvenirs, Aboriginal implements, paintings by Albert Namatjira and Australian ceramics "...We will, also of course, be devoting considerable window and store display space to your fine product." (5)
A number of other promotions featuring Martin Boyd Pottery products are mentioned in the correspondence, among them the 'Australia Today' exhibition at Georges of Melbourne, aimed at showing overseas Olympic visitors excellence in Australian production and one conducted by the Melbourne department store, James McEwan & Co. Pty. Ltd., which is detailed in letters to the Martin Boyd Pottery from their Melbourne agent, L.J. Wahlers and Co. Pty Ltd.:-
"Mr Male (from McEwan's) called in to-day to say that their displayman was ready to do their "Made in Australia" window first thing in the morning..." (6)
"... we do thank you for your immediate despatching of the photographs which were handed to Mr Male first thing yesterday. He was very pleased with them and they have been well placed in their display. You will be interested to know that he was able to have one of the main front windows for this Made in Australia show, and have mainly concentrated on Martin Boyd Pottery." (7)
This display preceded a full-page advertisement in Melbourne's The Argus newspaper which promoted the Martin Boyd Pottery thus :- " Frolic in a Fiesta of Colour Match them or contrast them Alluring Handmade Pottery by Martin Boyd
Who says mealtime can't be colorful? This is Personality Pottery. The kind you've only dreamed about...Soft pastels-riotous colours, bright and gay as Carnival Time! Martin Boyd-A great Australian Exponent of the Potters Art-ranking with the finest in the world.." (8)
On a smaller scale, a letter to the Martin Boyd Pottery from their Melbourne agent, LJ Wahlers says:-
"We are enclosing a photograph of Mr Bruce Rutherford's shop at Yarrawonga, Victoria. As you can see he has a very good window display of Martin Bord Pottery. Mr Rutherford was very proud of it and thought you might be interested in seeing his show. [9]
1956 correspondence with QANTAS shows them placing a number of orders for Martin Boyd ceramics featuring Aboriginal designs. Some of these were sent to the London office of QANTAS. In January of the same year an article on the Martin Boyd Pottery appeared in the QANTAS publication 'Airways'. More exposure came in June 1956 when Fox Movietone News made a newsreel about the Pottery, which was released in all Sydney cinemas and later shown in Melbourne.
The Martin Boyd Pottery continued to operate thoughout the 1950s, reaching its peak in 1957-58 when around 80-85 people were employed. Its eventual closure came about in 1964, when, according to Norma Flegg, "Recessions in the early sixties severely curtailed markets forcing the retrenchment of highly skilled and valued staff." [10]

This administrative history was compiled by archivist Jill Chapman using The Martin Boyd Pottery archives, notes from research undertaken by Grace Cochrane and Victoria Kimpton and Megan Martin's draft history of the Martin Boyd Pottery.

Read more: http://www.powerhousemuseum.com/collection/database/?irn=141765#ixzz4ELtM4YMP
Under Creative Commons License: Attribution Non-Commercial
Hamilton Vera and Dobbs Cyril view full entry
Reference: The Bay and Padie book : kiddie songs / by Furnley Maurice ; illustrations by Vera Hamilton and Cyril Dobbs
Publishing details: Melbourne : Sydney J. Endacott, 1917 [i.e. 1918] 
[34] p. : ill.
Ref: 1000
Brown Edith Bellview full entry
Reference: See Lawsons, Australian and European Paintings, Furniture and Decorative Arts, Sydney, 23/11/1993, Lot No. 1:
Comprising: Playfair St, Looking South, Dec 1910, 32.5 x 20 cm The Old Shop, The Rocks, 21 x 15.5 cm Old Houses, The Rocks, 22.5 x 31.5 cm The Sardine Box, No 8 Clarence Lane, 24 x 16.5 cm Bettington St 1910, Parties Buildings, 23.5 x 14.5 cm Gloucester St, Tall House Ship Mermaid, 1910 21 x 14 cm Playfair St, Old Sydney, pencil, 36 x 24 cm Old Cottage, Trinity Avenue 1909, 24 x 14.5 cm Old Shop, Cnr Cumberland & Essex Sts 16.5 x 24 cm Back of Sailors' Return, Cambridge St, 17.5 x 26 cm Harrington St 1911, 18 x 28 cm Old Houses, Sydney 19.5 x 32 cm George Street North, 1910 21 x 15 cm Old Houses, Sydney, 22 x 29 cm Old Stove, Sussex St Nos 426 & 428, 19.5 x 24 cm Looking Towards The Argyle Cut, 32 x 24 cm Cumberland St, Sydney, 17 x 26.5 cm 2, 4 & 6 Harrington St, April 1911, 13.5 x 23 cm Trinity Avenue, 1911, 17 x 24 cm Old Houses, Sydney 31.5 x 22 cm 118 Cumberland St, Looking South, 18.5 x 28 cm Old Bird Shop Cnr, Argyle & Cambridge Sts 28 x 22 cm George St. North, 1910, 19 x 26 cm Cumberland St, Looking North, 24 x 21.5 cm George St North 1910, 17 x 24 cm Cumberland Street, Looking North, 23.5 x 32 cm. Watercolours. From the Estate of the Late J. H. Burden
Brown Edith Bell 1864-1946view full entry
Reference: See Mossgreen International Decorative Arts, 31/07/2016. Lot 411 of 989: AUSTRALIAN SCHOOL, Bank of NSW & EDITH J BELL BROWN (Australian 1864-1946), Lake & Beach side. Lake side, watercolour, signed lower left, 35 x 50 cm 7 Beach side, signed lower left, 32 x 46 cm $300 - $500.

Kingston Peterview full entry
Reference: see Look magazine, August, 2016 for article on Peter Kingston’s archive being given to the Art Gallery of NSW Library.
Publishing details: Art Gallery Society of NSW, 2016
Audette Yvonneview full entry
Reference: see Look magazine, August, 2016 for article on Audette by Denise Mimmochi. Referring to the Italian influence on her work.
Publishing details: Art Gallery Society of NSW, 2016
Russell John Peterview full entry
Reference: see Look magazine, August, 2016 for article on Russell by Wayne Tunnicliffe discussing upcoming retrospective and book in 2018 at the Art Gallery of NSW. Reference to AGNSW plan to buy ‘In the afternoon’, 1891.
Publishing details: Art Gallery Society of NSW, 2016
Whiteley Brettview full entry
Reference: see Look magazine, August, 2016 for article on new biography of Whiteley by Ashleigh Wilson
Publishing details: Art Gallery Society of NSW, 2016
Whiteley Brettview full entry
Reference: Brett Whiteley: Art, Life and the Other Thing, by Ashleigh Wilson. [’When he died in 1992 Brett Whiteley left behind decades of ceaseless activity—some works bound to a particular place or time, others that are masterpieces of light and line.

Whiteley had arrived in Europe in 1960 determined to make an impression. Before long he was the youngest artist to have work acquired by the Tate. With his wife, Wendy, and daughter, Arkie, Whiteley then immersed himself in bohemian New York. But within two years he fled, having failed to break through.

Back in Sydney, he soon became Australia’s most celebrated artist. He won the Archibald, Wynne and Sulman prizes in the same year—his prices soared, as did his fame. Among his friends were Francis Bacon and Patrick White, Billy Connolly and Dire Straits. Yet addiction was taking its toll: Whiteley struggled in vain to separate his talent from his disease, and an inglorious end approached.

Written with unprecedented behind-the-scenes access, and handsomely illustrated with classic Whiteley artworks, rare notebook sketches and candid family photos, this dazzling biography reveals for the first time the full portrait of a mercurial artist.’]
Publishing details: Text, 2016, hb, 432pp

Ref: 1009
Stoneham Leslieview full entry
Reference: (Howard leslie Stoneham?) see lot 587 Batemans Auctioneers & Valuers, UK, 6 August, 2016: Leslie Stoneham: 'Miners Houses, Old Gulgong, New South Wales, Australia', oil on board, with label verso dated 1976, and name and title on the back board, 34 by 43cm. [This raises possibility that Leslie-Stoneham was English but visiting Australia in the 1970s)
Anley Harriotview full entry
Reference: see Sydney Cove, 1840s by Harriot Anley
Oil. Presented by Colonel Barnett N Anley, 1935 ML 374
Publishing details: SLNSW
Allen V P Fview full entry
Reference: See A Memory of Sydney, 1936 VFP Allen
Polychrome relief print
Presented by J Scott, 1956 SSV1/Har/1930-1939/1 SLNSW
Silas Ellisview full entry
Reference: see Dunbar Sloane Auction Wellington NZ, 10 August, 2016: lot 30
ELLIS L SILAS (BRITISH, 1885–1972)
Wellington Harbour
gouache heightened with white signed ‘Ellis Silas’ (lower right) 46 x 71cm, unframed
$2,000 - 4,000
PROVENANCE
Private collection, Britain

Ellis Luciano Silas, was born in London on 13 July 1885. His father was an artist and designer and his mother an opera singer. He was educated by private tutors before working in his father’s studio, where he studied under the well-known artist Walter Sickert. Marine art became his main interest and he painted in English coastal towns. In 1907, he sailed to Australia. On 16 October 1914 Silas joined the Australian Imperial Force as a signaller with the 16th Battalion. He had served in the Royal NavalVolunteer Reserve for three years.

Silas was the only artist to paint and sketch actual battle scenes showing Australian soldiers in action at Gallipoli. He 32 was commissioned in 1919 by the Australian War Records Section to paint images of Gallipoli at the initiative of C. E. W. Bean who wanted ex-servicemen to paint from their experiences.
Dattilo-Rubbo Anthonyview full entry
Reference: see Dunbar Sloane Auction Wellington NZ, 10 August, 2016: lot 56, ANTONIO DATTILO RUBBO (ITALIAN/AUSTRALIAN, 1870-1955) Where Daddy Fell
oil on canvas
signed and dated ‘A. Dattilo Rubbo/ Sydney 1915’ (lower right); signed, inscribed with title and artist’s address to paper label on reverse
106 x 122cm
$7,500 - 12,500
PROVENANCE
Private collection, Manawatu
LITERATURE
‘Dominion’Volume 11, Issue 306 14 September 1918, p 9.
“This painting shows a brightly lighted interior, and near a window a table, on which an old man is nding on a map of Flanders the place where his son was killed in action.The
son’s widow is turning away in grief, while his son sits in sombre silence on the table and watches the old man’s hands. The boy’s face is a tri e hard, with very set jaws, but these are lads of the type to be found in Sydney.The lighting of the work saves it from the note of too painful tragedy which it would otherwise strike.”
Lauraine Diggins Collectors’ Exhibition 2016view full entry
Reference: Lauraine Diggins Collectors’ Exhibition 2016,
Publishing details: Lauraine Diggins, 2016, pb, 88pp
Ref: 63
Richardson Charles Douglas view full entry
Reference: see Lauraine Diggins Collectors’ Exhibition 2016, Extensive essays on many works. The last of the Flock 1882 and The Bather and study for Fleur de Lys
Publishing details: Lauraine Diggins, 2016, pb, 88pp
Ashton George Rossi Woman on a Pier, oilview full entry
Reference: see Lauraine Diggins Collectors’ Exhibition 2016, Extensive essays on many works.
Publishing details: Lauraine Diggins, 2016, pb, 88pp
Paterson John Ford Rickett’s Point 1908view full entry
Reference: see Lauraine Diggins Collectors’ Exhibition 2016, Extensive essays on many works.
Publishing details: Lauraine Diggins, 2016, pb, 88pp
Barabbas Claus Mayrhofer view full entry
Reference: From Wikipedia (to be properly translated): Claus Mayrhofer Barabbas

Claus Mayrhofer Barabbas
Claus Mayrhofer Barabbas (born May 2, 1943 in Vienna, † 10 January 2009 in Bendigo, Australia), in the 1960s and 1970s, also known as Harun Ghulam Barabbas, was an Austrian painter and free-jazz musician (saxophone and Shehnai) ,

Claus Mayrhofer came from a good bourgeois family. He grew up with his sister in a Döblinger Villa, a legacy of his mother, on. At the age he learned Padhi Frieberger know. By meeting Frieberger he came up with the Viennese art avant-garde scene to the gallery Next St. Stephen in contact and met artists like Andreas judgment, Josef Mikl and Arnulf Rainer know. He discovered that he was an artist and left fifteen years old not finish high school.

He slept with the stage name Barabbas. The painting performance by Georges Mathieu in the Theater am Fleischmarkt was a key experience for the young people. He painted a series of informal pictures he in a first retrospective at the gallery to Red Apple showed 1960th Friedensreich Hundertwasser, who had become aware of the young painter, invited him to his farmhouse after a Belleme in Normandie. Contact with Hundertwasser caused a change in the style of painting of Barabbas. Pop Art, Mexican or Indian folk art, surrealism, Art Brut, or the magic of the Orient he incorporated in his work; yet he nevertheless remained throughout his life, as he himself said, a Tachist Automatist at Heart. From 1961 Barabbas was one of the protagonists of the gallery to Red Apple. During this time, his first performances took place as a jazz musician with Walter Muhammad Malli and Richard Ahmad Pechoc that formed the foundation for the Masters of Unorthodox Jazz.

1965 moved Barabbas in the villa of his mother to Reichenau an der Rax. Othmar Zechyr also lived with his family for two years in this house. Ernst Fuchs, Walter M. Malli, Richard A. Pechoc and Heinz Stangl often came to visit. It was even the establishment of an artists' colony planned.

The American free jazz drummer Sunny Murray committed Barabbas in November 1968 two concerts in the Vienna Konzerthaus. The following year, Barabbas produced the first Austrian free jazz LP Overground with the Masters of Unorthodox Jazz (with Harun Ghulam Barabbas, alto saxophone, Alaedin eyrie, bassoon, Richard Ahmad Pechoc, piano, Toni Michlmayr, bass, and Walter Muhammad Malli, drums) , For the cover provided Arnulf Rainer a partly painted graphics available Gerhard Trumler photographed the Masters and Claus Pack authored the Case Text. This was followed by concerts in the Vienna Konzerthaus and the museum of the 20th century. 1971 came to the recording of the album Vienna Jazz Avantgarde, a double LP of Masters of Unorthodox Jazz with Fritz Novotny Reform Art Unit.

In 1969 Barabbas the price of the Vienna Art Fund of Fine Arts of the Central Savings Bank Vienna. From 1970 he was a member of the artist group The Circle. Malte Barabbas initially small paintings, the 1970s were marked by monumental works. In 1975, the 200 square meter painting Big-Bang, also Genesis was called, which is dedicated to the unity of humankind, issued at the Vienna Künstlerhaus in a Barabbas retrospective. 1977 came after his stay in New York City to a break in style from brightly colored to dark colors. This phase of work took seven years (1977-1984).

His images were again colored, as he moved in 1986 after Bali, where he stayed for three years as a result of a project sponsored by the Ministry of Education UNESCO transcultural exchange program and worked with the Udayana University in Denpasar.

From Bali, he moved in 1989 to Australia. There, Barabbas in Bendigo, a former gold mining town in the state of Victoria, let down. By his own way the Australian continent - in pictures - conquered, he created virtuoso metaphors of existence. "Biomorphic shape contraptions bring the cyclical nature of life, the resurrection of dead expression. They reveal the dynamics of being in flaming tongues of fire ... "[1]

On 10 January 2009 Barabbas died at his home in Bendigo.
Aldis Albertview full entry
Reference: see Deutscher and Hacket auction, 13 September, 2016, lot 70
ALBERT ALDIS
(1869 – 1921, British/New Zealand/Australian)
ROYAL PARK, MELBOURNE – SUMMER, 1892
oil on canvas
60.0 x 90.0 cm
signed and dated lower left: A.E. Aldis 1892
ESTIMATE: 
$6,000 – 9,000
PROVENANCE
Private collection, Melbourne
Leonard Joel, Melbourne, 10 November 1998, Lot 132 (as 'Royal Park Summer')
Private collection, Melbourne
CATALOGUE TEXT
In 1845 Governor Charles La Trobe set aside a reservation of 10.36 square kilometres for the new Royal Park as parkland and open space. Over the next one hundred and twenty years the area was significantly reduced with land allocations for Parkville residential areas, the Royal Melbourne Zoological Gardens (1861), Royal Melbourne Hospital (1944) and Royal Children’s Hospital (1957). Of historical note, in 1860 the Burke and Wills expedition set out from Royal Park to cross Australia from south to north.
This view by Albert Aldis of Royal Park in summer, 1892, looks towards the Melbourne Zoo in the distance. Opened in October 1862 and modelled on the London Zoo, the Melbourne Zoo, Australia’s oldest, covers an area of 22 hectares. Today, with an area of 181 hectares, Royal Park is the largest of Melbourne's inner city parks.
Flower Tomview full entry
Reference: see lot 148, Netherhampton Salerooms, 02 Sep 2016. Tom Flower. A pair of early twentieth century signed watercolours of Australian birds, a kookaburra and an Australian magpie. 22.25in (56.5cm) x 17.25in (44cm) Framed and glazed.
Earles Chester 1821-1905view full entry
Reference: From Douglas Stewart Fine Books catalogue September, 2016, # 1119: Four autograph letters signed by the colonial artist Chester Earles, 1856-57
EARLES, Chester (1821-1905)

4 letters, 7 pp (each 178 x 110 mm), tipped on to one old album page. Fine condition. A series of four letters, written when Earles was still resident in London (2 Gower Street), to Henry Mogford, organiser of exhibitions at the Crystal Palace. Earles refers to his paintings 'At the Foot of the Cross', 'Adam and Eve', and 'May', and complains in one letter that he found his picture lying on the floor of the exhibition. He also enquires whether Mogford would like some miniature paintings (probably on ivory) for a forthcoming exhibition.
Earles emigrated to Victoria in 1864. In 1866 he exhibited 'At the Foot of the Cross' at the Melbourne Intercolonial Exhibition. The jury noted that it was "one of the few figure pictures in the Exhibition" and considered it remarkable "for its feeling and careful execution". In 1869 Earles contributed fifteen paintings to the Melbourne Public Library Exhibition. Most were Biblical subjects or portraits, among them 'Adam and Eve', a miniature on ivory. Six of these works were exhibited later that year at the Ballarat Mechanics Institute. Earles was treasurer, and later president of the Victorian Academy of Arts.
Dickinson Sidney criticview full entry
Reference: From Douglas Stewart Fine Books catalogue September, 2016, # 2145: [HEIDELBERG SCHOOL] Art Lectures of Mr. Sidney Dickinson in College Hall, Amherst, Mass.
[SIDNEY DICKINSON; AMHERST COLLEGE]

[Amherst, Massachusetts] : Amherst College, [October 19] 1885. Ticket of admission, (55 x 105 mm), printed on both sides (recto with light stains and pin hole upper left).
The American art critic and journalist Sidney Dickinson (1851-1919) first visited Australia in 1888, delivering lectures on art in Sydney at the National Art Gallery of New South Wales and in Melbourne. After spending time in Paris and London he returned to Melbourne with his wife, Marion (née Miller), in 1890. Dickinson was immediately made honorary secretary of the Victorian Artists' Society, and his wife became executive vice-president of the Austral Salon of Music, Literature and the Arts, a club for Melbourne women writers. The Dickinsons remained in Melbourne until 1893, during which time Sidney Dickinson published numerous articles in the Australasian Critic concerning the arts in Australia. He was a key figure in the Australian art scene of the early 1890s, enthusiastic in his admiration and encouragement of the Heidelberg School artists Tom Roberts and Frederick McCubbin, in particular.
Smith Julian 1873-1948 photographerview full entry
Reference: See Douglas Stewart Fine Books catalogue September, 2016, Photographic portrait of the artist John Shirlow
[SHIRLOW, John 1869-1936]; SMITH, Julian 1873-1948
# 5541
Circa 1931. Gelatin silver print on textured paper, 390 x 310 mm, laid down on a contemporary mount of thick board, the print in fine condition (a tiny paper adhesion to lower edge). A superb portrait of the Melbourne artist John Shirlow - more noted for his etching than his painting -holding a brush and palette. 
A copy of the same print (with identical dimensions) is held in the collection of the National Library of Australia
Shirlow John 1869-1936view full entry
Reference: See Douglas Stewart Fine Books catalogue September, 2016, # 5541, Photographic portrait of the artist John Shirlow. SHIRLOW, John 1869-1936]; SMITH, Julian 1873-1948

Circa 1931. Gelatin silver print on textured paper, 390 x 310 mm, laid down on a contemporary mount of thick board, the print in fine condition (a tiny paper adhesion to lower edge). A superb portrait of the Melbourne artist John Shirlow - more noted for his etching than his painting -holding a brush and palette. 
A copy of the same print (with identical dimensions) is held in the collection of the National Library of Australia
Cant Jamesview full entry
Reference: see lot Colville Gallery
September 20, 2016, 6:00 PM AEST
Hobart, Australia, James Cant (1911 - 1982) - (Self Portrait) arguments.showAZLiveLink false
Estimate: AUD100 - AUD200
Description: Studies at Antonio Dattilo-Rubbo’s Saturday morning class and later East Sydney Technical College and Julian Ashton’s Sydney art School. In 1934 he left for London where the modernist artist Roy De Maistre, who had been an early influence, introduced him to artists and galleries. He exhibited in London 1935-38 returning to Sydney 1939 exhibiting at Macquarie Galleries. After the war he spend 5 years in London returning 1955 and living in Adelaide. AGSA Retrospective 1984 and joint exhibition of his art with that of his wife Dora Chapman in 1995.
Prout John Skinnerview full entry
Reference: Australian gold field guide illustrated by J.S. Prout, with all four maps and 3 (of 4) illustrations. Contents include general notices on Australia, Gold deposits & Gold Washing, Gold Fields of New South Wales, Gold Fields of Victoria, and Practical Hints to Emigrants. The author gets right to the seductive point, in the first sentence of General Notices: "Arrived on the other side of the globe ... after a voyage of about 16,000 miles, the British emigrant touches the shores of the great southern land of gold" (p1).The illustrations by John Skinner Prout (1806 - 1876) include: The Blue Mountains - Road to the Diggings; Summerhill Creek; and Mount Alexander. The four folding maps, with hand colored highlights in bright yellow, include New South Wales (North, Central and South) and Victoria, or Port Phillip. The Victoria map with three bright yellow highlights in the region of Ballarat, at Warraneep M., M. Blackwood, and east of Orr.The contents page with a small bookplate of Anne Renier and F. G. Renier, noted British book collectors whose children's literature collection was donated to the Victoria and Albert. 8vo, 92pp. Lacking the front wrapper (as is often the case), the frontispiece, title page, first few pages & spine. Ferguson 6374 states 8vo, Pp [iv] (advertisements), [iv], 92pp, last blank. Four illustrations and four maps. " This copy has 2pp of ads, 1 contents page, all 4 maps and 3 (of 4) illustrations. First 3 leaves detached and upper corner chipped, not affecting text. Contents dusty along top edge; this looks like a copy taken to the diggings! The four maps with a bit of toning along upper edge, otherwise in very good condition. Trove records copies at National Library of Australia, State Library of New South Wales, and State Library of Victoria. F6374. OCLC: 315681101 records only one copy at the National Library of Scotland; other copies recorded are digital. [With Antipodean Prints, Maps & Books, Sept 2016]
Ref: 1000
Akinin Roger 1950-2016view full entry
Reference: see The Private Collection of the Late Roger Akinin, Lawsons online sale, 30 Sept, 2016. Landscape artist, exhibited in Wynne Prize 1988.
Wilson Shonaview full entry
Reference: ‘Offering’, exhibition invite with biographical information
Publishing details: Arthouse Gallery, 2016, 2pp
Ref: 223
Walker Emmaview full entry
Reference: ‘Sediment Songs’, exhibition invite with biographical information
Publishing details: Arthouse Gallery, 2016, 2pp
Ref: 223
Powditch Jamesview full entry
Reference: see Look Magazine, article by Catherine Keenan on Powditch’s entry in the Archibald Prize 2016
Publishing details: Look Magazine, Sept., 2016, p34-5
Jones Jonathanview full entry
Reference: see Look Magazine, article by Joyce Morgan on Jones’s installation in Botanic Gardens
Publishing details: Look Magazine, Sept., 2016, p36-9
Luc Phamview full entry
Reference: exhibition invite to ‘Four Paintings from the War Years’ at Martin Browne Contemporary, including biographical information.
Publishing details: Martin Browne Contemporary, 2016, 6pp with price list
Ref: 223
Vongpoothorn Savanhdaryview full entry
Reference: exhibition invite to ‘Ramayana on the Mekong’ at Martin Browne Contemporary, including biographical information.
Publishing details: Martin Browne Contemporary, 2016, 6pp with price list
Ref: 223
Grogan Lucasview full entry
Reference: exhibition invite to exhibition at Martin Browne Contemporary, no biographical information.
Publishing details: Martin Browne Contemporary, 2016, 4pp with price list
Ref: 223
Braithwaite Joannaview full entry
Reference: exhibition invite to exhibition ‘Social Animal’ at Martin Browne Contemporary, with biographical information. All works illustrated.
Publishing details: Martin Browne Contemporary, 2016, 20pp with price list
Ref: 223
Carmichael Johnview full entry
Reference: see Australiana Magazine, August 2016, Vol 38, no. 3, p5-10. Article by Karen Eaton focusing on Carmichael’s engraving of George Street 1828-1829.
Publishing details: Australiana Magazine, August 2016, Vol 38, no. 3
Fahy Kevinview full entry
Reference: see Australiana Magazine, August 2016, Vol 38, no. 3, for biographical article by John Wade, pages 14-23.
Publishing details: Australiana Magazine, August 2016, Vol 38, no. 3
Peterson Leonard Wilton jewellerview full entry
Reference: see Australiana Magazine, August 2016, Vol 38, no. 3, for biographical article.
Publishing details: Australiana Magazine, August 2016, Vol 38, no. 3
Adelaide jewellersview full entry
Reference: see Australiana Magazine, August 2016, Vol 38, no. 3, for biographical article by Leonard Wilton Peterson, Adelaide jeweller.
Publishing details: Australiana Magazine, August 2016, Vol 38, no. 3
Australian jewelleryview full entry
Reference: see Australiana Magazine, August 2016, Vol 38, no. 3, for biographical article by Leonard Wilton Peterson, Adelaide jeweller.
Publishing details: Australiana Magazine, August 2016, Vol 38, no. 3
Peddle Georgeview full entry
Reference: see Australiana Magazine, August 2016, Vol 38, no. 3, for book review of ‘The Men who made the Celebrated Chairs, Windsor Chair-making in Australia’.
Publishing details: Australiana Magazine, August 2016, Vol 38, no. 3
Peddle chairsview full entry
Reference: ‘The Men who made the Celebrated Chairs, Windsor Chair-making in Australia’, by Denis Lake
Publishing details: Pagunta Press, 2016, hc, 173pp
Ref: 1000
Radke Bruceview full entry
Reference: Biographical information realted to item on eBay, 28 September, 2016: Bruce Radke, sculptor, was born in 1950 in Brisbane, Australia. Radke’s early career in geology saw him travel the Kimberleys, in Australia’s Northern Territory, and north-western Queensland, where he worked as a geologist for four years beginning in 1972. Radke then attended the Rensselaer Polytechnic Institute, Troy, New York, as a doctoral candidate in geology. Receiving his Doctorate in 1982, he worked for four years as a marine geologist in the Great Barrier Reef in northern Queensland, where he began exploring painting and sculpture. In 1983, Radke completed a one-year Sculpture Workshop at the Canberra School of Art. He resumed work as a marine geologist in the South Pacific with the United Nations Development Program in 1984, before devoting three more years at the Canberra School of Art, where he forged a new career as an artist. Taking residencies in Kuala Lumpur and Malaysia prior to establishing a studio in Pialligo, Australian Capital Territory. In addition to being represented in private collections in Australia and abroad, Radke’s work is held in a number of public collections, including the Lady Nock Sculpture Collection, the Queen Beatrix Floriade Sculpture Collection, the University of Canberra, and the Sarawak Museum, Malaysia.
Midlands Collectionview full entry
Reference: The Midland Collection of early Sydney lithographs. Elephant folio containing elephant folio-sized facsimiles of various 18th and 19th century artists' coloured engravings and lithographs of Sydney Harbour, Vaucluse, Bligh's banishment from the Bounty, Elizabeth Bay and Elizabeth Bay House and Sydney from the East Side of the Cove. Artists include Conrad Martens, Sydney Thomas Gill, Edward Thomas, John Eyre and T.G Dutton. A beautiful collection of prints in almost-new condition.
Publishing details: Collated by the Associated Midland Group and presented to the Museum of Arts and Applied Sciences in 1983.
Ref: 1000
Dutton T Gview full entry
Reference: The Midland Collection of early Sydney lithographs. Elephant folio containing elephant folio-sized facsimiles of various 18th and 19th century artists' coloured engravings and lithographs of Sydney Harbour, Vaucluse, Bligh's banishment from the Bounty, Elizabeth Bay and Elizabeth Bay House and Sydney from the East Side of the Cove. Artists include Conrad Martens, Sydney Thomas Gill, Edward Thomas, John Eyre and T.G Dutton.
Publishing details: Collated by the Associated Midland Group and presented to the Museum of Arts and Applied Sciences in 1983.
Ref: 1000
Williams John Fview full entry
Reference: See Look Magazine October, 2016, obituary iof John F. Williams, p9
Tipping Richardview full entry
Reference: See Look Magazine October, 2016, article pp 14-15
Lewis Martinview full entry
Reference: See Look Magazine October, 2016, article on acquiition of a Martin Lewis etching Glow of the City, p19
Olsen Johnview full entry
Reference: See Look Magazine October, 2016, article on Spanish paintings pp26-29
Hearman Louiseview full entry
Reference: See Look Magazine October, 2016, article on her portrait of Barry Humphries for Archibald Prize. p32-33
Thompson Henryview full entry
Reference: made amateurish drawings in his ship journal 1840s. See: Two interesting early Victorian naval journals, with an account of the China War 1841, the loss of the ship Viscount Melbourne and voyage to London from Sierra Leone on the Barque Ceres, written by Henry Thompson of White Cottage, Old Kent Road, London; one journal started December 31st 1842 starts with the journal of the voyage from London to Sierra Leone on the Barque Ceres commencing December 31st 1842 ending March 6th 1843, each page with records of Thompson's days work recording the receiving of cargo, records of daily duties, weather and locations, on page 86 is a journal of a voyage from London to Sidney in the Barque Aden commencing Sept. 1st 1843 ending January 3rd 1844 commanded by A.S. Wadell and the journey from Port Phillip towards London, the second journal a more thorough journal of a voyage from Port Phillip towards London commencing March 30th 1844 ending Thursday August 29th 1844 including ink sketches of natives of New South Wales, ship pencil sketches, the back with an account of the China War 1841. Lot 626, Lodge and Thomas auction , UK, 30.9.2017, Included ‘Aborigines of New South Wales’.

Ettelson Jamesview full entry
Reference: Garden Crashers, exhibition invite with biographical information
Publishing details: Arthouse Gallery, 2016, 2pp
Ref: 223
Gillie and Marc Schattnerview full entry
Reference: in Good Weekend SMH magazine, articcle by Stephen Lacey, 8 Octover, 2016,
Publishing details: Sydney Morning Herald, Good Weekend, 8 October, 2016
Ref: 223
Zavros Michaelview full entry
Reference: in Good Weekend SMH magazine, articcle by Candida Baker, 8 Octover, 2016,
Publishing details: Sydney Morning Herald, Good Weekend, 8 October, 2016
Ref: 223
Stitt Alexander illustratorview full entry
Reference: obituary in Sydney Morning Herald 11 October, 2016, p31 written by Malcomb Brown
Publishing details: SMH 2016
Ref: 136
Hopwood Henry Silkstoneview full entry
Reference: see The West Australian, 10 December, 1914, p9: Henry Silkstone Hopwood, one of the most brilliant of the Engiish water-colour
artists. died in tragic circumstances in a
studio in Edinburgh. a revolver with an
empty chamber having been found in his
hand. For several years .Mr. Ilopwood's
health had been very indifferent, and only two weeks before his death he went to Edinburgh at the conclusion of a voyage to the East, from which it was honed that he had derived some benefit. His intention had
been to paint various subjects' in the city,
but an almost continual attack of insomnia
prevented him from entering on his work,
and for several days tbefore his death the
strain of sleeplessness had been weighing
heavily upon him. Mr. Hopwood is sur
vived by a wife and a young son.
Hopwood Henry Silkstoneview full entry
Reference: see SMH 21 June, 1890, p10: BRUSH CLUB.
The Brush Club, consisting of amateur artists and their friends, held its monthly meeting at the Royal Foresters' Hall last evening. Mr. H. S. Hopwood presided. A large number of sketchcs on the subject
of "Still life" wore handed in and balloted for.
Several of the skotches wero very creditable. Messrs E. L Montefiore (a trustee of the Art Gallery), Robt.
Sands, Lionel Cowan, anl Signor Nerli were created members. The remainder ot the evening was spent in speeches, singing, etc, by the members.
Sands Robertview full entry
Reference: see SMH 21 June, 1890, p10: BRUSH CLUB.
The Brush Club, consisting of amateur artists and their friends, held its monthly meeting at the Royal Foresters' Hall last evening. Mr. H. S. Hopwood presided. A large number of sketchcs on the subject
of "Still life" wore handed in and balloted for.
Several of the skotches wero very creditable. Messrs E. L Montefiore (a trustee of the Art Gallery), Robt.
Sands, Lionel Cowan, anl Signor Nerli were created members. The remainder ot the evening was spent in speeches, singing, etc, by the members.
Nerli Girolamoview full entry
Reference: see SMH 21 June, 1890, p10: BRUSH CLUB.
The Brush Club, consisting of amateur artists and their friends, held its monthly meeting at the Royal Foresters' Hall last evening. Mr. H. S. Hopwood presided. A large number of sketchcs on the subject
of "Still life" wore handed in and balloted for.
Several of the skotches wero very creditable. Messrs E. L Montefiore (a trustee of the Art Gallery), Robt.
Sands, Lionel Cowan, anl Signor Nerli were created members. The remainder ot the evening was spent in speeches, singing, etc, by the members.
Montefiore E Lview full entry
Reference: see SMH 21 June, 1890, p10: BRUSH CLUB.
The Brush Club, consisting of amateur artists and their friends, held its monthly meeting at the Royal Foresters' Hall last evening. Mr. H. S. Hopwood presided. A large number of sketchcs on the subject
of "Still life" wore handed in and balloted for.
Several of the skotches wero very creditable. Messrs E. L Montefiore (a trustee of the Art Gallery), Robt.
Sands, Lionel Cowan, anl Signor Nerli were created members. The remainder ot the evening was spent in speeches, singing, etc, by the members.
Cowan Lionelview full entry
Reference: see SMH 21 June, 1890, p10: BRUSH CLUB.
The Brush Club, consisting of amateur artists and their friends, held its monthly meeting at the Royal Foresters' Hall last evening. Mr. H. S. Hopwood presided. A large number of sketchcs on the subject
of "Still life" wore handed in and balloted for.
Several of the skotches wero very creditable. Messrs E. L Montefiore (a trustee of the Art Gallery), Robt.
Sands, Lionel Cowan, anl Signor Nerli were created members. The remainder ot the evening was spent in speeches, singing, etc, by the members.
Hopwood Henry Silkstoneview full entry
Reference: see Evening News Sydney, 9 Sept p3: No. 12, ' On Hunter's Beach,'' by H. S. Hopwood, is a sketch by a master hand.

Hopwood Henry Silkstoneview full entry
Reference: see William Moore, Story of Australian Art, vol 1, p 16511:58:52 AM ‘a big, genial Bohemian who could sing a song and tell a yarn with the best.’ And ‘The arrival of H. S. Hopwood from England in 1888 brought a welcome change...’ And ‘Owing to the state of his health, H. S. Hopwood came out to Sydney in the sailing-ship Thomas Stevens... After remaining here for two years he returned to London...’
Wiltshire Helenview full entry
Reference: Information from eBay listing, October, 2016:: Helen Wiltshire was born in Melbourne and became a well known painter. She exhibited her highly coloured and bold work in Australia, Japan and the USA and produced work on commission for IBM, Landrover, Cairns International Airport, Quicksilver Cruises and many others.  More of her work can be seen here: http://www.helenwiltshiregallery.com.au/PrintsGallery2.htm
Grier Louisview full entry
Reference: see C. Adventures Among Pictures, by Lewis Hind . With Twenty-Four Illustrations, Eight of Which are Reproduced in Colours of the Original Paintings, and Sixteen in Black and White. (A work by Grier as frontispiece). Charles Lewis Hind (1862-1927) was a British journalist, writer, editor, art critic, and art historian, co-founder of ‘The Studio. There is a single paragraph on Louis Grier on page 83: ‘Mr. Louis Grier [paints] landscapes and marines, to which he brings a sense of decorative beauty, and a subtle feeling for colour that never fails him. There is essential beauty in his “Plain-land.” The pattern of these still blue pools, the space about them, and the simplicity of the three trees rest and refresh the eye.’
Publishing details: Adam and Charles Black, Binding: Hardcover, 1904. 302 pages.
Hind C Lewisview full entry
Reference: Adventures Among Pictures, by Lewis Hind . With Twenty-Four Illustrations, Eight of Which are Reproduced in Colours of the Original Paintings, and Sixteen in Black and White. (A work by Australian artist Louis Grier is used as frontispiece)
Publishing details: Adam and Charles Black, Binding: Hardcover, 1904. 302 pages.
Cusack Michaelview full entry
Reference: ‘No Matter’, exhibition catalogue, Martin Brown Contemporary. Biographical details. 14 works. Illustrated.
Publishing details: Martin Brown Contemporary, 2016, 20pp, pb. Price list inserted.
Ref: 223
Lewis martinview full entry
Reference: see AASD websiten, posted 19 October, 2016: Aussie Art Collector Trumps New Yorkers as Record Price Paid for Martin Lewis Etching. By David Hulme & Brigitte Banziger, On 18-Oct-2016 at Swann Galleries, an Australian art collector swooped in to purchase five prints by one of the US most revered printmakers, Australian Martin Lewis, born in Castlemaine in 1881. Not well known in his native Australia, Lewis is famed also for having taught American great Edward Hopper to etch. Today, Martin Lewis’ scenes of the 1920s and 30s New York are iconic and highly sought after.

At Swann Galleries in New York, an Australian art collector swooped in to purchase five etchings by one of the US most revered printmakers, Australian Martin Lewis, born in Castlemaine in 1881. Relics (Speakeasy Corner), (above) the artist’s most popular work, sold for the joint record price of US$52,500 IBP.
There were in fact nine Martin Lewis prints offered for sale at Swann Galleries on 22 September, all sold, with 5 going to one Australian enthusiast for the artist’s work.
Bridge Near Nikko, 1926 sold for US$1,625 IBP, Cronies, 1932, sold for US$3,500 IBP on US$3,000-5,000 estimate. Spring Night, Greenwich Village, 1930, an atmospheric work with estimates of US$15,000-20,000 was well bought at US$10,625 IBP. Chance Meeting, 1940/41, with a very war-time feel was estimated at US$7,000-10,000 and fetched US$10,000 IBP.
The prize of the night however went to what Swann Galleries referred to as Martin Lewis’ most popular print which sold out soon after completion in 1928: Relics (Speakeasy Corner) was estimated at US$30,000-50,000 and was secured for a joint record price of US$52,500 IBP (AU$69,000).
This equals the record price paid for Shadow Dance, 1930, sold through Swann in September 2010, and Glow of the City, 1929, also sold at Swann Galleries in March 2015.
Incidentally, The Art Gallery of New South Wales have just announced their own new acquisition of Glow of the City with funds provided by the Art Gallery Society, adding to their earlier purchase of Lewis’ Stoops in the Snow.
In 2002, Castlemaine Regional Gallery staged the exhibition Martin Lewis – Stepping into the Light, which toured to Devonport Regional Gallery, Heide Museum and Queensland Art Gallery.
There are just two auction records for Martin Lewis’ work listed in Australia, both with Leonard Joel almost exactly 13 years ago: Moonrise was estimated at $800-1,200, but rising to $3,250 hammer, while New York trumped its $1,000-$1,500 estimate with ease and sold for an $8,000 hammer price on 13 October 2003.
Sale reference: Swann Auction Galleries, New York, 19th and 20th Century Prints & Drawings, 22 September 2016
Meston Emilyview full entry
Reference: See Scheding research Folder. Includes the following information:
ASNSW exhibits in
1893, 189 Chrysanthenums 6gn oil ; 190 Roses 5gn oil; 297 Blue wing duck, 5gns oil; 303 Begonias 5gns oil;
1894, 196 Prairie Grass and Bulrushes, 8gns oil; 198 Roses, 5gns oil;201 New Zealand Duck, 4gns oil; [others exhibiting alongside = Ethel Stephens, Emily Paul, Alice Muskett, Jessie Scarvell, Mary Stoddard. Edith Cusack who exhibited a portrai of Emily in ASNSW in 1894]; 222 Portrait of Mrs G B Robertson nfs oil; 289 Narrabeen Beach, 4gns oil;
1901Com, 1 19 Portrait of Dr F W Hall nfs oil; 91 Breath-bloom, Shade and Shine, 20gns oil; 118 Waratahs, 15gns oil;
1902, 16 Spring Flowers, 15gns oil; 23 portrait Jas Ashton esq MLA, oil, nfs; 42 Study of Grapes, 20gns oil; 127 Portrait of a Child, 20gns oil;
1903, 116 Portrait (Master Struan Robinson) oil nfs; 163 Gladioli, 10gns oil;
1915 war, 24 Canterbury House, 6gns, oil [listed as ‘The late’


Emily Meston studied (alongside Eva M. Mofflin) at the National Gallery School in Melbourne before moving to Sydney in the early 1890s. She exhibited at the Art Society of NSW and then at the Society of Artists. She showed work at the seminal 1907 ‘Women’s Work Exhibition’ at Melbourne and at the Women Painters’ exhibition at Bradley’s Rooms, Sydney – an exhibition that led to the formation of the NSW Society of Women Painters, which elected Meston Hon. Treasurer.

Ref: 136
Preston Walter (or Presston)view full entry
Reference: see lot 265 Books and Works on Paper: Part II - Incl. Travel & Natural History
by Dreweatts & Bloomsbury, October 27, 2016, Engraving after after J.R. Brown, from Views of New South Wales, engraving, 280 x 400mm., some spotting and surface dust, Sydney, Absalom West, 1812. Walter Preston, or Presston as appears on this plate, was convicted of highway robbery, sentenced to life transportation, and arrived in Sydney in January, 1812. He was placed with Absalom West, and was soon engaged in engraving most of the twenty four plates in 'Views in New South Wales', eventually published by West as a set in 1814. Two of these were after J.R. Brown, most likely to be identified as John Brown, who had arrived in 1810, and was listed as a 'painter in the colony', as most of the population of New South Wales at that time, as well as the artists and engravers engaged by West, were convicts. Preston was later sent to a convict gang in Newcastle, where he most likely met Captain James Wallis, for whom he engraved all twelve plates for his 'An Historic Account of the Colony of New South Wales and its Dependent Settlements', and who secured him an absolute pardon in 1819.
Brown J R (possibly John Brown)view full entry
Reference: see lot 265 Books and Works on Paper: Part II - Incl. Travel & Natural History
by Dreweatts & Bloomsbury, October 27, 2016, Engraving after after J.R. Brown, from Views of New South Wales, engraving, 280 x 400mm., some spotting and surface dust, Sydney, Absalom West, 1812. Walter Preston, or Presston as appears on this plate, was convicted of highway robbery, sentenced to life transportation, and arrived in Sydney in January, 1812. He was placed with Absalom West, and was soon engaged in engraving most of the twenty four plates in 'Views in New South Wales', eventually published by West as a set in 1814. Two of these were after J.R. Brown, most likely to be identified as John Brown, who had arrived in 1810, and was listed as a 'painter in the colony', as most of the population of New South Wales at that time, as well as the artists and engravers engaged by West, were convicts. Preston was later sent to a convict gang in Newcastle, where he most likely met Captain James Wallis, for whom he engraved all twelve plates for his 'An Historic Account of the Colony of New South Wales and its Dependent Settlements', and who secured him an absolute pardon in 1819.
Simpson Peterview full entry
Reference: ‘Water Throgh Trees’, exhibtion invite, Arthouse Gallery 2016, with biographical information.
Publishing details: Arthouse Gallery 2016, 2pp
Ref: 136
Smith Grace Cossingtonview full entry
Reference: see Look Magazine, article by Denise Mimmocchi on ‘Arums Growing’, 1926. Recent acquisition.
Publishing details: Look Magazine, November December, 2016 p30
Nicholas Hilda Rixview full entry
Reference: see Look Magazine, article by Denise Mimmocchi on ‘’Through the Gum Trees, Toongabbie, c1920. Recent acquisition.
Publishing details: Look Magazine, November December, 2016 p32
Harding Nicholasview full entry
Reference: see Look Magazine, article by Helen O’Neill
Publishing details: Look Magazine, November December, 2016 p62-68
Docking Gil and Shayview full entry
Reference: see Look Magazine, article by Steven Miller on the gifting of a Paddington terrace to the Art Gallery of NSW
Publishing details: Look Magazine, November December, 2016 p70
Art Society of New South Wales (later Royal Art Society)view full entry
Reference: The First Exhibition of the Art Society of New South Wales… The inaugural exhibition catalogue.

The rare catalogue of the Society's inaugural exhibition held at the Garden Palace which had been purpose-built for the Sydney International Exhibition in 1879. An impressive two hundred and twenty oils, watercolours and drawings were hung: Mrs. Alfred Williams' painting Ophelia, the most expensive at £75, was highly praised by the Bulletin art critic at the time. Her identification as Mrs. Florence E. Williams gives more understanding of the high price as she had exhibited under that version of her name at the Royal Academy since her teens before coming to Australia.

Her inclusion was significant for, as Joan Kerr has noted, "Florence's paintings seem unique for Australia at the time when domestic genre paintings are almost unknown." Florence was a founding member of the Art Society and had been a friend and pupil of (and much influenced by) Millais. As one of the very few figure paintings in the exhibition Ophelia gained most attention, but she also had four other oils in the exhibition. An earlier painting (not in this exhibition) of a crimson Rosella set against lush vegetation and Mount Wellington was sold for a record $90,000 in 2015.

As well, the catalogue notes W. C. Piguenit's Sydney Harbour from North Shore priced at £52.10.0 (in modern times it reached $198,000 at Melbourne auction). The catalogue also records works by Collingridge, Halstead and Short, as well as seven New Zealand watercolours by J C Hoyte (the President of the Society). The list of "Working Members" names 80 artists and the Honorary and subscribing Members 47, notably Sir Henry Parkes.

From 1871 the New South Wales Academy of Art had held annual exhibitions and had urged the establishment of a Public Art Gallery. This had as much to do with inter colonial rivalry - Melbourne had opened its Gallery in 1861 - as it did about fine art. Once a permanent home for the collection had been found the New South Wales Academy of Art dissolved in 1880 and it was acknowledged that an 'artists' society' was needed: a society of professional artists rather than the more inclusive Academy. Artists, led by Arthur and George Collingridge, sought to establish an Australian school of painting and the first exhibition of The Art Society of New South Wales was held in December 1880 following its formation in July of that year.

This catalogue notes that the Society was established for the 'promotion and preservation of the Fine Arts in Sydney" and to "enable professional artists to exhibit their works advantageously." Further aims of the Society were lectures on art, and a sketching club. The Life Class, already established will 'give rise to a greater variety in the works…."

This catalogue is a rare surviving record of the Art Society's first exhibition and succinctly captures the impressive depth of Australian Art in the late nineteenth century.

[From Hordern House, 2016]
Publishing details: [ART SOCIETY OF NEW SOUTH WALES]
Sydney: Turner & Henderson, 1880.
Duodecimo, pp. 22, [ii]; original wrappers

Ref: 1000
Arago Jamesview full entry
Reference: see Hordern House catalogue, October, 2016: Original drawing "M le curé d'Agana en petit negligé" by Jacques.
Guam: 1819.
Original ink drawing, 310 x 245 mm., fully signed and dated, framed.
A priest of Guam takes his ease during the Freycinet visit

Jacques Arago, artist on board the Uranie during the French circumnavigation of 1817-20, drew this intimate portrait of the priest in Agana, the capital of Guam, during the visit there of the Uranie expedition between March and June 1819. This is a charming and unusual portrait of a figure who likely expected to be taken more seriously: the cleric is shown in his "at home" attire, smoking. His relaxed stance, dressed in a vest and daringly striped leggings is further enriched by the addition of the most delicate slippers.

Arago (1790-1855) was not only the most accomplished of the artists who made the voyage aboard the Uranie, but was one of the most intriguing of the early travellers. The wonders of the long expedition stayed with him for the rest of his life, and he continued writing and drawing about the Pacific right up until he lost his sight. In 1822 he published his own well-regarded account of the voyage, Promenade Autour du Monde, which was published in an English version in 1823. Over the ensuing decades he wrote many more differing versions of this interesting account. Arago was one of four famous brothers, three of whom were respected authors and artists (the fourth a general).

The Freycinet expedition stayed for a long time in Agana where they were well received by the Spanish Governor Don Jose Medinilla. As several of the Uranie crew had recently died from dysentery, Louis de Freycinet took this opportunity to rest his men for several months. Here in the Marianas the Spanish missionaries were both powerful and respected and the sailors were required to attend holy week services. Arago was particularly known for his lively and arresting images of the people he encountered, with a distinct preference for the unusual or the grotesque. Whether the priest knew that Arago was drawing him at this intimate moment is not known, but as the drawing remained, unpublished, though fully signed and dated, in the archives of Captain Louis de Freycinet and his descendants it is more likely that Arago captured this image surreptitiously, and certainly the satirical tone of the caption - with its reference to the curé in his petit negligé - suggests that this delightful vision of the priest off his guard was not meant to be shared. Original drawing "M le curé d'Agana en petit negligé".
[FREYCINET] ARAGO, Jacques.
Guam: 1819.
Original ink drawing, 310 x 245 mm., fully signed and dated, framed.
A priest of Guam takes his ease during the Freycinet visit

Jacques Arago, artist on board the Uranie during the French circumnavigation of 1817-20, drew this intimate portrait of the priest in Agana, the capital of Guam, during the visit there of the Uranie expedition between March and June 1819. This is a charming and unusual portrait of a figure who likely expected to be taken more seriously: the cleric is shown in his "at home" attire, smoking. His relaxed stance, dressed in a vest and daringly striped leggings is further enriched by the addition of the most delicate slippers.

Arago (1790-1855) was not only the most accomplished of the artists who made the voyage aboard the Uranie, but was one of the most intriguing of the early travellers. The wonders of the long expedition stayed with him for the rest of his life, and he continued writing and drawing about the Pacific right up until he lost his sight. In 1822 he published his own well-regarded account of the voyage, Promenade Autour du Monde, which was published in an English version in 1823. Over the ensuing decades he wrote many more differing versions of this interesting account. Arago was one of four famous brothers, three of whom were respected authors and artists (the fourth a general).

The Freycinet expedition stayed for a long time in Agana where they were well received by the Spanish Governor Don Jose Medinilla. As several of the Uranie crew had recently died from dysentery, Louis de Freycinet took this opportunity to rest his men for several months. Here in the Marianas the Spanish missionaries were both powerful and respected and the sailors were required to attend holy week services. Arago was particularly known for his lively and arresting images of the people he encountered, with a distinct preference for the unusual or the grotesque. Whether the priest knew that Arago was drawing him at this intimate moment is not known, but as the drawing remained, unpublished, though fully signed and dated, in the archives of Captain Louis de Freycinet and his descendants it is more likely that Arago captured this image surreptitiously, and certainly the satirical tone of the caption - with its reference to the curé in his petit negligé - suggests that this delightful vision of the priest off his guard was not meant to be shared.




Catani Ugoview full entry
Reference: see Mossgreen auction catalogue, 21 November, 2016, lot 10, Collins Street, Rainy Weather, 1887. Essay by Petrit Abazi. Biographical information.
Ref: 123
Cook William Delafieldview full entry
Reference: see Mossgreen auction catalogue, 21 November, 2016, lot 14, ‘Sofa with Cushions, charcoal. Essay by Francis Lindsay.

Onus Linview full entry
Reference: see Mossgreen auction catalogue, 21 November, 2016, lot 38, ‘24 Hours by the Numerill Moonlight 1993’, essay by Francis Lindsay
Piccinini Patriciaview full entry
Reference: see Mossgreen auction catalogue, 21 November, 2016, lot 112, ‘Felicity’, essay by Francis Lindsay
Barabbas Claus Mayrhofer view full entry
Reference: Claus Mayrhofer Barabbas - The Transcultural Worlds of an Out-There Artist, essays by Elisabeth Voggeneder, Manfred M. Lang and Andreas Felber. Biographical information, list o exhibitions, bibliography. Extensively illustrated. Published in English and in German.The artist worked in Australian from 1989-2009.
Publishing details: Ambra, 2013, pb, 184pp
Norton Rosaleenview full entry
Reference: see King’s Cross calling by BREWSTER, H.D.; LUTHER, Virginia (illustrator)

Self-published book on Sydney's famous bohemian and red light district, King's Cross. While it is essentially a guidebook for visitors, it is also full of historical anecdotes about the Cross' legendary characters. The cover was designed by perhaps its most infamous denizen, the Witch of the Cross herself, Rosaleen Norton.
Publishing details: Sydney, NSW : H.C. Brewster, [1945]. Octavo, original pictorial wrappers, featuring a design by Rosaleen Norton, title page and last leaf with off-setting and foxing, 128 pp, illustrated with sketches by Virginia Luther.
Luther Virginiaview full entry
Reference: see King’s Cross calling by BREWSTER, H.D.; LUTHER, Virginia (illustrator)

Self-published book on Sydney's famous bohemian and red light district, King's Cross. While it is essentially a guidebook for visitors, it is also full of historical anecdotes about the Cross' legendary characters. The cover was designed by perhaps its most infamous denizen, the Witch of the Cross herself, Rosaleen Norton.
Publishing details: Sydney, NSW : H.C. Brewster, [1945]. Octavo, original pictorial wrappers, featuring a design by Rosaleen Norton, title page and last leaf with off-setting and foxing, 128 pp, illustrated with sketches by Virginia Luther.
Ref: 1000
Cawthorne William Andersonview full entry
Reference: From Douglas Stewart Fine Books, November, 2016: Sth. Aust. Aboriginal defending himself, by
William Anderson Cawthorne (1825-1897)
catalogue number: 14252
[Title from artist's caption]. Watercolour and pencil on paper, 155 x 114 mm (sheet), 90 x 90 mm (image); signed and dated in pencil by the artist beneath the image 'W. Cawthorne, Adelaide, 1868', artist's caption in pencil at bottom edge of sheet 'Sth. Aust. Aboriginal defending himself'; mild scattered foxing; verso with early twentieth century annotations in pencil, including '359 Collins Street', the address of Melbourne art auctioneers Arthur Tuckett & Sons.
The South Australian colonial sketcher and watercolourist William Anderson Cawthorne arrived in Adelaide in 1841, having travelled from England via South Africa. In 1855 he opened his own school of art, the Victoria Square Academy. According to the entry on Cawthorne in the DAAO he was a 'prolific and vivacious recorder of Aboriginal and European colonial life', and during the 1860s and 1870s numerous engravings after his drawings and watercolours were published in Adelaide and Melbourne periodicals. He prepared his Rough notes on the manners and customs of the natives for a lecture delivered in Adelaide in 1864; this was published in 1927 by the South Australian branch of the Royal Geographical Society of Australasia. Cawthorne also authored and illustrated Who Killed Cockatoo? (Adelaide, 1862), one of the earliest known Australian illustrated children’s books. Examples of Cawthorne's work are held in both the Mortlock and Mitchell Libraries. An album of Cawthorne's watercolours of the Aborigines of South Australia in the Mitchell Library (Album of sketches of the Aborigines of South Australia, ca. 1855, call no. PXA 1490) contains compositions and subject matter very similar to the previously unrecorded Cawthorne watercolour we offer here. 

Paris Admiralview full entry
Reference: From Douglas Stewart Fine Books, November, 2016: Album pittoresque d’un voyage autour du monde exécuté par ordre du Gouvernement Francais
HENRICY, Casimir (1814 - 1900)
# 14457

The circumnavigation by Admiral Paris in the Artémis took place between 1837 and 1840. The engravings from the original drawings include a chillingly grim view of the penal colony at Port Arthur (Van Diemen’s Land); the Artémis run aground at Papeete (Tahiti); and a view of Honolulu. The introductory text by Henricy places each engraving in the context of the route taken by the Artémis, which visited Sydney as well as Hobart. A luxurious large format reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes ‘This is a deluxe limited edition evidently assembled with the aid of Edmond Paris, who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages’.
A single example recorded in Australian collections (SLNSW).
Forbes 3535; Not in Ferguson.
Publishing details: Paris : Charles Noblet, [1883]. Oblong quarto, red patterned cloth with embossed and gilt pictorial design, spine with gilt lettering, all edges gilt, pp 1-8 [text] + 25 leaves with engravings by de Laplante from drawings by Paris,
Ref: 1000
Nettleton Charlesview full entry
Reference: From Douglas Stewart Fine Books, November, 2016: MELBOURNE] Railway Pier, Williamstown
NETTLETON, Charles
# 14430
[Melbourne : Charles Nettleton, circa 1870]. Albumen print photograph, 133 x 202 mm, on its original board mount, printed caption below image 'Railway Pier, Williamstown' and imprint of 'C. Nettleton, Photo., Melbourne'; the albumen print with mottling in the negative but in good condition; the mount clean.
A companion photograph to Nettleton's more famous series of views of Sandridge Pier on the opposite shore of Port Philip Bay. 
Ref: 1000
Gough Steveview full entry
Reference: exhibition catalogue 2016, Outstation Gallery, Darwin: ‘Enchanted view
THE ENCHANTMENT of Steve Gough's classically inspired landscapes lie in the minute detail set against the glowing and often hazy atmosphere of the Top End bush.

This new series of paintings are vignettes of Gough's hallmark characteristics:  seasonal light, the fine slender lines of woodland trees, quiet stillness or the rustle of feather; all contained within the small size of these works.

In a reiteration of last year's Japanese aesthetic, Steve continues his work with gold leaf to an iconographic effect. His bird studies exude a nineteenth century charm similar to the colour plates found in scientific manuals; these studies are exquisite compositions of both simplicity and detail on a minute and delicate scale.
 
Steve Gough was a finalist in this year's Wynne Prize at the Art Gallery of New South Wales.
Publishing details: Outstation Gallery, 2016, pb, 47pp
Ref: 1000
Edkins Katherineview full entry
Reference: see Elders auction, Adelaide, 13 November, 2016: Lot 3
CATHLEEN ELIZABETH EDKINS (b.1922)

“The Hay Gatherers”
Oil on Canvas
92x122cm
Signed Lower Right

This most remarkable work by Cathleen is a romantic step back in time, when the horse played such an important part in the rural community. Depicting harvest time brings back the romance of the early years on the farm. The toilers loading the hay stooks with their pitch forks, the sun glistening on the horse’s hides in a field of wheat, looking to a distant vista one must concede a most spectacular composition.
Edkins built an envious reputation as master of painting the heavy horse.
Her knowledge a product of the loved horses and animals from the early age on her father’s farm Coola Station, just outside Mt Gambier.
Her early interest in drawing was fostered by her parents.
A path that eventually led to being tutored by one of Australia’s most highly regarded painters of the horse, Septimus Power, which contributed greatly in her artistic career.
She enjoyed great success through her life. Died in 2008 leaving an artistic legacy to the western districts on a subject that she made her own.
Greenwood Garyview full entry
Reference: see Elders auction, Adelaide, 13 November, 2016: Lot 159
GARY GREENWOOD (1943-2005)

“Lyre Guitar”
Leather and Australian Exotic Timbers
Height 75cm Width 56cm
Signed to Base, Dated 81, Titled Lyre Guitar

Prov: Joseph Brown Collection, Private Collection, Adelaide
Born in Kent, England. A Tasmanian leather sculptor and graphic artist. He pioneered and mastered the use of leather as a sculptural material using it to create musical instruments, theatrical costumes, wall hangings etc.
Widely represented in public and private collections. Studied art and design at Reigate School of Art Surrey England. Established himself as a graphic designer in Australia in 1962. Later established his home and studio on Mt Barrow near Launceston, Tasmania 1985-1989 was head of the leather workshop at Canberra School of Art. Had 26 exhibitions in Australia and Internationally.
His contribution to the arts was recognised in the Australia Day Honours 2005.
Collections of his works are at the National Art Gallery of Australia, Queen Victoria Museum and Art Gallery and Grainger Museum.
Grakalic Viliamaview full entry
Reference: see Elders auction, Adelaide, 13 November, 2016: Lot 160
VILIAMA GRAKALIC (b.1942)

“Standing Nude”
Bronze
Height 115cm Base 40cm
Signed Rear of Right Hand Heel, Edition No. 1/6

Prov: Private Collection, Adelaide
Noted Australian silver smith and sculptor graduated Diploma in gold and silver smithing RMIT Melbourne 1987. Bachelor of Arts (sculpture) RMIT University Melbourne. Master Visual Arts University of Sydney 1998.
An active participant in prestigious solo and selected group exhibitions over the last 25 years.
Her work is held in the following National Collections:-

Art Gallery of WA Griffith Regional Art Gallery NSW, Art Gallery of NT Darwin, National Gallery of Australia ACT, Queen Victoria Museum and Art Gallery Launceston, Powerhouse Museum Sydney, Queensland Art Gallery, Toowoomba Art Gallery.
Badham Herbertview full entry
Reference: see Sotheby’s Australia, 23 November, 2016: Lot 1. HERBERT BADHAM
1899-1961.
With essay.
Botanical Gardens, Sydney (circa 1936)
oil on canvas
60 x 90 cm

(Portrait and Sydney Harbour) (circa 1942)
oil on canvas
90 x 60 cm
Provenance
Private Collection
Private Collection, Melbourne, acquired from the above
Paintings, Leonard Joel, Melbourne, 10 April 1990, lot 110, illustrated
Corporate Collection, Melbourne, acquired from the above
Dobell Williamview full entry
Reference: see Sotheby’s Australia, 23 November, 2016: Lot 3: PROPERTY FROM A CORPORATE COLLECTION, MELBOURNE. With essay.
WILLIAM DOBELL
1899-1970
Storm Approaching, Wangi 1948
oil on cardboard on composition board
signed and dated 'W DOBELL 48' lower right
32.9 x 56 cm
Provenance
Mr Frank Clune and Mrs Thelma Clune, Sydney, acquired directly from the artist in 1948
Joseph Brown Gallery, Melbourne
Corporate Collection, Melbourne, acquired from the above in 1991
Exhibited
The Wynne Art Prize, 1948, National Art Gallery of New South Wales, Sydney, 22 January - 7 March 1949, no. 9
William Dobell: Exhibition of Paintings, David Jones' Art Gallery, Sydney, 27 January - 17 February 1954, no. 41, 'Storm Over Wangi'
Famous Paintings from Australian Homes, David Jones' Art Gallery, Sydney, 14-24 May 1957, no. 6, 'Storm Over Wangi'
William Dobell, Museum of Modern Art of Australia, Melbourne, 17 May - 10 June 1960, no. 17, '1947'
William Dobell: Paintings from 1926-1964, Art Gallery of New South Wales, Sydney, 15 July - 30 August 1964, no. 114
Literature
Brisbane Telegraph, Brisbane, 21 January 1949, p. 5
The Sun, Sydney, 21 January 1949, p. 3
Barrier Daily Truth, Broken Hill, 22 January 1949, p. 5
Maryborough Chronicle, Maryborough, 22 January 1949, p. 1
Newcastle Morning Herald and Miners' Advocate, Newcastle, 22 January 1949, p. 1 (illustrated)
The Advertiser, Adelaide, 22 January 1949, p. 1
The Age, Melbourne, 22 January 1949, p. 3
The Argus, Melbourne, 22 January 1949, p. 5
The Bathurst National Advocate, Bathurst, 22 January 1949, p. 2
The Barrier Miner, Broken Hill, 22 January 1949, p. 3
The Canberra Times, Canberra, 22 January 1949, p. 2
The Courier-Mail, Brisbane, 22 January 1949, p. 1
The Daily Advertiser, Wagga Wagga, 22 January 1949, p. 3
The Daily Examiner, Grafton, 22 January 1949, p. 1
The Daily Mercury, Mackay, 22 January 1949, p. 3
The Examiner, Launceston, 22 January 1949, p. 1
The Kalgoorlie Miner, Kalgoorlie, 22 January 1949, p. 4
The Mail, Adelaide, 22 January 1949, p. 1
The Mercury, Hobart, 22 January 1949, p. 4
The Morning Bulletin, Rockhampton, 22 January 1949, p. 1
The Northern Miner, Charters Towers, 22 January 1949, p. 1
The Northern Star, Lismore, 22 January 1949, p. 5
The Queensland Times, Ipswich, 22 January 1949, p. 1
The Sydney Morning Herald, Sydney, 22 January 1949, p. 3
The Townsville Daily Bulletin, Townsville, 22 January 1949, p. 1
The West Australian, Perth, 22 January 1949, pp. 2, 4
Newcastle Morning Herald, Newcastle, 24 January 1949, p. 2
The Daily Examiner, Grafton, 24 January 1949, p. 1
The Mercury, Hobart, 24 January 1949, p. 5
The Northern Star, Lismore, 24 January 1949, p. 5
The Sun, Sydney, 24 January 1949, p. 9
The Narandera Argus, Narrandera, 25 January 1949, p. 2
The Riverine Grazier, Hay, 25 January 1949, p. 2
The Mercury, Hobart, 26 January 1949, p. 3
The Weekly Times, Melbourne, 26 January 1949, p. 4
The Central Queensland Herald, Rockhampton, 27 January 1949, p. 15
The Daily News, Perth, 27 January 1949, p. 6
Great Southern Herald, Kantanning, 28 January 1949, p. 1
The Sydney Morning Herald, Sydney, 3 February 1949, p. 8
The Western Mail, Perth, 10 February 1949, p. 11
James Gleeson,William Dobell, Thames and Hudson, London, 1964, cat. no. 156, plate XVII, pp. 81, 84, 85 (illustrated), 86, 196
Brian Adams, Portrait of an Artist: A Biography of William Dobell, Hutchinson Group, Melbourne, 1983, f.p. 195 (illustrated), 228, 236
Barry Pearce and Hendrik Kolenberg, William Dobell: The Painter's Progress, Art Gallery of New South Wales, Sydney, 1997, p. 90
Elizabeth Donaldson, William Dobell: An Artist's Life, Exisle Publishing, New South Wales, 2010, pp. 106 (illustrated), 107, 109, 201 (illustrated)
Elizabeth Donaldson and Robert Donaldson, William Dobell: His Life, Art and Home, Elizabeth and Robert Donaldson, New South Wales, 2011, pp. 58, 59 (illustrated)
Scott Bevan, The Life of William Dobell, Simon & Schuster, Sydney, 2014, pp. 225, 226, 227, 228
Streeton Arthurview full entry
Reference: see Sotheby’s Australia, 23 November, 2016: lot 15, ARTHUR STREETON
1867-1943. With essay.
'And the Sunlight Clasps the Earth' 1895
oil on wood panel
signed and dated 'A StrEEton 95' lower right
43.2 x 26.8 cm
Provenance
(Probably) Mr Leonard Dodds, Sydney, acquired by December 1896
(Probably) Mr. Leonard Dodds' Collection of Valuable Pictures, James R. Lawson, Sydney, 31 January 1922, lot 64, 'Heidelberg. Victoria'
(Probably) F. Thatcher, acquired from the above
Mr Henry Spry, Melbourne
Mrs Violet Spry, Melbourne
Private Collection, Hobart, by descent from the above
Exhibited
(Probably) Streeton's Sydney Sunshine Exhibition, 88 Elizabeth Street, Melbourne, 30 November 1896, no. 16, 'And the Sunlight Clasps the Earth', (Lent)
Literature
(Probably) The Sydney Morning Herald, Sydney, 1 February 1922, p. 10
Whiteley Brettview full entry
Reference: see Sotheby’s Australia, 23 November, 2016 for several early works.
Fizelle Rahview full entry
Reference: see Sotheby’s Australia, 23 November, 2016 for several Italian landscapes in oils.
Gillie and Marc Schattnerview full entry
Reference: in Wentworth Courier, article re auction clearance of studio.
Publishing details: Wentworth Courier, November 2, 2016, p24-5
Ref: 223
Cooke Willview full entry
Reference: Shapotro Gallery exhibition catalogue: [’Will Cooke (b. 1989) is a Sydney based artist who adopts abstraction to understand nostalgia and its relationship to sensory-based experience. He finished a Bachelor of Visual Arts (Hons) at Sydney College of the Arts (SCA) in 2011.

Cooke explores his own personal mythologies and memories, and through minimal abstraction attempts to make these internal thoughts and experiences, external. He makes paintings as a form of self inflicted visual therapy, transforming his personal experiences into a physical object, each geometric form representing a different facet of memory.

The results are illusion based abstract paintings that deal with nostalgia, remembrance and intimacy.

Will Cooke has shown in numerous group exhibitions around Australia and has had solo exhibitions at Alexandra Porter Advisory, New York (2016), Chalk Horse, Sydney (2015), Gallery 9, Sydney (2014), Alaska Projects, Sydney (2014) and China Heights Gallery, Sydney (2013). In addition to these exhibitions, Cooke has undertaken numerous private commissions, notably a multi-level foyer painting for residential apartment building ‘Stella’ designed by Tzannes Associates in Zetland.

Will Cooke is represented by NKN Gallery, Melbourne.’]
Publishing details: Shapiro Gallery, 162 Queen Street Woollahra NSW, 2016
Ref: 1000
Heckroth Gemälde Hein
view full entry
Reference: see lot 245, Kunst- und Auktionshaus Wilhelm M. Döbritz, Frankfurt, 19 Nov 2016 : Painting Rear Hein Roth
pour 1901 - 1970 Amsterdam painter and stage designer, studied at the Städelschule in Frankfurt. After 1933, H., with time and teaching abroad, was in Paris, London and Australia. In 1956 he returned to Germany back and was mainly at the Städtische Bühnen Frankfurt. "Portrait Dr. W. Baer, New York (National Lead Co.)" and left sign. Hein Rear Roth, dat and periodically XII.1954 Australia, verso. Oil/cardboard, 43 x 34.5 cm Lit.: AKL


Laverty Ursulaview full entry
Reference: see Artarmon Gallery exhibition catalogue for CV:

URSULA LAVERTY

Born London 1930. Arrived Australia 1949.
Studied at Winchester School of Art, England and National Art School Sydney, A.S.T.C., Married to Peter Laverty. Foundation and Life Member of Sydney Printmakers and regular exhibitor from 1961 to 1986. Designed Station of the Cross Mosaics for new Catholic Church Pymble 1992. Mosaics carried out by mosacist Mary Hall. Published book of Poetry and Drawings ‘Counterpoint’ 1993. Represented in Australian Religious Diary 1997, 1998, 2000-2006 inclusive. Initiated, assembled and curated the Hornsby Bestowed Collection (2005) assisted by artist Margaret Woodward

Exhibitions

Artarmon Galleries 1987, 1990, 1995, 2000, 2004 (with fABIA tORY),
2010 (with PETER LAVERTY), 2016
Arts Council Gallery 1973Australian Catholic University Canberra 2001Australian Catholic University Sydney 2002Design Arts Centre, Brisbane QLD 1968, 1978Macquarie Galleries 1969Mary Place Gallery 2006Printmakers Gallery and Workshop, Brisbane QLD 1979Robin Gibson Gallery 1978Taylor Galleries 2009Workshop Arts Centre 1973
Selected Group Exhibitions
Bruce Smith Collection, 2001 Artarmon GalleriesJoint Exhibitions with Peter Laverty:Mosman Regional Gallery ‘Allen Gamble, a Retrospective and
Early Mosman Prizewinners’ 2001 Canberra, 1959
Maitland City Art Gallery, 1982Print Survey E.S.T.C. 1980 Trinity Delmar Galley ‘Four Print Makers’ 1985Manly Regional Gallery Exhibition 2001: National Art School ‘The Studio Tradition 1883-2001’then travelling NSW to 2004 Von Bertouch Gallery Newcastle, 1963
Newcastle Region Gallery ‘All Creatures Great and Small’ 1993 North Sydney Council Exhibition “Inspired by Nature”2005Printmakers of NSW London then travelling UK, 1982S H Ervin Gallery ’45 Years of Sydney Printmakers’ then to Hawkesbury & Tamworth Regional Galleries 2006Singapore & New Zealand Exhibitions
State Library of Queensland ‘Artists’ Book Fair’ 1994
Group Exhibitions also include:
Portia Geach, Blake Prize, Aust Women’s Weekly Prize & ‘Gift of the Artist’ Hornsby Council Collection at Hornsby T.A.F.E. (2005) & Australian Catholic University and Strathfield Regional Gallery (2007)
Awards:
George Galton Memorial Print Prize Maitland 1980, Mosman Drawing Prize 1958, Journalists Club Award 1958, 10 Regional Art Prizes: Port Macquarie (Graphic), Ryde(Mixed Media), Taree (Open), Gladstone Qld (Print), Narrabri (Print), Boggabri (Print), Gunnedah (Print), Lismore (Purchase), Windsor (Purchase), Grafton (Purchase).
CollectionsArt Gallery of NSW, Qld, Vic ; Artbank; Australian Catholic University, Sydney & Canberra; Canberra College of Advance Education;
Commonwealth Bank Collection; Griffith University Brisbane; Queensland University of Technology Brisbane; New Norcia WA; Patrick White Collection; Sydney Institute of Technology; Regional Galleries of Newcastle, Manly, Mosman, Bendigo and several other regional & civic collections including Lane Cove ; Reserve Bank; State Parliament Offices, NSW; Trinity Grammar School; D.M.R. Library; ‘Counterpoint’ purchased by State Library (Qld); Private Collections in Australia and Overseas
BibliographyMcCulloch Encyclopaedia of Australian Art (1984-1994); Germaine A Dictionary of Women Artists of Australia1991(colour plate); Germaine Artists and Galleries of Australia(1984) and New Zealand; IBC Cambridge Who’s Who in Australia and the Far East; Art &Australia: Colour Illustrations in 1982 (Vol 19 No 4 p403), 1990 (Vol 28 No 1 back cover);
Kempf Australian Printmakers; Lilian Wood (Ed) Directory of Australian Printmakers ed. Lilian Wood 1976 & 1982;
G Robb & E Smith Concise Dictionary of Australian Artists MUP 1993

Menpes Mortimerview full entry
Reference: See Sheppard’s Irish uctio House, lot 1537, 1 December, 2016: Mortimer Luddington Menpes was born in South Australia. The family moved to England in 1875 and Menpes commenced his art training at The School of Art in London in 1878. He was a pupil of James McNeill Whistler (1834-1903) who taught him etching. He visited Japan in 1887 and was greatly influenced by Japanese art and design. He decorated his house in Chelsea in the Japanese taste. Menpes worked in South Africa during The Boer War. He also travelled to Burma, Egypt, France, Italy and Spain. He was a Member of The Royal Society of Painter-Etchers, The Royal Society of British Artists and The Royal Institute of Painters in Watercolours. Examples of his works can be found at The Tate Gallery, London; The Hunterian Gallery; University of Glasgow; and The Sheffield Art Gallery. Portrait of a young debutante
Oil on canvas (unlined)
Signed with initials MM
Enclosed in a gilt frame
.24½ x 16½ inches (62 x 42 cm.)
Gordon-Frazer Charles Eview full entry
Reference: See Christie’s London Topographical Pictures 15 December, 2016, lot 8: CHARLES E. GORDON-FRAZER (1863-1899)
An outrigger in the New Hebrides
signed and dated ‘C. Gordon-Frazer, 1891’ (lower right) oil on canvas
24 x 36in. (61 x 91.5cm.)
£4,000-6,000

The present canvas presumably a gift to Stanley, who is reported to have inspired the artist’s travels: ‘... Mr Charles Gordon Frazer, the well-known painter of Australasian subjects and scenery ... studied art at St John’s Wood School of Art, at South Kensington, and at the Royal Academy, but never remained long at any of these places, preferring the freedom of Nature direct. He went to Paris, and has lived in Italy, where he studied the old masters and sketched from nature, until a chance meeting with Henry Morton Stanley, the great African explorer, awakened his latent desire for a life less circumscribed than European civilisation permits.’

Gordon-Frazer set of for New Zealand in 1888, beginning an itinerant career, working in Australia and Melanesia: ‘ ... he then successively visited the South Sea Islands, New Guinea, and also traversed Australia northwards as far as the Gulf
of Carpentaria, sketching everywhere, and collecting the rich material of which he has made so good use in his pictures.’ (from Our Contemporaries — A Biographical Repertoire of the Men and Women of the Day 1897-1898, London, 1898, p.198). The artist died of blackwater fever in 1899. For a collection of his work, including his large ‘Cannibal Feast on the island of Tanna, New Hebrides’, see Christie’s South Kensington, 10 Nov. 1988, lots 152-58.
Gibbs Mayview full entry
Reference: see SL, magazine for State Library of NSW Members, Summer 2016-17, p25-5, article by Alison Wishart
Balcombe Thomasview full entry
Reference: see SL, magazine for State Library of NSW Members, Summer 2016-17, p36-7, article by Rachel Franks on new State Library acquisition (an oil by Balcombe of Aborigines fishing).
Ref: 145
Sandeman Henry G H (1856-1919) view full entry
Reference: See Davidson’s Auctions, Sydney, 4 December, 2016: lot 11. SANDEMAN, HENRY G H (1856-1919) -

'Barcoo Stockman,' 1885. Signed & dated lower right.
W/Clr
18x15cm
Lot Number: 11
Sale date: 04-Dec-16
$ 1.00 BOTTOM OF PRICE RANGE $200.00 TOP OF PRICE RANGE - $400.00
Phillips Harry (1873-1944)view full entry
Reference: See Davidson’s Auctions, Sydney, 4 December, 2016:lots 326-330. PHILLIPS, Harry (1873-1944)
Cloud in the Valley. Harry Phillips set up a photographic business in Katoomba in 1909 & produced many Blue Mountains View books. Similar to his friend, Frank Hurley, he had an obsession with clouds & published his now rare & idiosyncratic book 'Clouds' in 1914. This image was incl. in that book. On his death in 1944 all his negatives were sold to the postcard publisher Murray Views who dumped them in the 1970s. Very few photographs remain. Provenance: Harry Phillips's daughter, thence Phillip Kay  (author of 'The Far-Famed Blue Mountains of Harry Phillips,' Leura 1985), thence present owner.
Morley Lewis (1925-2013)view full entry
Reference: See Davidson’s Auctions, Sydney, 4 December, 2016. Numerous lots of Morley’s photographs and artworks. From the estate.
Shockley Williamview full entry
Reference: see Antipodean Books, Maps & Prints
David & Cathy Lilburne, November 2016: Shockley, William.
20 GLASS PLATE NEGATIVES OF WESTERN AUSTRALIA EARLY IN THE HISTORY OF THE W.A. GOLD RUSH AS WELL AS FAMILY IMAGES OF SHOCKLEY, HIS FAMILY AND HOME, HOUSED IN TWO BOXES.
1901-2. William Shockley was an American-born mining engineer, surveyor, and amateur photographer and a contemporary of Herbert Hoover, also a mining engineer involved in mining in Western Australia & China. One can imagine a friendship between Shockley's and the Hoover's- all 4 of them had an interest in geology and mining. May Bradford Shockley was a Missouri-born mining surveyor in Nevada and federal deputy surveyor of the mineral lands, a highly unusual profession for a woman in this period. Lou Henry Hoover, who grew up as something of a tomboy in California, was enrolled as Stanford University's only female geology major in 1894, where she met Herbert Hoover. They delayed marriage plans until she completed her education and he pursued his mining career in Western Australia, where gold had recently been discovered. During their time in China, she became proficient in Chinese. She was also well versed in Latin; she collaborated with her husband in translating Agricola's De Re Metallica, a 16th-century encyclopedia of mining and metallurgy. The Hoover translation was published in 1912, and remains in print today as the standard English translation.

The slides are principally of Western Australian mining sites. Measuring 4 1/4 x 3 1/2", they are housed in the original brown glossy papered slipcase. One bears the original French label by A. Lumiere, Paris.
The subjects are:
1. Five men in a flat barren landscape. These men appear to be visiting dignitaries. The one on the left may possibly be Premier Newton Moore. This image includes an older white-bearded man wearing a white pith helmet and wearing a jacket, vest and tie. He is obviously not a miner, but we were not able to ascertain who he might be.
2. Two men dryblowing gold, one with a pan, one with a box. An iconic image.
3. Seven men in front of a bush hut, with a water bag. (This is an image of miners, as well as the older white-bearded man in the pith helmet and wearing a jacket, vest and tie.)
4. Two wooden sheds in scrub with mine head behind. (with more work, it could probably be determined which mine this is, as the mining district is known, Laverton.)
5. One man in front of two trees in the scrub.
6. A laden stage coach in front of a shop in the bush. An iconic image.
7. Men in the mulga bush near a willy willy (whirlwind) or small fire (?).
8. Mine head with bush hut. (Similar to #3, alternate view of #4).
9. One naked white man about to dive in a bush lake. (A lake in the gold fields would be an extraordinarily rare occurrence.)
10. Mine head, horse and buggy and two wooden sheds (see #4 & 8).
11. Two laden camels with three young camels.
12. A pair of aboriginal men with ritual scarring on their backs (their backs to the camera.) (housed in a cellophane wrapper numbered "10", outside of the box.) A rare and iconic image.
13. Camel drawn water wagon. (housed in a cellophane wrapper numbered "5" , outside of the box.)
14. Horse buggy in lightly treed country.
15. Wooden settler's hut in lightly forested area, trees nearby are ring barked. Stone fireplace.

Other slides, mostly family views of Shockely (standing in front of his grand looking library, his piano, gardening) & his small son. These are in the original numbered slide box manufactured by by A. Lumiere & Ses Fils, Lyon, "Plaques au Gelatino-Bromure d'Argent." With blue china marker writing on the label, the box covered with glossy brown paper, somewhat rubbed. The box is numbered and titled "Sigma".

16. Camel in front of a stone wall. The stone houses behind look like Western China. 4 1/4 x 3 1/2".

Family views, size 6 x 4".
17. Portrait of Shockely in front of book lined shelves & typewriter
18. Piano in his refined drawing room.
19. Small boy in bath, wrapped in a towel.
20. Shockely, wearing a hat and digging in the garden of a large refined home.

There are prints for #17-20, made by Peter Howard in 2004, with a credit card slip signed by Peter.

Extraordinarily rare. Period images by identified photographers are very scarce. Shockley's archives are housed at Stanford; a large collection of his images, which include many of China, India and Western Australia, are housed at Duke University. Of the thousands of photographs at Duke, they hold only 160 or so glass plate negatives. Item #22583
Price: $7,500.00
- See more at: https://www.antipodean.com/pages/books/22583/william-shockley/20-glass-plate-negatives-of-western-australia-early-in-the-history-of-the-w-a-gold-rush-as-well-as#sthash.uFGej5ZM.dpuf
From Field to Fieldwork:
the Exhibition Catalogue and Art History in Australiaview full entry
Reference: From Field to Fieldwork:
the Exhibition Catalogue and Art History in Australia, James (Jim) Thomas Berryman July 2005, A thesis submitted for the degree of Doctor of Philosophy of the Australian National University
Publishing details: July 2005
Ref: 1000
Austraian art cataloguesview full entry
Reference: see From Field to Fieldwork:
the Exhibition Catalogue and Art History in Australia, James (Jim) Thomas Berryman July 2005, A thesis submitted for the degree of Doctor of Philosophy of the Australian National University
Publishing details: July 2005
Tjukurrpaview full entry
Reference: T]ukurrpa: Desert Dreamings - Aboriginal Art from Central Australia (1971-1993) ,Michael O'Ferrall, Perth.
Publishing details: Perth. Art Gallery of W.A. 1993. Exhibition Catalogue. Oblong 4to. Col.Ill. wrapps. 60pp. Col ills.
Ref: 1000
Christoview full entry
Reference: Wool Works
Publishing details: NGV, 1970, 18p. ill.
Ref: 1000
Williams Fredview full entry
Reference: see The Heroic Landscape - Fred Williams, Arthur Streeton, NGV exhibition catalogue
Publishing details: NGV, nd c1970
Streeton Arthurview full entry
Reference: see The Heroic Landscape - Fred Williams, Arthur Streeton, NGV exhibition catalogue
Publishing details: NGV, nd c1970
Philip Morrisview full entry
Reference: Air, presented by Philip Morris
Publishing details: AGSA, 48p. ill.
Ref: 1000
Surrealismview full entry
Reference: Surrealism: an exhibition circulated under the auspices of the International Council of MOMA
Publishing details: VAB, 1972, 22p. (76p. of plates)
ill.
Ref: 1009
Krimper Schulimview full entry
Reference: Krimper: a memorial exhibition of the furniture & wood work of Schulim Krimper
Publishing details: NGV, 1975, 16p. ill.
Ref: 1009
Modern Australian Photographsview full entry
Reference: Modern Australian Photographs [to be indexed]
Publishing details: NGV, 1976, 12p. ill.
Ref: 1009
Trout Collectionview full entry
Reference: An exhibition of 61 paintings from QAG - the collection of Sir Leon and Lady
Trout
Publishing details: QAG, 1977, 24p. col. ill.
Ref: 1000
Collection Piecesview full entry
Reference: Collection Pieces - Australian crafts - NGV a survey of works from seventeen
public collections
Publishing details: NGV, 1978, 16p. ill
Ref: 1000
Brown Mikeview full entry
Reference: Mike Brown: a survey of work, NGV
1961-1977
Publishing details: NGV, 1978, 17p. ill.
Ref: 1009
Lowe Allanview full entry
Reference: Allan Lowe Pottery 1929-1979. A Retrospective Exhibition of Pottery. National Gallery of Victoria 11th September - 21st of October 1979.
Publishing details: NGV, 1979, 20p. ill.
Ref: 1009
Colonial crafts of Victoriaview full entry
Reference: Colonial crafts of Victoria: Early settlement to 1921. Curated by Murray Walker. Catalogue for National Gallery of Victoria exhibition 1978-79) [This book has sections on: Aborigines; travel; farming; hearth & home; recreation; gold; children; town & metropolis; ceremony etc].
Profusely illustrated in colour and black & white. ‘An exhibition catalogue of Colonial Crafts of Victoria from early settlement to 1921 held at the NGV.’ Includes some biographical information. To be indexed fully.
Publishing details: Craft Council of Australia, Melbourne (for NGV), 1978, b/w illusts, . (some col.) 166pp,
Wilson Laurieview full entry
Reference: Laurie Wilson (check whether this exists as a separate shorter catalogue published by NGV in 1982)
Publishing details: National Gallery of Victoria, 1982, 12p. ill
Ref: 1000
Hughan Haroldview full entry
Reference: Retrospective. (pottery) [Is this the same publication as the Aldine Press publication?]
Publishing details: NGV, 1983, 24p. ill. (some col.) [National Gallery of Victoria, 1969]. Octavo, wrappers with pictorial front, pp. [20], catalogue of 440 works. Introduction by Kenneth Hood.]
Ref: 1000
Arkeveld Hansview full entry
Reference: Hans Arkevald, images of a cagemaker: drawings, prints, sculpture
Publishing details: AGWA, 1984, 15p. col. ill.
Ref: 1000
Relief printsview full entry
Reference: Out of the book and on to the wall: the relief print
Publishing details: ANG, 1984, 16p. ill.
Ref: 1009
Trout Collectionview full entry
Reference: Gifts from the collection of Sir Leon & Lady Trout
Publishing details: QAG, 1984, 24p. col. ill.
Ref: 1000
Six new directionsview full entry
Reference: Six new directions
Publishing details: QAG, 1985, 8p. ill.
Ref: 1000
Graham Danview full entry
Reference: Dan Graham
Publishing details: AGWA,1985, 5l pp. ill
Ref: 1009
Rushforth Peterview full entry
Reference: Peter Rushforth retrospective
Publishing details: AGWA, 1985, 16p. ill
Ref: 1009
Jackson Lindaview full entry
Reference: Linda Jackson & Jenny Kee: Flamingo Park and bush couture
Publishing details: ANG, 1985, 4pp
Ref: 1000
Kee Jennyview full entry
Reference: see Linda Jackson & Jenny Kee: Flamingo Park and bush couture
Publishing details: ANG, 1985, 4pp
Tyler Kenview full entry
Reference: Ken Tyler, printer extraordinary
Publishing details: ANG, 16p. ill.
Ref: 1000
CSR photography project: QAG and QAG regional tour, 1985-86view full entry
Reference: CSR photography project: QAG and QAG regional tour, 1985-86. A travelling photography exhibition featuring the work of Max Dupain, Bill Henson, Carolyn Johns, Tom Balfour, Ed Douglas, Fiona Hall, Gerrit Fokkema, Peter Elliston, Stephen Lojewski, David Moore, Grant Mudford, Debra Phillips, Philip Quirk, Wesley Stacey, David Stephenson, and John Williams.
Publishing details: QAG, 1985, 32p. ill. (some col.)
Ref: 1000
Australian Ceramicsview full entry
Reference: Celebrating Ceramics
Publishing details: NGV, 16p. ill. (some col.)
Ref: 1000
Australian Landscapes Photographedview full entry
Reference: Australian landscape photographed: an exhibition of photographs from the collection of the NGV.
An exhibition of over 100 photographs of the Australian landscape from the 1860s to the 1980s, from the collection of the National Gallery of Victoria. Jennie Boddington curated the exhibition and wrote the catalogue introduction. National Gallery of Victoria : 22 March - 4 May 1986.
(Toured regional galleries)
Publishing details: NGV, 1985, 1lp. ill.
Ref: 1009
McConnell Carlview full entry
Reference: Carl McConnell, master potter
Publishing details: QAG, 1986, 64p. ill. (some col.)
Ref: 1000
Larsen Helge and Darani Lewersview full entry
Reference: Helge Larsen & Darani Lewers: a retrospective - jewellery, hollow- ware & sculpture
Publishing details: NGV, 1986, 56p. ill. (some col.)

Ref: 1000
Arnhem Land artview full entry
Reference: My country, my story, my painting: recent paintings twelve Arnhem Land artists. [to be indexed]
Publishing details: ANG, Sp. ill.
Ref: 1000
Dumbrell Lesleyview full entry
Reference: see Colour and transparency: the watercolours of Lesley Dumbrell, Robert Jacks, Victor Majzner
Publishing details: NGV, 64p. ill. (some col.)
Jacks Robertview full entry
Reference: see Colour and transparency: the watercolours of Lesley Dumbrell, Robert Jacks, Victor Majzner
Publishing details: NGV, 64p. ill. (some col.)
Majzner Victorview full entry
Reference: see Colour and transparency: the watercolours of Lesley Dumbrell, Robert Jacks, Victor Majzner
Publishing details: NGV, 64p. ill. (some col.)
Women of the Hillview full entry
Reference: Women of the Hills: Influential artists from the 1930s to 1980s, Mundaring Arts Centre, WA, 2014.Extensive biographical essays on each of the six artists.

Publishing details: Shire of Mundaring Art Acquisition Exhibition 7 February to 16 March 2014, 8pp (colour photocopy)
Ref: 136
Peace Show Theview full entry
Reference: The Peace Show. The show was part of the Spring Peace Festival in 1986 at AGWA’s Old Courthouse Gallery. [to be indexed]
Publishing details: AGWA, 29p. ill. (some col.)
Ref: 1000
Linton Betsyview full entry
Reference: see Women of the Hills: Influential artists from the 1930s to 1980s, Mundaring Arts Centre, WA, 2014.Extensive biographical essays on each of the six artists.

Publishing details: Shire of Mundaring Art Acquisition Exhibition 7 February to 16 March 2014, 8pp (colour photocopy)
Barber Elizabeth Blairview full entry
Reference: see Women of the Hills: Influential artists from the 1930s to 1980s, Mundaring Arts Centre, WA, 2014.Extensive biographical essays on each of the six artists.

Publishing details: Shire of Mundaring Art Acquisition Exhibition 7 February to 16 March 2014, 8pp (colour photocopy)
Grey-Smith Helenview full entry
Reference: see Women of the Hills: Influential artists from the 1930s to 1980s, Mundaring Arts Centre, WA, 2014.Extensive biographical essays on each of the six artists.

Publishing details: Shire of Mundaring Art Acquisition Exhibition 7 February to 16 March 2014, 8pp (colour photocopy)
Woodward Margaretview full entry
Reference: see Women of the Hills: Influential artists from the 1930s to 1980s, Mundaring Arts Centre, WA, 2014.Extensive biographical essays on each of the six artists.

Publishing details: Shire of Mundaring Art Acquisition Exhibition 7 February to 16 March 2014, 8pp (colour photocopy)
O’Brien Philippaview full entry
Reference: see Women of the Hills: Influential artists from the 1930s to 1980s, Mundaring Arts Centre, WA, 2014.Extensive biographical essays on each of the six artists.

Publishing details: Shire of Mundaring Art Acquisition Exhibition 7 February to 16 March 2014, 8pp (colour photocopy)
Clear Madeleine view full entry
Reference: see Women of the Hills: Influential artists from the 1930s to 1980s, Mundaring Arts Centre, WA, 2014.Extensive biographical essays on each of the six artists.

Publishing details: Shire of Mundaring Art Acquisition Exhibition 7 February to 16 March 2014, 8pp (colour photocopy)
Art Gallery of Western Australiaview full entry
Reference: Western Australian photographers [to be indexed]
Publishing details: AGWA, 1986, 16p.ill.
Ref: 1000
4 Australian jewellersview full entry
Reference: 4 Australian jewellers : Kate Durham, Rowena Gough, Carlier Makigawa, Margaret West by Judith O'Callaghan. Includes bibliographies
Publishing details: NGV, 1987, 23 p. : ill., ports.
Ref: 1000
Durham Kate view full entry
Reference: see 4 Australian jewellers : Kate Durham, Rowena Gough, Carlier Makigawa, Margaret West by Judith O'Callaghan. Includes bibliographies
Publishing details: NGV, 1987, 23 p. : ill., ports.
Makigawa Carlier view full entry
Reference: see 4 Australian jewellers : Kate Durham, Rowena Gough, Carlier Makigawa, Margaret West by Judith O'Callaghan. Includes bibliographies
Publishing details: NGV, 1987, 23 p. : ill., ports.
West Margaret view full entry
Reference: see 4 Australian jewellers : Kate Durham, Rowena Gough, Carlier Makigawa, Margaret West by Judith O'Callaghan. Includes bibliographies
Publishing details: NGV, 1987, 23 p. : ill., ports.
Gough Rowena Goughview full entry
Reference: see 4 Australian jewellers : Kate Durham, Rowena Gough, Carlier Makigawa, Margaret West by Judith O'Callaghan. Includes bibliographies
Publishing details: NGV, 1987, 23 p. : ill., ports.
Australian contemporary photographersview full entry
Reference: Australian contemporary photographers [to be indexed]
Publishing details: NGV, 1987, llp. ill
Ref: 1000
Art of the Westem Deserview full entry
Reference: The Art of the Westem Desert: AGWA Aboriginal art from central Australia
Publishing details: AGWA, 1987, 8p. ill. (some col.)
Ref: 1000
Art from the Great Sandy Desertview full entry
Reference: Art from the Great Sandy Desert
Publishing details: AGWA, 1987, 8p. ill. (some col.)
Ref: 1000
Ancestors and spiritsview full entry
Reference: Ancestors and spirits: Aboriginal . ANG painting from Arnhem Land in the
1950s and 1960s
Publishing details: ANG, 1987, 8p. ill.
Ref: 1000
Boyd Arthurview full entry
Reference: Arthur Boyd: paintings, 1973-1988 -
the XLIII Biennale of Venice
Publishing details: ANG, 1988, 41p. ill. (Some col.)
Ref: 1009
Drawing in Australiaview full entry
Reference: Drawing in Australia : drawings, water-colours, pastels and collages from the 1770s to the 1980s, by Andrew Sayers. Includes short essays or writing on the artists whose works are illustrated and may include other biographical information on artists who are mentioned but whose works are not illustrated. [’This beautifully illustrated book is an informative and fascinating chronological survey of Australian drawing since 1770. Defining a drawing as "any unique work on paper", Sayer examines a wide range of them in relation to the social influences of the period in which they were created, the genre and the medium, and discusses stylistic changes and changes in perception such as in the many "revivals" that drawing has experienced since the 1920's. He also provides drawings of natural history, Aborigines and landscape, portraits, scenes of contemporary life of the 1850's, decorative drawing, watercolors, and examples of surrealistic techniques.. ‘]
Publishing details: Australian National Gallery & Oxford University Press, Sydney, 1989, 288pp, b/w & colour ilusts, with endnotes, bibliography and index.
Australian Colonial artview full entry
Reference: Under a southern sun, July 1988-May 1989 : an Australian National Gallery travelling exhibition.
Publishing details: Australian National Gallery, 1988 
[6] p. : ill.
Ref: 1000
Featherston Chairsview full entry
Reference: Featherston Chairs, by Terence klane.
Publishing details: NGV, 1988 (?) 71p. ill. (some col.)
Ref: 1000
Aboriginal art of the topend: 1935-
1970sview full entry
Reference: Aboriginal art of the topend: 1935-
1970s
Publishing details: NGVm 1988, 27p. ill.
Ref: 1000
Shmith Atholview full entry
Reference: Athol Shmith, photographer
Publishing details: NGV, 1989, 126p. ill. (some col.)
Ref: 1000
Fairskye Merilynview full entry
Reference: Natural science: and installation by Merilyn Fairskye
Publishing details: QAG, 1989, 6p. ill.
Ref: 1000
Aboriginal Artview full entry
Reference: Paint up big: Walpiri art of Lajamanu
Publishing details: NGV, 1989, 80p. col. ill.
Ref: 1000
Borgelt Marionview full entry
Reference: Abstraction: Marion Borgelt
Publishing details: AGNSW, 1989, 48p. col. ill.
Ref: 1000
Shifting Groundview full entry
Reference: Shifting ground : Newcastle artists at the Art Gallery of New South Wales 15-19 August 1990. [to be indexed]
Publishing details: AGNSW, 1990, 33 p. : ill.
Ref: 1000
Lillecrap-Fuller Helenview full entry
Reference: Helen Lillecrapp-Fuller: a visual diary 1979-91
Publishing details: QAG, 1991, 16p. ill.
Ref: 1000
Signs of the Timesview full entry
Reference: Signs ofthe times: political posters in Queensland
Publishing details: QAG, 1991, 12p. ill.
Ref: 1000
Australian Postersview full entry
Reference: see Signs ofthe times: political posters in Queensland
Publishing details: QAG, 1991, 12p. ill.
Gower Elizabeth view full entry
Reference: Elizabeth Gower: beyond the everyday
Publishing details: QAG, 1991, 6p. ill. (some col.)
Ref: 1000
Starn Mike and Dougview full entry
Reference: Marking time: Mike and Doug Stam
Publishing details: NGV, 1993, 9p. col. ill
Ref: 1000
Johnson Markview full entry
Reference: Sydney by the sea: Mark Johnson's Sydney photographs
Publishing details: AGNSW, 1993, 8p. ill.
Ref: 1000
Duerdin Georgeview full entry
Reference: George Duerden: retrospective
Publishing details: AGWA, 1993, 24p. col. ill.
Ref: 1000
Taylor Howardview full entry
Reference: Howard Taylor: maquettes - studies and finished works 1970s and 1980s
Publishing details: AGWA, 1993,
4p. col. ill
Ref: 1000
Watkins Dickview full entry
Reference: Dick Watkins in context: an exhibitions from the collection o f the National Gallery
Publishing details: ANG, 1993, 35p. col. ill.
Ref: 1000
Full Spectrum Theview full entry
Reference: The full spectrum: colour and NGV photography in Australia, 1860s to
1990s
Publishing details: NGV, 1994, 12p. col. ill.
Ref: 1000
photographyview full entry
Reference: see The full spectrum: colour and NGV photography in Australia, 1860s to
1990s
Publishing details: NGV, 1994, 12p. col. ill.
Gleeson Jamesview full entry
Reference: James Gleeson: paintings from the NGV past decade
Publishing details: NGV, 1994, 8p. col. ill.
Ref: 1000
Aboriginal Artview full entry
Reference: Power ofthe land: masterpieces of Aboriginal art.
Publishing details: NGV, 1984,
28p. col. ill.
Ref: 1000
Ford Sueview full entry
Reference: Time surfaces: colour laser prints of Sue Ford
Publishing details: NGV, 1994, 8p. col. ill.
Ref: 1000
Victoria Viewsview full entry
Reference: Victoria views: photographs and landscape, 1850s - 1920s
Publishing details: NGV, 1994, 8p. ill.
Ref: 1000
Wiebke Karlview full entry
Reference: Karl Wiebke: painting 1971-73
Publishing details: AGWA, 1994, 60p. col. ill.
Ref: 1000
Gleeson Jamesview full entry
Reference: The drawings of James Gleeson in the NGA collection
Publishing details: ANG, 1994,
8p. col. ill.
Ref: 1000
Urban Focusview full entry
Reference: Urban focus: Aboriginal & Torres Strait Islander art in urban areas of Australia [to be indexed]
Publishing details: ANG, 1994, 8p. col. ill.

Ref: 1000
Pike Jimmyview full entry
Reference: Jimmy Pike: desert designs, 1981- 1995
Publishing details: AGWA, 1995, 80p. col. ill.
Ref: 1000


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